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'Pliilon the shepherd, late forgot, 
Sitting beside a crystal fountain," — Page 33. 



THE 



GOLDEN TREASURY 



BEST SONGS ATSfD LYRICAL POEMS IN THE 
ENGLISH LANGUAGE. 

SELECTED AND ARRANGED WITH NOTES 



FRANCIS TURNER PALGRAVE, 

LATE FELLOW OF EXETER COLLEGE, OXFORD. 



33> 




■f'APi. 20 1888 r) 






NEW YORK: 
THOMAS Y. CROWELL & CO. 

No. 13 AsTOR Place. 




COPYKIGHT, 18S8, 

By THOMAS Y. CROWELL & CO. 



RAND AVEEY COMPANY, 
ELECTROTYPERS AND PRINTERS, 



Jfl 



^ 





CONTENTS. 



PAGE. 

Dedication 5 

Preface 7 

Book 1 11 

Book II 50 

Book III 116 

Book IV. 175 

Notes 330 

Index of Writers 345 

Index of First Lines 348 





Els rhv X^Lfxwva KaOitras, 
aipSfMevos &yp€Vfi avdecov 



^Ifrrtt ErnniJSon, 

POET LAUREATE. 

This book in its progress lias recalled often to my memory a man 
with whose friendship we were once honoured, to whom no region 
of English literature was unfamiliar, and who, whilst rich iii all the 
noble gifts of Nature, was most eminently distinguished by the 
noblest and the rarest, — just judgment and high-hearted patriotism. 
It would have been, hence, a peculiar pleasure and pride to dedicate 
what I have endeavoured to make a true national Anthology of three 
centuries to Henry Hallam. But he is beyond the reach of any 
human tokens of love and reverence ; and I desire, therefore, to 
place before it a name united with his by associations which, whilst 
Poetry retains her hold on the minds of Englishmen, are not likely 
to be forgotten. 

Your encouragement, given while traversing the wild scenery of 
Treryn Dinas, led me to begin the work ; and it has been completed 
under your advice and assistance. For the favour now asked I have 
thus a second reason : and to this I may add, the homage which is 
your right as Poet, and the gratitude due to a Friend, whose regard 
I rate at no common value. 

Permit me then to inscribe to 3'ourself a book which, I hope, may 
be found by many a lifelong fountain of innocent and exalted pleas- 
ure ; a source of animation to friends when they meet ; and able to 
sweeten solitude itself with best society, — with the companionship 
of the wise and the good, with the beauty which the eye cannot see, 

jft 




DEDICATION. 

and the music only heard in silence. If this Collection proves a 
storehouse of delight to Labour and to Poverty, — if it teaches those 
indifferent to the Poets to love them, and those who love them to 
love them more, the aim and the desire entertained in framing it will 
be fully accomplished. 

F. T. P. 
May, i86i. 





s 




PREFACE. 




This little Collection differs, it is believed, from others in the 
attempt made to include in it all the best original Lyrical pieces and 
Songs in our language, by writers not living, — and none beside 
the best. Many familiar verses will hence be met with ; many also 
which should be familiar: — the Editor will regard as his fittest 
readers those who love Poetry so well, that he can offer them noth- 
ing not already known and valued. 

The Editor is acquainted with no strict and exhaustive definition 
of Lyrical Poetry ; but he has found the task of practical decision 
increase in clearness and in facility as he advanced with the work, 
whilst keeping in view a few simple principles. Lyrical has been 
here held essentially to imply that each Poem shall turn on some 
single thought, feeling, or situation. In accordance with this, 
narrative, descriptive, and didactic poems, — unless accompanied by 
rapidity of movement, brevity, and the colouring of human passion, 
— have been excluded. Humourous poetry, except in the very 
unfrequent instances where a truly poetical tone pervades the whole, 
with what is strictly personal, occasional, and religious, has been 
considered foreign to the idea of the book. Blank verse and the 
ten-syllable couplet, with all pieces markedly dramatic, have been 
rejected as alien from what is commonly understood by Song, and 
rarely conforming to Lyrical conditions in treatment. But it is not 
anticipated, nor is it possible, that all readers shall think the line 
accurately drawn. Some poems, as Gray's Elegy, the Allegro and 
Penseroso, Wordsworth's Ruth or Campbell's Lord Ullin, might be 
claimed with perhaps equal justice for a narrative or descriptive 
selection : whilst with reference especially to Ballads and Sonnets, 
the Editor can only state that he has taken his utmost pains to 
decide without caprice or partiality. 



T=r 




8 PREFACE. 

This also is all he can plead in regard to a point even more liable 
to question ; — what degree of merit should give rank among the 
Best. That a Poem shall be worthy of the writer's genius, — that 
it shall reach a perfection commensurate with its aim, — that we 
should require iinish in proportion to brevity, — that passion, 
colour, and originality cannot atone for serious imperfections in 
clearness, unity, or truth, — that a few good lines do not make a good 
poem, that popular estimate is serviceable as a guidepost more than 
as a compass, — above all, that Excellence should be looked for 
rather in the Whole than in the Parts, — such and other such 
canons have been always steadily regarded. He may however add 
that the pieces chosen, and a far larger number rejected, have been 
carefully and repeatedly considered; and that he has been aided 
throughout by two friends of independent and exercised judgment, 
besides the distinguished person addressed in the Dedication. It 
is hoped that by this procedure the volume has been freed from 
that one-sidedness which must beset individual decisions:- — but 
for the final choice the Editor is alone responsible. 

Chalmers' vast collection, with the whole works of all accessible 
poets not contained in it, and the best Anthologies of different 
periods, have been twice systematically read through : and it is 
hence improbable that any omissions which may be regretted are 
due to oversight. The poems are printed entire, except in a very few 
instances (speciiied in the notes) where a stanza has been omitted. 
The omissions have been risked only when the piece could be thus 
brought to a closer lyrical unity : and, as essentially opposed to this 
unity, extracts, obviously such, are excluded. In regard to the text, 
the purpose of the book has appeared to justify the choice of the 
most poetical version, wherever more than one exists ; and much 
labour has been given to present each poem, in disposition, spelling, 
and punctuation, to the greatest advantage. 

In the arrangement, the most poetically-effective order has been 
attempted. The English mind has passed through phases of 
thought and cultivation so various and so opposed during these three 
centuries of Poetry, that a rapid passage between Old and New, like 
rapid alteration of the eye's focus in looking at the landscape, will 
always be wearisome and hurtful to the sense of Beauty. The 
poems have been therefore distributed into Books corresponding, 




w 




PREFACE. 9 

I to the ninety years closing about 1616, II thence to 1700, III to 
1800, IV to the half century just ended. Or, looking at the Poets 
who more or less give each portion its distinctive character, they 
might be called the Books of Shakespeare, Milton, Gray, and 
Wordsworth. The volume, in this respect, so far as the limitations 
of its range allow, accurately reflects the natural growth and evolu- 
tion of our Poetry. A rigidly chronological sequence, however, 
rather fits a collection aiming at instruction than at pleasure, and 
the Wisdom which comes through Pleasure : — within each book 
the pieces have therefore been arranged in gradations of feeling or 
subject. And it is hoped that the contents of this Anthology will 
thus be found to present a certain unity, ' as episodes,' in the noble 
language of Shelley, ' to that great Poem which all poets, like the co- 
operating thoughts of one great mind, have built up since the 
beginning of the world.' 

As he closes his long survey, the Editor trusts he may add with- 
out egotism, that he has found the vague general verdict of popular 
Fame more just than those have thought, who, with too severe a 
criticism, would confine judgments on Poetry to ' the selected few 
of many generations.' Not many appear to have gained reputation 
without some gift or performance that, in due degree, deserved it: 
and if no verses by certain writers who show less strength than 
sweetness, or more thought than mastery in e.xpression, are printed 
in this volume, it should not be imagined that they have been ex- 
cluded without much hesitation and regret, — far less that they have 
been slighted. Throughout this vast and pathetic array of Singers 
now silent, few have been honoured with the name Poet, and have 
not possessed a skill in words, a sympathy with beauty, a tenderness 
of feeling, or seriousness in reflection, which render their works, 
although never perhaps attaining that loftier and finer e.xcellence 
here required, — better worth reading than much of what fills the 
scanty hours that most men spare for self-improvement, or for 
• pleasure in any of its more elevated and permanent forms. And if 
this be true of even mediocre poetry, for how much more are we 
indebted to the best ! Like the fabled fountain of the Azores, but 
with a more various power, the magic of this Art can confer on each 
period of life its appropriate blessing : on early years Experience, 




rt£4 



10 PREFACE. 

on maturity Calm, on age Youthfulness. Poetry gives treasures 
' more golden than gold,' leading us in higher and healthier ways 
than those of the world, and interpreting to us the lessons of Na- 
ture. But she speaks best for herself Her true accents, if the plan 
has been executed with success, may be heard throughout the fol- 
lowing pages: — wherever the Poets of England are honoured, 
wherever the dominant language of the world is spoken, it is hoped 
that they will find fit audience. 



During the years since this book was first published, not a few 
poems have appeared to the Editor, or have been suggested, as fit 
candidates for insertion. A few of these were then unprinted : some 
have owed their claim to reconsideration : most, to the opportunity 
of studying our rare early writers, which the excellent reprints of 
Dr. Hannah, Dr. Grosart, IVIr. Arber, and others, have afforded. 
To have added all these pieces, however, — even if accompanied by 
a few erasements, — would have given both a cumbrous enlargement 
and a novel aspect to the selection. Under the advice and assist- 
ance, therefore, of the distinguished Friend to whom gratitude is 
due from all readers who have found, or may hereafter find here the 
pleasure and profit which it is the aim of Poetry to give, the very 
best only of the poems gathered in this after-harvest have been 
admitted. And in this gleaning the original limit by which the book 
was confined to those no longer living has been retained, and noth- 
ing added from those poets whose loss, — too early even when they 
were taken in the fulness of their days, — the English-speaking 
world has had to deplore since 1861. 

December, 1883. 




THE GOLDEN TREASURY. 



Book jTtrst. 



SPRING. 

Spring, the sweet Spring, is the year's pleasant king ; 
Then blooms each thing, then maids dance in a ring, 
Cold doth not sting, the pretty birds do sing, 
Cuckoo, jug-jug, pu-we, to-witta-woo ! 

The palm and may make country houses gay. 
Lambs frisk and play, the shepherds pipe all day, ' 
And we hear aye birds tune this merry lay. 
Cuckoo, jug-jug, pu-we, to-witta-woo. 

The fields breathe sweet, the daisies kiss our feet. 
Young lovers meet, old wives a sunning sit. 
In every street these tunes our ears do greet. 
Cuckoo, jug-jug, pu-we, to-witta-woo ! 
Spring ! the sweet Spring ! 

T. Nash. 



SUMMONS TO LOVE. 
Phoebus, arise ! 
And paint the sable skies 
With azure, white, and red: 
Rouse Memnon's mother from her Tithon's bed 
That she may thy career with roses spread : 
The nightingales thy coming each where sing: 
Make an eternal spring ! 



^Cbi 




xm 




BOOK FIRST. 

Give life to this darlc world which lieth dead ; 

Spread forth tliy golden hair 

In larger locks than thou wast wont before, 

And emperor-like decore 

With diadem of pearl thy temples fair : 

Chase hence the ugly night 

Which serves but to make dear thy glorious light. 

— This is that happy morn, 
That day, long-wished day 
Of all my life so dark, 

(If cruel stars have not my ruin sworn 

And fates my hopes betray), 

Which, purely white, deserves 

An everlasting diamond should it mark. 

This is the morn should bring unto this grove 

My Love, to hear and recompense my love. 

Fair King, who all preserves. 

But show thy blushing beams, 

And thou two sweeter eyes 

Shalt see than those which by Pendus' streams 

Did once thy heart surprize. 

Now, Flora, deck thyself in fairest guise : 

If that ye winds would hear 

A voice surpassing far Amphion's lyre. 

Your furious chiding stay ; 

Let Zephyr only breathe. 

And with her tresses play. 

— The winds all silent are. 
And Phoebus in his chair 
Ensaffroning sea and air 
IVIakes vanish every star : 
Night like a drunkard reels 

Beyond the hills, to shun his flaming wheels : 
The fields with flowers are deck'd in every hue. 
The clouds with orient gold spangle their blue ; 
Here is the pleasant place — 
And nothing wanting is, save She, alas ! 

W. Drummcnd of Hatothornden. 




TIME AND LOVE. 13 

III. 
TIME AND LOVE. 



When I have seen by Time's fell hand defaced 
The rich proud cost of out-worn buried age ; 
When sometime lofty towers I see down-razed, 
And brass eternal slave to mortal rage ; 

When I have seen the hungry ocean gain 
Advantage on the kingdom of the shore, 
And the firm soil win of the watery main. 
Increasing store with loss, and loss with store ; 

When I have seen such interchange of state, 

Or state itself confounded to decay. 

Ruin hath taught me thus to ruminate — 

That Time will come and take my Love away : 

— This thought is as a death, which cannot choose 

But weep to have that which it fears to lose. 

W. Shakespeare, 

rv- 

2. 

Since brass, nor stone, nor earth, nor boundless sea. 
But sad mortality o'ersways their power. 
How with this rage shall beauty hold a plea. 
Whose action is no stronger than a flower? 

O how shall summer's honey breath hold out 
Against the wreckful siege of battering days. 
When rocks impregnable are not so stout 
Nor gates of steel so strong, but time decays? 

O fearful meditation ! where, alack ! 
Shall Time's best jewel from Time's chest lie hid ? 
Or what strong hand can hold his swift foot back. 
Or who his spoil of beauty can forbid? 

O ! none, unless this miracle have might, 
That in black ink my love may still shine bright. 

W, Shakespeare. 



17=1= 




L4 BOOK FIRST. 



THE PASSIONATE SHEPHERD TO HIS LOVE. 

Come live with me and be my Love, 

And we will all the pleasures prove 

That hills and valleys, dale and field, 

And all the craggy mountains yield. 

There will we sit upon the rocks 

And see the shepherds feed their flocks, 

By shallow rivers, to whose falls 

Melodious birds sing madrigals. 

There will I make thee beds of roses 

And a thousand fragrant posies, 

A cap of flowers, and a kirtle 

Embroider'd all with leaves of myrtle. 

A gown made of the finest wool. 

Which from our pretty lambs we pull, 

Fair lined slippers for the cold. 

With buckles of the purest gold. 

A belt of straw and ivy buds 

With coral clasps and amber studs : 

And if these pleasures may thee move. 

Come live with me and be my Love. 

Thy silver dishes for' thy meat 

As precious as the gods do eat. 

Shall on an ivory table be 

Prepared each day for thee and me. 

The shepherd swains shall dance and sing 

For thy delight each May-morning : 

If these delights thy mind may move, 

Then live with me and be my Love. 

C. Marlowe, 

VI. 

A MADRIGAL. 

Crabbed Age and Youth 
Cannot live together : 





"There will we sit upon the rocks 
And see the shepherds feed their flocks." — Page 14. 



A MADRIGAL. IS 

Youth is full of pleasance, 
Age is full of care ; 
Youth like summer morn, 
Age like winter weather, 
Youth like summer brave, 
Age like winter bare : 
Youth is full of sport, 
Age's breath is short, 
Youth is nimble, Age is lame: 
Youth is hot and bold, 
Age is weak and cold. 
Youth is wild, and Age is tame : — 
Age, I do abhor thee, 
Youth, I do adore thee ; 

O ! my Love, my Love is young ! ' 

Age, I do defy thee — 
O sweet shepherd, hie thee. 
For methinks thou stay'st too long. 
W. Shakespeare, 



Under the greenwood tree 
Who loves to lie with me. 
And tune his merry note 
Unto the sweet bird's throat — 
Come hither, come hither, come hither! 
Here shall we see 
No enemy 
But winter and rough weather. 

Who doth ambition shun 
And loves to live i' the sun, 
Seeking the food he eats 
And pleased with what he gets — 
Come hither, come hither, come hither I 
Here shall he see 
No enemy 
But winter and rough weather. 

W. Shakespeare. 





BOOK FIRST. 



It was a lover and his lass 

With a hey and a ho, and a hey-nonino ! 
That o'er the green cornfield did pass 
In the spring time, the only pretty ring time, 
When birds do sing hey ding a ding : 

Sweet lovers love the Spring. 

Between the acres of the rye 

These pretty country folks would lie : 

This carol they began that hour. 
How that life was but a flower : 

And therefore take the present time 

With a hey and a ho and a hey-nonino ! 
For love is crowned with the prime 
In spring time, the only pretty ring tim». 
When birds do sing hey ding a ding : 
Sweet lovers love the Spring. 

W. Shakespeare, 
IX. 

PRESENT IN ABSENCE. 

Absence, hear thou my protestation 
Against thy strength, 
Distance, and length ; 
Do what thou canst for alteration : 
For hearts of truest mettle 
Absence doth join, and Time doth settle. 

Who loves a mistress of such quality, 
He soon hath found 
Affection's ground 
Beyond time, place, and all mortality. 
To hearts that cannot vary 
Absence is present, Time doth tarry. 

By absence this good means I gain, 
That I can catch her. 
Where none can watch her. 




ABSENCE. 

In some close corner of my brain : 
There I embrace and kiss her ; 
And so I both enjoy and miss her. 
Anon, 



ABSENCE. 

Being your slave, what should I do but tend 
Upon the hours and times of your desire? 
I have no precious time at all to spend 
Nor services to do, till you require: 

Nor dare I chide the world-without-end-hour 
Whilst I, my sovereign, watch the clock for you, 
Nor think the bitterness of absence sour 
When you have bid your servant once adieu : 

Nor dare I question with my jealous thought 
Where you may be, or your affairs suppose, 
But like a sad slave, stay and think of nought 
Save, where you are, how happy you make those ; - 

So true a fool is love, that in your will. 
Though you do anything, he thinks no ill. 

W. Shakespeare. 



How like a winter hath my absence been 
From Thee, the pleasure of the fleeting year I 
What freezings have I felt, what dark days seen. 
What old December's bareness everywhere ! 

And yet this time removed was summer's time : 
The teeming autumn, big with rich increase, 
Bearing the wanton burden of the prime 
Like widow'd wombs after their lords' decease : 

Yet this abundant issue seem'd to me 
But hope of orphans, and unfather'd fruit; 
For summer and his pleasures wait on thee. 
And, thou away, the very birds are mute ; 





18 BOOK FIRST. 

Or if they sing, 'tis witli so dull a cheer, 
That leaves look pale, dreading the winter's near. 
M'. Shakespeare, 



A CONSOLATION. 

When in disgrace with fortune and men's eyes 
I all alone beweep my outcast state. 
And trouble deaf heaven with my bootless cries," 
And look upon myself, and curse my fate ; 

Wishing me like to one more rich in hope. 
Featured like him, like him with friends possest, 
Desiring this man's art, and that man's scope. 
With what I most enjoy contented least ; 

Yet in these thoughts myself almost despising. 
Haply I think on Thee — and then my state, 
Like to the lark at break of day arising 
From sullen earth, sings hymns at heaven's gate ; 

For thy sweet love remember'd, such wealth brings 
That then! scorn to change my state with kings. 
W. Shakespeare. 

XIII. 

THE UNCHANGEABLE. 

O NEVER say that I was false of heart. 
Though absence seem'd my flame to qualify : 
As easy might I from myself depart 
As from my soul, which in thy breast doth lie ; 

That is my home of love ; if I have ranged. 
Like him that travels, I return again. 
Just to the time, not with the time exchanged, 
So that myself bring water for my stain. 

Never believe, though in my nature reign'd 
All frailties that besiege all kinds of blood. 
That it could so preposterously be stain'd 
To leave for nothing all thy sum of good : 




DIAPHENIA. 19 

For nothing this wide universe I call, 
Save thou, my rose : in it thou art my all. 

W. Shakespeare, 
XIV. 

To me, fair Friend, you never can be old. 
For as you were when first your eye I eyed 
Such seems your beauty still. Three winters cold 
Have from the forests shook three summers' pride ; 

Three beauteous springs to yellow autumn turn'd 
In process of the season have I seen. 
Three April perfumes in three hot Junes burn'd, 
Since first I saw you fresh which yet are green. 

Ah ! yet doth beauty, hke a dial hand. 
Steal from his figure, and no pace perceived ; 
So your sweet hue, which methinks still doth stand, 
Hath motion, and mine eye may be deceived : 

For fear of which, hear this, thou age unbred, — 
Ere you were born, was beauty's summer dead. 
W. Shakespeare. 
XV. 

DIAPHENIA. 

DiAPHENiA like the daffadowndilly, 

White as the sun, fair as the lily, 
Heigh ho, how I do love thee ! 

I do love thee as my lambs 

Are beloved of their dams ; 
How blest were I if thou would'st prove me. 

Diaphenia like the spreading roses, 

That in thy sweets all sweets encloses, 
Fair sweet, how I do love thee ! 

I do love thee as each flower 

Loves the sun's life-giving power ; 
For dead, thy breath to life might move me. 

Diaphenia like to all things blessdd 
When all thy praises are expressed. 



20 BOOK FIRST. 

Dear joy, how I do love thee ! 
As the birds do love the spring, 
Or the bees their careful king : 

Then in requite, sweet virgin, love me ! 
H. CoKstaiie. 



ROSALINE. 

Like to the clear in highest sphere 
Where all imperial glory shines, 
Of selfsame colour is her hair 
Whether unfolded, or in twines: 

Heigh ho, fair Rosaline ! 
Her eyes are sapphires set in snow. 
Resembling heaven by every wink; 
The Gods do fear whenas they glow, 
And I do tremble when I think 

Heigh ho, would she were mine ! 

Her cheeks are like the blushing cloud 
That beautifies Aurora's face. 
Or like the silver crimson shroud 
That Phcebus' smiling looks doth grace ; 

Heigh ho, fair Rosaline ! 
Her lips are like two budded roses 
Whom ranks of lilies neighbour nigh. 
Within which bounds she balm encloses 
Apt to entice a deity : 

Heigh ho, would she were mine ! 

Her neck is like a stately tower 
Where Love himself imprisoned lies, 
To watch for glances every hour 
From her divine and sacred eyes : 

Heigh ho, for Rosaline ! 
Her paps are centres of delight. 
Her breasts are orbs of heavenly frame, 
Where Nature moulds the dew of light 




COLIN. 

To feed perfection with the same : 
Heigh ho, would she were mine ! 

With orient pearl, with ruby red, 
With marble white, with sapphire blue 
Her body every way is fed, 
Yet soft in touch and sweet in view : 

Heigh ho, fair Rosaline ! 
Nature herself her shape admires ; 
The Gods are wounded in her sight ; 
And Love forsakes his heavenly fires 
And at her eyes his brand doth light : 

Heigh ho, would she were mine ! 

Then muse not. Nymphs, though I bemoan 
The absence of fair Rosaline, 
Since for a fair there's fairer none, 
Nor for her virtues so divine : 
Heigh ho, fair Rosaline ; 
Heigh ho, my heart! would God that she were mine! 
T. Lodge. 



21 



COLIN. 

Beauty sat bathing by a spring 

Where fairest shades did hide her ; 
The winds blew calm, the birds did sing. 

The cool streams ran beside her. 
My wanton thoughts enticed mine eye 

To see what was forbidden : 
But better memory said, fie ! 

So vain desire was chidden : — 

Hey nonny nonny O ! 
Hey nonny nonny! 

Into a slumber then I fell. 

When fond imagination 
Seemed to see, but could not tell 

Her feature or her fashion. 
But ev'n as babes in dreams do smile. 




'U BOOK FIRST. 

And sometimes fall a-weeping. 
So I awaked, as wise this while 
As when I fell a-sleeping : — 

Hey nonny nonny O ! 
Hey nonny nonny ! 

The Shepherd Tonic, 

XVIII. 

TO HIS LOVE. 

Shall I compare thee to a summer's day? 
Thou art more lovely and more temperate : 
Rough winds do shake the darling buds of May, 
And summer's lease hath all too short a date : 

Sometime too hot the eye of heaven shines, 

And often is his gold complexion dimm'd : 

And every fair from fair sometime declines, 

By chance, or nature's changing course, untrimm'd. 

But thy eternal summer shall not fade 
Nor lose possession of that fair thou owest ; 
Nor shall death brag thou wanderest in his shade. 
When in eternal lines to time thou growest. 

So long as men can breathe, or eyes can see. 
So long lives this, and this gives life to thee. 

W. Shakespeare, 
XIX. 

TO HIS LOVE. 

When in the chronicle of wasted time 
I see descriptions of the fairest wights, 
And beauty making beautiful old rhyme 
In praise of ladies dead, and lovely knights ; 

Then in the blazon of sweet beauty's best 
Of hand, of foot, of lip, of eye, of brow, 
I see their antique pen would have exprest 
Ev'n such a beauty as you master now. 
So all their praises are but prophecies 
Of this our time, all, you prefiguring; 






LOVE'S PERJURIES. 23 

And for they look'd but with divining eyes, 
They had not skill enough your worth to sing: 

For we, which now behold these present days. 
Have eyes to wonder, but lack tongues to praise. 
W, Shakespeare. 
XX. 

LOVE'S PERJURIES. 

On a day, alack the day ! 
Love, whose month is ever May, 
Spied a blossom passing fair 
Playing in the wanton air : 
Through the velvet leaves the wind 
All unseen 'gan passage find ; 
That the lover, sick to death, 
Wish'd himself the heaven's breath. 
Air, quoth he, thy cheeks may blow ; 
Air, would I might triumph so ! 
But, alack, my hand is sworn 
Ne'er to pluck thee from thy thorn: 
Vow, alack, for youth unmeet ; 
Youth so apt to pluck a sweet. 
Do not call it sin in me 
That I am forsworn for thee : 
Thou for whom e'en Jove would swear 
Juno but an Ethiope were. 
And deny himself for Jove, 
Turning mortal for thy love. 

W. Shakespeare. 
XXI. 

A SUPPLICATION. 

Forget not yet the tried intent 
Of such a truth as I have meant ; 
My great travail so gladly spent, 

Forget not yet ! 
. Forget not yet when first began 
The weary life ye know, since whan 





BOOK FIRST. 

The suit, the service none tell can; 

Forget not yet! 
Forget not yet the great assays. 
The cruel wrong, the scornful ways, 
The painful patience in delays. 

Forget not yet ! 
Forget not ! O, forget not this, 
How long ago hath been, and is 
The mind that never meant amiss ^ 

Forget not yet ! 
Forget not then thine own approved 
The which so long hath thee so loved, 
Whose steadfast faith yet never moved — 

Forget not this ! Sir T. Hyat. 



TO AURORA. 
O IF thou knew'st how thou thyself dost harm, 
And dost prejudge thy bliss, and spoil my rest ; 
Then thou would'st melt the ice out of thy breast 
And thy relenting heart would kindly warm. 

O if thy pride did not our joys controul, 
What world of loving wonders should'st thou see ! 
For if I saw thee once transform'd in me. 
Then in thy bosom I would pour my soul ; 

Then all my thoughts should in thy visage shine. 
And if that aught mischanced thou should'st not moan 
Nor bear the burthen of thy griefs alone ; 
No, I would have my share in what were thine : 

And whilst we thus should make our sorrows one. 
This happy harmony would make them none. 

W. Alexander, Earl of Sterline. 

XXIII. 

TRUE LOVE. 

Let me not to the marriage of true minds 
Admit impediments. Love is not love 



A DITTY. 25 

Which alters when it alteration finds, 
Or bends with the remover to remove : — 

no ! it is an ever-fixed mark 

Tliat looks on tempests, and is never shaken ; 

It is the star to every wandering bark 

Whose worth's unknown, although his height be taken. 

Love's not Time's fool, though rosy lips and cheeks 
Within his bending sickle's compass come ; 
Love alters not with his brief hours and weeks, 
But bears it out ev'n to the edge of doom : — 

If this be error, and upon me proved, 

1 never writ, nor no man ever loved. 

W. Skakespeare, 



A DITTY. 

My true-love hath my heart, and I have his, 
By just exchange one for another given : 
I hold his dear, and mine he cannot miss. 
There never was a better bargain driven : 
My true-love hath my heart, and I have his. 

His heart in me keeps him and me in one, 
My heart in him his thoughts and senses guides : 
He loves my heart, for once it was his own, 
I cherish his because in me it bides : 

My true-love hath my heart, and I have his. 

Sir P. Sidney^ 
XXV. 

LOVE'S OMNIPRESENCE. 

Were I as base as is the lowly plain. 
And you, my Love, as high as heaven above, 
Yet should the thoughts of me your humble swain 
Ascend to heaven, in honour of my Love. 

Were I as high as heaven above the plain. 
And you, my Love, as humble and as low 



^" 




26 BOOK FIRST. 

As are the deepest bottoms of the main, 
Whereso'er you were, with you my love should go. 

Were you the earth, dear Love, and I the skies, 

My love should shine on you like to the sun, 

And look upon you with ten thousand eyes 

Till heaven wax'd blind, and till the world were done. 

Whereso'er I am, below, or else above you, 
Whereso'er you are, my heart shall truly love you. 
J. Sylvester. 

XXVI. 

CARPE DIEM. 

O Mistress mine, where are you roaming? 
O stay and hear ! your true-love's coming 

That can sing both high and low ; 
Trip no further, pretty sweeting, 
Journeys end in lovers' meeting — 

Every wise man's son doth know. 

What is love ? 'tis not hereafter ; 
Present mirth hath present laughter; 

What's to come is still unsure : 
In delay there lies no plenty, — 
Then come kiss me, Sweet-and-twenty, 

Youth's a stuff will not endure. 

W. Shakespeare, 

XXVII. 

WINTER. 

When icicles hang by the wall 
And Dick the shepherd blows his nail, 

And Tom bears logs into the hall. 
And milk comes frozen home in pail ; 

When blood is nipt, and ways be foul, 

Then nightly sings the staring owl 
Tuwhoo ! 

Tuwhit ! tuwhoo ! A merry note ! 

While greasy Joan doth keel the pot. 




^E]^ 



REMEMBRANCE. 27 

When all around the wind doth blow, 
And coughing drowns the parson's saw, 

And birds sit brooding in the snow. 
And Marian's nose looks red and raw ; 

When roasted crabs hiss in the bowl — 

Then nightly sings the staring owl 
Tuwhoo ! 

Tuwhit ! tuwhoo ! A merry note ! 

While greasy Joan doth keel the pot. 

\V. Shakespeare, 
XXVIII. 

That time of year thou may'st in me behold 
When yellow leaves, or none, or few do hang 
Upon those boughs which shake against the cold, 
Bare ruin'd choirs, where late the sweet birds sang. 
In me thou seest the twilight of such day 
As after sunset fadeth in the west, 
Which by and by black night doth take away, 
Death's second self, that seals up all in rest. 
In me thou seest the glowing of such fire, 
That on .the ashes of his youth doth lie 
As the deathbed whereon it must expire. 
Consumed with that which it was nourish'd by : 
— This thou perceiv'st, which makes thy love more strong. 
To love that well which thou must leave ere long. 

W. Shakespeare. 
XXIX. 

REMEMBRANCE. 
When to the sessions of sweet silent thought 
I summon up remembrance of things past, 
I sigh the lack of many a thing I sought. 
And with old woes new wail my dear time's waste ; 
Then can I drown an eye, unused to flow. 
For precious friends hid in death's dateless night, 
And weep afresh love's long-since-cancell'd woe, 
And moan the expense of many a vanish'd sight. 



%■ 





BOOK FIRST. 

Then can I grieve at grievances foregone. 
And heavily from woe to woe tell o'er 
The sad account of fore-bemoaned moan, 
Which I new pay as if not paid before : 

— But if the while I think on thee, dear friend. 
All losses are restored, and sorrows end. 

\V. Shakespeare. 

XXX. 

REVOLUTIONS. 

Like as the waves make towards the pebbled shore. 
So do our minutes hasten to their end ; 
Each changing place with that which goes before. 
In sequent toil all forwards do contend. 

Nativity once in the main of light 

Crawls to maturity, wherewith being crown'd. 

Crooked eclipses 'gainst his glory fight, 

And Time that gave, doth now his gift confound. 

Time doth transfix the flourish set on youth, 

And delves the parallels in beauty's brow ; 

Feeds on the rarities o£ nature's truth, 

And nothing stands but for his scythe to mow. 

And yet, to times in hope, my verse shall stand 
Praising Thy worth, despite his cruel hand. 

\\\ Shakespeare. 
XXM. 

Farewell ! thou art too dear for my possessing. 
And like enough thou know'st thy estimate : 
The charter of thy worth gives thee releasing. 
My bonds in thee are all determinate. 

For how do I hold thee but by thy granting? 
And for that riches where is my deserving? 
The cause of this fair gift in me is wanting, 
And so my patent back again is swerving. 

Thyself thou gav'st, thy own worth then not knowing. 
Or me, to whom thou gav'st it, else mistaking ; 




THE LIFE n-ITIIOUr PASSION. 

So thy great gift, upon misprision growing, 
Comes home again, on better judgment making. 

Thus have I had tliee as a dream doth flatter ; 

In sleep, a Icing ; but walcing, no such matter. 

\\\ Shakespeare. 

XXXII. 

THE LIFE WITHOUT PASSION. 

They that have power to hurt, and will do none. 
That do not do the thing they most do show. 
Who, moving others, are themselves as stone, 
Unmoved, cold, and to temptation slow, — 

They rightly do inherit Heaven's graces. 
And husband nature's riches from expense ; 
They are the lords and owners of their faces. 
Others, but stewards of their excellence. 

The summer's flower is to the summer sweet, 
Though to itself it only live and die ; 
But if that flower with base infection meet. 
The basest weed outbraves his dignity : 

For sweetest things turn sourest by their deeds; 
Lilies that fester smell far worse than weeds. 
W. Shakespeare. 

XXXIII. 

THE LOVER'S APPEAL. 

And wilt thou leave me thus? 
Say nay ! say nay ! for shame, 
To save thee from the blame 
Of all my grief and grame. 
And wilt thou leave me thus ? 
Say nay ! say nay ! 

And wilt thou leave me thus. 
That hath loved thee so long 
In wealth and woe among : 
And is thy heart so strong 





BOCK FIRST. 

As for to leave me thus? 
Say nay ! say nay ! 

And wilt thou leave me thus, 
That hath given thee my heart 
Never for to depart 
Neither for pain nor smart : 
And wilt thou leave me thus? 
Say nay ! say nay ! 

And wilt thou leave me thus, 
And have no more pity 
Of him that loveth thee ? 
Alas ! thy cruelty ! 
And wilt thou leave me thus? 
Say nay ! say nay ! 

Sir T. Wyat. 



THE NIGHTINGALE. 

As it fell upon a day 

In the merry month of May, 

Sitting in a pleasant shade 

Which a grove of myrtles made, 

Beasts did leap and birds did sing. 

Trees did grow and plants did spring. 

Every thing did banish moan 

Save the nightingale alone. 

She, poor bird, as all forlorn, 

Lean'd her breast against a thorn. 

And there sung the dolefuUest ditty 

That to hear it was great pity. 

Fie, fie, fie, now would she cry; 

Tereu, tereu, by and by : 

That to hear her so complain 

Scarce I could from tears refrain ; 

For her griefs so lively shown 

Made me think upon mine own, 

— Ah, thought I, thou mournst in vain, 



MADRIGAL. 31 

None takes pity on thy pain : 

Senseless trees, they cannot hear thee. 

Ruthless beasts, they will not cheer thee ; 

King Pandion, he is dead, 

All thy friends are lapp'd in lead : 

All thy fellow birds do sing 

Careless of thy sorrowing : 

Even so, poor bird, like thee 

None alive will pity me. 

R, Barnefield, 
XXXV. 

Care-charmer Sleep, son of the sable Night, 
Brother to Death, in silent darkness born, 
Relieve my languish, and restore the light ; 
With dark forgetting of my care return. 
And let the day be time enough to mourn 
The shipwreck of my ill adventured youth : 
Let waking eyes suffice to wail their scorn. 
Without the torment of the night's untruth. 
Cease, dreams, the images of day-desires. 
To model forth the passions of the morrow ; 
Never let rising Sun approve you liars 
To add more grief to aggravate my sorrow : 
Still let me sleep, embracing clouds in vain, 
And never wake to feel the day's disdain. 

5. Daniel. 
XXXVI. 

MADRIGAL. 
Take O take those lips away 
That so sweetly were forsworn. 
And those eyes, the break of day. 
Lights that do mislead the morn : 
But my kisses bring again, 

Bring again — 
Seals of love, but seal'd in vain, 

Seal'd in vain ! 

W. Shakespeare. 




32 BOOK FIRST. 

XXXVII. 

LOVE'S FAREWELL. 

Since there's no help, come let us kiss and part, — 
Nay I have done, you get no more of me ; 
And I am glad, yea glad with all my heart, 
That thus so cleanly I myself can free ; 

Shake hands for ever, cancel all our vows. 
And when we meet at any time again. 
Be it not seen in either of our brows 
That we one jot of former love retain. 

Now at the last gasp of love's latest breath. 
When his pulse failing, passion speechless lies. 
When faith is kneeling by his bed of death, 
And innocence is closing up his eyes, 

— Now if thou would'st, when all have given him over; 
From death to life thou might'st him yet recover! 
M. Drayton. 



TO HIS LUTE. 

Mv lute, be as thou wert when thou didst grow 
With thy green mother in some shady grove. 
When immelodious winds but made thee move. 
And birds their ramage did on thee bestow. 

Since that dear Voice which did thy sounds approve. 
Which wont in such harmonious strains to flow. 
Is reft from Eartli to tune those spheres above. 
What art thou but a harbinger of woe ? 

Thy pleasing notes be pleasing notes no more, 
But orphans' wailings to the fainting ear ; 
Each stroke a sigh, each sound draws forth a tear ; 
For which be silent as in woods before : 

Or if that any hand to touch thee deign. 
Like widow'd turtle still her loss complain. 

W . Priimmpud, 




^tlp 



rt^ 



BUND LOVE. 33 

XXXIX. 

BLIND LOVE. 

O ME ! what eyes hath love put in my head 
Which have no correspondence with true sight : 
Or if they have, where is my judgment fled 
That censures falsely what they see aright? 

If that be fair whereon my false eyes dote, 
What means the world to say it is not so? 
If it be not, then love doth well denote 
Love's eye is not so tme as all men's : No, 

How can it? O how can love's eye be true. 
That is so vex'd with watching and with tears? 
No marvel then though I mistake my view; 
The sun itself sees not till heaven clears. 

O cunning Love ! with tears thou keep'st me blind. 
Lest eyes well-seeing thy foul faults should find ! 
W. Shakespeare, 
XL. 

THE UNFAITHFUL .SHEPHERDESS. 

While that the sun with his beams hot 
Scorched the fruits in vale and mountain, 
Philon the shepherd, late forgot. 
Sitting beside a crystal fountain. 

In shadow of a green oak tree 

Upon his pipe this song play'd he : 
Adieu Love, adieu Love, untrue Love, 
Untrue Love, untrue Love, adieu Love ; 
Your mind is light, soon lost for new love. 

So long as I was in your sight 
I was your heart, your soul, and treasure ; 
And evermore you sobb'd and sigh'd 
Burning in flames beyond all measure : 

— Three days endured your love to me. 

And it was lost in other three ! 
Adieu Love, adieu Love, untrue Love, 




5'^ BOOK FIRST. 

Untrue Love, untrue Love, adieu Love ; 
Your mind is light, soon lost for new love. 

Another Shepherd you did see 
To whom your heart was soon enchained ; 
Full soon your love was leapt from irie, 
Full soon my place he had obtained. 
Soon came a third, your love to win. 
And we were out and he was in. 
Adieu Love, adieu Love, untrue Love, 
Untrue Love, untrue Love, adieu Love ; 
Your mind is light, soon lost for new love. 

Sure you have made me passing glad 
That you your mind so soon removed. 
Before that I the leisure had 
To choose you for my best beloved : 
For all your love was past and done 
Two days l^efore it was begun : — 
Adieu Love, adieu Love, untrue Love, 
Lintrue Love, untrue Love, adieu Love; 
Your mind is light, soon lost for new love. 
Anon. 



A RENUNCIATION. 

If women could be fair, and yet not fond. 
Or that their love were firm, not fickle still, 
I would not marvel that they make men bond 
By service long to purchase their good will ; 
But when I see how frail those creatures are, 
I muse that men forget themselves so far. 

To mark the choice they make, and how they change, 
How oft from Phoebus they do flee to Pan ; 
Unsettled still, like haggards wild tjiey range. 
These gentle birds that fly from man to man ; 
Who would not scorn and shake them from the fist, 
And let them fly, fair fools, which way they list? 




MADJilCAL. 

Yet for disport we fawn and flatter both, 
To pass the time when nothing else can please, 
And train them to our lure with subtle oath. 
Till, weary of their wiles, ourselves we ease ; 
And then we say when we their fancy try. 
To play with fools, O what a fool was I ! 

E, Vere, Earl of Oxfvrd. 



Blow, blow, thou winter wind, 

Thou art not so unkind 

As man's ingratitude ; 

Thy tooth is not so keen 

Because thou art not seen. 

Although thy breath be rude. 
Heigh ho ! sing heigh ho ! unto the green holly : 
Most friendship is feigning, most loving mere folly : 

Then, heigh ho ! the holly ! 

This life is most jolly. 

Freeze, freeze, thou bitter sky. 

Thou dost not bite so nigh 

As benefits forgot : 

Though thou the waters warp, 

Thy sting is not so sharp 

As friend remember'd not. 
Heigh ho ! sing heigh ho ! unto the green holly: 
Most friendship is feigning, most loving mere folly : 

Then, heigh ho ! the holly ! 

This life is most jolly. 

W. Shakespeare, 

XLIII. 

MADRIGAL. 

My thoughts hold mortal strife ; 

I do detest my life, 

And with lamenting cries 

Peace to my soul to bring 

Oft call that prince which here doth monarchize : 



36 BOOK FIRST. 

— But he, grim grinning King, 
Who caitiffs scorns, and doth the blest surprize, 
Late having deck'd with beauty's rose his tomb, 
Disdains to crop a weed, and will not come. 
W, Drummond, 



DIRGE OF LOVE. 

Come away, come away, Death, 
And in sad cypres let me be laid ; 
Fly away, fly away, breath ; 
I am slain by a fair cruel maid. 
My shroud of white, stuck all with yew, 

O prepare it ! 
My part of death no one so true 
Did share it. 

Not a flower, not a flower sweet 
On my black coffin let there be strown ; 

Not a friend, not a friend greet 
My poor corpse, where my bones shall be thrown: 
A thousand thousand sighs to save. 

Lay me, O where 
Sad true lover never find my grave. 
To weep there. 

\V. Shakespeare. 




FIDELE. 

Fear no more the heat o' the sun 
Nor the furious winter's rages ; 

Thou thy worldly task hast done. 

Home art gone and ta'en thy wages : 

Golden lads and girls all must. 

As chimney-sweepers, come to dust. 

Fear no more the frown o' the great. 

Thou art past the tyrant's stroke ; 
Care no more to clothe and eat : 




A SEA DIRGE. 37 

To thee the reed is as the oak: 
The sceptre, learning, physic, must 
All follow this, and come to dust. 

Fear no more the lightning flash 

Nor the all-dreaded thunder-stone ; 

Fear not slander, censure rash ; 

Thou hast finish'd joy and moan : 

All lovers young, all lovers must 

Consign to thee, and come to dust. 

W. Shakespeare. 

XLVI. 

A SEA DIRGE. 

Full fathom five thy father lies : 

Of his bones are coral made ; 
Those are pearls that were his eyes : 

Nothing of him that doth fade. 
But doth suffer a sea-change 
Into something rich and strange ; 
Sea-nymphs hourly ring his knell: 
Hark ! now I hear them, — 

Ding, dong. Bell. 

W. Shakespc.ire, 

XLVII. 

A LAND DIRGE. 

Call for the robin-redbreast and the wren, 
Since o'er shady groves they hover 
And with leaves and flowers do cover 
The friendless bodies of unburied men. 
Call unto his funeral dole 
The ant, the field-mouse, and the mole 
To rear him hillocks that shall keep him warm 
And (when gay tombs are robb'd) sustain no harm ; 
But keep the wolf far thence, that's foe to men. 
For with his nails he'll dig them up again. 
J. Webster. 



%^ 





BOOK FIRST. 



POST MORTEM. 

If Thou survive my well-contented day 

When that churl Death my bones with dust shall cover, 

And shalt by fortune once more re-survey 

These poor rude lines of thy deceased lover ; 

Compare them with the bettering of the time, 
And though they be outstripp'd by every pen. 
Reserve them for my love, not for their rhyme 
Exceeded by the height of happier men. 

O then vouchsafe me but this loving thought — 
' Had my friend's muse grown with this growing age, 
A dearer birth than this his love had brought. 
To march in ranks of better equipage : 

But since he died, and poets better prove. 
Theirs for their style I'll read, his for his love.' 
W. Shakespeare. 

XLIX. 

THE TRIUMPH OF DEATH. 

No longer mourn for me when I am dead 
Than you shall hear the surly sullen bell 
Give warning to the world, that I am fled 
From this vile world, with vilest worms to dwell ; 

Nay, if you read this line, remember not 
The hand that writ it ; for I love you so. 
That I in your sweet thoughts would be forgot 
If thinking on me then should make you woe. 

O if, I say, you look upon this verse 
When I perhaps compounded am with clay, 
Do not so much as my poor name rehearse. 
But let your love even with my life decay ; 

Lest the wise world should look into your moan, 
And mock you with me after I am gone. 

W, Shakespeare. 







CUPID AND CAMPASPE. 39 



MADRIGAL. 

Tell me where is Fancy bred, 
Or in tlie heart, or in the head? 
How begot, how nourished? 
Reply, reply. 

It is engendered in the eyes. 
With gazing fed ; and Fancy dies 
In the cradle where it lies : 
Let us all ring fancy's knell ; 
I'll begin it, — Ding, dong, bell. 
— Ding, dong, bell. 

W. Shakespeare, 

LI. 

CUPID AND CAMPASPE. 

Cupid and my Campaspe play'd 

At cards for kisses ; Cupid paid : 

He stakes his quiver, bow, and arrows. 

His mother's doves, and team of sparrows; 

Loses them too ; then down he throws 

The coral of his lip, the rose 

Growing on's cheek (but none knows how) ; 

With these, the crystal of his brow, 

And then the dimple on his chin; 

All these did my Campaspe win : 

At last he set her both his eyes — 

She won, and Cupid blind did rise. 

O Love ! has she done this to thee? 

What shall, alas ! become of me? 
J. Lylye. 



Pack, clouds, away, and welcome day, 
With night we banish sorrow ; 

Sweet air blow soft, mount larks aloft 
To give my Love good-morrow ! 





BOOK FIRST. 

Wings from the wind to please Iier mind 

Notes from the lark I'll borrow ; 
Bird prune thy wing, nightingale sing, 
To give my Love good-morrow ; 
To give my Love good-morrow 
Notes from them both I'll borrow. 

Wake from thy nest, Robin-red-breast, 

Sing birds in every furrow ; 
And from each hill, let music shrill 
Give my fair Love good-'morrow ! 
Blackbird and thrush in every bush, 

Stare, linnet, and'cock-sparrow ! 
"You pretty elves, amongst yourselves 
Sing my fair Love good-morrow ; 
To give my Love good-morrow 
Sing birds in every furrow ! 

T. heywooa. 

LIII. 
PROTHALAiVIION. 
Calm was the day, and through tlie trembling aii 
Sweet-breathing Zephyrus did softly play — 
A gentle spirit, that lightly did delay 
Hot Titan's beams, which then did glister fair; 
When I (whom sullen care. 
Through discontent of my long fruitless stay 
In princes' court, and expectation vain 
Of idle hopes, which still do fly away 
Like empty shadows, did afflict my brain), 
Walk'd forth to ease my pain 
Along the shore of silver-streaming Thames ; 
Whose rutty bank, the which his river hems. 
Was painted all with variable flowers. 
And all the meads adorn'd with dainty gems 
Fit to deck maidens' bowers. 
And crown their paramours 
Against the bridal day, which is not long: 
SAveet Thames ! run softly, till I end my song. 



PROTIIALAMIOl\. 41 

There in a meadow by the river's side 
A flock of nymphs I chanced to espy, 
All lovely daughters of the flood thereby, 
With goodly greenish locks all loose untied 
As each had been a bride ; 
And each one had a little wicker basket 
Made of fine twigs, entrailed curiously. 
In which they gather'd flowers to fill their flasket, 
And with fine fingers cropt full feateously 
The tender stalks on high. 
Of every sort which in that meadow grew 
They gather'd some ; the violet, pallid blue, 
The little daisy that at evening closes, 
The virgin lily and the primrose true : 
With store of vermeil roses. 
To deck their bridegrooms' posies 
Against the bridal day, wliich was not long : 
Sweet Thames ! run softly, till I end my song, 

With that I saw two swans of goodly hue 
Come softly swimming down along the lee ; 
Two fairer birds I yet did never see ; 
The snow which doth the top of Pindus strow 
Did never whiter show, 
Nor Jove himself, when he a swan would be 
For love of Leda, whiter did appear ; 
Yet Leda was (they say) as white as he, 
Yet not so white as these, nor nothing near; 
So purely white they were 

That even the gentle stream, the which them bare, 
Seem'd foul to them, and bade his billows spare, 
To wet their silken feathers, lest they might 
Soil their fair plumes with water not so fair, 
And mar their beauties bright 
That shone as Heaven's light 
Against their bridal day, which was not long; 
Sweet Thames ! run softly, till I end my song. 

Eftsoons the nymphs, which now had flowers their fih. 





■»2 BOOK FIRST. 

Ran all in haste to see that silver brood 
As they came floating on the crystal flood ; 
Whom when they saw, they stood amazed still 
Their wondering eyes to fill ; 
Them seem'd they never saw a sight so fair 
Of fowls, so lovely, that they sure did deem 
Them heavenly born, or to be that same pair 
Which through the sky draw Venus' silver team ; 
For sure they did not seem 
To be begot of any earthly seed. 
But rather angels, or of angels' breed ; 
Yet were they bred of summer's heat, they say, 
In sweetest season, when each flower and weed 
The earth did fresh array ; 
So fresh they seem'd as day, 
Even as their bridal day, which was not long : 
Sweet Thames ! run softly, till I end my song. 

Then forth they all out of their baskets drew 
Great store of flowers, the honour of the field, 
That to the sense did fragrant odours yield. 
All which upon those goodly birds they threw 
And all the waves did strew, 
That like old Peneus' waters they did seem 
When down along by pleasant Tempe's shore 
Scatter'd with flowers, through Thessaly they stream, 
That they appear, through lilies' plenteous store, 
Like a bride's chamber-floor. 

Two of those nymphs meanwhile two garlands bound 
Of freshest flowers which in that mead they found. 
The which presenting all in trim array. 
Their snowy foreheads therewithal they crown'd ; 
Whilst one did sing this lay 
Prepared against that day. 
Against their bridal day, which was not long : 
Sweet Thames ! run softly, till I end my song. 

'Ye gentle birds ! the world's fair ornament, 
And Heaven's glory, whom this happy hour 




PJiOTHALAMIOA. , 

Doth lead unto your lovers' blissful bower, 

Joy may you have, and gentle hearts content 

Of your love's complement ; 

And let fair Venus, that is queen of love, 

With her heart-quelling son upon you smile, 

Whose smile, they say, hath virtue to remove 

All love's dislike, and friendship's faulty guile 

For ever to assoil. 

Let endless peace your steadfast hearts accord. 

And blessed plenty wait upon your board ; 

And let your bed with pleasures chaste abound, 

That fruitful issue may to you afford 

Which may your foes confound, 

And make your joys redound 

Upon your bridal day, which is not long : 

Sweet Thames ! run softly, till I end my song.' 

So ended she ; and all the rest around 
To her redoubled that her undersong, 
Which said their bridal day should not be long : 
And gentle Echo from the neighbour ground 
Their accents did resound. 
So forth those joyous birds did pass along 
Adown the lee that to them murmur'd low, 
As he would speak but that he lack'd a tongue. 
Yet did by signs his glad affection show. 
Making his stream run slow. 
And all the fowl which in his flood did dwell 
'Gan flock about these twain, that did excel 
The rest, so far as Cynthia doth shend 
The lesser stars. So they, enrangdd well, 
Did on those two attend. 
And their best service lend 
Against their wedding day, which was not long : 
Sweet Thames ! run softly, till I end my song. 

At length they all to merry London came. 
To merry London, my most kindly nurse. 
That to me gave this life's first native source. 





BOOK FIRSi. 




Though from another place I take my name, 
An house of ancient fame : 

There when they came whereas those bricky towers 
The which on Thames broad aged back do ride, 
Where now tlie studious lawyers have their bowers, 
Tliere wliilome wont the Templar-knights to bide, 
Till they decay'd through pride ; 
Next whereunto there stands a stately place, 
Where oft I gained gifts and goodly grace 
Of that great lord, which therein wont to dwell, 
Whose want too well now feels my friendless case ; 
But ah ! here fits not well 
Old woes, but joys to tell 
Against the bridal day, which is not long : 

Sweet Thames ! run softly, till I end my song. 

Yet therein now doth lodge a noble peer. 

Great England's glory and the world's wide wonder. 

Whose dreadful name late thro' all Spain did thunder 

And Hercules" two pillars standing near 

Did make to quake and fear : 

Fair branch of honour, flower of chivalry ! 

That fiUest England with thy triumph's fame 

Joy have thou of thy noble victory. 

And endless happiness of thine own name 

That promiseth the same ; 

That through thy prowess and victorious arms 

Thy country may be freed from foreign harms, 

And great Eliza's glorious name may ring 

Through all the world, fill'd with thy wide alarms 

Which some brave Muse may sing 

To ages following. 

Upon the bridal day, which is not long : 

Sweet Thames ! run softly, till I end my song. 

From those high towers this noble lord issuing 
Like radiant Hesper, when his golden hair 
In th' ocean billows he hath bathdd fair. 
Descended to the river's open viewing 



-^ 



THE HAPPY HEART. 45 

With a great train ensuing. 
Above the rest were goodly to be seen 
Two gentle knights of lovely face and feature, 
Beseeming well the bower of any queen. 
With gifts of wit and ornaments of nature 
Fit for so goodly stature, 

That like the twins of Jove they seem'd in sight 
Which deck the baldric of the Heavens bright; 
They two, forth pacing to the river's side. 
Received those two fair brides, their love's delight ; 
Which, at th' appointed tide, 
Each one did make his bride 
Against their bridal day, which is not long : 
Sweet Thames ! run softly, till I end my song. 
E. Spenser. 
LIV. 

THE HAPPY HEART. 

Art thou poor, yet hast thou golden slumbers ? 

O sweet content ! 
Art thou rich, yet is thy mind perplexed? 

O punishment ! 
Dost thou laugh to see how fools are vexed 
To add to golden numbers, golden numbers? 
O sweet content ! O sweet O sweet content ! 
Work apace, apace, apace, apace ; 
Honest labour bears a lovely face ; 
Then hey nonny nonny, hey nonny nonny ! 

Canst drink the waters of the crisped spring? 

O sweet content ! 
Swimm'st thou in wealth, yet sink'st in thine own tears? 

O punishment! 
Then he that patiently want's burden bears 
No burden bears, but is a king, a king! 
O sweet content I O sweet O sweet content ! 
Work apace, apace, apace, apace ; 
Honest labour bears a lovely face ; 
Then hey nonny nonny, hey nonny nonny! 
T. Dekker. 





BOOK FIRST. 



This life, which seems so fair, 
Is like a bubble blown up in the air 
By sporting children's breath. 
Who chase it every where 
And strive who can most motion it bequeath. 
And though it sometimes seem of its own might 
Like to an eye of gold to be fix'd there, 
And firm to hover in that empty height, 
That only is because it is so light. 
— But in that pomp it doth not long appear ; 
For when 'tis most admired, in a thought, 
Because it erst was nought, it turns to nought. 
W. Drmtmiond. 
LVI. 
SOUL AND BODY. 

Poor Soul, the centre of my sinful earth, 
Fool'd by those rebel powers that thee array. 
Why dost thou pine within, and suffer dearth. 
Painting thy outward walls so costly gay? 

Why so large cost, having so short a lease. 
Dost thou upon thy fading mansion spend ? 
Shall worms, inheritors of this excess. 
Eat up thy charge ? is this thy body's end ? 

Then, Soul, live thou upon thy servant's loss. 
And let that pine to aggravate thy store; 
Buy terms divine in selling hours of dross ; 
Within be fed, without be rich no more : — 

So shalt thou feed on death, tliat feeds on men. 
And death once dead, there's no more dying then. 

W. Shakespeare. 
LVII. 

LIFE. 

The World's a bubble, and the Life of Man 
Less than a span : 





rilE LESSONS OF NATURE. 

In his conception wretclied, from the womb 

So to the tomb ; 
Curst from his cradle, and brought up to years 

With cares and fears. 
Wlio then to frail mortality shall trust, 
But limns on water, or but writes in dust. 

Yet whilst with sorrow here we live opprest, 

What hfe is best? 
Courts are but only superficial schools 

To dandle fools : 
The rural parts are turn'd into a den 

Of savage men : 
And where's a city from foul vice so free, 
But may be term'd the worst of all the three ? 

Domestic cares afflict the husband's bed, 

Or pains his head : 
Those that live single, take it for a curse. 

Or do things worse : 
Some would have children : those that have them, moan 

Or wish them gone : 
What is it, then, to have, or have no wife. 
But single thraldom, or a double strife ? 

Our own affections still at home to please 

Is a disease : 
To cross the seas to any foreign soil. 

Peril and toil : 
Wars with their noise affright us ; when they cease. 

We are worse in peace ; — 
What then remains, but that we still should cry 
For being born, or, being born, to die ? 

Lord Bacon. 

LVIII. 

THE LESSONS OF NATURE. 

Of this fair volume which we World do name 
If we the sheets and leaves could turn with care. 





*S BOOK FIRST. 

Of him who it corrects, and did it frame, 
We clear might read the art and wisdom rare : 

Find out his power which wildest powers doth tame, 
His providence extending everywhere. 
His justice which proud rebels doth not spare. 
In every page, no period of the same. 

But silly we, like foolish children, rest 
Well pleased with colour'ct vellum, leaves of gold, 
Fair dangling ribbands, leaving what is best. 
On the great writer's sense ne'er taking hold ; 

Or if by chance we stay our minds on aught, 
It is some picture on the margin wrought. 

W. Drununond. 
LIX. 

Doth then the world go thus, doth all thus move ? 
Is this the justice which on Earth we find .? 
Is this that firm decree which all doth bind ? 
Are these your influences, Powers above ? 
Those souls which vice's moody mists most blind, 
Blind Fortune, blindly, most their friend doth prove; 
And they who thee, poor idol Virtue ! love. 
Ply like a feather toss'd by storm and wind. 
Ah ! if a Providence doth sway this all. 
Why should best minds groan under most distress? 
Or why should pride humility make thrall, 
And injuries the innocent oppress ? 
Heavens ! hinder, stop this fate ; or grant a time 
When good may have, as well as bad, their prime! 

H". Dritvimond. 
LX. 

THE WORLD'S WAY. 
Tired with all these, for restful death I cry — 
As, to behold desert a beggar born. 
And needy nothing trimm'd in jollity, 
And purest faith unhappily forsworn, 




SAINT JOHN BAPTIST. 

And gilded honour shamefully misplaced, 
And maiden virtue rudely strumpeted, 
And right perfection wrongfully disgraced, 
And strength by limping sway disabled. 

And art made tongue-tied by authority. 
And folly, doctor-like, controlling skill. 
And simple truth miscall'd simplicity. 
And captive Good attending captain 111 : — 

— Tired with all these, from these would I be gone, 
Save that, to die, I leave my Love alone. 

W. Shakespeare, 



SAINT JOHN BAPTIST. 

The last and greatest Herald of Heaven's King 
Girt with rough skins, hies to the deserts wild, 
Among that savage brood the woods forth bring, 
Which he more harmless found than man, and mild. 

His food was locusts, and what there doth spring, 
With honey that from virgin hives distill'd ; 
Parch'd body, hollow eyes, some uncouth thing 
Made him appear, long since from earth exiled. 

There burst he forth : All ye Avhose hopes rely 
On God, with me amidst these deserts mourn, 
Repent, repent, and from old errors turn ! 
— Who listen'd to his voice, obey'd his cry? 

Only the echoes, which he made relent. 
Rung from their flinty caves. Repent ! Repent! 
W. Dnanmond. 





THE GOLDEN TREASURY. 



Boofe Sicconti* 



ODE ON THE MORNING OF CHRIST'S NATIVITY. 

This is the month, and this the happy morn 
Wherein the Son of Heaven's Eternal King 
Of wedded maid and virgin mother born. 
Our great redemption from above did bring; 
For so the holy sages once did sing 
That he our deadly forfeit should release. 
And with his Father work us a perpetual peace. 

That glorious Form, that Light unsufferable, 

And that far-beaming blaze of Majesty 

Wherewith he wont at Heaven's high council-table 

To sit the midst of Trinal Unity, 

He laid aside ; and, here with us to be 

Forsook the courts of everlasting day, 

And chose with us a darksome house of mortal clay. 

Say, heavenly Muse, shall not thy sacred vein 

Afford a present to the Infant God? 

Hast thou no verse, no hymn, or solemn strain 

To welcome him to this his new abode, 

Now while the heaven, by the sun's team untrod. 

Hath took no print of the approaching light. 

And all the spangled host keep watch in squadrons bright? 

See how from far, upon the eastern road. 
The star-led wizards haste with odours sweet : 
O run, prevent them with thy humble ode 
And lay it lowly at his blessed feet ; 




HYMA' OF THE NATIVITY. 51 

Have thou the honour first thy Lord to greet, 

And join thy voice unto the angel quire 

From out his secret altar touch'd with hallow'd fire. 

THE HYMN. 

It was the winter wild 

While the heaven-born Child 

All meanly wrapt in the iTide manger lies ; 

Nature in awe to him 

Had doff'd her gaudy trim, 

With her great Master so to sympathize : 

It was no season then for her 

To wanton with the sun, her lusty paramour. 

Only with speeches fair 

She woos the gentle air 

To hide her guilty front with innocent snow; 

And on her naked shame. 

Pollute with sinful blame. 

The saintly veil of maiden white to throw ; 

Confounded, that her Maker's eyes 

Should look so near upon her foul deformities. 

But he, her fears to cease, 

Sent down the meek-eyed Peace ; 

She, crown'd with olive green, came softly sliding 

Down through the turning sphere 

His ready harbinger. 

With turtle wing the amorous clouds. dividing ; 

And waving wide her myrtle wand. 

She strikes a universal peace through sea and land. 

No war, or battle's sound 

Was heard the world around : 

The idle spear and shield were high up hung ; 

The hooked chariot stood 

Unstain'd with hostile blood ; 

The trumpet spake not to the armed throng ; 

And kings sat still with awful eye. 

As if they surely knew their sovran Lord was by. 




BOOK SECOND. 

But peaceful was the night 

Wherein the Prince of Light 

His reign of peace upon the earth began: 

The winds, with wonder whist, 

Smoothly the waters kist 

Whispering new joys to the mild oce^n — 

Who now hath quite forgot to rave. 

While birds of calm sit brooding on the charmdd wave. 

The stars, with deep amaze, 

Stand fix'd in steadfast gaze. 

Bending one way their precious influence ; 

And will not take their flight 

For all the morning light. 

Or Lucifer that often warn'd them thence ; 

But in their glimmering orbs did glow 

Until their Lord himself bespake, and bid them go. 

And though the shady gloom 

Had given day her room. 

The sun himself withheld his wonted speed, 

And hid his head for shame. 

As his inferior flame 

The new-enlighten'd world no more should need ; 

He saw a greater Sun appear 

Than his bright throne, or burning axletree could bear. 

The shepherds on the lawn 

Or ere the point of dawn 

Sate simply chatting in a rustic row ; 

Full little thought they than 

That the mighty Pan 

Was kindly come to live with them below ; 

Perhaps their loves, or else their sheep 

Was all that did their silly thoughts so busy keep. 

When such music sweet 

Their hearts and ears did greet 

As never was by mortal finger strook — 

Divinely-warbled voice 



HYMN OF THE NATIVITY. S3 

Answering the stringed noise, 

As all their souls in blissful rapture took : 

The air, such pleasure loth to lose, 

With thousand echoes still prolongs each heavenly close. 

Nature that heard such sound 

Beneath the hollow round 

Of Cynthia's seat the aery region thrilling, 

Now was almost won 

To think her part was done. 

And that her reign had here its last fulfilling ; 

She knew such harmony alone 

Could hold all heaven and earth in happier union. 

At last surrounds their sight 

A globe of circular light 

That with long beams the shamefaced night array'd ; 

The helmed Cherubim 

And sworded Seraphim 

Are seen in glittering ranks with wings display'd, 

Harping in loud and solemn quire 

With unexpressive notes, to Heaven's new-born Heir. 

Such music (as 'tis said) 

Before was never made 

But when of old the sons of morning sung, 

While the Creator great 

His constellations set ' 

And the well-balanced world on hinges hung ; 

And cast the dark foundations deep. 

And bid the weltering waves their oozy channel keep. 

Ring out, ye crystal spheres ! 

Once bless our human ears, 

If ye have power to touch our senses so ; 

And let your silver chime 

Move in melodious time ; 

And let the base of heaven's deep organ blow ; 

And with your ninefold harmony 

Make up full concert to the angelic symphony. 






BOOK SECOND. 

For if such holy song 

Enwrap our fancy long, 

Time will run back, and fetch the age of gold ; 

And speckled vanity 

Will sicken soon and die, 

And leprous sin will melt from earthly mould ; 

And Hell itself will pass away. 

And leave her dolorous mansions to the peering day. 

Yea, Truth and Justice then 

Will down return to men, 

Orb'd in a rainbow ; and, like glories wearing, 

Mercy will sit between 

Throned in celestial sheen, 

With radiant feet the tissued clouds down steering ; 

And Heaven, as at some festival, 

Will open wide the gates of her high palace hall. 

But wisest Fate says No ; 

This must not yet be so ; 

The Babe yet lies in smiling infancy 

That on the bitter cross 

Must redeem our loss ; 

So both himself and us to glorify : 

Yet first, to those ychain'd in sleep 

The wakeful trump of doom must thunder through the deep 

With such a horrid clang 

As on mount Sinai rang 

While the red fire and smouldering clouds outbrake : 

The aged Earth aghast 

With terrour of that blast 

Shall from the surface to the centre shake. 

When, at the world's last session. 

The dreadful Judge in middle air shall spread his throne. 

And then at last our bliss 

Full and perfect is. 

But now begins ; for from this happy day 

The old Dragon, under ground 




HYMN OF THE NATIVITY. 55 

In straiter limits bound, 
Not half so far casts his usurped sway ; 
And, wroth to see his kingdom fail, 
Swindges the scaly horrour of his folded tail. 

The oracles are dumb ; 

No voice or hideous hum 

Runs through the arched roof in words deceiving: 

Apollo from his shrine 

Can no more divine, 

With hollow shriek the steep of Delphos leaving: 

No nightly trance or breathed spell 

Inspires the pale-eyed priest from the prophetic cell. 

The lonely mountains o'er 

And the resounding shore 

A voice of weeping heard, and loud lament; 

From haunted spring and dale 

Edged with poplar pale 

The parting Genius is with sighing sent ; 

With flower-inwoven tresses torn 

The nymphs in twilight shade of tangled thickets mourn. 

In consecrated earth 

And on the holy hearth 

The Lars and Lemures moan with midnight plaint; 

In urns, and altars round 

A drear and dying sound 

Affrights the Flamens at their service quaint ; 

And the chill marble seems to sweat, 

While each peculiar Power foregoes his wonted seat. 

Peor and Baalim 

Forsake their temples dim, 

With that twice-batter'd god of Palestine ; 

And mooned Ashtaroth 

Heaven's queen and mother both. 

Now sits not girt with tapers' holy shine ; 

The Lybic Hammon shrinks his horn. 

In vain the Tyrian maids their wounded Thammuz mourn. 





BOOK SECOND. 

And sullen Moloch, fled, 

Hath left in shadows dread 

His burning idol all of blackest hue ; 

In vain with cymbals' ring 

They call the grisly king. 

In dismal dance about the furnace blue ; 

The brutish gods of Nile as fast 

Isis, and Orus, and the dog Anubis, haste. 

Nor is Osiris seen 

In Memphian grove, or green. 

Trampling the unshower'd grass with lowings loud : 

Nor can he be at rest 

Within his sacred chest ; 

Nought but profoundest hell can be his shroud ; 

In vain with timbrelFd anthems dark 

The sable stoled sorcerers bear his worshipt ark. 

He feels from Juda's land 

The dreaded infant's hand ; 

The rays of Bethlehem blind his dusky eyn ; 

Nor all the gods beside 

Longer dare abide, 

Nor Typhon huge ending in snaky twine : 

Our Babe, to show his Godhead true, 

Can in his swaddling bands control the damndd crew. 

So, when the sun in bed 

Curtain'd with cloudy red 

Pillows his chin upon an orient wave, 

The flocking shadows pale 

Troop to the infernal jail, 

Each fetter'd ghost slips to his several grave ; 

And the yellow-skirted fays 

Fly after the night-steeds, leaving their moon-loved maze. 

But see, the Virgin blest 

Hath laid her Babe to rest ; 

Time is, our tedious song should here have ending : 

Heaven's youngest-teemed star 



SONG FOR SAINT CECILIA'S DAY. 57 

Hath fixed her polish'd car, 

Her sleeping Lord with hand-maid lamp attending: 
And all about the courtly stable 
Bright-harness'd angels sit in order serviceable. 

J. Milton. 



SONG FOR SAINT CECILIA'S DAY, 1687. 

From Harmony, from heavenly Harmony 

This universal frame began : 
When Nature underneath a heap 

Of jarring atoms lay 
And could not heave her head, 
The tuneful voice was heard from high. 

Arise, ye more than dead ! 
Then cold, and hot, and moist, and dry 
In order to their stations leap. 

And Music's power obey. 
From harmony, from heavenly harmony 

This universal frame began : 

From harmony to harmony 
Through all the compass of the notes it ran. 
The diapason closing full in Man. 

What passion cannot Music raise and quell ? 
When Jubal struck the chorded shell 
His listening brethren stood around, 
And, wondering, on their faces fell 
To worship that celestial sound. 
Less than a God they thought there could not dwell 
Within the hollow of that shell 
That spoke so sweetly and so well. 
What passion cannot Music raise and quell? 

The trumpet's loud clangor 

Excites us to arms. 
With shrill notes of anger 

And mortal alarms. 
The double double double beat 





58 BOOK SECOND. 

Of the thundering drum 
Cries ' Hark ! the foes come ; 
Charge, charge, 'tis too late to retreat ! ' 

The soft complaining flute 
In dying notes discovers 
The woes of hopeless lovers, 
Whose dirge is whisper'd by the warbling lute. 

Sharp violins proclaim 
Their jealous pangs and desperation, 
Fury, frantic indignation. 
Depth of pains, and height of passion 

For the fair disdainful dame. 

But oh ! what art can teach. 
What human voice can reach 

The sacred organ's praise? 
Notes inspiring holy love, 
Notes that wing their heavenly ways 

To mend the choirs above. 

Orpheus could lead the savage race, 
And trees uprooted left their jDlace 

Sequacious of the lyre : 
But bright Cecilia raised the wonder higher : 
When to her Organ vocal breath was given 
An Angel heard, and straight appear'd — 

Mistaking Earth for Heaven ! 

Graiid Chorus. 
As fi-om the power of sacred lays 

The spheres began to move. 
And sung the great Creator's praise 

To all the blest above ; 
So when the last and dreadful hour 
This crumbling pageant shall devour, 
The trumpet shall be heard on high. 
The dead shall live, the living die. 
And Music shall untune the sky. 

J. Dryden. 




ON THE LATE MASSACRE IN PIE MONT. 




ON THE LATE MASSACRE IN PIEMONT. 

Avenge, O Lord ! thy slaughter'd Saints, whose bones 
Lie scatter'd on the Alpine mountains cold ; 
Even them who kept thy truth so pure of old 
When all our fathers worshipt stocks and stones 

Forget not: In thy book record their groans 
Who were thy sheep, and in their ancient fold 
Slain by the bloody Piemontese, tliat roli'd 
Mother with infant down the rocks. Their moans 

The vales redoubled to the hills, and they 
To Heaven. Their martyr'd blood and ashes sow 
O'er all the Italian fields, where still doth sway 
The triple tyrant, that from these may grow 
A hundred-fold, who, having learnt Thy way. 
Early may fly the Babylonian woe. 

J. Milton. 



HORATIAN ODE UPON CROMWELL'S RETURN 
FROM IRELAND. 

The forward youth that would appear, 
Must now forsake his Muses dear, 

Nor in the shadows sing 

His numbers languishing. 

'Tis time to leave the books in dust, 
And oil the unused armour's nast, 

Removing from the wall 

The corslet of the hall. 

So restless Cromwell could not cease 
In the inglorious arts of peace. 

But through adventurous war 

Urg^d his active star: 

And like the three-fork'd lightning first, 
Breaking the clouds where it was nurst, 







BOOK SECOND. 

Did thorough his own side, 
His fiery way divide : 

For 'tis all one to courage high 
The emulous, or enemy; 

And witli such, to enclose 

Is more than to oppose. 

Then burning through the air he went 
And palaces and temples rent ; 
And Caesar's head at last 
Did through his laurels blast. 

'Tis madness to resist or blame 
The face of angry heaven's flame ; 

And if we would speak true, 

IVIuch to the Man is due 

Who, from his private gardens, where 
He lived reserved and austere 

(As if his highest plot 

To plant the bergamot) 

Could by industrious valour climb 
To ruin the great work of time, 

And cast the Kingdoms old 

Into another mould. 

Though Justice against Fate complain. 
And plead the ancient Rights in vain — 
But those do hold_ or break 
As men are strong or weak. 

Nature, that hateth emptiness, 

Allows of penetration less. 

And therefore must make room 
Where greater spirits come. 

What field of all the civil war 
Where his were not the deepest scar? 

And Hampton shows what part 

He had of wiser art. 



m 



HORATIAN ODE. 61 

Where, twining subtle fears witli hope. 
He wove a net of such a scope 

That Charles himself might chase 

To Carisbrook's narrow case ; 

That thence the Royal actor borne 
The tragic scaffold might adorn : 

While round the armed bands 

Did clap their bloody hands : 

He nothing common did or mean 
Upon that memorable scene, 

But with his keener eye 

The axe's edge did try ; 

Nor call'd the Gods, with vulgar spite, 
To vindicate his helpless right ; 

But bow'd his comely head 

Down, as upon a bed. 

— This was that memorable hour 
Which first assured the forcdd power : 

So when they did design 

The Capitol's first line, 

A Bleeding Head, where they begun, 
Did fright the architects to run ; 

And yet in that the State 

Foresaw its happy fate ! 

And now the Irish are ashamed 

To see themselves in one year tamed ; 

So much one man can do 

That does both act and know. 

They can affirm his praises best. 
And have, though overcome, confest 

How good he is, how just 

And fit for highest trust ; 

Nor yet grown stiifer with command, 
But still in the Republic's hand — 



s 





BOOK SECOND. 

How fit he is to sway 
That can so well obey ! 

He to the Commons' feet presents 
A Kingdom for his first year's rents. 
And (what he may) forbears 
His fame, to make it theirs : 

And has his sword and spoils ungirt 
To lay them at the Public's skirt. 

So when the falcon high 

Falls heavy from the sky, 

She, having kill'd, no more does search 
But on the next green bough to perch. 
Where, when he first does lure. 
The falconer has her sure. 

— What may not then our Isle presume 
While victory his crest does plume? 
What may not others fear 
If thus he crowns each year ! 

As Caesar he, ere long, to Gaul, 
To Italy an Hannibal, 

And to all states not free 

Shall climacteric be. 

The Pict no shelter now shall find 
Within his parti-colour'd mind. 
But from this valour,, sad 
Shrink underneath the plaid — 

Happy, if in the tufted brake 
The English hunter him mistake, 

Nor lay his hounds in near 

The Caledonian deer. 

But Thou, the War's and Fortune's son, 

March indefatigably on ; 
And for the last effect 
Still keep the sword erect : 





LYCIDAS. 63 



Besides the force it has to fright 
The spirits of the shady night, 
The same arts that did gain 
A power, must it maintain. 

A. Marvcll, 



LYCIDAS. 
Elegy on a Friend drowned in the Irish Channel. 
Yet once more, O ye laurels, and once more 
Ye myrtles brown, with ivy never sere, 
I come to pluck your berries harsh and crude, 
And with forced fingers rude 
Shatter your leaves before the mellowing year. 
Bitter constraint, and sad occasion dear 
Compels me to disturb your season due : 
For Lycidas is dead, dead ere his prime. 
Young Lycidas, and hath not left his peer : 
Who would not sing for Lycidas ? he knew 
Himself to sing, and build the lofty rhyme. 
He must not float upon his watery bier 
Unwept, and welter to the parching wind. 
Without the meed of some melodious tear. 

Begin then, Sisters of the sacred well 
That from beneath the seat of Jove doth spring, 
Begin, and somewhat loudly sweep the string ; 
Hence with denial vain and coy excuse : 
So may some gentle IVIuse 
With lucky words favour my destined urn ; 
And as he passes, turn 
And bid fair peace be to my sable shroud. 

For we were nursed upon the self-same hill. 
Fed the same flock by fountain, shade, and rill. 
Together both, ere the high lawns appear'd 
Under the opening eye-lids of the morn, 
We drove a-field, and both together heard 
What time the gray fly winds her sultry horn, 



64 



BOOK SECOND. 




Fattening our flocks with the fresh dews of night ; 

Oft till the star, that rose at evening bright. 

Toward heaven's descent liad sloped his westering wheel. 

Meanwhile the rural ditties were not mute, 

Teinper'd to the oaten flute ; 

Rough Satyrs danced, and Fauns with cloven heel 

From the glad sound would not be absent long; 

And old Damoetas loved to hear our song. 

But, O the heavy change, now thou art gone. 
Now thou art gone, and never must return ! 
Thee, Shepherd, thee the woods, and desert caves 
With wild thyme and the gadding vine o'ergrown, 
And all their echoes, mourn : 
The willows and the hazel copses green 
Shall now no more be seen 
Fanning their joyous leaves to thy soft lays : — 
As killing as the canker to the rose. 
Or taint-worm to the weanling herds that graze. 
Or frost to flowers, that their gay wardrobe wear 
When first the white-thorn blows ; 
Such, L3'cidas, thy loss to shepherds' ear. 

Where were ye, Nymphs, when the remorseless deep 
Closed o'er the head of your loved Lycidas ? 
For neither were ye playing on the steep 
Where your old bards, the famous Druids, lie. 
Nor on the shaggy top of Mona high. 
Nor yet where Deva spreads her wizard stream : 
Ay me ! I fondly dream — 

Had ye been there — for what could that have done ? 
What could the Muse herself that Orpheus bore 
The Muse hei'self, for her enchanting son. 
Whom universal nature did lament, 
When by the rout that made the hideous roar 
His gory visage down the stream was sent, 
Down the swift Hebrus to the Lesbian shore ? 

Alas ! what boots it with incessant care 
To tend the homely, sligliLed, shepherd's trade 



Z YCIDAS. 

And strictly meditate the thankless Muse? 

Were it not better done, as others use, 

To sport with Amaryllis in the shade, 

Or with the tangles of Neaera's hair? 

Fame is the spur that the clear spirit doth raise 

(That last infirmity of noble mind) 

To scorn delights, and live laborious days ; 

But the fair guerdon when we hope to find. 

And think to burst out into sudden blaze, 

Comes the blind Fury with the abhorred shears 

And slits the thin-spun life. ' But not the praise' 

Phoebus replied, and touch'd my trembling ears ; 

' Fame is no plant that grows on mortal soil, 

Nor in the glistering foil 

Set off to the world, nor in broad rumour lies : 

But lives and spreads aloft by those pure eyes 

And perfect witness of all-judging Jove ; 

As he pronounces lastly on each deed. 

Of so much fame in heaven expect thy meed.' 

O fountain Arethuse, and thou honour'd flood 
Smooth-sliding Mincius, crown'd with vocal reeds! 
That strain I heard was of a higher mood : 
But now my oat proceeds. 
And listens to the herald of the sea 
That came in Neptune's plea ; 
He ask'd the waves, and ask'd the felon winds. 
What hard mishap hath doora'd this gentle swain? 
And questioned every gust of rugged wings 
That blows from off each beaked promontory : 
They knew not of his story ; 
And sage Hippotades their answer brings, 
That not a blast was from his dungeon stray'd ; 
The air was calm, and on the level brine 
Sleek Panopc^ with all her sisters play'd. 
It was that fatal and perfidious bark 
Built in the eclipse, and rigg'd with curses dark, 
That sunk so low that sacred head of thine. 






66 BOOK SECOND. 

Next Camus, reverend sire, went footing slow. 
His mantle hairy, and liis bonnet sedge 
Inwrouglit witli figures dim, and on tlie edge 
Lil<e to tliat sanguine ilower inscribed witli woe : 
' Ah ! who hath reft ' quoth he ' ray dearest pledge ! ' 
Last came, and last did go 
The pilot of the Galilean lake ; 
Two massy keys he bore of metals twain 
(The golden opes, the iron shuts amain) ; 
He shook his mitred locks, and stern bespake : 
' How well could I have spared for thee, young swain. 
Enow of such, as for their bellies' sake 
Creep and intrude and climb into the fold ! 
Of other care they little reckoning make 
Than how to scramble at the shearers' feast, 
And shove away the worthy bidden guest ; 
Blind mouths ! that scarce themselves know how to hold 
A sheep-hook, or have learn'd aught else the least 
That to the faithful herdman's art belongs ! 
What recks it them? What need they? They are sped; 
And when they list, their lean and flashy songs 
Grate on their scrannel pijses of wretched straw ; 
The hungry sheep look up, and are not fed, 
But swoln with wind and the rank mist they draw 
Rot inwardly, and foul contagion spread : 
Besides what the grim wolf with privy paw 
Daily devours apace, and nothing said : 
— But that two-handed engine at the door 
Stands ready to smite once, and smite no more.' 

Return, Alpheus, the dread voice is past 
That shrunk thy streams ; return, Sicilian IVIuse, 
And call the vales, and bid them hither cast 
Their bells and flowerets of a thousand hues. 
Ye valleys low, where the mild whispers use 
Of shades, and wanton winds, and gushing brooks 
On whose fresh lap the swart star sparely looks ; 
Throw hither all your quaint enamell'd eyes 
That on the green turf suck the honey'd showers 




LYCWAS. 

And purple all the ground with vernal flowers. 

Bring the rathe primrose that forsaken dies, 

The tufted crow-toe, and pale jessamine, 

The white pink, and the pansy freak'd with jet, 

The glowing violet, 

The musk-rose, and the well-attired woodbine, 

With cowslips wan that hang the pensive head. 

And every flower that sad embroidery wears : 

Bid amarantus all his beauty shed. 

And daffodillies fill their cups with tears 

To strew the laureat hearse where Lycid lies. 

For, so to interpose a little ease. 

Let our frail thoughts dally with false surmise ; 

Ay me ! whilst thee the shores and sounding seas 

Wash far away, — where'er thy bones are hurl'd. 

Whether beyond the stormy Hebrides 

Where thou perhaps, under the whelming tide, 

Visitest the bottom of the monstrous world ; 

Or whether thou, to our moist vows denied, 

Sleep'st by the fable of Bellerus old, 

Where the great Vision of the guarded mount 

Looks towards Namancos and Bayona's hold, 

— Look homeward, Angel, now, and melt with ruth : 

-^ And, O ye dolphins, waft the hapless youth ! 

Weep no more, woeful shepherds, weep no more, 
For Lycidas, your sorrow, is not dead, 
Sunk though he be beneath the watery floor ; 
So sinks the day-star in the ocean-bed, 
And yet anon repairs his drooping head 
And tricks his beams, and with new-spangled ore 
Flames in the forehead of the morning sky : 
So Lycidas sunk low, but mounted high 
Through the dear might of Him that walk'd the waves ; 
Where, other groves and other streams along. 
With nectar pure his oozy locks he laves, 
And hears the unexpressive nuptial song 
In the blest kingdoms meek of joy and love. 
There entertain him all the saints above 





BOOK SECOND. 

In solemn troops, and sweet societies, 
That sing, and singing, in their glory move, 
And wipe the tears for ever from his eyes. 
Now, Lycidas, the shepherds weep no more ; 
Henceforth thou art the Genius of the shore 
In thy large recompense, and shalt be good 
To all that wander in that perilous flood. 

Thus sang the uncouth swain to the oaks and rills. 
While the still morn went out with sandals gray ; 
He touch'd the tender stops of various quills, 
With eager thought warbling his Doric lay : 
And now the sun had stretch'd out all the hills, 
And now was dropt into the western bay : 
At last he rose, and twitch'd his mantle blue : 
To-morrow to fresh woods, and pastures new. 
J. Milton. 



ON THE TOMBS IN WESTMINSTER ABBEY. 

Mortality, behold and fear 

What a change of flesh is here ! 

Think how many royal bones 

Sleep within these heaps of stones ; 

Here they lie, had realms and lands, 

Who now want strength to stir their hands. 

Where from their pulpits seal'd with dust 

They preach, ' In greatness is no trust.' 

Here's an acre sown indeed 

With the richest royallest seed 

That the earth did e'er suck in 

Since the first man died for sin : ■ 

Here the bones of birth have cried 

' Though gods they were, as men they died!' 

Here are sands, ignoble things, 

Dropt from the ruin'd sides of kings : 

Here's a world of pomp and state 

Buried in dust, once dead by fate. 

F. Beaumont. 



It 



THE LAST CONQUEROR. 



69 



Lxvin. 
THE LAST CONQUEROR. 

Victorious men of earth, no more 
Proclaim how wide your empires are ; 

Though you bind-in every shore 
And your triumphs reach as far 

As night or day, 
Yet you, proud monarchs, must obey 

And mingle with forgotten ashes, when 

Death calls ye to the crowd of common men. 

Devouring Famine, Plague, and War, 

Each able to undo mankind, 
Death's servile emissaries are; 

Nor to these alone confined. 
He hath at will 

More quaint and subtle ways to kill; 
A smile or kiss, as he will use the art, 
Shall have the cunning skill to break a heart. 

J. Shirley, 
LXIX. 

DEATH THE LEVELLER. 

The glories of our blood and state 

Are shadows, not substantial things ; 
There is no armour against fate ; 

Death lays his icy hand on kings : 

Sceptre and Crown 

Must tumble down, 

And in the dust be equal made 

With the poor crooked scythe and spade. 

Some men with swords may reap the field, 

■ And plant fresh laurels where they kill : 
But their strong nerves at last must yield ; 
They tame but one another still : 
Early or late 
They stoop to fate, 





70 BOOK SECOND. 

And must give up their murmuring breatli 
Wlien they, pale captives, creep to death. 

The garlands wither on your brow ; 

Then boast no more your mighty deeds ; 
Upon Death's purple altar now 

See where the victor-victim bleeds : 
Your heads must come 
To the cold tomb ; 
Only the actions of the just 
Smell sweet, and blossom in their dust. 

J. Shirley. 
LXX. 

WHEN THE ASSAULT WAS INTENDED TO THE CITY. 

Captain, or Colonel, or Knight in arms. 

Whose chance on these defenceless doors may seize. 

If deed of honour did thee ever please. 

Guard them, and him within protect from harms. 

He can requite thee ; for he knows the charms 
That call fame on such gentle acts as these, 
And he can spread thy name o'er lands and seas, 
Whatever clime the sun's bright circle warms. 

Lift not thy spear against the Muses' bower: 

The great Emathian conqueror bid spare 

The house of Pindarus, when temple and tower 

Went to the ground : and the repeated air 
Of sad Electra's poet had the power 
To save the Athenian walls from ruin bare. 
J. Milton. 

LXXI. 

ON HIS BLINDNESS. 

When I consider how my light is spent 
Ere half my days, in this dark world and wide. 
And that one talent which is death to hide 
Lodged with me useless, though my soul more bent 





CHARACTER OF A HAPPY LIFE. 

To serve therewith my Maker, and present 
My true account, lest he returning chicle, — 
Doth God exact day-labour, light denied? 
I fondly ask : — But Patience, to prevent 

That murmur, soon replies ; God doth not need 
Either man's work, or his own gifts : who best 
Bear his mild yoke, they serve him best : His state 

Is kingly ; thousands at his bidding speed 
And post o'er land and ocean without rest : — 
They also serve who only stand and wait. 
J. Milton. 



CHARACTER OF A HAPPY LIFE. 

How happy is he born and taught 
That serveth not another's will ; 
Whose armour is his honest thought 
And simple truth his utmost skill ! 

Whose passions not his masters are, 
Whose soul is still prepared for death, 
Not tied unto the world with care 
Of public fame, or private breath ; 

Who envies none that chance doth raise 
Or vice ; Who never understood 
How deepest wounds are given by praise ; 
Nor rules of state, but rules of good : 

Who hath his life from rumours freed, 
Whose conscience is his strong retreat ; 
Whose state can neither flatterers feed. 
Nor ruin make accusers great ; 

Who God doth late and early pray 
More of his grace than gifts to lend ; 
And entertains the harmless day 
With a well-chosen book or friend; 






72 BOOK SECOND. 

— This man is freed from servile bands 
Of hope to rise, or fear to fall ; 
Lord of himself, though not of lands ; 
And having nothing, yet hath all. 

Sir H. Wotton. 

LXXIII. 

THE NOBLE NATURE. 

It is not growing like a tree 
In bulk, doth make Man better be ; 
Or standing long an oak, three hundred year. 
To fall a log at last, dry, bald, and sere : 
A lily of a day 
Is fairer far in May, 
Although it fall and die that night — 
It was the plant and flower of Light. 
In small proportions we just beauties see ; 
And in short measures life may perfect be. 
B. Jojtson, 

LXXIV. 

THE GIFTS OF GOD. 

When God at first made Man, 
Having a glass of blessings standing by ; 
Let us (said he) pour on him all we can : 
Let the world's riches, which dispersed lie, 

Contract into a span. 

So strength first made a way ; 
Then beauty flow'd, then wisdom, honour, pleasure : 
When almost all was out, God made a stay. 
Perceiving that alone, of all his treasure, 

Rest in the bottom lay. 

For if I should (said he) 
Bestow this jewel also on my creature, 
He would adore my gifts instead of me, 
And rest in Nature, not the God of Nature 

So both should losers be. 





THE RETREAT. 73 

Yet let him keep the rest, 
But keep them with repining restlessness : 
Let him be rich and weary, that at least, 
If goodness lead him not, yet weariness 

May toss him to my breast. 

G. Herbert. 



THE RETREAT. 

Happy those early days, when I 
Shined in my Angel-infancy ! 
Before I understood this place 
Appointed for my second race, 
Or taught my soul to fancy aught 
But a white, celestial thought ; 
When yet I had not walk'd above 
A mile or two from my first Love, 
And looking back, at that short space 
Could see a glimpse of his bright face ; 
When on some gilded cloud or flower 
My gazing soul would dwell an hour, 
And in those weaker glories spy 
Some shadows of eternity ; 
Before I taught my tongue to wound 
My conscience with a sinful sound. 
Or had the black art to dispense 
A several sin to every sense. 
But felt through all this fleshly dress 
Bright shoots of everlastingness. 

O how I long to travel back, 
And tread again that ancient track ! 
That I might once more reach that plain, 
Where first I left my glorious train ; 
From whence th' enlighten'd spirit sees 
That shady City of Palm trees ! 
But ah ! my soul with too much stay 
Is drunk, and staggers in the way : — 



^ 



74 BOOK SECOND. 

Some men a forward motion love, 
But I by backward steps would move ; 
And when this dust falls to the urn. 
In that state I came, return. 



TO MR. LAWRENCE. 

Lawrence, of virtuous father virtuous son. 
Now that the fields are dank and wa}s are mire, 
Where shall we sometimes meet, and by the fire 
Help waste a sullen day, what may be won 

From the hard season gaining ? Time will run 
On smoother, till Favonius re-inspire 
The frozen earth, and clothe in fresh attire 
The lily and rose, that neither sow'd nor spun. 

What neat repast shall feast us, light and choice, 
Of Attic taste, with wine, whence we may rise 
To hear the lute well touch'd, or artful voice 

Warble immortal notes and Tuscan air? 

He who of those delights can judge, and spare 

To interpose them oft, is not unwise. 

7. Milton. 
LXXVII. 

TO CYRIACK SKINNER. 
Cyriack, whose grandsire, on the royal bench 
Of British Themis, with no mean applause 
Pronounced, and in his volumes taught, our laws. 
Which others at their bar so often wrench ; 

To-day deep thoughts resolve with me to drench 

In mirth, that after no repenting draws ; 

Let Euclid rest, and Archimedes pause. 

And what the Swede intends, and what the French. 

To measure life learn thou betimes, and know 

Toward solid good what leads the nearest way ; 

For other things mild Heaven a time ordains, 




HYMN TO DIANA. 75 

And disapproves that care, though- wise in show, 
That with superfluous burden loads the day, 
And, when God sends a cheerful hour, refrains. 
J. Milton. 



HYMN TO DIANA. 

Queen and Huntress, chaste and fair, 

Now the sun is laid to sleep, 
Seated in thy silver chair 

State in wonted manner keep: 
Hesperus entreats thy light, 
Goddess excellently bright. 

Earth, let not thy envious shade 

Dare itself to interpose ; 
Cynthia's shining orb was made 

Heaven to clear when day did close: 
Bless us then with wished sight, 
Goddess excellently bright. 

Lay thy bow of pearl apart 

And thy crystal-shining quiver ; 
Give unto the flying hart 

Space to breathe, how short soever: 
Thou that mak'st a day of night. 
Goddess excellently bright! 
B. Jo7ison. 

LXXIX. 

WISHES FOR THE SUPPOSED MISTRESS. 

Whoe'er she be. 

That not impossible She 

That shall command my heart and me ; 

Where'er she lie, 

Lock'd up from mortal eye 

In shady leaves of destiny : 






BOOK SECOND. 

Till that ripe birth 

Of studied Fate stand forth, 

And teach her fair steps to our earth ; 

Till that divine 

Idea take a shrine 

Of crystal flesh, through which to shine : 

— Meet you her, my Wishes, 

Bespeak her to my blisses, 

And be ye call'd, my absent kisses. 

I wish her beauty 

That owes not all its duty 

To gaudy tire, or glist'ring shoe-tie : 

Something more than 
Taffata or tissue can, 
Or rampant feather, or rich fan. 

A face that's best 

By its own beauty drest. 

And can alone command the rest : 

A face made up 

Out of no other shop 

Than what Nature's white hand sets ope. 

Sydneian showers 

Of sweet discourse, whose powers 

Can crown old Winter's head with flowers. 

Whate'er delight 

Can make day's forehead bright 

Or give down to the wings of night. 

Soft silken hours, 

Open suns, shady bowers; 

'Bove all, nothing within that lowers. 

Days, that need borrow 

No part of their good morrow 

From a fore-spent night of sorrow: 




THE GREAT ADVENTURER. 

Days, that in spite 

Of darkness, by the light 

Of a clear mind are day all night. 

Life, that dares send 

A challenge to his end, 

And when it comes, say, ' Welcome, friend 

I wish her store 

Of worth may leave her poor 

Of wishes ; and I wish no more. 

— Now, if Time knows 

That Her, whose radiant brows 

Weave them a garland of my vows ; 

Her that dares be 

What these lines wish to see : 

I seek no further, it is She. 

'Tis She, and here 

Lo ! I unclothe and clear 

My wishes' cloudy character. 

Such worth as this is 

Shall fix my flying wishes, 

And determine them to kisses. 

Let her full glory. 
My fancies, fly before ye ; 
Be ye my fictions ; — but her story. 
R. Ci as/law. 

LXXX. 

THE GREAT ADVENTURER. 

Over the mountains 
And over the waves, 
Under the fountains 
And under the graves ; 
Under floods that are deepest. 
Which Neptune obey; 
Over rocks that are steepest 
Love will find out the way. 




78 BOOK SECOND. 

Where there is no place 

For the glow-worm to lie ; 

Where there is no space 

For receipt of a fly ; 

Where the midge dares not venture 

Lest herself fast she lay; 

If love come, he will enter 

And soon find out his way. 

You may esteem him 

A child for his might ; 

Or you may deem him 

A coward from his flight : 

But if she whom love doth honour 

Be conceaPd from the day, 

Set a thousand guards upon her, 

Love will find_out the way. 

Some think to lose him 
By having him confined ; 
And some do suppose him, 
Poor thing, to be blind ; 
But if ne'er so close ye wall him, 
Do the best that you may, 
Blind love, if so ye call him, 
Will find out his way. 

You may train the eagle 
To stoop to your fist ; 
Or you may inveigle 
The phoenix of the east ; 
The lioness, ye may move her 
To give o'er her prey; 
But you'll ne'er stop a lover: 
He will find out his way. 

Anon, 
LXXXI. 

CHILD AND MAIDEN. 
Ah, Chloris ! could I now but sit 
As unconcern'd as when 






COUNSEL TO GIRLS. 79 

Your infant beauty could beget 

No happiness or pain ! 
When I the dawn used to admire, 

And praised the coming day, 
I little thought the rising fire 

Would take my rest away. 

Your charms in harmless childhood lay 

Like metals in a mine ; 
Age from no face takes more away 

Than youth conceal'd in thine. 
But as your charms insensibly 

To their perfection prest, 
So love as unperceived did fly, 

And center'd in my breast. 

My passion with your beauty grew, 

While Cupid at my heart 
Still as his mother favour'd you 

Threw a new flaming dart : 
Each gloried in their wanton part ; 

To make a lover, he 
Employ'd the utmost of his art — 

To make a beauty, she. 

Sir C. Sedtey. 

LXXXII. 
COUNSEL TO GIRLS. 

Gather ye rose-buds while ye may. 

Old Time is still a-flying : 
And this same flower that smiles to-day, 

To-morrow will be dying. 

The glorious Lamp of Heaven, the Sun, 

The higher he's a getting 
The sooner will his race be run, 

And nearer he's to setting. 

That age is best which is the first. 
When youth and blood are warmer ; 





80 BOOK SECOND. 

But being spent, the worse, and worst 
Times, still succeed the former. 

Then be not coy, but use your time ; 

And while ye may, go marry : 
For having lost but once your prime. 

You may for ever tarry. 

R, Herrlck, 

LXXXIII. 

TO LUCASTA, ON GOING TO THE WARS. 

Tell me not, Sweet, I am unkind 

That from the nunnery 
Of thy chaste breast and quiet mind, 

To war and arms I fly. 

True, a new mistress now 1 chase, 

The first foe in the field ; 
And with a stronger faith embrace 

A sword, a horse, a shield. 

Yet this inconstancy is such 

As you too shall adore ; 
I could not love thee. Dear, so much. 

Loved I not Honour more. 

Colonel Lovelace, 

LXXXIV. 

ELIZABETH OF BOHEMIA. 

You meaner beauties of the night, 

Which poorly satisfy our eyes 
More by your number than your light. 

You common people of the skies. 
What are you, when the Moon shall rise? 

Ye violets that first appear. 

By your pure purple mantles known 

Like the proud virgins of the year 
As if the spring were all your own, — 

What are you, when the Rose is blown? 




TO THE LADY MARGARET LEY. 

Ye curious chanters of the wood 

That warble forth dame Nature's lays, 

Thinking your passions understood 

By your weak accents ; what's your praise 

When Philomel her voice doth raise? 

So when my Mistress shall be seen 
In sweetness of her looks and mind. 

By virtue first, then choice, a Queen, 
Tell me, if she were not design'd 

Th' eclipse and glory of her kind? 

Sir H. Wottoii. 



TO THE LADY MARGARET LEY. 

Daughter to that good earl, once President 
Of England's council and her treasury. 
Who lived in both, unstain'd with gold or fee, 
And left them both, more in himself content, 

Till the sad breaking of that parliament 

Broke him, as that dishonest victory 

At Chaeronea, fatal to liberty, 

Kill'd with report that old man eloquent ; — 

Though later born than to have known the days 
Wherein your father flourish'd, yet by you, 
Madam, methinks I see him living yet ; 

So well your words his noble virtues praise, 
That all both judge you to relate them true, 
And to possess them, honour'd Margaret. 
J. Milton. 

LXXXVI. 

THE LOVELINESS OF LOVE. 

It is not Beauty I demand, 
A crystal brow, the moon's despair, 
Nor the snow's daughter, a white hand. 
Nor mermaid's yellow pride of hair : 





82 BOOK SECOND. 

Tell me not of your starry eyes, 
Your lips that seem on roses fed, 
Your breasts, where Cui^id tumbling lies, 
Nor sleeps for kissing of his bed : — 

A bloomy pair of vermeil cheeks 
Like Hebe's in her ruddiest hours, 
A breath that softer music speaks 
Than summer winds a-wooing flowers, 

These are but gauds : nay what are lips ? 
Coral beneath the ocean-stream, 
Whose brink when your adventurer slips 
Full oft he perisheth on them. 

And what are cheeks, but ensigns oft 
That wave hot youth to fields of blood ? 
Did Helen's breast, though ne'er so soft. 
Do Greece or Ilium any good ? 

Eyes can with baleful ardour burn ; 
Poison can breath, that erst perfumed; 
There's many a white hand holds an urn 
With lovers' hearts to dust consumed. 

For crystal brows there's nought within : 
They are but empty cells for pride ; 
He who the Syren's hair would win 
Is mostly strangled in the tide. 

Give me, instead of Beauty's bust, 
A tender heart, a loyal mind 
Which with temptation I would trust. 
Yet never link'd with error find, — 

One in whose gentle bosom I 
Could pour my secret heart of woes, 
Like the care-burthen'd honey-fly 
That hides his murmurs in the rose, — 

My earthly Comforter ! whose love 
So indefeasible might be 



THE TRUE BEAUTY. 



83 



That, when my spirit wonn'd above, 

Hers could not stay, for sympathy. 

Anon, 

LXXXVII. 

THE TRUE BEAUTY. 

He that loves a rosy cheek 

Or a coral lip admires, 
Or from star-like eyes doth seek 

Fuel to maintain his fires ; 
As old Time makes these decay. 
So his flames must waste away. 
But a smooth and steadfast mind, 

Gentle thoughts, and calm desires. 
Hearts with equal love combined. 

Kindle never-dying fires : — 
Where these are not, I despise 
Lovely cheeks or lips or eyes. 

T. Carew. 
LXXXvm. 
TO DIANEME. 
Sweet, be not proud of those two eyes 
Which starlike sparkle in their skies ; 
Nor be you proud, that you can see 
All hearts your captives ; yours yet free : 
Be you not proud of that rich hair 
Which wantons with the lovesick air; 
Whenas that ruby which you wear, 
Sunk from the tip of your soft ear. 
Will last to be a precious stone 
When all your world of beauty's gone. 
R. Herrick. 
LXXXIX. 
Go, lovely Rose ! 
Tell her, that wastes her time and me. 

That now she knows. 
When I resemble her to thee, 
How sweet and fair she seems to be. 




BOOK SECOND. 

Tell her that's young 
And shuns to have her graces spied. 

That hadst thou sprung 
In deserts, where no men abide. 
Thou must have uncommended died. 

Small is the worth 
Of beauty from the light retired : 

Bid her come forth. 
Suffer herself to be desired. 
And not blush so to be admired. 

Then die ! that she 
The common fate of all things rare 

May read in thee : 
How small a part of time they share 
That are so wondrous sweet and fair ! 

B. Waller. 




XC. 

TO CELIA. 

Drink to me only with thine eyes, 

And I will pledge with mine ; 
Or leave a kiss but in the cup 

And I'll not look for wine. 
The thirst that from the soul doth rise 

Doth ask a drink divine ; 
But might I of Jove's nectar sup, 

I would not change for thine. 

I sent thee late a rosy wreath, 

Not so much honouring thee 
As giving it a hope that there 

It could not wither'd be ; 
But thou thereon didst only breathe 

And sent'st it back to me ; 
Since when it grows, and smells, I swear, 

Not of itself but thee ! 

B. Jon so 11. 



THE POETRY OF DRESS. 



SS 



CHERRY-RIPE. 

There is a garden in her face 

Where roses and white lilies blow; 

A heavenly paradise is that place. 
Wherein all pleasant fruits do grow ; 

There cherries grow that none may buy, 

Till Cherry-Ripe themselves do cry. 

Those cherries fairly do enclose 

Of orient pearl a double row,. 
Which when her lovely laughter shows, 

They look like rose-buds fiU'd with snow : 
Yet them no peer nor prince may buy, 
Till Cherry-Ripe themselves do cry. 

Her eyes like angels watch them still ; 

Her brows like bended bows do stand, 
Threat'ning with piercing frowns to kill 

All that approach with eye or hand 
These sacred cherries to come nigh, 
— Till Cherry-Ripe themselves do cry ! 
Anon, 

XCII. 
THE POETRY OF DRESS. 



A SWEET disorder in the dress 
Kindles in clothes a wantonness : — 
A lawn about the shoulders thrown 
Into a fine distraction, — 
An erring lace, which here and there 
Enthrals the crimson stomacher, — 
A cuff neglectful, and thereby 
Ribbands to flow confusedly, — 
A winning wave, deserving note. 
In the tempestuous petticoat, — 



■^ 





BOOK SECOND. 

A careless shoe-string, in whose tie 
I see a wild civility, — 
Do more bewitch me, than when art 
Is too precise in every part. 

R. Herrlck, 

XCIII. 
2. 

Whenas in silks my Julia goes 

Then, then (methinks) how sweetly flows 

That liquefaction of her clothes. 

Next, when I cast mine eyes and see 
That brave vibration each way free ; 
O how that glittering taketh me ! 

R. Herrick. 

XCIV. 

3- 

My Love in her attire doth shew her wit, 
It doth so well become her : 

For every season she hath dressings fit. 
For Winter, Spring, and Summer. 
No beauty she doth miss 
When all her robes are on : 
But Beauty's self she is 
When all her robes are gone. 
Anon, 

xcv. 

ON A GIRDLE. 

That which her slender waist confined 
Shall now my joyful temples bind : 
No monarch but would give his crown 
His arms might do what this has done. 

It was my Heaven's extremest sphere. 
The pale which held that lovely deer: 
My joy, my grief, my hope, my love 
Did all within this circle move. 






TO ANTHEA. 87 

A narrow compass ! and yet there 
Dwelt all that's good, and all that's fair: 
Give me but what this ribband bound, 
Take all the rest the Sun goes round. 
E. Waller. 
XCVI. 
TO ANTHEA WHO MAY COMMAND HIM 
ANY THING. 

Bid me to live, and I will live 

Thy Protestant to be : 
Or bid me love, and I will give 

A loving heart to thee. 

A heart as soft, a heart as kind, 

A heart as sound and free 
As in the whole world thou canst find, 

That heart I'll give to thee. 
Bid that heart stay, and it will stay. 

To honour thy decree : 
Or bid it languish quite away, 

And't shall do so for thee. 
Bid me to weep, and I will weep 

While I have eyes to see : 
And having none, yet I will keep 

A heart to weep for thee. 
Bid me despair, and I'll despair, 

Under that cypress tree : 
Or bid me die, and I will dare 

E'en Death, to die for thee. 
Thou art my life, my love, my heart. 

The very eyes of me. 
And hast command of every part. 

To live and die for thee. 

R. Herrick, 
XCVII. 
Love not me for comely grace, 
For my pleasing eye or face. 




BOOK SECOND. 

Nor for any outward part. 
No, nor for my constant heart, — 
For those may fail, or turn to ill, 
So thou and I shall sever : 
Keep therefore a true woman's eye. 
And love me still, but know not why - 
So hast thou the same reason still 
To dote upon me ever ! 



Not, Celia, that 1 juster am 
Or better than the rest : 

For I would change each hour, like them, 
Were not my heart at rest. 

But 1 am tied to very thee 
By every thought I have ; 

Thy face 1 only care to see, 
Thy heart I only crave. 

All that in woman is adored 
In thy dear self I find — ■ 

For the whole sex can but afford 
The handsome and the kind. 

Why then should I seek further store, 

And still make love anew? 

When change itself can give no more, 

'Tis easy to be true. 

Sir C. Sedley, 

XCIX. 

TO ALTHEA FROM PRISON. 

When Love with unconfin^d wings 
Hovers within my gates, 
J And my divine Althea brings 

1 '' To whisper at the grates ; 

When I lie tangled in her hair 
And fetter'd to her eye, 






ro ALTHEA FROM PRISON. 89 

The Gods that wanton in the air 
Know no such liberty. 

When flowing cups run swiftly round 

With no allaying Thames, 
Our careless heads with roses crown'd, 

Our hearts with loyal flames ; 
When thirsty grief in wine we steep. 

When healths and draughts go free — 
Fishes that tipple in the deep 

Know no such liberty. 

When, linnet-like confined, I 

With shriller throat shall sing 
The sweetness, mercy, majesty 

And glories of my King ; 
When I shall voice aloud how good 

He is, how great should be, 
Enlarged winds, that curt the flood, 

Know no such liberty. 

Stone walls do not a prison make, 

Nor iron bars a cage ; ^ 

Minds innocent and quiet take 
That for an hermitage : 

If I have freedom in my love 
And in my soul am free. 

Angels alone, that soar above. 

Enjoy such liberty. 

Colonel Lovelace, 

C. 

TO LUCASTA, ON GOING BEYOND THE SEAS. 

If to be absent were to be 
Away from thee ; 
Or that when I am gone 
You or I were alone ; 
Then, my Lucasta, might I crave 
Pity from blustering wind, or swallowing wave. 





90 BOOK SECOND. 

Though seas and land betwixt us both, 
Our faith and troth, 
Like separated souls, 
All time and space controls : 
Above the highest sphere we meet 
Unseen, unknown, and greet as Angels greet. 

So then we do anticipate 
Our after-fate, 
And are alive i' the skies. 
If thus our lips and eyes 
Can speak like spirits unconfined 
In Heaven, their earthy bodies left behind. 
Colonel Lovelace. 



ENCOURAGEiVtENTS TO A LOVER. 

Why so pale and wan, fond lover ? 

Prythee, why so pale? 
Will, if looking well can't move her, 

Looking ill prevail? 

Prythee, why so pale? 

Why so dull and mute, young sinner? 

Prythee, why so mute? 
Will, when speaking well can't win her, 

Saying nothing do't? 

Prythee, why so mute? 

Quit, quit, for shame ! this will not move, 

This cannot take her ; 
If of herself she will not love, 

Nothing can make her : 

The D— 1 take her ! 

Sh- y. Suckling. 

CII. 

A SUPPLICATION. 

Awake, awake, ray Lyre ! 
And tell thy silent master's humble tale 



















"Awake, awake, my Lyre ! 
And tell tliy silent master's humble tale." — Page 90. 



m 



THE MANLY HEART. 



91 



In sounds that may prevail ; 
Sounds that gentle thoughts inspire : 
Though so exalted she 
And I so lowly be 
Tell her, such different notes make all thy harmony. 

Hark! how the strings awake: 
And, though the moving hand approach not near, 

Themselves with awful fear 
A kind of numerous trembling make. 

Now all thy forces try ; 

Now all thy charms apply ; 
Revenge upon her ear the conquests of her eye. 

Weak Lyre ! thy virtue sure 
Is useless here, since thou art only found 

To cure, but not to wound, 
And she to wound, but not to cure. 

Too weak too wilt thou prove 

My passion to remove ; 
Physic to other ills, thou'rt nourishment to love. 

Sleep, sleep again, my Lyre ! 
For thou canst never tell my humble tale 

In sounds that will prevail. 
Nor gentle thoughts in her inspire ; 

All thy vain mirth lay by. 

Bid thy strings silent lie, 
Sleep, sleep again, my Lyre, and let thy master die. 

A. Cowley. 

cm. 

THE MANLY HEART. 
Shall I, wasting in despair. 
Die because a woman's fair? 
Or my cheeks make pale with care 
'Cause another's rosy are? 
Be she fairer than the day 
Or the flowery meads in May — 

If she be not so to me 

What care I how fair she be ? 





BOOK SECOND. 

Shall my foolish heart be pined 

'Cause I see a woman kinu ; 

Or a well-disposed nature 

Joined with a lovely feature? 

Be she meeker, kinder, than 

Turtle-dove or pelican, 
If she be not so to me 
What care I how kind she be? 

Shall a woman's virtues move 
Me to perish for her love ? 
Or her merit's value known 
Make me quite forget mine own? 
Be she with that goodness blest 
Which may gain her name of Best; 
If she seem not such to me, 
What care I how good she be? 

'Cause her fortune seems too high, 
Shall I play the fool and die ? 
Those that bear a noble mind 
Where they want of riches find. 
Think what with them they would do 
Who without them dare to woo ; 
And unless that mind I see, 
What care I though great she be? 

Great or good, or kind or fair, 
I will ne'er the more despair ; 
If she love me, this believe, 
I will die ere she shall grieve ; 
If she slight me when I woo, 
I can scorn and let her go ; 
For if she be not for me, 
What care I for whom she be ? 
G. Wither. 
CIV. 
MELANCHOLY. 
Hence, all you vain delights. 
As short as are the nights 





TO A LOCK OF HAIR. 93 

Wherein you spend your folly : 

There's nought in this life sweet 

If man were wise to see't, 

But only melancholy, 

O sweetest Melancholy ! 
Welcome, folded arms, and fix^d eyes, 
A sigh that piercing mortifies, 
A look that's fasten'd to the ground, 
A tongue chain'd up without a sound ! 
Fountain heads and pathless groves, 
Places which pale passion loves I 
IVtoonlight walks, when all the fowls 
Are warmly housed save bats and owls 1 
A midnight bell, a parting groan ! 
These are the sounds we feed upon ; 
Then stretch our bones in a still gloomy valley; 
Nothing's so dainty sweet as lovely melancholy. 

J. Fletcher. 



TO A LOCK OF HAIR. 

Thy hue, dear pledge, is pure and bright 
As in that well-remember'd night 
When lirst thy mystic braid was wove. 
And first my Agnes whisper'd love. 

Since then how often hast thou prest 
The torrid zone of this wild breast, 
Whose wrath and hate have sworn to dwell 
With the first sin that peopled hell ; 
A breast whose blood's a troubled ocean. 
Each throb the earthquake's wild commotion! 

if such clime thou canst endure 
Yet keep thy hue unstain'd and pure, 
What conquest o'er each erring thought 
Of that fierce realm had Agnes wrought ! 

1 had not wander'd far and wide 
With such an angel for my guide ; 



94 



BOOK SECOND. 



Nor heaven nor earth could then reprove me 
If she had Uved, and lived to love me.- 

Not then this world's wild joys had been 
To me one savage hunting scene, 
My sole delight the headlong race 
And frantic hurry of the chase ; 
To start, pursue, and bring to bay, 
Rush in, drag down, and rend my prey, 
Then — from the carcass turn away ! 
Mine ireful mood had sweetness tamed, 
And soothed each wound which pride inflamed : 
Yes, God and man might now approve me 
If thou hadst lived, and lived to love me I 
Sir W, Scott, 




THE FORSAKEN BRIDE. 

WALY waly up the bank, 
And waly waly down the brae, 

And waly waly yon burn-side 

Where I and my Love wont to gae ! 

1 leant my back unto an aik, 

I thought it was a trusty tree; 
But first it bow'd, and syne it brak, 

Sae my true Love did lichtly me. 
O waly waly, but love be bonny 

A little time while it is new ; 
But when 'tis auld, it waxeth cauld 

And fades awa' like morning dew. 
O wherefore should I busk my head? 

Or wherefore should I kame my hair? 
For my true Love has me forsook, 

And says he'll never loe me mair. 
Now Arthur-seat sail be my bed ; 

The sheets shall ne'er be prest by me : 
Saint Anton's well sail be my drink. 

Since my true Love has forsaken me. 



K 



FA/7? HELEN. 95 

Marti'mas wind, when wilt thou blaw 
And shal<e the green leaves aff the tree ? 

gentle Deafcb, when wilt thou come ? 
For of my life I am wearie. 

'Tis not the frost, that freezes fell, 

Nor blawing snaw's inclemencie ; 
'Tis not sic cauld that makes me cry, 

But my Love's heart grown cauld to me. 
When we came in by Glasgow town 

We were a comely sight to see ; 
My Love was clad in the black velvdt, 

And I mysell in cramasie. 

But had I wist, before I kist. 

That love had been sae ill to win ; 

1 had lockt my heart in a case of gowd 
And pinn'd it with a siller pin. 

And, O ! if my young babe were born. 

And set upon the nurse's knee, 
And I mysell were dead and gane, 

And the green grass growing over me ! 
Ano7i, 

CVII. 

FAIR HELEN. 

I WISH I were where Helen lies ; 

Night and day on me she cries ; 

O that I were where Helen lies 

On fair Kirconnell lea ! 

Curst be the heart that thought the thought. 
And curst the hand that fired the shot, 
When in my arms burd Helen dropt. 
And died to succour me ! 

think na but my heart was sair 

When ray Love dropt down and spak nae mair! 

1 laid her down wi' meikle care 

On fair Kirconnell lea. 





96 BOOK SECOND. 

As I went down the water-side, 

None but my foe to be my guide, 

None but my foe to be jny guide, 

On fair Kirconnell lea ; 

I lighted down my sword to draw, 
I haclced him in pieces sma', 
I hacked him in pieces sma', 

For her salce that died for me. 

O Helen fair, beyond compare ! 
I'll make a garland of thy hair 
Shall bind my heart for evermair 
Until the day 1 die. 

O that I were where Helen lies ! 
Night and day on me she cries ; 
Out of my bed she bids me rise, 
Says, '"Haste and come to me!' 

Helen fair ! O Helen chaste ! 
If I were with thee, I were blest, 
Where thou lies low and takes thy rest 

On fair Kirconnell lea. 

1 wish my grave were growing green, 
A winding-sheet drawn ower my een. 
And I in Helen's arms lying, 

On fair Kirconnell lea. 

I wish I were where Helen lies : 
Night and day on me she cries ; 
And I am weary of the skies, 
Since my Love died for me. 
Aiw7r, 
CVIII. 
THE TWA CORBIES. 

As I was walking all alane 
I heard twa corbies making a mane ; 
The tane unto the t'other say, 
'Where sail we gang and dine today.?' 




TO BLOSSOMS. 97 

t — In behint yon auld fail dyke, 
I wot there lies a new-slain Knight ; 
And naebody kens that he lies there, 
But his hawk, his hound, and lady fair. 

'His hound is to the hunting gane. 
His hawk to fetch the wild fowl hame, 
His lady's ta'en another mate. 
So we may mak our dinner sweet. 

' Ye'll sit on his white hause-bane, 
And rU pick out his bonny blue een : 
Wi' ae lock o' his gowden hair 
We'll theek our nest when it grows bare, 

' Mony a one for him makes mane, 
But nane sail ken where he is gane ; 
O'er his white banes, when they are bare, 
The wind sail blaw for evermair.' 

Anon. 



TO BLOSSOMS. 

Fair pledges of a fruitful tree. 

Why do ye fall so fast? 

Your date is not so past, 
But you may stay yet here awhile 

To blush and gently smile, 
And go at last. 

What, were ye born to be 

An hour or half's delight, 
And so to bid good-night? 

'Twas pity Nature brought ye forth 
Merely to show your worth, 
And lose you quite. 

But you are lovely leaves, where we 

May read how soon things have 
Their end, though ne'er so brave : 




BOOK SECOND. 

And after they have shown their pride 
Like you, awhile, they glide 
Into the grave. 

R. Herrlck. 



ex. 

TO DAFFODILS. 

Fair Daffodils, we weep to see 
You haste away so soon : 
As yet the early-rising Sun 

Has not attain'd his noon. 

Stay, stay, 
Until the hasting day 

Has run 
But to the even-song; 
And, having pray'd together, we 

Will go with you along. 
We have short time to stay, as you, 
We have as short a Spring ; 
As quick a growth to meet decay 
As you, or any thing. 

We die, 
As your hours do, and dry 

Away 
Like to the Summer's rain ; 
Or as the pearls of morning's dew 
Ne'er to be found again. 

R. Herrlck, 




THOUGHTS IN A GARDEN. 

Hovif vainly men themselves amaze 
To win the palm, the oak, or bays. 
And their incessant labours see 
Crown'd from some single herb or tree, 
Whose short and narrow-verged shade 
Does prudently their toils upbraid ; 




THOUGHTS IN A GARDEN. 

While all the flowers and trees do close 
To weave the garlands of Repose. 

Fair Quiet, have I found thee here, 
And Innocence thy sister dear? 
Mistaken long, I sought you then 
In busy companies of men : 
Your sacred plants, if here below, 
Only among the plants will grow : 
Society is all but rude 
To this delicious solitude. 

No white nor red was ever seen 
So amorous as this lovely green. 
Fond lovers, cruel as their flame, 
Cut in these trees their mistress' name : 
Little, alas, they know or heed 
How far these beauties her exceed ! 
Fair trees ! where'er your barks 1 wound, 
No name shall but your own be found. 

When we have run our passion's heat 
Love hither makes his best retreat : 
The gods, who mortal beauty chase. 
Still in a tree did end their race : 
Apollo hunted Daphne so 
Only that she might laurel grow: 
, And Pan did after Syrinx speed 
Not as a nymph, but for a reed. 

What wondrous life is this I lead ! 
Ripe apples drop about my head ; 
The luscious clusters of the vine 
Upon my mouth do crush their wine ; 
The nectarine and curious peach 
Into my hands themselves do reach ; 
Stumbling on melons, as I pass. 
Ensnared with flowers, I fall on grass. 

Meanwhile the mind from pleasure less 
Withdraws into its happiness ; 



99 



-F^ 



100 BOOK SECOND. 

The mind, that ocean where each kind 

Does straight its own resemblance find ; 

Yet it creates, transcending these, 

Far other worlds, and other seas ; 

Annihilating all that's made 

To a green thought in a green shade. 

Here at the fountain's sliding foot 

Or at some fruit-tree's mossy root, 

Casting the body's vest aside 

My soul into the boughs does glide ; 

There, like a bird, it sits and sings. 

Then whets and claps its silver wings. 

And, till prepared for longer flight, 

Waves in its plumes the various light. 

Such was that happy Garden-state 

While man there walk'd without a mate : 

After a place so pure and sweet. 

What other help could yet be meet ! 

But 'twas beyond a mortal's share 

To wander solitary there : 

Two paradises are in one. 

To live in Paradise alone. 

How well the skilful gardener drew 

Of flowers and herbs this dial new ! 

Where, from above, the milder sun 

Does through a fragrant zodiac run : 

And, as it works, th' industrious bee 

Computes its time as well as we. 

How could such sweet and wholesome hours 

Be reckon'd, but with herbs and flowers ! 

A. Marvell. 
CXII. 

L'ALLEGRO. 

Hence, loathed Melancholy, 

Of Cerberus and blackest Midnight born 

In Stygian cave forlorn 
'Mongst horrid shapes, and shrieks, and sights unholy 1 




LALL&GRO. 101 

Find out some uncouth cell 

Where brooding Darkness spreads his jealous wings 
And the night-raven sings ; 

There under ebon shades, and low-brow'd rocks 
As ragged as thy locks, 

In dark Cimmerian desert ever dwell. 

But come, thou Goddess fair and free, 

In heaven yclep'd Euphrosyne, 

And by men, heart-easing Mirth, 

Whom lovely Venus at a birth 

With two sister Graces more 

To ivy-crowned Bacchus bore : 

Or whether (as some sager sing) 

The frolic wind that breathes the spring 

Zephyr, with Aurora playing. 

As he met her once a-Maying — 

There on beds of violets blue 

And fresh-blown roses wash'd in dew 

Fill'd her with thee, a daughter fair. 

So buxom, blithe, and debonair. 

Haste thee. Nymph, and bring with thee 

Jest, and youthful jollity, 

Quips, and cranks, and wanton wiles, 

Nods, and becks, and wreathed smiles 

Such as hang on Hebe's cheek, 

And love to live in dimple sleek ; 

Sport that wrinkled Care derides. 

And Laughter holding both his sides: — 

Come, and trip it as you go 

On the light fantastic toe ; 

And in thy right hand lead with thee 

The mountain nymph, sweet Liberty; 

And if I give thee honour due 

Mirth, admit me of thy crew. 

To live with her, and live with thee 

In unreprov^d pleasures free ; 

To hear the lark begin his flight 

And singing startle the dull night 




102 



BOOK SECOND. 



From his watch-tower in the skies, 
Till the dappled dawn doth rise ; 
Then to come, in spite of sorrow. 
And at my window bid good-morrow 
Through the sweet-briar, or the vine, 
Or the twisted eglantine : 
While the cock with lively din 
Scatters the rear of darkness thin, 
And to the stack, or the barn-door. 
Stoutly struts his dames before : 
Oft listening how the hounds and horn 
Cheerly rouse the slumbering morn, 
From the side of some hoar hill, 
Through the high wood echoing shrill. 
Sometime walking, not unseen, 
By hedge-row elms, on hillocks green, 
Right against the eastern gate 
Where the great Sun begins his state 
Robed in flames and amber light. 
The clouds in thousand liveries dight; 
While the ploughman, near at hand, 
Whistles o'er the furrow'd land, 
And the milkmaid singeth blithe, 
And the mower whets his scythe, 
And every shepherd tells his tale 
Under the hawthorn in the dale. 

Straight mine eye hath caught new pleasures 
Whilst the landscape round it measures ; 
Russet lawns, and fallows gray, 
Where the nibbling flocks do stray ; 
Mountains, on whose barren breast 
The labouring clouds do often rest ; 
Meadows trim with daisies pied, 
Shallow brooks, and rivers wide ; 
Towers and battlements it sees 
Bosom'd high in tufted trees. 
Where perhaps some Beauty lies, 
The Cynosure of neighbouring eyes. 



L' ALLEGRO. 103 

Hard by, a cottage chimney smokes 
From betwixt two aged oalcs, 
Where Corydon and Tliyrsis, met. 
Are at their savoury dinner set 
Of lierbs, and other country messes 
Which the neat-handed Phillis dresses ; 
And tlien in haste her bower she leaves 
With Thestylis to bind the sheaves ; 
Or, if the earlier season lead, 
To the tann'd haycock in the mead. 

Sometimes with secure delight 
The upland hamlets will invite, 
When the merry bells ring round, 
And the jocund rebecks sound 
To many a youth and many a maid, 
Dancing in the chequer'd shade ; 
Vnd young and old come forth to play 
On a sun-shine holy-day, 
Till the live-long day-light fail : 
Then to the spicy nut-brown ale, 
With stories told of many a feat. 
How faery Mab the junkets eat ; 
She was pinch'd, and pull'd, she said ; 
And he, by friar's lantern led ; 
Tells how the drudging Goblin sweat 
To earn his cream-bowl duly set. 
When in one night, ere glimpse of morn, 
His shadowy flail hath thresh'd the corn 
That ten day-labourers cou'd not end ; 
Then lies him down the lubber fiend. 
And, stretch'd out all the chimney's length, 
Basks at the fire his hairy strength ; 
And crop-full out of doors he flings, 
Kre the first cock his matin rings. 

Thus done the tales, to bed they creep. 
By whispering winds soon lull'd asleep. 

Tower'd cities please us then 
And the busy hum of men, 





104 BOOK SECOND. 

Where throngs of knights and barons bold, 

In weeds of peace high triumphs hold, 

With store of ladies, whose bright eyes 

Rain influence, and judge the prize 

Of wit or arras, while both contend 

To win her grace, whom all commend. 

There let Hymen oft appear 

In saffron robe, with taper clear. 

And pomp, and feast, and revelry, 

With mask, and antique pageantry ; 

Such sights as youthful poets dream 

On summer eves by haunted stream. 

Then to the well-trod stage anon, 

If Jonson's learned sock be on. 

Or sweetest Shakspeare, Fancy's child. 

Warble his native wood-notes wild. 

And ever against eating cares 
Lap me in soft Lydian airs 
Married to immortal verse, 
Such as the meeting soul may pierce 
In notes, with many a winding bout 
Of linked sweetness long drawn out. 
With wanton heed and giddy cunning. 
The melting voice through mazes running, 
Untwisting all the chains that tie 
The hidden soul of harmony ; 
That Orpheus' self may heave his head 
From golden slumber, on a bed 
Of heap'd Elysian flowers, and hear 
Such strains as would have won the ear 
Of Pluto, to have quite set free 
His half-regain'd Eurydice. 

These delights if thou canst give, 
Mirth, with thee I mean to live. 

y. Milton. 





IL PENSEROSO. 



lOS 



CXIII. 
IL PENSEROSO. 

Hence, vain deluding Joys, 

Tlie brood of Folly without father bred ! 

How little you bestead 

Or fill the fixed mind with all your toys ! 

Dwell in some idle brain, 

And fancies fond with gaudy shapes possess 

As thick and numberless 

As the gay motes that people the sunbeams, 

Or likest hovering dreams 

The fickle pensioners of Morpheus' train. 

But hail, thou goddess sage and holy, 
Hail, divinest Melancholy! 
Whose saintly visage is too bright 
To hit the sense of human sight. 
And therefore to our weaker view 
O'erlaid with black, staid Wisdom's hue ; 
Black, but such as in esteem 
Prince Meranon's sister might beseem, 
Or that starr'd Ethiop queen that strove 
To set her beauty's praise above 
The sea nymphs, and their powers offended, 
' Yet thou art higher far descended : 
Thee bright-hair'd Vesta, long of yore. 
To solitary Saturn bore ; 
His daughter she ; in Saturn's reign 
Such mixture was not held a stain : 
Oft in glimmering bowers and glades 
He met her, and in secret shades 
Of woody Ida's immost grove. 
While yet there was no fear of Jove. 

Come, pensive nun, devout and pure, 
Sober, steadfast, and demure. 
All in a robe of darkest grain 
Flowing with majestic train. 
And sable stole of cypres lawn 




106 BOOK SECOND. 

Over thy decent shoulders drawn : 
Come, but keep thy wonted state, 
With even step, and musing gait. 
And looks commercing with the skies, 
Thy rapt soul sitting in thine eyes : 
There, held in holy passion still, 
Forget thyself to marble, till 
With a sad leaden downward cast 
Thou fix them on the earth as fast : 
And join with thee calm Peace and Quiet, 
Spare Fast, that oft with gods doth diet. 
And hears the Muses in a ring 
Aye round about Jove's altar sing : 
And add to these retired Leisure 
That in trim gardens takes his pleasure : — 
But first, and chiefest, with thee bring 
Him that yon soars on golden wing 
Guiding the fiery-wheeled throne. 
The cherub Contemplation ; 
And the mute Silence hist along, 
'Less Philomel will deign a song 
In her sweetest saddest plight, 
Smoothing the rugged brow of Night, 
While Cynthia checks her dragon yoke 
Gently o'er the a.ccustom"d oak. 
• — Sweet bird, that shunn'st the noise of folly, 
Most musical, most melancholy ! 
Thee, chauntress, oft, the woods among 
I woo, to hear thy even-song; 
And missing thee, I walk unseen 
On the dry smooth-shaven green, 
To behold the wandering Moon 
Riding near her highest noon, 
Like one that had been led astray 
Through the heaven's wide pathless way, 
And oft, as if her head she bow'd, 
Stooping through a fleecy cloud. 
Oft, on a plat of rising ground 



^ 




IL PENSEROSO. 107 

I hear the far-off curfeu sound 

Over some wide-water'd shore, 

Swinging slow with sullen roar: 

Or, if the air will not permit. 

Some still removed place will fit, 

Where glowing embers through the room 

Teach light to counterfeit a gloom ; 

Far from all resort of mirth, 

Save the cricket on the hearth, 

Or the belman's drowsy charm 

To bless the doors from nightly harm. 

Or let my lamp at midnight hour ■ 
Be seen in some high lonely tower, 
Where I may oft out-watch the Bear 
With thrice-great Hermes, or unsphei'e 
The spirit of Plato, to unfold 
What worlds or what vast regions hold 
The immortal mind, that hath forsook 
Her mansion in this fleshly nook : 
And of those demons that are found 
In fire, air, flood, or under ground, 
Whose power hath a true consent 
With planet, or with element. 
Sometime let gorgeous Tragedy 
In scepter'd pall come sweeping by, 
Presenting Thebes, or Pelops' line, 
Or the tale of Troy divine ; 
Or what (though rare) of later age 
Ennobled hath the buskin'd stage. 

But, O sad Virgin, that thy power 
Might raise Musaeus from his bower, 
Or bid the soul of Orpheus sing 
Such notes as, warbled to the string, 
Drew iron tears down Pluto's cheek 
And made Hell grant what Love did seek! 
Or call up him that left half-told 
The story of Cambuscan bold, 
Of Camball, and of Algarsife, 





BOOK SECOND. 

And who had Canacd to wife 
That own'd the virtuous ring and glass ; 
And of the wondrous horse of brass 
On which the Tartar king did ride : 
And if aught else great bards beside 
In sage and solemn tunes have sung 
Of turneys, and of trophies hung, 
Of forests, and enchantments drear, 
Where more is meant than meets the ear. 

Thus, Night, oft see me in thy pale career, 
Till civil-suited IVIorn appear, 
Not trick'd and frounced as she was wont 
With the Attic Boy to hunt. 
But kercheft in a comely cloud 
While rocking winds are piping loud, 
Or usher'd with a shower still, 
When the gust hath blown his fill, 
Knding on the rustling leaves 
With minute drops from off the eaves. 
And when the sun begins to fling 
His flaring beams, me, goddess, bring 
To arched walks of twilight groves, 
And shadows brown, that Sylvan loves, 
Of pine, or monumental oak. 
Where the rude axe, with heavdd stroke, 
Was never heard the nymphs to daunt 
Or fright them from their hallovv'd haunt. 
There in close covert by some brook 
Where no profaner eye may look, 
Hide me from day's garish eye. 
While the bee with honey'd thigh 
That at her flowery work doth sing, 
And the waters murmuring. 
With such concert as they keep 
Entice the dewy-feather'd Sleep ; 
And let some strange mysterious dream 
Wave at his wings in aery stream 
Of lively portraiture display'd, 






SONG OF THE EMIGRANTS IN BERMUDA. 109 

Softly on my eyelids laid : 

And, as I wake, sweet music breathe 

Above, about, or underneath, 

Sent by some spirit to mortals good, 

Or the unseen Genius of the wood. 

But let my due feet never fail 
To walk the studious cloister's pale. 
And love the high-embowdd roof, 
With antique pillars massy proof, 
And storied windows richly dight 
Casting a dim religious light : 
There let the pealing organ blow 
To the full-voiced quire below 
In service high and anthems clear. 
As may with sweetness, through mine ear. 
Dissolve me into ecstasies. 
And bring all Heaven before mine eyes. 

And may at last my weary age 
Find out the peaceful hermitage, 
The hairy gown and mossy cell 
Where I may sit and rightly spell 
Of every star that heaven doth show, 
And every herb that sips the dew ; 
Till old experience do attain 
To something like prophetic strain. 

These pleasures. Melancholy, give, 
And I with thee will choose to live. 
J. Milton. 



SONG OF THE EMIGRANTS IN BERMUDA. 

Where the remote Bermudas ride 
In the ocean's bosom unespied. 
From a small boat that row'd along 
The listening winds received this song. 
' What should we do but sing His praise 
That led us through the watery maze 





BOOK SECOND. 

Where He the huge sea monsters wracks. 
That Uft the deep upon their backs, 
Unto an isle so long unknown, 
And yet far kinder than our own ? 
He lands us on a grassy stage, 
Safe from the storms, and prelate's rage : 
He gave us this eternal spring 
Which here enamels everything. 
And sends the fowls to us in care 
On daily visits through the air. 
He hangs in shades the orange bright 
Like golden lamps in a green night. 
And does in the pomegranates close 
Jewels more rich than Ormus shows : 
He makes the figs our mouths to meet, 
And throws the melons at our feet ; 
But apples plants of such a price. 
No tree could ever bear them twice. 
With cedars chosen by his hand 
From Lebanon he stores the land ; 
And makes the hollow seas that roar 
Proclaim the ambergris on shore. 
He cast (of which we rather boast) 
The Gospel's pearl upon our coast ; 
And in these rocks for us did frame 
A temple where to sound His name. 
O let our voice His praise exalt 
Till it arrive at Heaven's vault. 
Which then perhaps rebounding may 
Echo beyond the Mexique bay ! ' 
— Thus sung they in the English boat 
A holy and a cheerful note : 
And all the way, to guide their chime, 
With falling oars they kept the time. 
A, Mai-vell. 






ALEXANDER'S FEAST. 

cxv. 

AT A SOLEMN MUSIC. 

Blest pair of Sirens, pledges of Heaven's joy, 
Sphere-born harmonious Sisters, Voice and Verse ! 
Wed your divine sounds, and mixt power employ 
Dead things with inbreathed sense able to pierce • 
And to our liigh-raised phantasy present 
That undisturbed Song of pure concent 
Aye sung before the sapphire-colour'd throne 

To Him that sits thereon. 
With saintly shout and solemn jubilee ; 
Where the bright Seraphim in burning row 
Their loud uplifted angel-trumpets blov^i ; 
And the Cherubic host in thousand quires 
Touch their immortal harps of golden wires, 
With those just Spirits that wear victorious palms 

Hymns devout and holy psalms 

Singing everlastingly : 
That we on earth, with undiscording voice 
May rightly answer that melodious noise ; 
As once we did, till disproportion'd sin 
Jarr'd against nature's chime, and with harsh din 
Broke the fair music that all creatures made 
To their great Lord, whose love their motion sway'd 
In perfect diapason, whilst they stood 
In first obedience, and their state of good. 
O may we soon again renew that Song, 
And keep in tune with Heaven, till God ere long 
To his celestial concert us unite. 
To live with him, and sing in endless morn of light! 
y. Milton. 



ALEXANDER'S FEAST, OR, THE POWER OF MUSIC. 

'TwAS at the. royal feast for Persia won 
By Philip's warlike son . — 
Aloft in awful state 





112 ^ BOOK SECOND. 

The godlike hero sate 
On his imperial throne ; 
His valiant peers were placed around, 
Their brows with roses and with myrtles bound ' 
(So should desert in arms be crown'd) ; 
The lovely Thais by his side 
■ Sate like a blooming eastern bride 
In flower of youth and beauty's pride : — 
Happy, happy, happy pair! 
None but the brave 
None but the brave 
None but the brave deserves the fair ! 

Timotheus placed on high 

Amid the tuneful quire 

With flying fingers touch'd tlie lyre : 

The trembling notes ascend the sky 

And heavenly joys inspire. 

The song began from Jove 

Who left his blissful seats above — 

Such is the power of mighty love ! 

A dragon's fiery form belied the god ; 

Sublime on radiant spires he rode 

When he to fair Olympia prest, 

And while he sought her snowy breast; 

Then round her slender waist he curPd, 
, And stamp'd an image of himself, a sovereign of the world, 
— The listening crowd admire the lofty sound ! 
A present deity ! they shout around : 
A present deity ! the vaulted roofs rebound ! 
With ravish'd ears 
The monarch hears, 
Assumes the god ; 
Affects to nod 
And seems to shake the spheres. 

The praise of Bacchus then the sweet musician sung : 
Of Bacchus ever fair and ever young : 
The jolly god in triumph comes ! 




ALEXANDER'S FEAST. 113 

Sound the trumpets, beat the drums ! 

Flush'd with a purple grace 

He shows his honest face : 

Now give the hautboys breath ; he comes, he comes ! 

Bacchus, ever fair and young, 

Drinlcing joys did first ordain ; 

Bacchus' blessings are a treasure. 

Drinking is the soldier's pleasure : 

Rich the treasure 

Sweet the pleasure, 

Sweet is pleasure after pain. 

Soothed with the sound, the king grew vain; 
Fought all his battles o'er again. 

And thrice he routed all his foes, and thrice he slew the slain! 
The master saw the madness rise. 
His glowing cheeks, his ardent eyes ; 
And while he Heaven and Earth defied 
Changed his hand and check'd his pride. 
He chose a mournful Muse 
Soft pity to infuse : 
He sung Darius great and good, 
By too severe a fate 
Fallen, fallen, fallen, fallen. 
Fallen from his high estate, 
And weltering in his blood ; 
Deserted, at his utmost need, 
By those his former bounty fed; 
On the bare earth exposed he lies 
With not a friend to close his eyes. 
— With downcast looks t'ne joyless victor sate, 
Revolving in his alter'd soul 
The various turns of Chance below ; 
And now and then a sigh he stole. 
And tears began to flow. 

The mighty master smiled to see 
That love was in the next degree ; 
'Twas but a kindred sound to move, 



11+ BOOK SECOND. 

For pity melts the mind to love. 

Softly sweet, in Lydian measures 

Soon he soothed his soul to j^leasures. 

War, he sung, is toil and trouble. 

Honour but an empty bubble, 

Never ending, still beginning ; 

Fighting still, and still destroying; 

If the world be worth thy winning. 

Think, O think, it worth enjoying: 

Lovely Thais sits beside thee, 

Take the good the gods provide thee ! 

— The many rend the skies with loud applause ; 

So Love was crown'd, but Music won the cause. 

The prince, unable to conceal his pain, 

Gazed on the fair 

Who caused his care. 

And sigh'd and look'd, sigh'd and look'd, 

Sigh'd and look'd, and sigh'd again : 

At length with love and wine at once opprest 

The vanquish"d victor sunk upon her breast. 

Now strike the golden lyre again : 
A louder yet, and yet a louder strain ! 
Break his bands of sleep asunder 
And rouse him like a rattling peal of thunder. 
Hark, hark ! the horrid sound 
Has raised up his head : 
As awaked from the dead 
And amazed he stares around. 
Revenge, revenge, Timotheus cries, 
See the Furies arise ! 
See the snakes that they rear 
How they hiss in their hair. 
And the sparkles that flash from their eyes ! 
Behold a ghastly band 
Each a torch in his hand ! 

Those are Grecian ghosts, that in battle were slain 
And unburied remain 



ALEXANDER'S FEAST. 



115 



Inglorious on the plain : 

Give the vengeance due 

To the valiant crew! 

Behold how they toss their torches on high. 

How they point to the Persian abodes 

And glittering temples of their hostile gods. 

— The princes applaud with a furious joy : 

And the King seized a flambeau with zeal to destroy ; 

Thais led the way 

To light him to his prey, 

And like another Helen, fired another Troy ! 

— Thus, long ago, 

Ere heaving bellows learn'd to blow, 

While organs yet were mute, 

Timotheus, to his breathing flute 

And sounding lyre 

Could swell the soul to rage, or kindle soft desire. 

At last divine Cecilia came, 

Inventress of the vocal frame ; 

The sweet enthusiast from her sacred store 

Enlarged the former narrow bounds, 

And added length to solemn sounds, 

With Nature's mother-wit, and arts unknown before. 

— Let old Timotheus yield the prize 
Or both divide the crown ; 

He raised a mortal to the skies ; 
She drew an angel down ! 

J. Dryden. 



^ 



K=fc 





THE GOLDEN TREASURY. 



ODE ON THE PLEASURE ARISING FROM 
VICISSITUDE. 

Now the golden Morn aloft 

Waves her dew-besiJangled wing, 
With vermeil cheek and whisper soft 

She woos the tardy Spring : 
Till April starts, and calls around 
The sleeping fragrance from the ground, 
And lightly o'er the living scene 
Scatters his freshest, tenderest green. 

New-born flocks, in rustic dance, 
Frisking ply their feeble feet ; 

Forgetful of their wintry trance 
The birds his presence greet : 

But chief, the sky-lark warbles high 

His trembling thrilling ecstasy ; 

And lessening from the dazzled sight, 

Melts into air and liquid light. 

Yesterday the sullen year 

Saw the snowy whirlwind fly ; 
Mute was the music of the air, 

The herd stood drooping by : 
Their raptures now that wildly flow 
No yesterday nor mofrow know ; 
'Tis Man alone that joy descries 
With forward and reverted eyes. 





THE QUIET LIFE. 

Smiles on past Misfortune's brow 
Soft Reflection's hand can trace, 
And o'er the clieelc of Sorrow tlirow 

A melancholy grace ; 
While Hope prolongs our happier hour, 
Or deepest shades, that dimly lour 
And blacken round our weary way. 
Gilds with a gleam of distant day. 

Still, where rosy Pleasure leads, 

See a kindred Grief pursue ; 
Behind the steps that Misery treads 

Approaching Comfort view ; 
The hues of bliss more brightly glow 
Chastised by sabler tints of woe. 
And blended form, with artful strife. 
The strength and harmony of life. 

See the wretch that long lias tost 

On the thorny bed of pain, 
At length repair his vigour lost 

And breathe and walk again : 
The meanest floweret of the vale 
The simplest note that swells the gale 
The common sun, the air, the skies. 
To him are opening Paradise. 

T. Gray. 



THE QUIET LIFE. 

Happy the man, whose wish and care 
A few paternal acres bound. 
Content to breathe his native air 

In his own ground. 

Whose herds with milk, whose fields with bread. 
Whose flocks supply him with attire ; 
Whose trees in summer yield him shade. 
In winter, fire. 






BOOK THIRD. 

Blest, who can unconcern'dly find 
Hours, days, and years, slide soft away 
In health of body, peace of mind, 
Quiet by day, 

Sound sleep by night ; study and ease 
Together mix'd ; sweet recreation. 
And innocence, which most does please 

With meditation. 
Thus let me live, unseen, unknown; 
Thus unlamented let me die ; 
Steal from the world, and not a stone 

Tell where 1 lie. 
A. Pope. 

CXIX. 

THE BLIND BOY. 

SAY what is that thing call'd Light, 
Which I must ne'er enjoy ; 

What are the blessings of the sight, 
O tell your poor blind boy ! 

You talk of wondrous things you see, 
You say the sun shines bright ; 

1 feel him warm, but how can he 

Or make it day or night? 

My day or night myself I make 

Whene'er I sleep or play ; 
And could I ever keep awake 

With me 'twere always day. 
With heavy sighs I often hear 

You mourn my hapless woe ; 
But sure with patience I can bear 

A loss I ne'er can know. 

Then let not what I cannot have 

My cheer of mind destroy : 
Whilst thus I sing, I am a king. 

Although a poor blind boy. 

C. Gibber. 



ON A FAVOURITE CAT. 119 



ON A FAVOURITE CAT, DROWNED IN A TUB OF 
GOLD FISHES. 

'TwAS on a lofty vase's side 
Where China's gayest art had dyed 
The azure flowers that blow, 
Demurest of the tabby kind 
The pensive Selima, reclined. 
Gazed on the lake below. 

Her conscious tail her joy declared : 
The fair round face, the snowy beard, 
The velvet of her paws, 
Her coat that with the tortoise vies. 
Her ears of jet, and emerald eyes — • 
She saw, and purr'd applause. 

Still had she gazed, but 'midst the tide 
Two angel forms were seen to glide. 
The Genii of the stream : 
Their scaly armour's Tyrian hue 
Through richest purple, to the view 
Betray'd a golden gleam. 

The hapless Nymph with wonder saw : 

A whisker first, and then a claw 

With many an ardent wish 

She stretch'd, in vain, to reach the prize — 

What female heart can gold despise? 

What Cat's averse to Fish? 

Presumptuous maid ! with looks intent 
Again she stretch'd, again she bent. 
Nor knew the gulf between — 
Malignant Fate sat by and smiled — 
The slippery verge her feet beguiled ; 
She tumbled headlong in ! 

Eight times emerging from the flood 
She mew'd to every watery God 



s 





BOOK THIRD. 

Some speedy aid to send : — 
No Dolphin came, no Nereid stirr'd, 
Nor cruel Tom nor Susan heard — 
A favourite has no friend ! 

From hence, ye Beauties ! undeceived 
Know one false step is ne'er retrieved. 
And be with caution bold : 
Not all that tempts your wandering eyes 
And heedless hearts, is lawful prize. 
Nor all that glisters, gold ! 

T. Gray. 
CXXI. 

TO CHARLOTTE PULTENEY. 

Timely blossom, Infant fair. 
Fondling of a happy pair, 
Every morn and every night 
Their solicitous delight, 
Sleeping, waking, still at ease, 
Pleasing, without skill to please 
Little gossip, blithe and hale. 
Tattling many a broken tale, 
Singing many a tuneless song. 
Lavish of a heedless tongue ; 
Simple maiden, void of art. 
Babbling out the very heart, 
Yet abandoned to thy will, 
Yet imagining no ill. 
Yet too innocent to blush ; 
Like the linnet in the bush 
To the mother-linnet's note 
Moduling her slender throat ; 
Chirping forth thy petty jovs. 
Wanton in the change of toys. 
Like the linnet green, in IVIay 
Flitting to each bloomy spray ; 
Wearied then and glad of rest, 
Like the linnet in the nest : — 






RULE BRITANNIA. 121 

This thy present happy lot 

This, in time will be forgot : 

Other pleasures, other cares, 

Ever-busy Time prepares ; 
And thou shalt in thy daughter see, 
This picture, once, resembled thee. 
A. Philips. 

cxxn. 

RULE BRITANNIA. ^ 

When Britain first at Heaven's command 

Arose from out the azure main, 
This was the charter of her land, 
■ And guardian angels sung the strain : 
Rule Britannia ! Britannia rules the waves ! 
Britons never shall be slaves. 

The nations riot so blest as thee 

Must in their turn to tyrants fall. 
Whilst thou shalt flourish great and free 

The dread and envy of them all. 

Still more majestic shalt thou rise. 

More dreadful from each foreign stroke ; 

As the loud blast that tears the skies 
Serves but to root thy native oak. 

Thee haughty tyrants ne'er shall tame ; 

All their attempts to bend thee down 
Will but arouse thy generous flame, 

And work their woe and thy renown. 

To thee belongs the rural reign ; 

Thy cities shall with commerce shine ; 
All thine shall be the subject main. 

And every shore it circles thine ! 

The Muses, still with Freedom found, 

Shall to thy happy coast repair ; 
Blest Isle, with matchless beauty crown'd 



122 



BOOK THIRD. 



And manly hearts to guard the fair : — 
Rule Britannia ! Britannia rules the waves ! 
Britons never shall be slaves ! 

J. Thomson. 
CXXIII. 

THE BARD. 

Pindaric Ode. 
' RtriN seize thee, ruthless King ! 

Confusion on thy banners wait! 
Tho' fann'd by Conquest's crimson wing 

They mock the air with idle state. 
Helm, nor hauberk's twisted mail 
Nor e'en thy virtues, tyrant, shall avail 
To save thy secret soul from nightly fears, 
From Cambria's curse, from Cambria's tears!' 
— Such were the sounds that o'er the crested pride 

Of the first Edward scatter'd wild dismay, 
As down the steep of Snowdon's shaggy side 

He wound with toilsome march his long array : — ■ 
Stout Glo'ster stood aghast in speechless trance ; 
' To arms ! ' cried Mortimer, and couch'd his quivering lance. 

On a rock, whose haughty brow 
Frowns o'er old Conway's foaming flood, 

Robed in the sable garb of woe 
With haggard eyes the Poet stood ; 
(Loose his beard and hoary hair 
Stream'd like a meteor to the troubled air) 
And with a master's hand and prophet's fire 
Struck the deep sorrows of his lyre : 
' Hark, how each giant oak and desert-cave 

Sighs to the torrent's awful voice beneath! 
O'er thee, O King I their hundred arms they wave, 

Revenge on thee in hoarser murmurs breathe ; 
Vocal no more, since Cambria's fatal day. 
To high-born Hoel's harp, or soft Llewellyn's lay. 

'Cold is Cadwallo's tongue, 
That hush'd the stormy main : 




" Ruin seize thee, rutliless King i 
Confusion on tliy banners wait ! " — Page 122. 



THM BARD. 123 

Brave Urieti sleeps upon his craggy bed : 

Mountains, ye mourn in vain 

Modred, whose magic song 
Made huge Plinlimmon bow his cloud-topt head. 

On dreary Arvon's shore they lie 
Smear'd with gore and ghastly pale : 
Far, far aloof the affrighted ravens sail; 

The famish'd eagle screams, and passes by. 
Dear lost companions of my tuneful art. 

Dear as the light that visits these sad eyes, 
Dear as the ruddy drops that warm my heart, 

Ye died amidst your dying country's cries — 
No more I weep ; They do not sleep ; 

On yonder cliffs, a griesly band, 
I see them sit ; They linger yet, 

Avengers of their native land : 
With me in dreadful harmony they join, 
And weave with bloody hands the tissue of thy line. 

• Weave the warp and weave the woof 

The winding-sheet of Edward's race : 
Give ample room and verge enough 

The characters of hell to trace. 
Mark the year and mark the night 
When Severn shall re-echo with affright 
The shrieks of death thro' Berkley's roof that ring, 
Shrieks of an agonizing king ! 

She-wolf of France, with unrelenting fangs 
That tear'st the bowels of thy mangled mate. 

From thee be born, who o'er thy country hangs 
The scourge of Heaven ! What terrors round him wait ! 
Amazement in his van, with Flight combined, 
And Sorrow's faded form, and Solitude behind. 

' Mighty victor, mighty lord. 

Low on his funeral couch he lies ! 
No pitying heart, no eye, afford 

A tear to grace his obsequies. 
Is the sable warrior fled ? 





BOOK THIRD. 

Thy son is gone. He rests among the dead. 
The swarm that in thy noon-tide beam were born? 
— Gone to salute the rising morn. 
Fair laughs the Morn, and soft the zephyr blows, 

While proudly riding o'er the azure realm 
In gallant trim the gilded Vessel goes : 

Youth on the prow, and Pleasure at the helm : 
Regardless of the sweeping Whirlwind's sway. 
That hush'd in grim repose expects his evening prey. 

' Fill high the sparkling bowl, 
The rich repast prepare ; 

Reft of a crown, he yet may share the feast : 
Close by the regal chair 

Fell Thirst and Famine scowl 

A baleful smile upon their bafHed guest. 
Heard ye the din of battle bray, 

Lance to lance, and horse to horse? 

Long years of havock urge their destined course, 
And thro' the kindred squadrons mow their way. 

Ye towers of Julius, London's lasting shame. 
With many a foul and midnight murder fed. 

Revere his Consort's faith, his Father's fame. 
And spare the meek usurper's holy head ! 
Above, below, the rose of snow, 

Twined with her blushing foe, we spread; 
The bristled boar in infant-gore 

Wallows beneath the thorny shade. 
Now, brothers, bending o'er the accursed loom. 
Stamp we our vengeance deep, and ratify his doom. 

' Edward, lo ! to sudden fate 

(Weave we the woof; The thread is spun;) 
Half of thy heart we consecrate. 

(The web is wove ; The work is done ;) 
Stay, O stay ! nor thus forlorn 
Leave me unbless'd, unpitied, here to mourn : 
In yon bright track that tires the western skies 
They melt, they vanish from my eyes. 



THE BARD. 125 

But O ! what solemn scenes on Snowdon's height 
Descending slow their glittering skirts unroll? 

Visions of glory, spare my aching sight, 
Ye unborn ages, crowd not on my soul! 

No more our long-lost Arthur we bewail : — 

All hail, ye genuine kings ! Britannia's issue, hail! 

' Girt with many a baron bold 
Sublime their starry fronts they rear ; 

And gorgeous dames, and statesmen old 
In bearded majesty, appear. 
In the midst a form divine ! 
Her eye proclaims her of the Briton-Line : 
Her lion-port, her awe-commanding face 
Attemper'd sweet to virgin-grace. 
What strings symphonious tremble in the air, 

What strains of vocal transport round her play? 
Hear from the grave, great Taliessin, hear; 

They breathe a soul to animate thy clay. 
Bright Rapture calls, and soaring as she sings, 
Waves in the eye of Heaven her many-colour'd wings. 

' The verse adorn again 

Fierce War and faithful Love 
And Truth severe by fairy Fiction drest. 

In buskin'd measures move 
Pale Grief, and pleasing Pain, 
With Horror, tyrant of the thrpbbing breast. 
A voice as of the cherub-choir 

Gales from blooming Eden bear, 

And distant warblings lessen on my ear 
That lost in long futurity expire. 
Fond impious man, think'st thou yon sanguine cloud 

Raised by thy breath, has quench'd the orb of day? 
To-morrow he repairs the golden flood 

And warms the nations with redoubled ray. 
Enough for me : with joy I see 

The different doom our fates assign : 
Be thine Despair and sceptred Care ; 






126 BOOK THIRD. 

To triumph and to die are mine.' 
— He spoke, and lieadlong from the mountain's height 
Deep in the roaring tide he plunged to endless night. 

T. Gray. 

CXXIV. 

ODE WRITTEN IN MDCCXLVI. 

How sleep the Brave who sink to rest 
By all their Country's wishes blest! 
When Spring, with dewy fingers cold, 
Returns to deck their hallow'd mould, 
She there shall dress a sweeter sod 
Than Fancy's feet have ever trod. 

By fairy hands their knell is rung. 
By forms unseen their dirge is sung : 
There Honour comes, a pilgrim gray. 
To bless the turf tliat wraps their clay. 
And Freedom shall awhile repair 
To dwell a weeping hermit there ! 

W. Collins. 

cxxv. 

LAIMENT FOR CULLODEN. 

The lovely lass o' Inverness, 
Nae joy nor pleasure can she see ; 
For e'en and morn she cries, Alas ! 
And aye the saut tear blin's her ee : 
Drumossie moor — Drumossie day — 
A waefu' day it was to me ! 
For there I lost my father dear. 
My father dear, and brethren three. 

Their winding-sheet the bluidy clay, 
Their graves are growing green to see : 
And by them lies the dearest lad 
That ever blest a woman's ee ! 
Now wae to thee, thou cruel lord, 
A bluidy man I trow thou be ; 




LAMENT FOR FLODDEN. 127 

For mony a heart thou hast made sair 
That ne'er did wrong to thine or thee. 
R. Burns, 
CXX\'I. 

LAMENT FOR FLODDEN. 

I've heard them lilting at our ewe-milking. 

Lasses a' lilting before dawn o' day ; 
But now they are moaning on ilka green loaning — 

The Flowers of the Forest are a' wede away. 
At bughts, in the morning, nae blythe lads are scorning, 

Lasses are lonely and dowie and wae ; 
Nae daffin', nae gabbin', but sighing and sabbing. 

Ilk ane lifts her leglin and hies her away. 

In har'st, at the shearing, nae youths now are jeering, 

Bandsters are lyart, and runkled, and gray ; 
At fair or at preaching, nae wooing, nae fleeching — 

The Flowers of the Forest are a' wede away. 
At e'en, in the gloaming, nae younkers are roaming 

'Bout stacks wi' the lasses at bogle to play ; 
But ilk ane sits drearie, lamenting her dearie — 

The Flowers of the Forest are weded away. 
Dool and wae for the order, sent our lads to the Border ! 

The English, for ance, by guile wan the day ; 
The Flowers of the Forest, that fought aye the foremost, 

The prime of our land, are cauld in the clay. 
We'll hear nae mair lilting at the ewe-milking ; 

Women and bairns are heartless and wae ; 
Sighing and moaning on ilka green loaning — 

The Flowers of the Forest are a' wede away. 
J. Elliott. 

CXXVII. 

THE BRAES OF YARROW. 
Thy braes were bonny, Yarrow stream. 
When first on them I met my lover; 
Thy braes how dreary. Yarrow stream, 
When now thy waves his body cover 1 




12S BOOK THIRD. 

For ever now, O Yarrow stream ! 
Thou art to me a stream of sorrow ; 
For never on thy banks shall I 
Behold my Love, the flower of Yarrow. 

He promised me a milk-white steed 
To bear me to his father's bowers ; 
He promised me a little page 
To squire me to his father's towers ; 
He promised me a wedding-ring, — 
The wedding-day was fix'd to-morrow ; — 
Now he is wedded to his grave, 
Alas, his watery grave, in Yarrow ! 

Sweet were his words when last we met ; • 
My passion I as freely told him ; 
Clasp'd in his arms, I little thought 
That I should never more behold him! 
Scarce was he gone, I saw his ghost ; 
It vanish'd with a shriek of sorrow ; 
Thrice did the water-wraith ascend. 
And gave a doleful groan thro' Yarrow. 

His mother from the window look'd 

With all the longing of a mother; 

His little sister weeping walk'd 

The green-wood path to meet her brother ; 

They sought him east, they sought him west, 

They sought him all the forest thorough ; 

They only saw the cloud of night, 

They only heard the roar of Yarrow. 

No longer from thy window look — • 
Thou hast no son, thou tender mother! 
No longer walk, thou lovely maid ; 
Alas, thou hast no more a brother ! 
No longer seek him east or west 
And search no more the forest thorough ; 
For, wandering in the night so dark. 
He fell a lifeless corpse in Yarrow. 




WILLY DROWNED IN YARROW. 129 

The tear shall never leave my cheek. 
No other youth shall be my marrow — 
I'll seek thy body in the stream, 
And then with thee Til sleep in Yarrow. 
— The tear did never leave her cheek. 
No other youth became her marrow ; 
She found his body in the stream, 
And now with him she sleeps in Yarrow. 
J. Logan, 

cxxviir. 
WILLY DROWNED IN YARROW. 

Down in yon garden sweet and gay 

Where bonnie grows the lily, 
I heard a fair maid sighing say 

' My wish be wi' sweet Willie 1 

• Willie's rare, and Willie's fair. 

And Willie's wondrous bonny ; 
And Willie hecht to marry me 
Gin e'er he married ony. 

'O gentle wind, that bloweth south, 

From where my Love repaireth, 
Convey a kiss frae his dear mouth 

And tell me how he fareth ! 

• O tell sweet Willie to come doun 

And hear the mavis singing. 
And see the birds on ilka bush 
. And leaves around them hinging. 

' The lav'rock there, wi' her white breast 

And gentle throat sae narrow; 
There's sport eneuch for gentlemen 

On Leader haughs and Yarrow. 

' O Leader haughs are wide and braid 

And Yarrow haughs are bonny ; 
There Willie hecht to marry me 

If e'er he married ony. 



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■:-(- 





130 BOOK THIRD. 

' But Willie's gone, whom I thought on, 
And does not hear me weeping ; 

Draws many a tear frae true love's e'e 
When other maids are sleeping. 

' Yestreen I made my bed fu' braid, 
The night I'll mak' it narrow, 

For a' the live-lang winter night 
I lie twined o' my marrow. 

' O came ye by yon water-side ? 

Pou'd you the rose or lily ? 
Or came you by yon meadow green, 

Or saw you my sweet Willie ? ' 

She sought him up, she sought him down, 

She sought him braid and narrow ; 
Syne, in the cleaving of a craig. 
She found him drown'd in Yarrow ! 
Anon. 
CXXIX. 

LOSS OF THE ROYAL GEORGE. 
Toll for the Brave ! 
The brave that are no more 1 
All sunk beneath the wave 
Fast by their native shore ! 

Eight hundred of the brave 
Whose courage well was tried, 
Had made the vessel heel 
And laid her on her side. 

A land-breeze shook the shrouds 
And she was overset ; 
Down went the Royal George, 
With all her crew complete. 

Toll for the brave ! 
Brave Kempenfelt is gone ; 
His last sea-fight is fought, 
His work of glory done. 





BLACK-EYED SUSAN. 

It was not in the battle ; 
No tempest gave the shock; 
She sprang no fatal leak, 
She ran upon no rock. 

His sword was in its sheath, 
His fingers held the pen, 
When Kempenfelt went down 
With twice four hundred men. 

Weigh the vessel up 
Once dreaded by our foes ! 
And mingle with our cup 
The tear that England owes. 

Her timbers yet are sound, 

And she may float again 

Full charged with England's thunder. 

And plough the distant main : 

But Kempenfelt is gone. 
His victories are o'er ; 
And he and his eight hundred 
Shall plough the wave no more. 
W. Cmaper, 

cxxx. 
BLACK-EYED SUSAN. 

All in the Downs the fleet was moor'd, 

The streamers waving in the wind. 
When black-eyed Susan came aboard ; 

'O! where shall I my true-love find? 
Tell me, ye jovial sailors, tell me true 
If my sweet William sails among the crew. 

William, who high upon the yard 

Rock'd with the billow to and fro, 
Soon as her well-known voice he heard 

He sigh'd, and cast his eyes below : 
The cord slides swiftly through his glowing hands. 
And quick as lightning on the deck he stands. 






BOOK THIRD. 

So the sweet lark, high poised in air, 

Shuts close his pinions to his breast 
If chance his mate's shrill call he hear. 

And drops at once into her nest : — 
The noblest captain in the British fleet 
Might envy William's lip those kisses sweet. 
' O Susan, Susan, lovely dear, 

My vows shall ever true remain ; 
Let me kiss off that falling tear ; 

We only part to meet again. 
Change as ye list, ye winds ; my heart shall be 
The faithful compass that still points to thee. 

' Believe not what the landmen say 

Who tempt with doubts thy constant mind : 
They'll tell thee, sailors, when away. 

In every port a mistress find : 
Yes, yes, believe them when they tell thee so, 
For Thou art present wheresoe'er 1 go. 
' If to fair India's coast we sail. 

Thy eyes are seen in diamonds bright. 
Thy breath is Afric's spicy gale, 

Thy skin is ivory so white. 
Thus every beauteous object that I view 
Wakes in my soul some charm of lovely Sue. 

' Though battle call me from thy arms 

Let not my pretty Susan mourn ; 
Though cannons roar, yet safe from harms 

William shall to his Dear return. 
Love turns aside the balls that round me fly. 
Lest precious tears should drop from Susan's eye.' 

The boatswain gave the dreadful word, 
The sails their swelling bosom spread ; 

No longer must she stay aboard ; 

They kiss'd, she sigh'd, he hung his head. 

Her lessening boat unwilling rows to land ; 

'Adieu!' she cries; and waved her lily hand. 
J. Gay. 




SALLY IN OUR ALLEY. 



SALLY IN OUR ALLEY. 

Of all the girls that are so smart 

There's none like pretty Sally ; 
She is the darling of my lieart, 

And she lives in our alley. 
There is no lady in the land 

Is half so sweet as Sally : 
She is the darling of my heart, 

And she lives in our alley. 

Her father he makes cabbage-nets 

And through the streets does cry 'em ; 
Her mother she sells laces long 

To such as please to buy 'em : 
But sure such folks could ne'er beget 

So sweet a girl as Sally ! 
She is the darling of my heart, 

And she lives in our alley. 

When she is by, I leave my work, 

I love her so sincerely ; 
My master comes like any Turk, 

And bangs me most severely — 
But let him bang his bellyful, 

I'll bear it all for Sally ; 
She is the darling of my heart, 

And she lives in our alley. 

Of all the days that's in the week 

I dearly love but one day — 
And that's the day that comes betwixt 

A Saturday and Monday ; 
For then I'm drest all in my best 

To walk abroad with Sally ; 
She is the darling of my heart. 

And she lives in our alley. 

My master carries me to church, 
And often am I blamed 



133 



^^ 





134 BOOK THIRD. 

Because I leave him in the lurch 
As soon as text is named ; 

I leave the church in sermon-time 
And slink away to Sally ; 

She is the darling of my heart, 
And she lives in our alley. 

When Christmas comes about again 

O then I shall have money; 
I'll hoard it up, and box it all, 

I'll give it to my honey : 
I would it were ten thousand pounds, 

I'd give it all to Sally ; 
She is the darling of my heart, 

And she lives in our alley. 

My master and the neighbours all 

Make game of me and Sally, 
And, but for her, I'd better be 

A slave and row a galley ; 
But when my seven long years are out 

O then I'll marry Sally, — 
O then we'll wed, and then we'll bed, 

But not in our alley ! 

H. Carey, 

CXXXII. 

A FAREWELL. 

Go fetch to me a pint o' wine, 

And fill it in a silver tassie; 
That I may drink before I go 

A service to my bonnie lassie : 
The boat rocks at the pier of Leith, 

Fu' loud the wind blaws frae the Ferry, 
The ship rides by the Berwick-law, 

And I maun leave my bonnie Mary. 

The trumpets sound, the banners fly. 

The glittering spears are ranked ready ; 
The shouts o' war are heard afar. 




IF DOUGHTY DEEDS. 135 

The battle closes thick and bloody ; 
But it's not the roar o' sea or shore 

Wad make me langer wish to tarry ; 
Nor shouts o' war that's heard afar — • 

It's leaving thee, my bonnie Mary. 
R, Burns, 



If doughty deeds my lady please 

Right soon I'll mount my steed ; 
And strong his arm, and fast his seat 

That bears frae me the meed. 
I'll wear thy colours in my cap 

Thy picture at my heart ; 
And he that bends not to thine eye 
Shall rue it to his smart ! 

Then tell me how to woo thee, Love ; 

O tell me how to woo thee ! 
For thy dear sake, nae care I'll take 
The' ne'er another trow me. 

If gay attire delight thine eye 

I'll dight me in array ; 
I'll tend thy chamber door all night, 

And squire thee all the day. 
If sweetest sounds can win thine ear, 

These sounds I'll strive to catch ; 
Thy voice I'll steal to woo thysell. 

That voice that nane can match. , 

But if fond love thy heart can gain, 

I never broke a vow ; 
Nae maiden lays her skaith to me, 

I never loved but you. 
For you alone I ride the ring, 

For you I wear the blue ; 
For you alone I strive to sing, 

O tell me how to woo ! 






BOOK THIRD. 

Then tell me how to woo thee, Love ; 

O tell me how to woo thee ! 
For thy dear sake, nae care I'll take, 

Tho' ne'er another trow me. 

Graham of Garhnore. 



TO A YOUNG LADY. 

Sweet stream, that winds through yonder glade, 

Apt emblem of a virtuous maid — 

Silent and chaste she steals along, 

Far from the world's gay busy throng : 

With gentle yet prevailing force. 

Intent upon her destined course; 

Graceful and useful all she does. 

Blessing and blest where'er she goes; 

Pure-bosom'd as that watery glass, 

And Heaven reflected in her face. 

W. Cowper, 

cxxxv. 

THE SLEEPING BEAUTY. 

Sleep on, and dream of Heaven awhile — 
Tho' shut so close thy laughing eyes, 
Thy rosy lips still wear a smile 
And move, and breathe delicious sighs ! 

Ah, now soft blushes tinge her cheeks 
And mantle o'er her neck of snow : 
Ah, now she murmurs, now she speaks 
What most I wish — and fear to know ! 

She starts, she trembles, and she weeps ! 
Her fair hands folded on her breast : 
— And now, how like a saint she sleeps ! 
A seraph in the realms of rest! 

Sleep on secure ! Above controul 

Thy thoughts belong to Heaven and thee : 




FOR EVER. 137 



And may the secret of thy soul 
Remain within its sanctuary ! 

.S. Rogers. 

cxxxvi. 

For ever. Fortune, wilt thou prove 
An unrelenting foe to Love, 
And when we meet, a mutual heart 
Come in between, and bid us part? 

Bid us sigh on from day to day, 
And wish and wish the soul away; 
Till youth and genial years are flown, 
And all the Ufe of life is gone? 

But busy, busy, still art thou, 
To bind the loveless joyless vow. 
The heart from pleasure to delude, 
To join the gentle to the rude. 

For once, O Fortune, hear my prayer, 
And I absolve thy future care ; 
All other blessings I resign, 
Make but the dear Amanda mine. 

J. Thomson. 



The merchant, to secure his treasure. 
Conveys it in a borrow'd name : 
Euphelia serves to grace ray measure. 
But Cloe is my real flame. 

My softest verse, my darling lyre 
Upon Euphelia's toilet lay — 
When Cloe noted her desire 
That I should sing, that I should play. 

My lyre I tune, my voice I raise, 
But •mXh. my numbers mix my sighs ; 
And whilst 1 sing Euphelia's praise, 
I fix my soul on Cloe's eyes. 






BOOK THIRD. 

Fair Cloe blush'd : Euphelia frown'd : 
I sung, and gazed; I play'd, and trembled: 
And Venus to the Loves around 
Remark'd how ill we all dissembled. 
M. Prior. 

cxxxvni. 
When lovely woman stoops to folly 
And finds too late that men betray, — 
What charm can soothe her melancholy, 
What art can wash her guilt away ? 

The only art her guilt to cover. 
To hide her shame from every eye, 
To give repentance to her lover 
And wring his bosom, is — to die. 

O. Goldsmith. 
CXXXIX. 

Ye banks and braes o' bonnie Doon 

How can ye bloom sae fair ! 
How can ye chant, ye little birds. 

And I sae fu' o' care ! 

Thou'U break my heart, thou bonnie bird 

That sings upon the bough ; 
Thou minds me o' the happy days 

When my fause Luve was tiue. 

Thou'll break my heart, thou bonnie bird 

That sings beside thy mate ; 
For sae I sat, and sae I sang. 

And wist na o' my fate. 

Aft hae I roved bybonnie Doon 

To see the woodbine twine. 
And ilka bird sang o' its love ; 

And sae did I o' mine. 

Wi' lightsome heart 1 pu'd a rose, 

Frae aif its thorny tree ; 
And my fause luver staw the rose. 

But left the thorn wi' me. 

R. Burns. 





'Ye batiks and braes o' bonie Doon, 
How can ye bloom sae fresh and fair ! ' 



Page 13S. 



THE PROGRESS OF POESY. 

CXL. 

THE PROGRESS OF POESY. 

A Pindaric Ode. 

Awake, Aeolian lyre, awake, 
And give to rapture all thy trembling strings. 
From Helicon's harmonious springs 

A thousand rills their mazy progress take : 
The laughing flowers that round them blow 
Drink life and fragrance as they flow. 
Now the rich stream of Music winds along 
Deep, majestic, smooth, and strong. 
Through verdant vales, and Ceres' golden reign ; 
Now rolling down the steep amain 
Headlong, impetuous, see it pour : 
The rocks and nodding groves re-bellow to the roar. 

O Sovereign of the willing soul. 
Parent of sweet and solemn-breathing airs. 
Enchanting shell ! the sullen Cares 

And frantic Passions hear thy soft control. 
On Thracia's hills the Lord of War 
Has curb'd the fury of his car 
And dropt his thirsty lance at thy command. 
Perching on the sceptred hand 
Of Jove, thy magic lulls the feather'd king 
With ruffled plumes, and flagging wing : 
Ouench'd in dark clouds of slumber lie 
The terror of his beak, and lightnings of his eye. 

Thee the voice, the dance, obey 

Temper'd to thy warbled lay. 

O'er Idalia's velvet-green 

The rosy-crowned Loves are seen 

On Cytherea's day, 

With antic Sport, and blue-eyed Pleasures, 

Frisking light in frolic measures ; 

Now pursuing, now retreating. 

Now in circling troops they meet : 






BOOK THIRD. 

To brisk notes in cadence beating 

Glance tlieir many-twinkling feet. 
Slow melting strains their Queen's approach declare : 

Where'er she turns the Graces homage pay : 
With arms sublime that float upon the air 

In gliding state she wins her easy way : 
O'er her warm cheek and rising bosom move 
The bloom of young Desire and purple light of Love. 

Man's feeble race what ills await ! 
Labour, and Penury, the racks of Pain, 
Disease, and Sorrow's weeping train, 

And Death, sad refuge from the storms of Fate ' 
The fond complaint, my song, disprove. 
And justify the laws of Jove. 
Say, has he given in vain the heavenly Muse ? 
Night, and all her sickly dews, 
Her spectres wan, and birds of boding cry 
He gives to range the dreary sky : 
Till down the eastern cliffs afar 
Hyperion's march they spy, and glittering shafts of war. 

In climes beyond the solar road 
Where shaggy forms o'er ice-built mountains roam, 
The Muse has broke the twilight gloom 

To cheer the shivering native's dull abode. 
And oft, beneath the odorous shade 
Of Chili's boundless forests laid. 
She deigns to hear the savage youth repeat 
In loose numbers wildly sweet 
Their feather-cinctured chiefs, and dusky loves. 
Her track, where'er the Goddess roves. 
Glory pursue, and generous Shame, 
Th' unconquerable Mind, and Freedom's holy flame. 

Woods, that wave o'er Delphi's steep, 
Isles, that crown th' Aegean deep. 
Fields that cool Ilissus laves 
Or where Maeander's amber waves 
In lingering lab'rinths creep. 



THE PROGRESS OF POESY. 141 

How do your tuneful echoes languish, 
Mute, but to the voice of anguish ! 
Where each old poetic mountain 

Inspiration breathed around ; 
Every shade and hallow'd fountain 

Murmur'd deep a solemn sound : 
Till the sad Nine, in Greece's evil hour 

Left their Parnassus for the Latian plains. 
Alike they scorn the pomp of tyrant Power, 

And coward Vice, that revels in her chains. 
When Latium had her lofty spirit lost, 
They sought, O Albion ! next, thy sea-encircled coast 

Far from the sun and summer-gale 
In thy green lap was Nature's Darling laid. 
What time, where lucid Avon stray'd. 

To him the mighty Mother did unveil 
Her awful face : the dauntless Child . 
Stretch'd forth his little arms, and smiled. 
This pencil take (she said), whose colours clear 
Richly paint the vernal year : 
Thine, too, these golden keys, immortal Boy ! 
This can unlock the gates of Joy ; 
Of Horror that, and thrilling Fears, 
Or ope the sacred source of sympathetic Tears. 

Nor second He, that rode sublime 
Upon the seraph-wings of Ecstasy 
The secrets of the Abyss to spy : 

He pass'd the flaming bounds of Place and Time: 
The living Throne, the sapphire-blaze 
Where Angels tremble while they gaze, 
He saw; but blasted with excess of light. 
Closed his eyes in endless night. 
Behold where Dryden's less presumptuous car 
Wide o'er the fields of Glory bear 
Two coursers of ethereal race 
With necks in thunder clothed, and long-resounding pace. 



^ 




142 BOOK THIRD. 

Hark, his hands the lyre explore ! 
Bright-eyed Fancy, hovering o'er, 
Scatters from her pictured urn 
Thoughts that breathe, and words that burn. 

But ah ! 'tis heard no more 

O ! Lyre divine, what daring Spirit 
Walies thee now! Tho' he inherit 
Nor the pride, nor ample pinion. 

That the Theban Eagle bear, 
Sailing with supreme dominion 

Thro' the azure deep of air : 
Yet oft before his infant eyes would run 

Such forms as glitter in the Muse's ray 
With orient hues, unborrow'd of the sun : 

Yet shall he mount, and keep his distant way 
Beyond the limits of a vulgar fate 
Beneath the Good how far — but far above the Great. 
T. Gray. 
CXLI. 

THE PASSIONS. 
An Ode for Music. 

When Music, lieavenly maid, was young. 
While yet in early Greece she sung, 
The Passions oft, to hear her shell, 
Throng'd around her magic cell 
Exulting, tremblina;, raginsf, faintinsr, 
Possest beyond the Muse's painting; 
By turns they felt the glowing mind 
Disturb'd, delighted, raised, refined: 
'Till once, 'tis said, when all were fired, 
Fill'd with fury, rapt, inspired, 
From the supporting myrtles round 
Tlxey snatch'd her instruments of sound, 
And, as they oft had heard apart 
Sweet lessons of her forceful art. 
Each, for Madness ruled the hour. 
Would prove his own expressive power. 




THE PASSIONS. 143 

First Fear his liand, its skill to try, 

Amid the chords bewilder'd laid, 
And back recoiPd, he knew not why, 

E'en at the sound himself had made. 

Next Anger rush'd, his eyes on fire. 

In Ughtnings own'd his secret stings ; 
In one rude clash he struck the lyre 

And swept with hurried hand the strings. 

With woeful measures wan Despair — 

Low sullen sounds his grief beguiled, 
A solemn, strange, and mingled air, 

'Twas sad by fits, by starts 'twas wild. 

But thou, O Hope, with eyes so fair. 

What was thy delighted measure ? 
Still it whisper'd promised pleasure 

And bade the lovely scenes at distance hail! 
Still would her touch the strain prolong ; 

And from the rocks, the woods, the vale 
She call'd on Echo still through all the song ; 

And, where her sweetest theme she chose, 

A soft responsive voice was heard at every close ; 
And Hope enchanted smiled, and waved her golden hair; — 

And longer had she sung: — but with a frown 

Revenge impatient rose : 
He threw his blood-stain'd sword in thunder down ; 

And with a withering look 
The war-denouncing trumpet took 
And blew a blast so loud and dread, 
Were ne'er prophetic sounds so full of woe ! 

And ever and anon he beat 

The doubling drum with furious heat; 
And, though sometimes, each dreary pause between, 

Dejected Pity at his side 

Her soul-subduing voice applied, 
Yet still he kept his wild unalter'd mien. 
While each strain'd ball of sight seem'd bursting from his head. 





BOOK THIRD. 

Thy numbers, Jealousy, to nought were fix'd : 

Sad proof of thy distressful state ! 
Of differing themes the veering song was mix'd ; 

And now it courted Love, now raving call'd on Hate. 

With eyes up-raised, as one inspired, 

Pale IMelancholy sat retired ; 

And from her wild sequester'd seat, 

In notes by distance made more sweet, 

Pour'd through the mellow horn her pensive soul : 

And dashing soft from rocks around 

Bubbling runnels join'd the sound ; 
Through glades and glooms the mingled measure stole, 

Or, o'er some haunted stream, with fond delay, 
RoXind an holy calm diffusing, 
Love of peace, and lonely musing. 

In hollow murmurs died away. 

But O ! how alter'd was its sprightlier tone 
When Cheerfulness, a nymph of healthiest hue, 

Her bow across her shoulder flung, 

Her buskins gemm'd with morning dew. 
Blew an inspiring air, that dale and thicket rung, 

The hunter's call to Faun and Dryad known ! 
The oak-crown'd Sisters and their chaste-eyed Queen 

Satyrs and Sylvan Boys were seen 

Peeping from forth their alleys green : 
Brown Exercise rejoiced to hear; 

And Sport leap'd up, and seized his beechen spear. 

Last came Joy's ecstatic trial : 
He, with viny crown advancing. 

First to the lively pipe his hand addrest : 
But soon he saw the brisk awakening viol 

Whose sweet entrancing voice he loved the best: 
They would have thought who heard the strain 

They saw, in Tempe's vale, her native maids 

Amidst the festal-sounding shades 
To some unwearied minstrel dancing ; 
While, as his flying fingers kiss'd the strings. 




ODE ON THE SPRING. 145 

Love framed with Mirth a gay fantastic round : 
Loose were lier tresses seen, her zone unbound ; 
And he, amidst his frolic play, 
As if he would the charming air repay 
Shook thousand odours from his dewy wings. 

O Music ! sphere-descended maid, 
Friend of Pleasure, Wisdom's aid ! 
Why, goddess, why, to us denied, 
Lay'st thou thy ancient lyre aside? 
As in that loved Athenian bower 
You learn'd an all-commanding power, 
Thy mimic soul, O nymph endear'd! 
Can well recall what then it heard. 
Where is thy native simple heart 
Devote to Virtue, Fancy, Art? 
Arise, as in that elder time, 
Warm, energic, chaste, sublime ! 
Thy wonders, in that god-like age, 
Fill thy recording Sister's page ; — ■ 
'Tis said, and I believe the tale. 
Thy humblest reed could more prevail 
Had more of strength, diviner rage. 
Than all which charms this laggard agCj 
E'en all at once together found 
Cecilia's mingled world of sound : • — • 
O bid our vain endeavours cease : 
Revive the just designs of Greece : 
Return in all thy simple state ! 
Confirm the tales her sons relate ! 

W. Collins, 

CXLII. 

ODE ON THE SPRING. 

Lo ! where the rosy-bosom'd Hours 

Fair Venus' train, appear. 
Disclose the long-expecting flowers 

And wake the purple year ! 





146 BOOK THIRD. 



The Attic warbler jDours her throat 
Responsive to the cuckoo's note, 
The untaught harmony of Spring : 
While, whispering pleasure as they fly. 
Cool Zephyrs through the clear blue sky 
Their gather'd fragrance fling. 

Where'er the oak's thick branches stretch 

A broader, browner shade, 
Where'er the rude and moss grown beech 

O'er-canopies the glade, 
Beside some water's nishy brink 
With me the Muse shall sit, and think 
(At ease reclined in rustic state) 
How vain the ardour of the Crowd, 
How low, how little are the Proud, 

How indigent the Great ! 

Still is the toiling hand of Care ; 

The panting herds repose : 
Yet hark, how thro' the peopled air 

The busy murmur glows ! 
The insect youth are on the wing, 
Eager to taste the honied spring 
And float amid the Uquid noon : 
Some lightly o'er the current skim, 
Some show their gaily-gilded trim 

Quick-glancing to the sun. 

To Contemplation's sober eye 

Such is the race of Man : 
And they that creep, and they that fly 

Shall end where they began. 
Alike the busy and the gay 
But flutter thro' life's little day. 
In Fortune's varying colours drest : 
Brush'd by the hand of rough Mischance 
Or chill'd by Age, their airy dance 

They leave, in dust to rest. 




w 



THE POPLAR FIELD. 

Methinks I hear in accents low 

The sportive kind reply : 
Poor moralist! and what art thou? 

A solitary fly ! 
Thy joys no glittering female meets, 
No hive hast thou of hoarded sweets. 
No painted plumage to display : 
On hasty wings thy youth is flown ; 
Thy sun is set, thy spring is gone — 

We frolic while 'tis May. 

T. Gray. 



147 



THE POPLAR FIELD. 

The poplars are felPd, farewell to the shade 
And the whispering sound of the cool colonnade ; 
The winds play no longer and sing in the leaves, 
Nor Ouse on his bosom their image receives. 

Twelve years have elapsed since I last took a view 
Of my favourite field, and the bank where they grew: 
And now in the grass behold they are laid. 
And the tree is my seat that once lent me a shade. 

The blackbird has fled to another retreat 
Where the hazels afford him a screen from the heat ; 
And the scene where his melody charm'd me before 
Resounds with his sweet-flowing ditty no more. 

My fugitive years are all hasting away, 
And I must ere long lie as lowly as they. 
With a turf on my breast and a stone at my head, 
Ere another such grove shall arise in its stead. 

'Tis a sight to engage me, if anything can, 
To muse on the perishing pleasures of man ; 
Short-lived as we are, our enjoyments, I see 
Have a still shorter date, and die sooner than we. 
W. Cowper. 





BOOK THIRD. 



TO A FIELD MOUSE. 

Wee, sleekit, cow'rin', tim'rous beastie, 

what a panic's in thy breastie ! 
Thou need na start awa sae hasty, 
Wi' bickering brattle ! 

1 wad be laith to rin and chase thee 
Wi' murd'ring pattle ! 

I'm truly sorry man's dominion 
Has broken nature's social union, 
And justilies that ill opinion 
Which makes thee startle 
At me, thy poor earth-born companion, 
And fellow-mortal ! 

I doubt na, whyles, but thou may thieve; 

What then ? poor beastie, thou maun live ! 

A daimen icker in a thrave 

'S a sma' request : 

I'll get a blessin' wi' the lave, 

And never miss't ! 

Thy wee bit housie, too, in ruin! 
Its silly wa's the win's are strewin' : 
And naething, now, to big a new ane, 
O' foggage green ! 

And bleak December's winds ensuin' 
Baith snell and keen ! 

Thou saw the fields laid bare and waste 

And weary winter comin' fast. 

And cozie here, beneath the blast, 

Thou thought to dwell. 

Till, crash ! the cruel coulter past 

Out thro' thy cell. 

That wee bit heap o' leaves and stibble 
Has cost thee mony a weary nibble ! 
Now thou's turn'd out for a' thy trouble 



A WISH. 149 

But house or hald, 

To thole the winters sleety dribble 

And cranreuch cauld? 

But, Mousie, thou art no thy lane 
In proving foresight may be vain : 
The best laid schemes o' mice and men 
Gang aft a-gley, 

And lea'e us nought but grief and pain, 
For promised joy. 

Still thou art blest, compared wi' me ! 

The present only toucheth thee : 

But, och ! I backward cast my e'e 

On prospects drear ! 

And forward, tho' I canna see, 

I guess and fear. 

R. Burns. 

CXLV. 

A WISH. 

Mine be a cot beside the hill ; 
A bee-hive's hum shall soothe my ear; 
A willowy brook that turns a mill. 
With many a fall shall linger near. 

The swallow, oft, beneath my thatch 
Shall twitter from her clay-built nest ; 
Oft shall the pilgrim lift the latch. 
And share my meal, a welcome guest. 

Around my ivied porch shall spring 
Each fragrant flower that drinks the dew ; 
And Lucy, at her wheel, shall sing 
In russet-gown and apron blue. 

The village-church among the trees. 
Where first our marriage-vows were given, 
With merry peals shall swell the breeze 
And point with taper spire to Heaven. 
S. Rogers. 





150 BOOK THIRD. 

CXLVI. 

TO EVENING. 

If aught of oaten stop or pastoral song 

May hope, chaste Eve, to soothe thy modest ear 

Like thy own solemn springs, 

Thy springs, and dying gales ; 

O Nymph reserved, — while now the bright-hair'd sun 
Sits in yon western tent, whose cloudy skirts 

With brede ethereal wove, 

O'erhang his wavy bed, 

Now air is hush'd, save where the weak-eyed bat 
With short shrill shriek flits by on leathern wing, 

Or where the beetle winds 

His small but sullen horn, 

As oft he rises midst the twilight path, 
Against the pilgrim borne in heedless hum, — 

Now teach me, maid composed, 

To breathe some soften'd strain 

Whose numbers, stealing through thy dark'ning vale, 
May not unseemly with its stillness suit ; 

As musing slow I hail 

Thy genial loved return. 

For when thy folding-star arising shows 
His paly circlet, at his warning lamp 

The fragrant Hours, and Elves 

Who slept in buds the day. 

And many a Nymph who wreathes her brows with sedge 
And sheds the freshening dew, and lovelier still 

The pensive Pleasures sweet. 

Prepare thy shadowy car. 

Then let me rove some wild and heathy scene ; 
Or find some ruin midst its dreary dells, 

Whose walls more awful nod 

By thy religious gleams. 





GHAY'S ELEGY. 151 

Or if chill blustering winds or driving rain 
Prevent my willing feet, be mine the hut 

That, from the mountain's side, 

Views wilds and swelling floods. 

And hamlets brown, and dim-discover'd spires ; 
And hears their simple bell ; and marks o'er all 

Thy dewy fingers draw 

The gradual dusky veil. 

While Spring shall pour his showers, as oft he wont. 
And bathe thy breathing tresses, meekest Eve ! 

While Summer loves to sport 

Beneath thy lingering light ; 

While sallow Autumn fills thy lap with leaves ; 
Or Winter, yelling through the troublous air. 

Affrights thy shrinking train 

And rudely rends thy robes ; 

So long, regardful of thy quiet rule. 

Shall Fancy, Friendship, Science, smiling Peace, 

Thy gentlest influence own, 

And love thy favourite name ! 

W. Collins. 

CXLVII. 

ELEGY WRITTEN IN A COUNTRY CHURCH- YARD. 

The curfew tolls the knell of parting day. 
The lowing herd wind slowly o'er the lea, 
The ploughman homeward plods his weary way. 
And leaves the world to darkness and to me. 

Now fades the glimmering landscape on the sight. 
And all the air a solemn stillness holds. 
Save where the beetle wheels his droning flight, 
And drowsy tinklings lull the distant folds : 

Save that from yonder ivy-mantled tower 
The moping owl does to the moon complain 
Of such as, wandering near her secret bower. 
Molest her ancient solitary reign. 




152 BOOK THIRD. 



Beneath those rugged ehns, that yew-tree's shade 
Where heaves the turf in many a mouldering heap, 
Each in his narrow cell for ever laid, 
The rude Forefathers of the hamlet sleep. 

The breezy call of incense-breathing morn, 
The swallow twittering from the straw-built shed, 
The cock's shrill clarion, or the echoing horn. 
No more shall rouse them from their lowly bed. 

For them no more the blazing hearth shall burn 
Or busy housewife ply her evening care : 
No children run to lisp their sire's return. 
Or climb his knees the envied kiss to share. 

Oft did the harvest to their sickle yield. 
Their furrow oft the stubborn glebe has broke ; 
How jocund did they drive their team afield ! 
How bow'd the woods beneath their sturdy stroke ! 

Let not Ambition mock their useful toil, 
Their homely joys, and destiny obscure ; 
Nor Grandeur hear with a disdainful smile 
The short and simple annals of the Poor. 

The boast of heraldry, the pomp of power, 
And all that beauty, all that wealth e'er gave 
Await alike th' inevitable hour : — 
The paths of glory lead but to the grave. 

Nor you, ye Proud, impute to these the fault 
If Memory o'er their tomb no trophies raise. 
Where through the long-drawn aisle and fretted vault 
The pealing anthem swells the note of praise. 

Can storied urn or animated bust 
Back to its mansion call the fleeting breath? 
Can Honour's voice provoke the silent dust, 
Or Flattery soothe the dull cold ear of Death ? 

Perhaps in this neglected spot is laid 

Some heart once pregnant with celestial fire ; 



GJiAV'S ELEGY. 153 

Hands, that the rod of empire might have sway'd, 
Or walced to ecstasy the living lyre : 

But Knowledge to their eyes her ample page 
Rich with the spoils of time, did ne'er unroll ; 
Chill Penury repress'd their noble rage. 
And froze the genial current of the soul. 

Full many a gem of purest ray serene 
The dark unfathom'd caves of ocean bear : 
Full many a flower is born to blush unseen, 
And waste its sweetness on the desert air. 

Some village-Hampden, that with dauntless breast 
The little tyrant of his fields withstood, 
Some mute inglorious Milton here may rest, 
Some Cromwell, guiltless of his country's blood. 

Th' applause of list'ning senates to command, 
The threats of pain and ruin to despise. 
To scatter plenty o'er a smiling land. 
And read their history in a nation's eyes 

Their lot forbade : nor circumscribed alone 
Their growing virtues, but their crimes confined ; 
Forbad to wade through slaughter to a throne, 
And shut the gates of mercy on mankind ; 

The struggling pangs of conscious truth to hide, 
To quench the blushes of ingenuous shame. 
Or heap the shrine of Luxury and Pride 
With incense kindled at the Muse's flame. 

Far from the madding crowd's ignoble strife 
Their sober wishes never learn'd to stray ; 
Along the cool sequester'd vale of life 
They kept the noiseless tenour of their way. 

Yet e'en these bones from insult to protect 

Some frail memorial still erected nigh, 

With uncouth rhymes and shapeless sculpture deck'd. 

Implores the passing tribute of a sigh. 



154 




BOOK THIRD. 

Their name, their years, spelt by th' unletter'd Muse, 
The place of fame and elegy supply : 
And many a holy text around she strews 
That teach the rustic moralist to die. 

For who, to dumb forgetfulness a prey, 
This pleasing anxious being e'er resign'd. 
Left the warm precincts of the cheerful day, 
Nor cast one longing lingering look behind? ^ 

On some fond breast the parting soul relies, 
Some pious drops the closing eye requires ; 
E'en from the tomb the voice of Nature cries. 
E'en in our ashes live their wonted fires. 

For thee, who, mindful of th' unhonour'd dead, 
Dost in these lines their artless tale relate ; 
If chance, by lonely Contemplation led. 
Some kindred spirit shall inquire thy fate, — 

Haply some hoary-headed swain may say. 
Oft have we seen him at the peep of dawn 
Brushing with hasty steps the dews away, 
To meet the sun upon the upland lawn ; 

There at the foot of yonder nodding beech 
That wreathes its old fantastic roots so high. 
His Hstless length at noon-tide would he stretch, 
And pore upon the brook that babbles by. 

Hard by yon wood, now smiling as in scorn. 
Muttering his wayward fancies he would rove ; 
Now drooping, woeful-wan, like one forlorn, 
Or crazed with care, or cross'd in hopeless love. 

One morn I miss'd him on the custom'd hill. 
Along the heath, and near his favourite tree; 
Another came ; nor yet beside the rill. 
Nor up the lawn, nor at the wood was he ; 

The next with dirges due in sad array 

Slow through the church-way path we saw him borne. 



MARY MORISON. 

Approach and read (for thou canst read) the lay 
Graved on the stone beneath yon aged thorn. 

THE EPITAPH. 

Here rests his head upon the lap of Earth 
A Youth, to Fortune and to Fame unknown; 
Fair Science frown'd not on his humble birth, 
And Melancholy mark'd him for her own. 

Large was his bounty, and his soul sincere ; 

Heaven did a recompense as largely send : 

He gave to Misery all he had, a tear, 

He gain'd from Heaven, 'twas all he wish'd, a friend. 

No farther seek his merits to disclose. 
Or draw his frailties from their dread abode, 
(There they alike in trembling hope repose,) 
The bosom of his Father and his God. 
T. Gray. 

CXLvni. 
MARY MORISON. 

Mary, at thy window be, 

It is the wish'd, the trysted hour ! 
Those smiles and glances let me see 
That make the miser's treasure poor : 
How blythely wad I bide the stoure, 
A weary slave frae sun to sun. 
Could I the rich reward secure, 
The lovely Mary Morison. 

Yestreen when to the trembling string 
The dance gaed thro' the lighted ha', 
• To thee my fancy took its wing, — 

1 sat, but neither heard nor saw : 
Tho' this was fair, and that was braw. 
And yon the toast of a' the town, 

I sigh'd, and said amang them a', 
'Ye are na Mary Morison.' 






156 BOOK THIRD. 

O Mary, canst thou wreck his peace 
Wha for thy sake wad gladly dee? 
Or canst thou break that heart of his, 
Whase only faut is loving thee? 
If love for love thou wilt na gie, 
At least be pity to nie shown ; 
A thought ungentle canna be 
The thought o' Mary Morison. 

I?, Burns, 
CXLIX. 

BONNIE LESLEY. 

O SAW ye bonnie Lesley 

As she gaed o'er the border? 

She's gane, like Alexander, 

To spread her conquests farther. 

To see her is to love her. 

And love but her for ever ; 
For nature made her what she is. 

And ne'er made sic anither ! 
Thou art a queen, fair Lesley, 

Thy subjects we, before thee ; 
Thou art divine, fair Lesley, 

The hearts o' men adore thee. 
The deil he could na scaith thee. 

Or aught that wad belang thee ; 
He'd look into thy bonnie face. 

And say ' I canna wrang thee ! ' 

The Powers aboon will tent thee ; 

Misfortune sha' na steer thee ; 
Thou'rt like themselves sae lovely 

That ill they'll ne'er let near thee. 

Return again, fair Lesley, 

Return to Caledonie! 
That we may brag we hae a lass 

There's nane again sae bonnie. 
R. Burns, 



I^Kl 














HIGHLAND MARY. 157 



O MY Luve's like a red, red rose 

That's newly sprung in June : 

my Luve's like the melodie 
That's sweetly play'd in tune. 

As fair art thou, my bonnie lass, 

So deep in luve am I : 
And I will luve thee still, my dear, 

Till a' the seas gang dry : 

Till a' the seas gang dry, my Dear, 
And the rocks melt wi' the sun ; 

1 will luve thee still, my dear. 

While the sands o' life shall run. 
And fare thee weel, my only Luve ! 

And fare thee weel a while ! 
And I will come again, my Luve, 

Tho' it were ten thousand mile. 
R. Bums. 



HIGHLAND MARY. 

Ye banks and braes and streams around 

The castle o' Montgomery, 
Green be your woods, and fair your flowers. 

Your waters never drumlie ! 
There simmer first unfauld her robes. 

And there the langest tarry ; 
For there I took the last fareweel 

O' my sweet Highland Mary. 

How sweetly bloom'd the gay green birk, 

How rich the hawthorn's blossom, 
As underneath their fragrant shade 

I clasp'd her to my bosom ! 
The golden hours on angel wings 

Flew o'er me and my dearie ; 
For dear to me as light and life 

Was my sweet Highland Mary. 



^" 





BOOK THIRD. 

Wi' mony a vow and lock'd embrace 

Our parting was fu' tender ; 
And pledging aft to meet again, 

We tore oursels asunder ; 
But, O ! fell Death's untimely frost. 

That nipt my flower sae early ! 
Now green's the sod, and cauld's the clay, 

That wraps my Highland Mary ! 

O pale, pale now, those rosy lips, 

I aft hae kiss'd sae fondly ! 
And closed for aye the sparkling glance 

That dwelt on me sae kindly ; 
And mouldering now in silent dust 

That heart that lo'ed me dearly ! 
But still within my bosom's core 

Shall live my Highland Mary. 

R. Burns. 



AULD ROBIN GRAY. 

When the sheep are in the fauld, and the kye at hame, 
And a' the warld to rest are gane. 
The waes o' my heart fa' in showers frae my e'e, 
While my gudeman lies sound by me. 

Young Jamie lo'ed me weel, and sought me for his bride ; 
But saving a croun he had naething else beside : 
To make the croun a pund, young Jamie gaed to sea ; 
And the croun and the pund were baith for me. 

He hadna been awa' a week but only twa. 
When my father brak his arm, and the cow was stown awa ; 
My mother she fell sick, and ray Jamie at the sea — 
And auld Robin Gray came a-courtin' me. 

My father couldna work, and my mother couldna spin; 
I toil'd day and night, but their bread I couldna win ; 
Auld Rob maintain'd them baith, and wi' tears in his e'e 
Said, Jennie, for their sakes, O, marry me ! 






DUNCAN GRAY. 159 

My heart it said nay ; I look'd for Jamie back ; 
But the wind it blew high, and the ship it was a wrack; 
His ship it was a wrack — why didna Jamie dee? 
Or why do I live to cry, Wae's me? 

My father urgit sair : my mother didna speak ; 

But she look'd in my face till my heart was like to break : 

They gi'ed him my hand, but my heart was at the sea ; 

Sae auld Robin Gray he was gudeman to me. 

I hadna been a wife a week but only four, 

When mournfu' as I sat on the stane at the door, 

I saw my Jamie's wraith, for I couldna think it he — 

Till he said, I'm come hame to marry thee. 

sair, sair did we greet, and muckle did we say ; 
We took but ae kiss, and I bad him gang away : 

1 wish that I were dead, but I'm no like to dee ; 
And why was I born to say, Wae's me ! 

I gang like a ghaist, and I carena to spin ; 
I daurna think on Jamie, for that wad be a sin; 
But I'll do my best a gude wife aye to be. 
For auld Robin Gray he is kind unto me. 

Lady A. Lindsay. 
CLIII. 

DUNCAN GRAY. 

Duncan Gray cam here to woo, 

Ha, ha, the wooing o't. 
On blythe Yule night when we were fou, 

Ha, ha, the wooing o't : 
Maggie coost her head fu' high, 
Look'd asklent and unco skeigh, 
Gart poor Duncan stand abeigh ; 

Ha, ha, the wooing o't ! 
Duncan fleech'd, and Duncan pray'd ; 
Meg was deaf as Ailsa Craig ; 
Duncan sigh'd baith out and in, 
Grat his een baith bleert and blin', 
Spak o' lowpin' ower a linn ! 




150 BOOK THIRD. 

Time and chance are but a tide, 
Slighted love is sair to bide ; 
Shall I, like a fool, quoth he, 
For a haughty hizzie dee? 
She may gae to — France for me ! 

How it comes let doctors tell, 
Meg grew sick — as he grew heal ; 
Something in her bosom wrings. 
For relief a sigh she brings ; 
And O, her een, they spak sic things! 

Duncan was a lad o' grace ; 
Maggie's was a piteous case ; 
Duncan could na be her death. 
Swelling pity smoor'd his wrath ; 
Now they're crouse and canty baith : 
Ha, ha, the wooing o't! 

R. Burns. 



THE SAILOR'S WIFE. 

And are ye sure the news is true? 

And are ye sure he's weel? 
Is this a time to think o' wark? 

Ye jades, lay by your wheel ; 
Is this the time to spin a thread. 

When Colin's at the door? 
Reach down my cloak, I'll to the quay, 

And see him come ashore. 
For there's nae luck about the house, 

There's nae luck at a' ; 
There's little pleasure in the house 

Wlaen our gudeman's awa'. 

And gie to me my bigonet, 

My bishop's satin gown ; 
For I maun tell the baillie's wife 

That Colin's in the town. 



It 



THE SAILOR'S WIFE. 161 

My Turkey slippers maun gae on, 

My stockins pearly blue ; 
It's a' to pleasure our gudeman, 

For he's baith leal and true. 

Rise, lass, and mak a clean fireside, 

Put on the muckle pot ; 
Gie little Kate her button gown 

And Jock his Sunday coat ; 
And mak their shoon as black as slaes, 

Their hose as white as snaw ; 
Its a' to please my ain gudeman, 

For he's been long awa. 

There's twa fat hens upo' the coop 

Been fed this month and mair ; 
Mak haste and thraw their necks about, 

That Colin weel may fare ; 
And spread the table neat and clean. 

Gar ilka thing look braw, 
For wha can tell how Colin fared 

When he was far awa ? 

Sae true his heart, sae smooth his speech. 

His breath like caller air; 
His very foot has music in't 

As he comes up the stair — 
And will I see his face again? 

And will I hear him speak? 
I'm downright dizzy wi' the thought, 

In troth I'm like to greet ! 

If Colin's weel, and weel content, 

I hae nae mair to crave : 
And gin I live to keep him sae, 

I'm blest aboon the lave : 
And will I see his face again. 

And will I hear him speak? 
I'm downright dizzy wi' the thought. 

In troth I'm like to greet. 




162 BOOK THIRD. 

For there's nae luck about the house, 

There's nae luck at a' ; 
There's little pleasure in the house 

When our gudeman's awa'. 

W. J. Mickle, 



JEAN. 

Of a' the airts the wind can blaw 

I dearly like the West, 
For there the bonnie lassie lives, 

The lassie I lo'e best : 
There wild woods grow, and rivers row, 

And mony a hill between ; 
But day and night my fancy's flight 

Is ever wi' my Jean. 

I see her in the dewy flowers, 

I see her sweet and fair : 
I hear her in the tunefu' birds, 

1 hear her charm the air : 
There's not a bonnie flower that springs 

By fountain, shaw, or green, ' 
There's not a bonnie bird that sings 

But minds me o' my Jean. 

O blaw ye westlin winds, blaw saft 

Amang the leafy trees ; 
Wi' balmy gale, frae hill and dale 

Bring hame the laden bees ; 
And bring the lassie back to me 

That's aye sae neat and clean ; 
Ae smile o' her wad banish care, 

Sae charming is my Jean. 

What sighs and vows amang the knowes 

Hae pass'd atween us twa ! 
How fond to meet, how wae to part 

That night she gaed awa ! 






" John Andersou, my jo, Johu, 
When we were first acquent." 



Page 163. 



JOHN ANDERSON. 163 

The Powers aboon can only ken 

To whom the heart is seen, 
That nane can be sae dear to me 
As my sweet lovely Jean ! 

R. Burns, 
CLVI. 

JOHN ANDERSON. 
John Anderson my jo, John, 
When we were first acquent 
Your locks were like the raven, 
Your bonnie brow was brent ; 
But now your brow is bald, John, 
Your locks are like the snow ; 
But blessings on your frosty pow, 
John Anderson my jo. 

John Anderson my jo, John, 
We clamb the hill thegither. 
And mony.a canty day, John, 
We've had wi' ane anither : 
Now we maun totter down, John, 
But hand in hand we'll go. 
And sleep thegither at the foot, 
John Anderson my jo. 

R. Burns. 
CLVII. 

THE LAND O' THE LEAL. 
I'm wearing awa', Jean, 
Like snaw when its thaw, Jean, 
I'm wearing awa' 

To the land o' the leal. 
There's nae sorrow there, Jean, 
There's neither cauld nor care, Jean, 
The day is aye fair 

In the land o' the leal. 

Ye were aye leal and true, Jean, 
Your task's ended noo, Jean, 
And I'll welcome you 





BOOK THIRD. 

To the land o' the leal. 
'Our bonnie bairn's there, Jean, 
She was baith guid and fair, Jean; 
O we grudged her right sair 

To the land o' the leal ! 

Then dry that tearfu' e'e, Jean, 
My soul langs to be free, Jean, 

And angels wait on me 
To the land o' the leal. 

Now fare ye weel, my ain Jean, 

This warld's care is vain, Jean ; 

We'll meet and aye be fain 
In the land o' the leal. 

Lady Nairn. 
CLVIII. 

ODE ON A DISTANT PROSPECT OF ETON 
COLLEGE. 
Ye distant spires, ye antique towers 

That crown the wat'ry glade. 
Where grateful Science still adores 

Her Henry's holy shade ; 
And ye, that from the stately brow 
Of Windsor's heights th' expanse below 
Of grove, of lawn, of mead survey, 
Whose turf, whose shade, whose flowers among 
Wanders the hoary Thames along 

His silver-winding way : 

Ah happy hiUs! ah pleasing shade! 

Ah fields beloved in vain ! 
Where once my careless childhood stray'd, 

A stranger yet to pain ! 
I feel the gales that from ye blow 
A momentary bliss bestow. 
As waving fresh their gladsome wing 
My weary soul they seem to soothe, 
And, redolent of joy and youth. 

To breathe a second spring. 




ETON COLLEGE. 

Say, Father Thames, for thou hast seen 

Full many a sprightly race 
Disporting on thy margent green 

The paths of pleasure trace ; 
Who foremost now delight to cleave 
With pliant arm, thy glassy wave ? 
The captive linnet which enthral? 
What idle progeny succeed 
To chase the rolling circle's speed 

Or urge the flying ball ? 

While some on earnest business bent 

Their murmuring labours ply 
'Gainst graver hours, that bring constraint 

To sweeten liberty : 
Some bold adventurers disdain 
The limits of their little reign 
And unknown regions dare descry : 
Still as they run they look behind, 
They hear a voice in every wind 

And snatch a fearful joy. 

Gay Hope is theirs by fancy fed, 

Less pleasing when possest ; 
The tear forgot as soon as shed, 

The sunshine of the breast : 
Theirs buxom Health, of rosy hue. 
Wild Wit, Invention ever new, 
And lively Cheer, of Vigour born; 
The thoughtless day, the easy night. 
The spirits pure, the slumbers light 

That fly th' approach of morn. 

Alas ! regardless of their doom 

The little victims play ! 
No sense have they of ills to come 

Nor care beyond to-day : 
Yet see how all around 'em wait 
The ministers of human fate 



165 





166 BOOK THIRD. 

And black Misfortune's baleful train! 
Ah shew them where in ambush stand 
To seize their prey, the murderous band ! 
Ah, tell them they are men ! 

These shall the fury Passions tear, 

The vultures of the mind. 
Disdainful Anger, pallid Fear, 

And Shame that sculks behind ; 
Or pining Love shall waste their youth. 
Or Jealousy with rankling tooth 
That inly gnaws the secret heart. 
And Envy wan, and faded Care, 
Grim-visaged comfortless Despair, 
And Sorrow's piercing dart. 

Ambition this shall tempt to rise. 

Then whirl the wretch from high 
To bitter Scorn a sacrifice 

And grinning Infamy. 
The stings of falsehood those shall try 
And hard Unkindness' alter'd eye, 
That mocks the tear it forced to flow ; 
And keen Remorse with blood defiled, 
And moody Madness laughing wild 
Amid severest woe. 

Lo, in the Vale of Years beneath 

A griesly troop are seen. 
The painful family of Death, 

More hideous than their Queen : 
This racks the joints, this fires the veins, 
That every labouring sinew strains, 
Those in the deeper vitals rage : 
Lo, Poverty, to fill the band, 
That numbs the soul with icy hand. 

And slow-consuming Age. 

To each his sufferings : all are men, 
Condemn'd alike to groan ; 




HYMN TO ADVERSITY. 167 

The tender for another's pain, 

Th' unfeeling for his own. 
Yet, ah ! why should they know their fate, 
Since sorrow never comes too late. 
And happiness too swiftly flies? 
Thought would destroy their paradise! 
No more ; — where ignorance is bliss, 

'Tis folly to be wise. 

T. Gray. 
CLIX. 

HYMN TO ADVERSITY. 

Daughter of Jove, relentless power, 

Thou tamer of the human breast. 
Whose iron scourge and torturing hour 

The bad affright, afflict the best ! 
Bound in thy adamantine chain 
The proud are taught to taste of pain, 
And purple tyrants vainly groan 
With pangs unfelt before, unpitied and alone. 
When first thy Sire to send on earth 

Virtue, his darling child, design'd. 
To thee he gave the heavenly birth 

And bade to form her infant mind. 
Stern rugged Nurse ! thy rigid lore 
With patience many a year she bore : 
What sorrow was, thou bad'st her know, 
And from her own she learn'd to melt at others' woe. 

Scared at thy frown terrific, fly 

Self-pleasing Folly's idle brood, 
Wild Laughter, Noise, and thoughtless Joy, 

And leave us leisure to be good. 
Light they disperse, and with them go 
The summer Friend, the flattering Foe ; 
By vain Prosperity received 
To her they vow their truth, and are again believed. 

Wisdom in sable garb array'd 

Immersed in rapturous thought profound. 




168 BOOK THIRD. 

And Melancholy, silent maid, 

With leaden eye, that loves the ground, 
Still on thy solemn steps attend : 
Warm Charity, the general friend, 
With Justice, to herself severe. 
And Pity dropping soft the sadly-pleasing tear. 

O, gently on thy suppliant's head 

Dread Goddess, lay thy chastening hand ! 
Not in thy Gorgon terrors clad. 

Not circled with the vengeful band 
(As by the impious thou art seen) 
With thundering voice, and threatening mien, 
With screaming Horror's funeral cry. 
Despair, and fell Disease, and ghastly Poverty. 

Thy form benign, O Goddess, wear, 

Thy milder influence impart, 
Thy philosophic train be there 

To soften, not to wound my heart. 
The generous spark extinct revive, 
Teach me to love and to forgive. 
Exact my own defects to scan. 
What others are to feel, and know myself a Man. 
T. Gray. 
CLX. 

THE SOLITUDE OF ALEXANDER SELKIRK, 
I AM monarch of all I survey ; 
My right there is none to dispute ; 
From the centre all round to the sea 
I am lord of the fowl and the brute. 

Solitude ! where are the charms 
That sages have seen in thy face ? 
Better dwell in the midst of alarms 
Than reign in this horrible place. 

1 am out of humanity's reach, 
I must finish my journey alone, 
Never hear the sweet music of speech ; 
I start at the sound of my own. 




"I am monarch of all I survey; 
My right there is none to dispute." — Page 168. 



THE SOLITUDE OF ALEXANDER SELKIRK. 169 

The beasts that roam over the plain 
My form with indifference see ; 
They are so unacquainted with man. 
Their tameness is shocking to me. 

Society, Friendship, and Love 
Divinely liestow'd upon man, 
O had I the wings of a dove 
How soon would I taste you again! 
My sorrows I then might assuage 
In the ways of religion and truth, 
Might learn from the wisdom of age. 
And be cheer'd by the sallies of youth. 

Ye winds that have made me your sport, 

Convey to this desolate shore 

Some cordial endearing report 

Of a land I shall visit no more : 

My friends, do they now and then send 

A wish or a thought after me? 

O tell me I yet have a friend. 

Though a friend I am never to see. 

How fleet is a glance of the mind ! 
Compared with the speed of its flight. 
The tempest itself lags behind. 
And the swift-winged arrows of light. 
When I think of my own native land 
In a moment I seem to be there ; 
But alas ! recollection at hand 
Soon hurries me back to despair. 

But the seafowl is gone to her nest, 
The beast is 'aid down in his lair; 
Even here is a season of rest. 
And I to my cabin repair. 
There's mercy in every place, 
And mercy, encouraging thought 1 
Gives even afiliction a grace 
And reconciles man to his lot. 

W. Cowper. 





BOOK THIRD. 

CLXI. 

TO MARY UNWIN. 

Mary ! I want a lyre with other strings, 

Such aid from heaven as some have feign'd they drew, 

An eloquence scarce given to mortals, new 

And undebased by praise of meaner things, 

That ere through age or woe I shed my wings 
I may record thy wortli with honour due. 
In verse as musical as thou art true 
And that immortalizes whom it sings : — 

But thou hast little need. There is a Book 
By seraphs writ with beams of heavenly light. 
On which the eyes of God not rarely look, 

A chronicle of actions just and bright — ■ 
There all thy deeds, my faithful Mary, shine ; 
And since thou own'st that praise, I spare thee mine. 
W. Coiuper, 

CLXII. 

TO THE SAME. 

The twentieth year is well nigh past 

Since first our sky was overcast ; 

Ah vvould that this might be the last! 

My Mary ! 
Thy spirits have a fainter flow, 
I see thee daily weaker grow — 
'Twas my distress that brought thee low, 

My Mary ! 
Thy needles, once a shining store. 
For my sake restless heretofore. 
Now rust disused, and shine no more ; 

My Mary ! 
For though thou gladly wouldst fulfil 
The same kind office for me still. 
Thy sight now seconds not thy will. 

My iMary ! 



rO THE SAME. 171 

But well thou play'dst the housewife's part, 
And all thy threads with magic art 
Have wound themselves about this heart, 
My Mary ! 

Thy in'distinct expressions seem 

Like language utter'd in a dream ; 

Yet me they charm, whate'er the theme, 

My Mary ! 
Thy silver locks, once auburn bright. 
Are still more lovely in my sight 
Than golden beams of orient light. 

My Mary ! 
For could I view nor them nor thee. 
What sight worth seeing could I see? 
The sun would rise in vain for me, 

My Mary ! 
Partakers of thy sad decline 
Thy hands their little force resign ; 
Yet gently press'd, press gently mine. 

My Mary ! 
Such feebleness of limbs thou prov'st > 

That now at every step thou mov'st 
Upheld by two ; yet still thou lov'st. 

My Mary ! 
And still to love, though press'd with ill, 
In wintry age to feel no chill, 
With me is to be lovely still. 

My Mary ! 
But ah ! by constant heed I know 
How oft the sadness that I show 
Transforms thy smiles to looks of woe, 

My Mary ! 
And should my future lot be cast 
With much resemblance of the past 
Thy worn-out heart will break at last — 

My Mary ! 

W, Cowper. 



S 



172 " BOOK THIRD. 

CLXIII. 

THE DYING MAN IN HIS GARDEN. 

Why, Damon, with the forward day 
Dost thou thy little spot survey, 
From tree to tree, with doubtful cheer. 
Pursue the progress of the year. 
What winds arise, what rains descend, 
When thou before that year shalt end ? 

What do thy noontide walks avail, 
To clear the leaf, and pick the snail, 
Then wantonly to death decree 
An insect usefuller than thee? 
Thou and the worm are brother-kind, 
As low, as earthy, and as blind. 

Vain wretch ! canst thou expect to see 
The downy peach make court to thee? 
Or that thy sense shall ever meet 
The bean-flower's deep-embosom'd sweet 
Exhaling with an evening blast? 
' Thy evenings then will all be past ! 

Thy narrow pride, thy fancied green 
(For vanity's in little seen), 
AH must be left when Death appears. 
In spite of wishes, groans, and tears; 
Nor one of all thy plants that grow 
But Rosemary will with thee go. 
G, Sewell, 

CLXIV. 
TO-MORROW. 

In the downhill of life, when I find I'm declining, 

May my lot no less fortunate be 
Then a snug elbow-chair can afford for reclining. 

And a cot that o'erlooks the wide sea ; 




TO-MORROW. 173 

With an ambling pad-pony to pace o'er tiie lawn, 

While I carol away idle sorrow. 
And blithe as the lark that each day hails the dawn 

Look forward with hope for to-morrow. 

With a porch at my door, both for shelter and shade too, 

As the sun-shine or rain may prevail ; 
And a small spot of ground for the use of the spade too, 

With a barn for the use of the fiail : 
A cow for my dairy, a dog for my game, 

And a purse when a friend wants to borrow ; 
I'll envy no nabob his riches or fame, 

Nor what honours await him to-morrow. 

From the bleak northern blast may my cot be completely 

Secured by a neighbouring hill ; 
And at night may repose steal upon me more sweetly 

By the sound of a murmuring rill : 
And while peace and plenty I find at my board. 

With a heart free from sickness and sorrow, 
With my friends may I share what to-day may afford. 

And let them spread the table to-morrow. 

And when I at last must throw off this frail covering 

Which I've worn for three-score years and ten. 
On the brink of the grave I'll not seek to keep hovering. 

Nor my thread wish to spin o'er again : 
But my face in the glass I'll serenely survey, 

And with smiles count each wrinkle and furrow ; 
As this old worn-out stuff, which is thread-bare to-day, 

May become everlasting to-morrow. 

— Collins, 



Life ! I know not what thou art. 
But know that thou and I must part ; 
And when, or how, or where we met 
I own to me's a secret yet. 

Life ! we've been long together 
Through pleasant and through cloudy weather ; 





BOOK THIRD. 

'Tis hard to part when friends are dear — 

Perhaps 'twill cost a sigh, a tear; 

— Then steal away, give little warning. 

Choose thine own time ; 

Say not Good Night, — but in some brighter clime 

Bid me Good Morning. 

A, L. Barhaidd, 





THE GOLDEN TREASURY. 



Book Jourti). 



ON FIRST LOOKING INTO CHAPMAN'S HOMER. 

Much have I travell'd in the realms of gold 
And many goodly states and kingdoms seen ; 
Round many western islands have I been 
Which bards in fealty to Apollo hold. 

Oft of one wide expanse had I been told 

That deep-brow'd Homer ruled as his demesne: 

Yet did I never breathe its pure serene 

Till I heard Chapman speak out loud and bold : 

. — Then felt I like some watcher of the skies 
When a new planet swims into his ken ; 
Or like stout Cortez — when with eagle eyes 

He stared at the Pacific, and all his men 
Look'd at each other with a wild surmise — 
Silent, upon a peak in Darien. 

J. Keats. 

CLXVII. 

ODE ON THE POETS. 

Bards of Passion and of Mirth 
Ye have left your souls on earth ! 
Have ye souls in heaven too. 
Double-lived in regions new? 

— Yes, and those of heaven commune 
With the spheres of sun and moon ; 





176 BOOK FOURTH. 



With the noise of fountains wonderous 
And the parle of voices thunderous ; 
With the whisper of heaven's trees 
And one another, in soft ease 
Seated on Elysian lawns 
Browsed by none but Dian's fawns; 
Underneath large blue-bells tented. 
Where the daisies are rose-scented, 
And the rose herself has got 
Perfume which on earth is not; 
Where the nightingale doth sing 
Not a senseless, tranced thing, 
But divine melodious truth ; 
Philosophic numbers smooth ; 
Tales and golden histories 
Of heaven and its mysteries. 

Thus ye live on high, and then 
On the earth ye live again ; 
And the souls ye left behind you 
Teach us, here, the way to find you 
Where your other souls are joying. 
Never slumber'd, never cloying. 
Here, your earth-born souls still speal: 
To mortals, of their little week ; 
Of their sorrows and delights ; 
Of their passions and their spites ; 
Of their glory and their shame ; 
What doth strengthen and what maim : 
Thus ye teach us, every day. 
Wisdom, though fled far away. 

Bards of Passion and of Mirth 
Ye have left your souls on earth ! 
Ye have souls in heaven too, 
Double-lived in regions new ! 

J. Keats. 






LOVE. 177 

CLXVIII. 

LOVE. 

All thoughts, all passions, all delights. 
Whatever stirs this mortal frame, 
All are but ministers of Love, 
And feed his sacred flame. 

Oft in my waking dreams do I 
Live o'er again that happy hour. 
When midway on the mount I lay 
Beside the ruin'd tower. 

The moonshine stealing o'er the scene 
Had blended with the lights of eve ; 
And she was there, my hope, my joy, 
My own dear Genevieve ! 

She leaned against the arm^d man. 
The statue of the armed knight ; 
She stood and listen'd to my lay, 
Amid the lingering light. 

Few sorrows hath she of her own 
My hope ! my joy ! my Genevieve ! 
She loves me best, whene'er I sing 
The songs that make her grieve. 

I play'd a soft and doleful air, 
I sang an old and moving story — 
An old rude song, that suited well 
That ruin wild and hoary. 

She listened witii a flitting blush, 
With downcast eyes and modest grace; 
For well she knew, I could not choose 
But gaze upon her face. 

I told her of the Knight that wore 
Upon his shield a burning brand ; 
And that for ten long years he woo'd 
The Lady of the Land. 




BOOK FOURTH. 

I told her how he pined : and ah ! 
The deep, die low, the pleading tone 
With which I sang another's love 
Interpreted my own. 

She listen'd with a flitting blush, 
With downcast eyes, and modest grace; 
And she forgave me, that I gazed 
Too fondly on her face. 

But when I told the cruel scorn 
That crazed that bold and lovely Knight, 
And that he cross'd the mountain-woods. 
Nor rested day nor night ; 

. That sometimes from the savage den, 
And sometimes from the darksome shade 
And sometimes starting up at once 
In green and sunny glade 

There came and look'd him in the face 
An angel beautiful and bright ; 
And that he knew it was a Fiend, 
This miserable Knight! 

And that unknowing what he did. 
He leap'd amid a murderous band. 
And saved from outrage worse than death 
The Lady of the Land ; 

And how she wept, and clasp'd his knees; 
And how she tended him in vain ; 
And ever strove to expiate 

The scorn that crazed his brain ; 

And that she nursed him in a cave. 
And how his madness went away, 
When on the yellow forest-leaves 
A dying man he lay ; 

— His dying words — but when I reach'd 
That tenderest strain of all the ditty, 



ALL FOR LOVE. 

My faltering voice and pausing iiarp 
Distiirb'd lier soul with pity I 

All impulses of soul and sense 
Had thriird my guileless Genevieve ; 
The music and the doleful tale, 
The rich and balmy eve ; 

And hopes, and fears that kindle hope, 
■ An undistinguishable throng, 
And gentle wishes long subdued, 
Subdued and cherish'd long ! 

She wept with pity and delight, 
She blush'd with love, and virgin shame ; 
And like the murmur of a dream, 
I heard her breathe my name. 

Her bosom heaved — she stepp'd aside, 
As conscious of my look she stept — 
Then suddenly, with timorous eye 
She fled to me and wept. 

She half enclosed me with her arms, 
She press'd me with a meek embrace ; 
And bending back her head, look'd up. 
And gazed upon my face. 

'Twas partly love, and partly fear. 
And partly 'twas a bashful art 
That 1 might rather feel, than see 
The swelling of her heart. 

I calm'd her fears, and she was calm. 
And told her love with virgin pride; 
And so I won my Genevieve, 

My bright and beauteous Bride. 

*?. T. Coleridge. 
CLXIX. 

ALL FOR LOVE. 

O TALK not to me of a name great in story ; 
The days of our youth are the days of our glory ; 






180 BOOK FOURTH. 

And the myrtle and ivy of sweet two-and-twenty 
Are worth all your laurels, though ever so plenty. 

What are garlands and crowns to the brow that is wrinkled? 
'Tis but as a dead flower with May-dew besprinkled : 
Then away with all such from the head that is hoary — 
What care I for the wreaths that can only give glory ? 

Fame ! — if I e'er took delight in thy praises, 
'Twas less for the sake of thy high-sounding phrases. 
Than to see the bright eyes of the dear one discover 
She thought that I was not unworthy to love her. 

There chiefly I sought thee, there only I found thee ; 
Her glance was the best of the rays that surround thee ; 
When it sparkled o'er aught that was bright in my story, 

1 knew it was love, and I felt it was glory. 

Lord Byron, 
CL.XX. 

THE OUTLAW. 

O Brignall banks are wild and fair. 

And Greta woods are green, 
And you may gather garlands there 

Would grace a summer-queen. 
And as I rode by Dalton-Hall 

Beneath the turrets high, 
A Maiden on the castle-wall 

Was singing merrily : 
'O Brignall Banks are fresh and fair. 

And Greta woods are green ; 
I'd rather rove with Edmund there 

Than reign our English queen.' 

' If, Maiden, thou wouldst wend with me. 
To leave both tower and town. 

Thou first must guess what life lead we 
That dwell by dale and down. 

And if thou canst that riddle read, 
As read full well you may. 




THE OUTLAW. 181 

Then to the greenwood shalt thou speed 

As blithe as Queen of May.' 
Yet sung she ' Brignall banks are fair, 

And Greta woods are green ; 
rd rather rove with Edmund there 

Than reign our Englisli queen. 

' I read you by your bugle-horn 

And by your palfrey good, 
I read you for a ranger sworn 

To keep the king's greenwood.' 
' A Ranger, lady, winds his horn. 

And 'tis at peep of light ; 
His blast is heard at merry morn. 

And mine at dead of night.' 
Yet sung she ' Brignall banks are fair, 

And Greta woods are gay ; 
I would I were with Edmund tliere 

To reign his Queen of iVIay ! 

' With burnish'd brand and musketoon 

So gallantly you come, 
I read you for a bold Dragoon, 

That lists the tuck of drum.' 
'I list no more the tuck of drum, 

No more the trumpet hear ; 
But when the beetle sounds his hum 

My comrades take the spear. 
And O ! though Brignall banks be fair 

And Greta woods be gay. 
Yet mickle must the maiden dare 

Would reign my Queen of May ! 

•Maiden ! a nameless life I lead, 

A nameless death I'll die ! 
The fiend whose lantern lights the mead 

Were better mate than I ! 
And when I'm with my comrades met 

Beneath the greenwood bough 



182 



£00K FOURTH. 

What once we were we all forget, 
Nor think what we are now.' 

Chorus. 

Yet Brignall banks are fresh and fair, 

And Greta woods are green, 
And you may gather garlands there 
Would grace a summer-queen. 

Sir W. Scott. 
CLXXI. 

There be none of Beauty's daughters 

With a magic like Thee ; 
And like music on the waters 

Is thy sweet voice to me : 
When, as if its sound were causing 
The charmed ocean's pausing. 
The waves lie still and gleaming, 
And the luU'd winds seem dreaming : 

And the midnight moon is weaving 
Her bright chain o'er the deep. 

Whose breast is gently heaving 
As an infant's asleep : 

So the spirit bows before thee 

To listen and adore thee ; 

With a full but soft emotion, 

Like the swell of Summer's ocean. 

Lord Byron, 
CLXXII. 

LINES TO AN INDIAN AIR. 

I ARISE from dreams of Thee 
In the first sweet sleep of night, 
When the winds are breathing low 
And the stars are shining bright: 
I arise from dreams of thee. 
And a spirit in my feet 
Has led me — who knows how? 
To thy chamber-window. Sweet! 



SHE WALKS IN BEAUTY. 

The wandering airs they faint 
On the dark, the silent stream — 
The champak odours fail 
Like sweet thoughts in a dream; 
The nightingale's complaint 
It dies upon her heart, 
As I must die on thine 
O beloved as thou art ! 

lift me from the grass ! 

1 die, I faint, I fail ! 

Let thy love in kisses rain 
On my lips and eyelids pale. 
My cheek is cold and white, alas! 
My heart beats loud and fast ; 
O ! press it close to thine again 
Where it will break at last. 

P. B. Shelley. 



183 



She walks in beauty, like the night 
Of cloudless climes and starry skies. 
And all that's best of dark and bright 
Meets in her aspect and her eyes. 
Thus mellow'd to that tender light 
Which heaven to gaudy day denies. 

One shade the more, one ray the less 
Had half impair'd the nameless grace 
Which waves in every raven tress 
Or softly lightens o'er her face. 
Where thoughts serenely sweet express 
How pure, how dear their dwelling-place. 

And on that cheek and o'er that brow 

So soft, so calm, yet eloquent, 

The smiles that win, the tints that glow 

But tell of days in goodness spent, — 

A mind at peace with all below, 

A heart whose love is innocent. 

Lord Byron. 




BOOK FOURTH. 



She was a phantom of delight 

When first she gleam'd upon my sight ; 

A lovely apparition, sent 

To be a moment's ornament ; 

Her eyes as stars of twilight fair ; 

Like Twilight's, too, her dusky hair; 

But all things else about her drawn 

From May-time and the cheerful dawn ; 

A dancing shape, an image gay. 

To haunt, to startle, and waylay. 

I saw her upon nearer view, 

A spirit, yet a woman too ! 

Her household motions light and free. 

And steps of virgin-liberty ; 

A countenance in which did meet 

Sweet records, promises as sweet; 

A creature not too bright or good 

For human nature's daily food. 

For transient sorrows, simple wiles, 

Praise, blame, love, kisses, tears, and smiles. 

And now I see with eye serene 
The very pulse of the machine ; 
A being breathing thoughtful breath, 
A traveller between life and death : 
The reason firm, the temperate will, 
Endurance, foresight, strength, and skill; 
A perfect woman, nobly plann'd 
To warn, to comfort, and command ; 
And yet a Spirit still, and bright 
With something of an angel-light. 

W. Wordsworth. 
CLXXV. 
She is not fair to outward view 

As many maidens be ; 
Her loveliness I never knew 
Until she smiled on me. 



^&^- 




THE LOST LOVE. 185 

O then I saw her eye was bright, 
A well of love, a spring of light. 

But now her looks are coy and cold, 

To mine they ne'er reply, 
And yet I cease not to behold 

The love-light in her eye : 
Her very frowns are fairer far. 
Than smiles of other maidens are. 

H. Coleridge, 



I FEAR thy kisses, gentle maiden ; 
Thou needest not fear mine ; 
My spirit is too deeply laden 
Ever to burthen thine. 

I fear thy mien, thy tones, thy motion ; 
Thou needest not fear mine ; 
Innocent is the heart's devotion 
With which I worship thine. 

P. B. Shelley. 

CLXXVII. 
THE LOST LOVE. 

She dwelt among the untrodden ways 

Beside the springs of Dove ; 
A maid whom there were none to praise. 

And very few to love. 

A violet by a mossy stone 

Half-hidden from the eye! 
— Fair as a star, when only one 

Is shining in the sky. 

She lived unknown, and few could know i 

When Lucy ceased to be ; 
But she is in her grave, and O ! 

The difference to me ! 

W. W 'ordsworth. 




BOOK FOURTH. 

CLXXVIII. 

I TRAVELLED among unknown men 

In lands beyond the sea ; 
Nor, England 1 did I know till then 

What love I bore to thee. 

'Tis past, that melancholy dream ! 

Nor will I quit thy shore 
A second time, for still I seem 

To love thee more and more. 
Among thy mountains did I feel 

The joy of my desire ; 
And she I cherish'd turn'd her wheel 

Beside an English fire. 

Thy mornings show'd, thy nights conceaPd 

The bowers where Lucy play'd ; 
And thine too is the last green field 
That Lucy's eyes survey'd. 

W. Wordswofth. 
CLXXIX. 

tHE EDUCATION OF NATURE. 
Three years she grew in sun and shower ; 
Then Nature said, 'A lovelier flower 
On earth was never sown : 
This child I to myself will take ; 
She shall be m.ine, and I will make 
A lady of my own. 

' Myself will to my darling be 

Both law and impulse : and with me 

The girl, in rock and plain 

In earth and heaven, in glade and bower 

Shall feel an overseeing power 

To kindle or restrain. 

' She shall be sportive as the fawn 
That wild with glee across the lawn 
Or up the mountain springs ; 
And hers shall be the breathing balm, 



THE EDUCATION OF NATURE. 187 

And her's the silence and the calm 

Of mute insensate things. 

' The floating clouds their state shall lend 

To her; for her the willow bend; 

Nor shall she fail to see 

E'en in the motions of the storm 

Grace that shall mould the maiden's form 

By silent sympathy. 

'The stars of midnight shall be dear 

To her ; and she shall lean her ear 

In many a secret place 

Where rivulets dance their wayward round. 

And beauty born of murmuring sound 

Shall pass into her face. 

'And vital feelings of delight 
Shall rear her form to stately height, 
Her virgin bosom swell ; 
Such thoughts to Lucy I will give 
While she and I together live 
Here in this happy dell.' 

Thus Nature spake — The work was done, — 

How soon my Lucy's race was run ! 

She died, and left to me 

This heath, this calm and quiet scene ; 

The memory of what has been, 

And never more will be. 

W. Wordsworth, 
CLXXX. 

A SLUMBER did my spirit seal ; 

I had no human fears : 
She seem'd a thing that could not feel 

The touch of earthly years. 

No motion has she now, no force ; 

She neither hears nor sees ; 
RoU'd round in earth's diurnal course ' 

With rocks, and stones, and trees! 
W. Wordsworth. 




188 



BOOK FOURTH. 

CLXXXI. 

LORD ULLIN'S DAUGHTER. 

A Chieftain to the Highlands bound 
Cries ' Boatman, do not tarry ! 
And rU give thee a silver pound 
To row us o'er the ferry ! ' 

' Now who be ye, would cross Lochgyle 
This dark and stormy water?' 
' O I'm the chief of Ulva's isle, 
And this, Lord Ullin's daughter. 

' And fast before her father's men 
Three days we've fled together, 
For should he find us in the glen. 
My blood would stain the heather. 

' His horsemen hard behind us ride — 
Should they our steps discover, 
Then who will cheer my bonny bride 
When they have slain her lover? ' 

Out spoke the hardy Highland wight 
' I'll go, my chief, I'm ready : 
It is not for your silver bright. 
But for your winsome lady : — 

' And by my word ! the bonny bird 
In danger shall not tarry ; 
So though the waves are raging white 
I'll row you o'er the ferry.' 

By this the storm grew loud apace, 
The water-wraith was shrieking ; 
And in the scowl of heaven each face 
Grew dark as they were speaking. 

But still as wilder blew the wind 
And as the night grew drearer, 
Adown the glen rode arm^d men. 
Their trampling sounded nearer. 



JOCK a HAZELDEAN. . 189 

« O haste thee, haste ! ' the lady cries, 
' Though tempests round us gather ; 
I'll meet the raging of the skies, 
But not an angry father.' 

The boat has left a stormy land, 

A stormy sea before her, — 

When, O ! too strong for human hand 

The tempest gather'd o'er her. 

And still they row'd amidst the roar 
Of waters fast prevailing: 
Lord UUin reach'd that fatal shore, — . 
His wrath was changed to wailing. 

For, sore dismay'd, through storm and shade 
His child he did discover : — 
One lovely hand she stretch'd for aid. 
And one was round her lover. 

' Come back ! come back ! ' he cried in grief 
' Across this stormy water : 
And I'll forgive your Highland chief, 
My daughter ! — O my daughter ! ' 

'Twas vain : the loud waves lash'd the shore, 

Return or aid preventing : 

The waters wild went o'er his child, 

And he was left lamenting. 

T. Campbell. 



JOCK O' HAZELDEAN. 

'Why weep ye by the tide, ladie? 

Why weep ye by the tide ? 
I'll wed ye to my youngest son. 

And ye sail be his bride : 
And ye sail be his bride, ladie, 

Sae comely to be seen ' — 
But aye she loot the tears down fa' 

For Jock of Hazeldean. 





190 BOOK FOURTH. 

' Now let this wilfu' grief be done, 

And diy that cheek so pale ; 
Young Frank is chief of Errington 

And lord of Langley-dale ; 
His step is first in peaceful ha', 

His sword in battle keen' — 
But aye she loot the tears down fa' 

For Jock of Hazeldean. 

' A chain of gold ye sail not lack, 

Nor braid to bind your hair, 
Nor mettled hound, nor managed hawk, 

Nor palfrey fresh and fair ; 
And you the foremost o' them a' 

Shall ride our forest-queen ' — 
But aye she loot the tears down fa' 

For Jock of Hazeldean. 

The kirk was deck'd at morning-tide. 

The tapers glimmer'd fair ; 
The priest and bridegroom wait the bride. 

And dame and knight are there : 
They sought her baith by bower and ha' ; 

The ladie was not seen ! 
She's o'er the border, and awa' 

Wi' Jock of Hazeldean. 

Sir W. ScoU, 

CLXXXIII. 

FREEDOM AND LOVE. 

How delicious is the winning 
Of a kiss at love's beginning. 
When two mutual hearts are sighing 
For the knot there's no untying ! 

Yet remember, 'midst your wooing, 
Love has bliss, but Love has ruing ; 
Other smiles may make you fickle. 
Tears for other charms may trickle. 



L VE'S PHIL OSOPH Y. 

Love he comes, and Love he tarries, 
Just as fate or fancy carries ; 
Longest stays, when sorest chidden ; 
Laughs and flies, when press'd and bidden. 

Bind the sea to slumber stilly, 
Bind its odour to the lily, 
Bind the aspen ne'er to quiver, 
Then bind Love to last for ever. 

Love's a fire that needs renewal 

Of fresh beauty for its fuel : 

Love's wing moults when caged and captured. 

Only free, he soars enraptured. 

Can you keep the bee from ranging 
Or the ringdove's neck from changing? 
No ! nor fetter'd Love from dying 
In the knot there's no untying. 

T. Campbell. 

CLXXXIV. 

LOVE'S PHILOSOPHY. 

The fountains mingle with the river 
And the rivers with the ocean, 
The winds of heaven mix for ever 
With a sweet emotion ; 
Nothing in the world is single, 
All things by a law. divine 
In one another's being mingle — 
Why not I with thine ? 

See the mountains kiss high heaven 

And the waves clasp one another ; 

No sister-flower would be forgiven 

If it disdain'd its brother : 

And the sunlight clasps the earth, 

And the moonbeams kiss the sea — 

What are all these kissings worth, 

If thou kiss not me ? 

P. B. Shelley. 





192 BOOK FOURTH. 

CLXXXV. 

ECHOES. 

How sweet the answer Echo makes 
To Music at night 

When, roused by lute or horn, she wakes, 
And far away o'er lawns and lakes 
Goes answering light ! 

Yet Love hath echoes truer far 

And far more sweet 

Than e'er, beneath the moonlight's star, 

Of horn or lute or soft guitar 

The songs repeat. 

'Tis when the sigh, — in youth sincere 
And only then. 

The sigh that's breathed for one to hear — ■ 
Is by that one, that only Dear 
Breathed back again. 

T. Moore. 

CLXXXVI. 
A SERENADE. 

Ah! County Guy, the hour is nigh. 

The sun has left the lea. 
The orange-flower perfumes the bower, 

The breeze is on the sea. 
The lark, his lay who trill'd all day, 

Sits hush'd his partner nigh ; 
Breeze, bird, and flower confess the hour. 

But where is County Guy? 

The village maid steals through the shade 
Her shepherd's suit to hear ; 

To Beauty shy, by lattice high, 
Sings high-born Cavalier. 

The star of Love, all stars above. 
Now reigns o'er earth and sky. 




TO THE EVENING STAR. 193 

And high and low the influence know — • 
But where is County Guy? 

Sir W. Scott, 

CLXXXVII. 

TO THE EVENING STAR. 

Gem of the crimson-colour'd Even, 
Companion of retiring day, 
Why at the closing gates of heaven 
Beloved Star, dost thou delay? 

So fair thy pensile beauty burns 
When soft the tear of twilight flows ; 
So due thy plighted love returns 
To chambers brighter than the rose ; 

To Peace, to Pleasure, and to Love 
So kind a star thou seem'st to be, 
Sure some enamour'd orb above 
Descends and burns to meet with thee ! 

Thine is the breathing, blushing hour 
When all unheavenly passions fly. 
Chased by the soul-subduing power 
Of Love's delicious witchery. 

O ! sacred to the fall of day 
Queen of propitious stars, appear, 
And early rise, and long delay 
When Caroline herself is here ! 

Shine on her chosen green resort 
Whose trees the sunward summit crown. 
And wanton flowers, that well may court 
An angel's feet to tread them down : — 

Shine on her sweetly scented road 
Thou star of evening's purple dome, 
That lead'st the nightingale abroad. 
And guid'st the pilgrim to his home. 





194 BOOK FOURTH. 

Shine where my charmer's sweeter breath 
Embahns the soft exhaUng dew, 
Where dying winds a sigh bequeath 
To Iciss the cheelc of rosy liue : — 

Where, winnow'd by the gentle air 
Her silken tresses darkly flow 
And fall upon her brow so fair. 
Like shadows on the mountain snow. 
Thus, ever thus, at day's decline 
In converse sweet to wander far — ■ 
O bring witli thee my Caroline, 
And thou shalt be my Ruling Star ! 

T. CainpbelU 
CLXXXViir. 

TO THE NIGHT. 

Swiftly walk over the western wave, 

Spirit of Night ! 
Out of the misty eastern cave 
Where all the long and lone daylight 
Thou wovest dreams of joy and fear 
Which make thee terrible and dear, — 

Swift by thy flight ! 

Wrap thy form in a mantle gray 

Star-inwrought ! 
Blind with thine hair the eyes of day, 
Kiss her until she be wearied out, 
Then wander o'er city, and sea, and land 
Touching all with thine opiate wand — 

Come, long-sought ! 

When I arose and saw the dawn, 

I sigh'd for thee ; 
When light rode high, and the dew was gone, 
And noon lay heavy on flower and tree. 
And the weary Day turn'd to his rest 
Lingering like an unloved guest, 

I sigh'd for thee. 




TO A DISTANT FRIEND. 

Thy brother Death came, and cried 
Would'st thou me? 

Thy sweet child Sleep, the filmy-eyed, 

Murmur'd like a noon-tide bee 

Shall I nestle near thy side ? 

Would'st thou me? — And I replied 
No, not thee ! 

Death will come when thou art dead, 

Soon, too soon — - 
Sleep will come when thou art fled ; 
Of neither would I ask the boon 
I ask of thee, belovdd Night — 
Swift be thine approaching flight. 
Come soon, soon ! 

P. B. Shelley. 



TO A DISTANT FRIEND. 

Why art thou silent ! Is thy love a plant 
Of such weak fibre that the treacherous air 
Of absence withers what was once so fair? 
Is there no debt to pay, no boon to grant? 

Yet have my thoughts for thee been vigilant, 
Bound to thy service with unceasing care — 
The mind's least generous wish a mendicant 
For nought but what thy happiness could spare. 

Speak ! — though this soft warm heart, once free to hold 
A thousand tender pleasures, thine and mine, 
Be left more desolate, more dreary cold 

Than a forsaken birds-nest filPd with snow 
'Mid its own bush of leafless eglantine — 
Speak, that my torturing doubts their end may know! 
W. Wordsworth. 





196 BOOK FOURTH. 



When we two parted 

In silence and tears, 

Half broken-hearted, 

To sever for years, 

Pale grew thy cheek and cold. 

Colder thy kiss ; 

Truly that hour foretold 

Sorrow to this ! 

The dew of the morning 
Sunk chill on my brow; 
It felt like the warning 
Of what I feel now. 
Thy vows are all broken, 
And light is thy fame : 
I hear thy name spoken 
And share in its shame. 

They name thee before me, 
A knell to mine ear ; 
A shudder comes o'er me — 
Why wert thou so dear? 
They know not I knew thee 
Who knew thee too well : 
Long, long shall I rue thee 
Too deeply to tell. 

In secret we met •■ 

In silence I grieve 

That thy heart could forget,. 

Thy spirit deceive. 

If I should meet thee 

After long years. 

How should I greet thee? — 

With silence and tears. 

Lord Byron, 



1:3 " 



5 TO 



t^ e 




HAPPY INSENSIBILITY. 197 



HAPPY INSENSIBILITY. 

In a drear-nighted December 

Too happy, happy Tree 

Thy branches ne'er remember 

Their green felicity: 

The north cannot undo them 

With a sleety whistle through them. 

Nor frozen thawings glue them 

From budding at the prime. 

In a drear-nighted December 
Too happy, happy Brook 
Thy bubblings ne'er remember 
Apollo's summer look ; 
But with a sweet forgetting 
They stay their crystal fretting. 
Never, never petting 
About the frozen time. 

Ah would 'twere so with many 
A gentle girl and boy! 
But were there ever any 
Writhed not at passed joy? 
To know the change and feel it, 
When there is none to heal it 
Nor numbed sense to steal it — 
Was never said in rhyme. 

J. Keats. 



Where shall the lover rest 

Whom the fates sever 
From his true maiden's breast 

Parted for ever? 
Where, through groves deep and high 

Sounds the far billow, 





198 BOOK FOURTH. 

Where early violets die 
Under the willow. 

Eleu loro 
Soft shall be his pillow. 

There, through the summer day 

Cool streams are laving : 
There, while the tempests sway, 

Scarce are boughs waving; 
There thy rest shalt thou take, 

Parted for ever, 
Never again to wake 

Never, O never! 
Eleu loro 

Never, O never ! 

Where shall the traitor rest. 

He, the deceiver. 
Who could win maiden's breast. 

Ruin, and leave her? 
In the lost battle. 

Borne down by the flying. 
Where mingles war's rattle 

With groans of the dying ; 
Eleu loro 

There shall he be lying. 

Her wing shall the eagle flap 

O'er the falsehearted ; 
His .warm blood the wolf shall lap 

Ere life be parted : 
Shame and dishonour sit 

By his grave ever ; 
Blessing shall hallow it 

Never, O never ! 
Eleu loro 

Never, O never ! 

Sir W. Scott. 





LA BELLE DAME SANS MERCI. 



199 



LA BELLE DAME SANS MERCL 

' O WHAT can ail thee, knight-at-arms, 

Alone and palely loitering? 
The sedge has vvither'd from the lake, 

And no birds sing. 

'O what can ail thee, knight-at-arms! 

So haggard and so woe-begone ? 
The squirrel's granary is full, 

And the harvest's done. 

' I see a lily on thy brow 

With anguish moist and fever-dew, 
And on thy cheeks a fading rose 

Fast withereth too.' 

' I met a lady in the meads. 
Full beautiful — a fairy's child. 

Her hair was long, her foot was light. 
And her eyes were wild. 

' I made a garland for her head. 

And bracelets too, and fragrant zone ; 

She look'd at me as she did love. 
And made sweet moan. 

' I set her on my pacing steed 

And nothing else saw all day long. 

For sidelong would she bend, and sing 
A fairy's song. 

' She found me roots of relish sweet, 
And honey wild and manna-dew. 

And sure in language strange she said 
' I love thee true.' 

' She took me to her elfin grot, 

And there she wept, and sigh'd full sore, 
And there I shut her wild wild eyes 

With kisses four. 




200 BOOK FOURTH. 

' And there she lulled me asleep, 
And there I dream'd — Ah ! woe betide ! 

The latest dream I ever dream'd 
On the cold hill's side. 

' I saw pale kings and princes too, 

Pale warriors, death-pale were they all ; 

They cried — ' La belle Dame sans Merci 
Hath thee in thrall ! ' 

' I saw their starved lips in the gloam 
With horrid warning gaped wide, 

And I awoke and found me here 
On the cold hill's side. 

' And this is why I sojourn here 

Alone and palely loitering, 
Though the sedge is wither'd from the lake 

And no birds sing.' 

J. Keats. 

CXCIV. 

THE ROVER. 

' A WEARY lot is thine, fair maid, 

A weary lot is thine !, 
To pull the thorn thy brow to braid, 

And press the rue for wine. 
A lightsome eye, a soldier's mien, 

A feather of the blue, 
A doublet of the Lincoln green — 

No more of me you knew 
My Love ! 

No more of me you knew. 

•The morn is merry June, I trow. 

The rose is budding fain ; 
But she shall bloom in winter snow 

Ere we two meet again.' 
He turn'd his charger as he spake 

Upon the river shore, 





'■' A weary lot is thine, fair maid, 

A weary lot is thine ! " — Page 200. 




THE FLIGHT OF LOVE. 201 

He gave the bridle-reins a shake, 
Said ' Adieu for evermore 
My Love ! 
And adieu for evermore.' 

Sir W. Scott. 

CXCV. 

THE FLIGHT OF LOVE. 

When the lamp is shattered 
The light in the dust lies dead — • 
When the cloud is scatter'd, 
The rainbow's glory is shed. 
When the lute is broken, 
Sweet tones are remember'd not ; 
When the lips have spoken, 
Loved accents are soon forgot. 

As music and splendour 

Survive not the lamp and the lute, 

The heart's echoes render 

No song when the spirit is mute — 

No song but sad dirges, 

Like the wind through a ruin'd cell. 

Or the mournful surges 

That ring the dead seaman's knell. 

When hearts have once mingled. 

Love first leaves the well-built nest; 

The weak one is singled 

To endure what it once possesst. 

O Love ! who bewailest 

The frailty of all things here. 

Why choose you the frailest 

For your cradle, your home, and 3-our bier? 

Its passions will rock thee 

As the storms rock the ravens on high ; 

Bright reason will mock thee 

Like the sun from a wintry sky. 






202 BOOK FOURTH. 



From thy nest every rafter 
Will rot, and thine eagle home 
Leave thee naked to laughter. 
When leaves fall and cold winds come. 
P. B. ahelley. 



THE MAID OF NEIDPATH. 

O lovers' eyes are sharp to see, 

And lovers' ears in hearing ; 
And love, in life's extremity 

Can lend an hour of cheering. 
Disease had been in Mary's bower 

And slow decay from mourning, 
Though now she sits on Neidpath's tower 

To watch her Love's returning. 

All sunk and dim her eyes so bright, 

Her form decay'd by pining. 
Till through her wasted hand, at night, 

You saw the taper shining. 
By fits a sultry hectic hue 

Across her cheek was flying; 
By fits so ashy pale she grew 

Her maidens thought her dying. 

Yet keenest jDowers to see and hear 

Seem'd in her frame residing ; 
Before the watch-dog prick'd his ear 

She heard her lover's riding ; ■ 
Ere scarce a distant form' was kenn'd 

She knew and waved to greet him, 
And o'er the battlement did bend 

As on the wing to meet him. 

He came — he pass'd — an heedless gaze 
As o'er some stranger glancing ; 

Her welcome, spoke in faltering phrase. 
Lost in his courser's prancing — 



THE MAID OF NEIDPATH. 

The castle-arch, whose hollow tone 
Returns each whisper spoken, 

Could scarcely catch the feeble moan 

Which told her heart was broken. 

Sir W. Scoff. 

CXCVII. 

THE MAID OF NEIDPATH. 

Earl March look'd on his dying child, 
And smit with grief to view her — 

The youth, he cried, whom I exiled 
Shall be restored to woo her. 

She's at the window many an hour 

His coming to discover: 
And he look'd up to Ellen's bower 

And she look'd on her lover — 

But ah! so pale, he knew her not, 
Though her smile on him was dwelling - 

And am I then forgot — forgot ? 
It broke the heart of Ellen. 

In vain he weeps, in vain he sighs. 

Her cheek is cold as ashes ; 
Nor love's own kiss shall wake those eyes 

To lift their silken lashes. 

T. Cavipbell. 



Bright Star ! would I were steadfast as thou art- 
Not in lone splendour hung aloft the night, 
And watching, with eternal lids apart. 
Like nature's patient sleepless Eremite, 

The moving waters at their priestlike task 
Of pure ablution round earth's human shores, 
Or gazing on the new soft fallen mask 
Of snow uiDon the mountains and the moors : — 






204 BOOK FOURTH. 

No — yet still steadfast, still unchangeable, 
Pillow'd upon my fair Love's ripening breast 
To feel for ever its soft fall and swell, 
Awake for ever in a sweet unrest ; 

Still, still to hear her tender-taken breath, 
And so live ever, — or else swoon to death. 
J. Keats. 

CXCIX. 

THE TERROR OF DEATH. 

When I have fears that I may cease to be 
Before my pen has glean'd my teeming brain, 
Before high-piled books, in charact'ry 
Hold like rich garners the full-ripen'd grain; 

When I behold, upon the night's starr'd face, 
Huge cloudy symbols of a high romance, 
And think that I may never live to trace 
Their shadows, with the magic hand of chance; 

And when I feel, fair Creature of an hour ! 
That I shall never look upon thee more. 
Never have relish in the fairy power 
Of unreflecting love — then on the shore 

Of the wide world I stand alone, and think 
Till Love and Fame to nothingness do sink. 
J. Keats. 



DESIDERIA. 

StJRPRlZED by joy — impatient as the wind — 
I turn'd to share the transport — O with whom 
But Thee — deep buried in the silent tomb, 
That spot which no vicissitude can find ? 

Love, faithful love recall'd thee to my mind — 
But how could I forget thee? through what power 
Even for the least division of an hour 
Have I been so beguiled as to be blind 





ELEGY ON THYRZA. 20S 

To my most grievous loss? — That thought's return 
Was the worst pang that sorrow ever bore 
Save one, one only, when I stood forlorn. 
Knowing my heart's best treasure was no more; 
That neither present time, nor years unborn 
Ceuld to my sight that heavenly face restore. 
W. WordswoTth, 



At the mid hour of night, when stars are weeping, I fly 
To the lone vale we loved, when life shone warm in thine eye ; 
And I think oft, if spirits can steal from the regions of air 
To revisit past scenes of delight, thou wilt come to me there 
And tell me our love is remeraber'd, even in the sky ! 

Then I sing the wild song it once was rapture to hear 
When our voices, commingling, breathed like one on the ear; 
And as Echo far off through the vale my sad orison rolls, 
I think, O my Love ! 'tis thy voice, from the Kingdom of Souls 
Faintly answering still the notes that once were so dear. 

T. Aloore. 



ELEGY ON THYRZA. 

And thou art dead, as young and fair 

As aught of mortal birth ; 
And forms so soft and charms so rare 

Too soon return'd to Earth ! 
Though Earth received them in her bed, 
And o'er the spot the crowd may tread 

In carelessness or mirth. 
There is an eye which could not brook 
A moment on that grave to look. 

I will not ask where thou liest low 

Nor gaze upon the spot ; 
There flowers or weeds at will may grow 

So 1 behold them not : 





206 BOOK FOURTH. 



It is enough for me to jDrove 

That what I loved and long must love 

Like common earth can rot ; 
To me there needs no stone to tell 
'Tis Nothing that I loved so well. 

Yet did' I love thee to the last. 

As fervently as thou 
Who didst not change through all the past 

And canst not alter now. 
The love where Death has set his seal 
Nor age can chill, nor rival steal, 

Nor falsehood disavow : 
And, what were worse, thou canst not see 
Or wrong, or change, or fault in me. 

The better days of life were ours ; 

The worst can be but mine : 
The sun that cheers, the storm that lours 

Shall never more be thine. 
The silence of that dreamless sleep 
I envy now too much to weep ; 

Nor need I to repine 
That all those charms have pass'd away 
I might have watch'd through long decay. 

The flower in ripen'd bloom unmatch'd 

Must fall the earliest prey ; 
Though by no hand untimely snatch'd, 

The leaves must drop away. 
And yet it were a greater grief 
To watch it withering, leaf by leaf, 

Than see it pluck'd to-day ; 
Since earthly eye but ill can bear 
To trace the change to foul from fair. 

I know not if I could have borne 

To see thy beauties fade ; 
The night that foUow'd such a morn 

Had worn a deeper shade : 




^^^ 



ONE WORD. IQl 

Thy day without a cloud hath past, 

And thou wert lovely to the last, . . 

Extinguish'd, not decay'd ; 
As stars that shoot along the sky 
Shine brightest as they fall from high. 

As once I wept if I could weep, 

My tears might well be shed 
To think I was not near, to keep 

One vigil o'er thy bed : 
To gaze, how fondly ! on thy face, 
To fold thee in a faint embrace, 

Uphold thy drooping head; 
And show that love, however vain, 
Nor thou nor I can feel again. 

Yet how much less it were to gain. 

Though thou hast left me free. 
The loveliest things that still remain 

Than thus remember thee ! 
The all of thine that cannot die 
Through dark and dread Eternity 

Returns again to me, 
And more thy buried love endears 
Than aught except its living years. 

Lo?-d Byron, 

CCIII. 

One word is too often profaned 

For me to profane it, 
One feeling too falsely disdain'd 

For thee to disdain it. 
One hope is too like despair 

For prudence to smother, 
And Pity from thee more dear 

Than that from another. 

I can give not what men call love ; 

But wilt thou accept not 
The worship the heart lifts above 





208 BOOK FOURTH. 

And the Heavens reject not : 
The desire of the motli for the star, 

Of the night for the morrow, 
The devotion to something afar 
From the sphere of our sorrow? 

P. B. Shelley. 
CCIV. 
GATHERING SONG OF DONALD THE BLACK. 

Pibroch of Donuil Dhu 

Pibroch of Donuil 
Wake thy wild voice anew, 

Summon Clan Conuil. 
Come away, come away, 

Hark to the summons ! 
Come in your war-array. 

Gentles and commons. 

Come from deep glen, and 

From mountains so rocky; 
The war-pipe and pennon 

Are at Inverlocky. 
Come every hill-plaid, and 

True heart that wears one, 
Come every steel blade, and 

Strong hand that bears one. 

Leave untended the herd. 

The flock without shelter; 
Leave the corpse uninterr'd, 

The bride at the altar ; 
Leave the deer, leave the steer, 

Leave nets and barges : 
Come with your fighting gear. 

Broadswords and targes. 

Come as the winds come, when 

Forests are rended, 
Come as the waves come, when 

Navies are stranded : 




A WET SHEET AND A FLOWING SEA. 209 

Faster come, faster come, 

Faster and faster, 
Chief, vassal, page and groom. 

Tenant and master. 

Fast they come, fast they come ; 

See how they gather ! 
Wide waves the eagle plume 

Blended with heather. 
Cast your plaids, draw your blades. 

Forward each man set ! 

Pibroch of Donuil Dhu 

Knell for the onset ! 

Sir W. Scott. 



A WET sheet and a flowing sea, 

A wind that follows fast 
And fills the white and rustling sail 

And bends the gallant mast ; 
And bends the gallant mast, my boys. 

While like the eagle free 
Away the good ship flies, and leaves 

Old England on the lee. 

O for a soft and gentle wind ! 

I hear a fair one cry ; 
But give to me the snoring breeze 

And white waves heaving high ; 
And white waves heaving high, my lads, 

The good ship tight and free — 
The world of waters is our home. 

And merry men are we. 

There's tempest in yon horndd moon, 
And lightning in yon cloud ; 

But hark the music, mariners ! 
The wind is piping loud ; 

The wind is piping loud, ray boys. 



^ 



«-l- 




2i0 BOOK FOURTH. 

The lightning flashes free — 
While the hollow oak our palace is. 
Our heritage the sea. 

A. Cunningham. 



Ye Mariners of England 

That guard our native seas ! 

Whose flag has braved, a thousand years, 

The battle and the breeze ! 

Your glorious standard launch again 

To match another foe : 

And sweep through the deep, 

While the stormy winds do blow; 

While the battle rages loud and long 

And the stormy winds do blow. 

The spirits of your fathers 
Shall start from every wave — 
For the deck it was their field of fame. 
And Ocean was their grave : 
Where Blake and mighty Nelson fell 
Your manly hearts shall glow, 
As ye sweep through the deep. 
While the stormy winds do blow ; 
While the battle rages loud and long 
And the stormy winds do blow. 

Britannia needs no bulwarks 

No towers along the steep ; 

Her march is o'er the mountain waves. 

Her home is on the deep. 

With thunders from her native oak 

She quells the floods below — 

As they roar on the shore, 

When the stormy winds do blow; 

When the battle rages loud and long, 

And the stormy winds do blow. 





BATTLE OF THE BALTIC. 211 

The meteor flag of England 
Shall yet terrific burn ; 
Till danger's troubled night depart 
And the star of peace return. 
Then, then, ye ocean-warriors ! 
Our song and feast shall flow- 
To the fame of your name, 
When the storm has ceased to Wow; 
When the fiery fight is heard no more. 
And the storm has ceased to blow. 

T. Campbell. 



BATTLE OF THE BALTIC. 

Of Nelson and the North 

Sing the glorious day's renown, 

When to battle fierce came forth 

All the might of Denmark's crown, 

And her arras along the deep proudly shone ; 

By each gun the lighted brand 

In a bold determined hand, 

And the Prince of all the land 

Led them on. 

Like leviathans afloat 

Lay their bulwarks on the brine ; 

While the sign of battle flew 

On the lofty British line : 

It was ten of April morn by the chime : 

As they drifted on their path 

There was silence deep as death ; 

And the boldest held his breath 

For a time. 

But the might of England flush'd 

To anticipate the scene ; 

And her van the fleeter rush'd 

O'er the deadly space between. 

'■ Hearts of oak !' our captains cried, when each gun 





BOOK FOURTH. 

From its adamantine lips 

Spread a deatli-sliade round tlie ships, 

Lilie the liurricane eclipse 

Of the sun. 

Again ! again ! again ! 

And the havoc did not slack, 

Till a feeble cheer the Dane 

To our cheering sent us back ; — 

Their shots along the deep slowly boom : — 

Then ceased — and all is wail, 

As they strike the shattered sail ; 

Or in conflagration pale 

Light the gloom. 

Out spoke the- victor then 

As he hail'd them o'er the wave, 

' Ye are brothers ! ye are men ! 

And we conquer but to save : — 

So peace instead of death let us bring: 

But yield, proud foe, thy fleet 

With the crews, at England's feet, 

And make submission meet 

To our King.' 

Then Denmark blest our chief 

That he gave her wounds repose ; 

And the sounds of joy and grief 

From her people wildly rose, 

As death withdrew his shades from the day: 

While the sun look'd smiling bright 

O'er a wide and woeful sight. 

Where the fires of funeral light 

Died away. 

Now joy, old England, raise ! 
For the tidings of thy might. 
By the festal cities' blaze. 
Whilst the wine cup shines in light; 
And yet amidst that joy and uproar. 




ODE TO DUTY. 

Let us think of them that sleep 
Full many a fathom deep 
By thy wild and stormy steep, 
Elsinore ! 

Brave hearts ! to Britain's pride 

Once so faithful and so true, 

On the decli of fame that died 

With the gallant good Riou : 

Soft sigh the winds of heaven o'er their grave ! 

While the billow mournful rolls 

And the mermaid's song condoles 

Singing glory to the souls 

Of the brave ! T. Campbell. 

ccviir. 

ODE TO DUTY. 

Stern Daughter of the voice of God ! 
O Duty ! if that name thou love 
Who art a light to guide, a rod' 
To check the erring, and reprove ; 
Thou who art victory and law 
When empty terrors overawe ; 
From vain temptations dost set free, 
And calm'st the weary strife of frail humanity ! 

There are who ask not if thine eye 
Be on them ; who, in love and truth 
Where no misgiving is, rely 
Upon the genial sense of youth : 
Glad hearts ! without reproach or blot, 
Who do thy work, and know it not : 
■O ! if through confidence misplaced 
They fail, thy saving arms, dread Power ! around them cast. 

Serene will be our days and bright 
And happy will our nature be 
When love is an unerring light. 
And joy its own security. 
And they a blissful course may hold 



1'^-4- 







214 BOOK FOURTH. 



Ev'n now who, not unwisely bold, 
Live in the spirit of this creed ; 
Yet find that other strength, according to their need. 

I, loving freedom, and untried. 
No sport of every random gust, 
Yet being to myself a guide, 
Too blindly have reposed my trust : 
And oft, when in my heart was heard 
Thy timely mandate, I deferr'd 
The task, in smoother walks to stray ; 
But thee I now would serve more strictly, if I may. 

Through no disturbance of my soul 
Or strong compunction in me wrought, 
I supplicate for thy controul, 
But in the quietness of thought : 
Me this uncharter'd freedom tires ; 
I feel the weight of chance desires : 
My hopes no more must change their name ; 
I long for a repose which ever is the same. 

Stern lawgiver ! yet thou dost wear 
The Godhead's most benignant grace ; 
Nor know we anything so fair 
As is the smile upon thy face : 
Flowers laugh before thee on their beds, 
And fragrance in thy footing treads ; 
Thou dost preserve the Stars from wrong; 
And the most ancient Heavens, through thee, are fresh and 
strong. 

To humbler functions, awful Power ! 
I call thee : I myself commend 
Unto thy guidance from this hour ; 
O let my weakness have an end ! 
Give unto me, made lowly wise. 
The spirit of self-sacrifice ; 
The confidence of reason give ; 
And in the light of Truth thy bondman let me live. 

W, Wordswortk. 




'^ 




The Castle of Chillon. 



Page 215. 




ON THE CASTLE OF CHILLON. 



ON THE CASTLE OF CHILLON. 

Eternal Spirit of the chainless Mind ! 
Brightest in dungeons. Liberty, thou art — 
For there thy habitation is the heart — 
The heart which love of Thee alone can bind ; 

And when thy sons to fetters are consigned, 
To fetters, and the damp vault's dayless gloom. 
Their country conquers with their martyrdom 
And Freedom's fame finds wings on every wind. 

Chillon ! thy prison is a holy place 

And thy sad floor an altar, for 'twas trod. 

Until his very steps have left a trace 

Worn as if thy cold pavement were a sod. 

By Bonnivard ! May none those marks efface ! 

For they appeal from tyranny to God. 

Lord Byron. 
CCX. 
ENGLAND AND SWITZERLAND. 
1802. 
TvifO Voices are there, one is of the Sea, 
One of the Mountains, each a mighty voice : 
In both from age to age thou didst rejoice, 
They were thy chosen music, Liberty ! 
There came a tyrant, and with holy glee 
Thou fought'st against him, — but hast vainly striven : 
Thou from thy Alpine holds at length art driven 
Where not a torrent murmurs heard by thee. 
— Of one deep bliss thine ear hath been bereft; 
Then cleave, O cleave to that which still is left 
For, high-soul'd Maid, what sorrow would it be 

That Mountain floods should thunder as before, 
And Ocean bellow from his rocky shore. 
And neither awful Voice be heard by Thee ! 

W. Wordswortk. 



fe 




216 BOOK FOURTH. 



ON THE EXTINCTION OF THE VENETIAN 
REPUBLIC. 

Once did She hold the gorgeous East in fee 
And was the safeguard of the West ; the worth 
Of Venice did not fall below her birth, 
Venice, the eldest child of liberty. 

She was a maiden city, bright and free ; 
No guile seduced, no force could violate ; 
And when she took unto herself a mate. 
She must espouse the everlasting Sea. 

And what if she had seen those glories fade, 
Those titles vanish, and that strength decay, — 
Yet shall some tribute of regret be paid 
When her long life hath reachM its final day : 
Men are we, and must grieve when even the shade 
Of that which once was great has pass'd away. 
W, \Vo7-dswortk. 

CCXII. 

LONDON, MDCCCTI. 

O Friend ! I know not which way I must look 

For comfort, being, as I am, opprest 

To think that now our life is only drest 

For show; mean handiwork of craftsman, cook. 

Or groom ! — -We must run glittering like a brook 

In the open sunshine, or we are unblest ; 

The wealthiest man among us is the best : 

No grandeur now in Nature or in book 

Delights us. Rapine, avarice, expense. 
This is idolatry ; and these we adore : 
Plain living and high thinking are no more: 

The homely beauty of the good old cause 
Is gone ; our peace, our fearful innocence. 
And pure religion breathing household laws. 
W. Woidswortk, 




w^ 




THE SAME. -217 

CCXIII. 

THE SAME. 

Milton ! thou shouldst be living at this hour : 
England hath need of thee : she is a fen 
Of stagnant waters : altar, sword, and pen, 
Fireside, the heroic wealth of hall and bower. 

Have forfeited their ancient English dower 
Of inward happiness. We are selfish men : 
O ! raise us up, return to us again ; 
And give us manners, virtue, freedom, power. 

Thy soul was like a Star, and dwelt apart : 
Thou hadst a voice whose sound was like the sea, 
Pure as the naked heavens, majestic, free ; 

So didst thou travel on life's common way 
In cheerful godliness ; and yet thy heart 
The lowliest duties on herself did lay. 

W. Wordsworth. 



When I have borne in memory what has tamed 
Great nations ; how ennobling thoughts depart 
When men change swords for ledgers, and desert 
The student's bower for gold, — some fears unnamed 

I had, my Country ! — am I to be blamed ? 
But when I think of thee, and what thou art, 
Verily, in the bottom of my heart 
Of those unfilial fears I am ashamed. 

For dearly must we prize thee ; we who find 
In thee a bulwark of the cause of men ; 
And I by my affection was beguiled : 

What wonder if a Post now and then, 
Among the many movements of his mind, 
Felt for thee as a lover or a child ! 

W. Wordsworth. 





BOOK FOURTH. 



ccxv. 



HOHENLINDEN. 



On Linden, when the sun was low. 
All bloodless lay the untrodden snow ; 
And dark as winter was the flow 
Of Iser, rolling rapidly. 

But Linden saw another sight. 
When the drum beat at dead of night 
Commanding fires of death to light 
The darkness of her scenery. 

By torch and trumpet fast array'd 
Each horseman drew his battle-blade, 
And furious every charger neigh'd 
To join the dreadful revelry. 

Then shook the hills with thunder riven ; 
Then rush'd the steed, to battle driven; 
And louder than the bolts of Heaven 
Far flash'd the red artillery. 

But redder yet that light shall glow 
On Linden's hills of stained snow ; 
And bloodier yet the torrent flow 
Of Iser, rolling rapidly. 

'Tis morn ; but scarce yon level sun 
Can pierce the war-clouds, rolling dun, 
Where furious Frank and fiery Hun 
Shout in their sulphurous canopy. 

The combat deepens. On, ye Brave 
Who rush to glory, or the grave ! 
Wave, Munich, all thy banners wave, 
And charge with all thy chivalry ! 

Few, few shall part, where many meet ! 
The snow shall be their winding-sheet, 
And every turf beneath their feet 
Shall be a soldier's sepulchre. 
T. Campbell. 




AFTER BLENHEIM. ,219 

CCXVi. 
AFTER BLENHEIM. 

It was a summer evening, 

Old Kaspar's work was done, 
And he before his cottage door 

Was sitting in the sun ; 
And by him sported on the green 
His little grandchild Wilhelmine. 

She saw her brother Peterkin 

Roll something large and round 
Which he beside the rivulet 

In playing there had found ; 
He came to ask what he had found 
That was so large and smooth and round. 

Old Kaspar took it from the boy 

Who stood expectant by ; 
And then the old man shook his head. 

And with a natural sigh 
' 'Tis some poor fellow's skull,' said he, 
* Who fell in the great victory.' 

' I find them in the garden, 

For there's many here about ; 
And often when I go to plough 

The ploughshare turns them out. 
For many thousand men,' said he, 
' Were slain in that great victory.' 

'Now tell us what 'twas all about,' 

Young Peterkin he cries ; 
Aad little Wilhelmine looks up 

With wonder-waiting eyes ; 
' Now tell us all about the war. 
And what they fought each other for.' 

' It was the English,' Kaspar cried, 
'Who put the French to rout ; 





220 BOOK FOURTH. 

But what they fought each other for 

I could not well make out. 
But every body said,' quoth he, 
' That 'twas a famous victory. 

• My father lived at Blenheim then, 

Yon little stream hard by ; 
They burnt his dwelling to the ground. 

And he was forced to fly : 
So with his wife and child he fled. 
Nor had he where to rest his head. 

'With fire and sword the country round 
Was wasted far and wide, 

And many a childing mother then 
And newborn baby died : 

But things like that, you know, must be 

At every famous victory. 

• They say it was a shocking sight 

After the field was won ; 
For many thousand bodies here 

Lay rotting in the sun : 
But things like that, you know, must be 
After a famous victory. 

' Great praise the Duke of Marlbro' won 
And our good Prince Eugene ; ' 

' Why 'twas a very wicked thing ! ' 
Said little Wilhelmine ; 

'Nay . . nay . . my little girl,' quoth he, 

• It was a famous victory. 

' And every body praised the Duke 
Who this great fight did win.' 

'But what good came of it at last?' 
Quoth little Peterkin : — 

'Why that I cannot tell,' said he, 

• But 'twas a famous victory.' 

R. Southey, 




PRO P ATRIA MORI. 



221 



PRO PATRIA MORI. 

When he who adores thee has left but the name 

Of his fault and his sorrows behind, 
O! say wilt thou weep, when they darken the fame 

Of a life that for thee was resign'd ! 
Yes, weep, and however my foes may condemn, 

Thy tears shall efface their decree ; 
For, Heaven can witness, though guilty to them, 

I have been but too faithful to thee. 

With thee were the dreams of my earliest love ; 

Every thought of my reason was thine : 
In my last humble prayer to the Spirit above 

Thy name shall be mingled with mine ! 
O ! blest are the lovers and friends who shall live 

The days of thy glory to see ; 
But the next dearest blessing that Heaven can give 

Is the pride of thus dying for thee. 

T, Moore. 



CCXVIII. 

THE BURIAL OF SIR JOHN MOORE 

AT CORUNNA. 

Not a drum was heard, not a funeral note. 
As his corpse to the rampart we hurried ; 

Not a soldier discharged his farewell shot 
O'er the grave where our hero we buried. 

We buried him darkly at dead of night, 
The sods with our bayonets turning ; 

By the struggling moonbeam's misty light 
And the lantern dimly burning. 

No useless coffin enclosed his breast. 

Not in sheet nor in shroud we wound him ; 

But he lay like a warrior taking his rest 
With his martial cloak around him. 



222 BOOK FOURTH. 

Few and short were the prayers we said 

And we spoke not a word of sorrow, 
But we steadfastly gazed on the face that was dead, 

And we bitterly thought of the morrow. 

We thought as we hollow'd his narrow bed 
And smoothed down his lonely pillow. 

That the foe and the stranger would tread o'er his head, 
And we far away on the billow ! 

Lightly they'll talk of the spirit that's gone 
And o'er his cold ashes upbraid him, — 

But little he'll reck, if they let him sleep on 
In the grave where a Briton has laid him. 

But half of our heavy task was done 

When the clock struck the hour for retiring ; 

And we heard the distant and random gun 
That the foe was sullenly firing. 

Slowly and sadly we laid him down. 

From the field of his fame fresh and gory; 

We carved not a line, and we raised not a stone — ■ 
But we left him alone with his glory. 
C. Wolfe. 

CCXIX. 

SIiMON LEE THE OLD HUNTSMAN. 

In the sweet shire of Cardigan, 
Not far from pleasant Ivor Hall, 
An old man dwells, a little man, 
I've heard he once was tall. 
Full five-and-thirty years he lived 
A running huntsman merry ; 
And still the centre of his cheek 
Is red as a ripe cherry. 

No man like him the horn could sound, 
And hill and valley rang with glee, 
When Echo bandied round and round 
The halloo of Simon Lee. 




SIMON LEE. 223 

In those proud days he Httle cared 
For husbandry or tillage ; 
To blither tasks did Simon rouse 
The sleepers of the village. 

He all the country could outrun, 

Could leave both man and horse behind ; 

And often, ere the chase was done, 

He reel'd and was stone-blind. 

And still there's something in the world 

At which his heart rejoices ; 

For when the chiming hounds are out. 

He dearly loves their voices. 

But O the heavy change ! — bereft 

Of health, strength, friends and kindred, see 

Old Simon to the world is left 

In liveried poverty : 

His master's dead, and no one now 

Dwells in the Hall of Ivor ; 

Men, dogs, and horses, all are dead ; 

He is the sole survivor. 

And he is lean and he is sick. 

His body dwindled and awry 

Rests upon ancles swoln and thick ; 

His legs are thin and dry. 

He has no son, he has no child ; 

His wife, an aged woman, 

Lives with him, near the waterfall. 

Upon the village common. 

Beside their moss-grown hut of clay, 
Not twenty paces from the door, 
A scrap of land they have, but they 
Are poorest of the poor. 
This scrap of land he from the heath 
Enclosed when he was stronger ; 
But what avails the land to them 
Which he can till no longer? 



fe 




2ZV BOOK FOURTH. 

Oft, working by her husband's side, 

Ruth does what Simon cannot do ; 

For she, with scanty cause for pride, 

Is stouter of the two. 

And, though you with your utmost skill 

From labour could not wean them, 

'Tis little, very little, all 

That they can do between them. 

Few months of life has he in store 

As he to you will tell, 

For still, the more he works, the more 

Do his weak ancles swell. 

My gentle reader, I perceive 

How patiently you've waited, 

And now I fear that you expect 

Some tale will be related. 

O reader ! had you in your mind 

Such stores as silent thought can bring, 

O gentle reader ! you would find 

A tale in everything. 

What more I have to say is short. 

And you must kindly take it: 

It is no tale ; but, should you think. 

Perhaps a tale you'll make it. 

One summer-day I chanced to see 
This old man doing all he could 
To unearth the root of an old tree, 
A stump of rotten wood. 
The mattock totter'd in his hand ; 
So vain was his endeavour 
That at the root of the old tree 
He might have work'd for ever. 

' You're overtask'd, good Simon Lee, 
Give me your tool,' to him I said ; 
And at the word right gladly he 
Received my proffer'd aid. 




fe 



F^- 




THE OLD FAMILIAR FACES. 225 

I struck, and with a single blow 
The tangled root I sever'd. 
At which the poor old man so long 
And vainly had endeavour'd. 

The tears into his eyes were brought, 
And thanks and praises seem'd to rua 
So fast out of his heart, I thought 
They never would have done. 
— Fve heard of hearts unkind, kind deeds 
With coldness still returning ; 
Alas ! the gratitude of men 
Has oftener left me mourning. 

W. Wordswortk. 

ccxx. 

THE OLD FAMILIAR FACES. 

1 HAVE had playmates, I have had companions 

In my days of childhood, in my joyful school-days; 

All, all are gone, the old familiar faces. 

I have been laughing, I have been carousing, ■ 
Drinking late, sitting late, with my bosom cronies; 
All, all are gone, the old familiar faces. 

I loved a Love once, fairest among women : 
Closed are her doors on me, I must not see her — 
All, all are gone, the old familiar faces. 

I have a friend, a kinder friend has no man: 
Like an ingrate, I left my friend abruptly ; 
Left him, to muse on the old familiar faces. 

Ghost-like I paced round the haunts of my childhood, 
Earth seem'd a desert I was bound to traverse, 
Seeking to find the old familiar faces. 

Friend of my bosom, thou more than a brother. 
Why wert not thou born in my father's dweUing? 
So might we talk of the old familiar faces. 




226 BOOK FOURTH. 

How some they have died, and some they have left me, 
And some are taken from me ; all are departed ; 
All, all are gone, the old familiar faces. 
C. Lamb, 



.T, 



THE JOURNEY ONWARDS. 

As slow our ship her foamy track 

Against the wind was cleaving, 
Her trembling pennant still look'd back 

To that dear isle 'twas leaving. 
So loth we part from all we love, 

From all the links that bind us ; 
So turn our hearts, as on we rove. 

To those we've left behind us ! 

When, round the bowl, of vanish'd years 

We talk with joyous seeming — 
With smiles that might as well be tears. 

So faint, so sad their beaming ; 
While memory brings us back again 

Each early tie that twined us, 
O, sweet's the cup that circles then 

To those we've left behind us ! 

And when in other climes, we meet 

Some isle or vale enchanting, 
Where all looks flowery wild and sweet 

And nought but love is wanting ; 
We think how great had been our bliss 

If Heaven had but assign'd us 
To live and die in scenes like this. 

With some we've left behind us ! 

As travellers oft look back at eve 
When eastward darkly going. 

To gaze upon that light they leave 
Still faint behind them glowing, — 



YOUTH AND AGE. 227 

So, when the close of pleasure's day 

To gloom hath near consign'd us, 
We turn to catch one fading ray 

Of joy that's left behind us. 

T. Moore, 



YOUTH AND AGE. 

There's not a joy the world can give like that it takes away 
When the glow of early thought declines in feeling's dull decay; 
'Tis not on youth's smooth cheek the blush alone which fades so 

fast, 
But the tender bloom of heart is gone, ere youth itself be past. 

Then the few whose spirits float above the wreck of happiness 
Are driven o'er the shoals of guilt or ocean of excess : 
The magnet of their course is gone, or only points in vain 
The shore to which their shiver'd sail shall never stretch again. 

Then the mortal coldness of the soul like death itself comes down ; 

It cannot feel for others' woes, it dare not dream its own ; 

That heavy chill has frozen o'er the fountain of our tears, 

And though the eye may sparkle still, 'tis where the ice appears. 

Though wit may flash from fluent lips, and mirth distract the breast, 
Through midnight hours that yield no more their former hope of 

rest; 
"Tis but as ivy-leaves around the ruin'd turret wreathe, 
All green and wildly fresh without, but worn and gray beneath. 

O could I feel as I have felt, or be what I have been, 
Or weep as I could once have wept o'er many a vanish'd scene, — 
As springs in deserts found seem sweet, all brackish though they be. 
So midst the wither'd waste of life, those tears would flow to me ! 

Lord Byron. 

CCXXIII. 

A LESSON. 

There is a flower, the Lesser Celandine, 

That shrinks like many more from cold and rain, 



FFI- 




228 BOOK FOURTH. 

And the first moment that the sun may shine. 
Bright as the sun himself, 'tis out again ! 

When hailstones have been falling, swarm on swarm, 
Or blasts the green field and the trees distrest. 
Oft have I seen it muffled up from harm 
In close self-shelter, like a thing at rest. 

But lately, one rough day, this flower I past, 
And recognized it, though an alter'd form. 
Now standing forth an offering to the blast, 
And buffeted at will by rain and storm. 

I stopp'd and said, with inly-mutter'd voice, 
' It doth not love the shower, nor seek the cold ; 
This neither is its courage nor its choice, 
But its necessity in being old. 

' The sunshine may not cheer it, nor the dew ; 
It cannot help itself in its decay ; 
Stiff in its members, wither'd, changed of hue,' 
And, in my spleen, I smiled that it was gray. 

To be a prodigal's favourite — then, worse truth, 
A miser's pensioner — behold our lot ! 
O Man ! that from thy fair and shining youth 
Age might but take the things Youth needed not! 

W. Wordszvortk. 



PAST AND PRESENT. 

I REMEMBER, I remember 
The house where I was born, 
The little window where the sun 
Came peeping in at morn ; 
He never came a wink too soon 
Nor brought too long a day : 
But now, I often wish the night 
Had borne my breath away. 



!?=+- 




"Oft, in the stilly night. 
Ere Slnmber's chain has Imund me." 



Page 229. 



THE LIGHT OF OTHER DAYS. 229 



I remember, I remember 

The roses, red and white, 

The violets, and the lily-cups — 

Those flowers made of light ! 

The lilacs where the robin built, 

And where my brother set 

The laburnum on his birthday, — 

The tree is living yet! 

I remember, I remember. 

Where I was used to swing, 

And thought the air must rush as fresh 

To swallows on the wing ; 

My spirit flew in feathers then 

That is so heavy now, 

And summer pools could hardly cool 

The fever on my brow. 

I remember, I remember 

The fir trees dark and high ; 

I used to think their slender tops 

Were close against the sky : 

It was a childish ignorance. 

But now 'tis little joy 

To know I'm farther off from Heaven 

Than when I was a boy. 

T. Hood. 

ccxxv. 

THE LIGHT OF OTHER DAYS. 

Oft in the stilly night 

Ere slumber's chain has bound me, 
Fond Memory brings the light 
Of other days around me : 
The smiles, the tears 
Of boyhood's years. 
The words of love then spoken; 
The eyes that shone, 
Now dimm'd and gone, 




fe^ 






230 BOOK FOURTH. 



The cheerful hearts now broken ! 
Thus in the stilly night 

Ere slumber's chain has bound me, 
Sad Memory brings the light 

Of other days around me. 

When I remember all 

The friends so link'd together 
I've seen around me fall 

Like leaves in wintry weather, 
I feel like one 
Who treads alone 
Some banquet-hall deserted. 
Whose lights are fled, 
Whose garlands dead. 
And all but he departed ! 
Thus in the stilly night 

Ere slumber's chain has bound me, 
Sad Memory brings the light 
Of other days around me. 

T. Moore. 

CCXXVI. 

INVOCATION. 

Rarely, rarely, comest thou, 

Spirit of Delight I 
Wherefore hast thou left me now 

Many a day and night.'' 
Many a weary night and day 
'Tis since thou art fled away. 

How shall ever one like me 

Win thee back again ? 
With the joyous and the free 

Thou wilt scoff at pain. 
Spirit false ! thou hast forgot 
All but those who need thee not. 

As a lizard with the shade 
Of a trembling leaf, 




^^^FW 



INVOCATION. 231 

Thou with sorrow art dismay'd ; 

Even the sighs of grief 
Reproach thee, that thou art not near. 
And reproach thou wilt not hear. 

Let me set my mournful ditty 

To a merry measure ; — 
Thou wilt never come for pity, 

Thou wilt come for pleasure ; — 
Pity then will cut away 
Those cruel wings, and thou wilt stay. 

I love all that thou lovest, 

Spirit of Delight ! 
The fresh Earth in new leaves drest 

And the starry night ; 
Autumn evening, and the morn 
When the golden mists are born. 

I love snow and all the forms 

Of the radiant frost ; 
I love waves, and winds, and storms, 

Everything almost 
Which is Nature's, and may be 
Untainted by man's misery. 

I love tranquil solitude. 

And such society 
As is quiet, wise, and good ; 

Between thee and me 
What diff 'rence ? but thou dost possess 
The things I seek, not love them less. 

I love Love — though he has wings. 

And like light can flee. 
But above all other things. 

Spirit, I love thee — 
Thou art love and life ! O come ! 
Make once more my heart thy home ! 
P. B. Shelley. 





BOOK FOURTH. 



STANZAS WRITTEN IN DEJECTION NEAR NAPLES. 

The sun is warm, the sky is clear, 
The waves are dancing fast and bright. 
Blue isles and snowy mountains wear 
The purple noon's transparent light : 
The breath of the moist air is light 
Around its unexpanded buds ; 
Like many a voice of one delight — 
The winds', the birds', the ocean-floods' — 
The City's voice itself is soft like Solitude's. 

I see the Deep's untrampled floor 
With green and purple sea-weeds strown ; 
I see the waves upon the shore 
Like light dissolved in star-showers thrown : 
I sit upon the sands alone ; 
The lightning of the noon-tide ocean 
Is flashing round me, and a tone 
Arises from its measured motion — 
How sweet! did any heart now share in my emotion. 

Alas ! I have nor hope nor health. 
Nor peace within nor calm around, 
Nor that Content surpassing wealth 
The sage in meditation found, 
And walk'd with inward glory crown'd — 
Nor fame, nor power, nor love, nor leisure ; 
Others I see whom these surround — 
Smiling they live, and call life pleasure ; 
To me that cup has been dealt in another measure. 

Yet now despair itself is mild 
Even as the winds and waters are ; 
I could lie down like a tired child. 
And weep away the life of care 
Which I have borne, and yet must bear. 
Till death like sleep might steal on me. 




THE SCHOLAR. 233 

And I might feel in the warm air 
My cheek grow cold, and hear the sea 
Breathe o'er my dying brain its last monotony. 
P. B. Shelley. 
CCXXVIIl. 

THE SCHOLAR. 

My days among the Dead are past ; 

Around me I behold, 

Where'er these casual eyes are cast, 

The mighty minds of old : 

My never failing friends are they, 

With whom I converse day by day. 

With them I take delight in weal 

And seek relief in woe ; 

And while I understand and feel 

How much to them I owe. 

My cheeks have often been bedew'd 

With tears of thoughtful gratitude. 

My thoughts are with the Dead ; with tliem 

I live in long-past years, 

Their virtues love, their faults condemn. 

Partake their hopes and fears. 

And from their lessons seek and find 

Instruction with an humble mind. 

My hopes are with the Dead ; anon 
My place with them will be. 
And I with them shall travel on 
Through all Futurity ; 
Yet leaving here a name, I trust, 
That will not perish in the dust. 

R. Southey. 
CCXXIX. 

THE MERMAID TAVERN. 

Souls of Poets dead and gone 
What Elysium have ye known, 



234 BOOK FOURTH. 

Happy field or mossy cavern. 
Choicer than the Mermaid Tavern? 
Have ye tippled drink more fine 
Than mine host's Canary wine? 
Or are fruits of Paradise 
Sweeter than those dainty pies 
Of Venison ? O generous food ! 
Drest as though bold Robin Hood 
Would, with his Maid Marian, 
Sup and bowse from horn and can. 

I have heard that on a day 

Mine host's signboard flew away 

Nobody knew whither, till 

An astrologer's old quill 

To a sheepskin gave the story — 

Said he saw you in your glory 

Underneath a new-old Sign 

Sipping beverage divine, 

And pledging with contented smack 

The Mermaid in the Zodiac ! 

Souls of Poets dead and gone 
What Elysium have ye known — 
Happy field or mossy cavern — 
Choicer than the Mermaid Tavern? 
J, Keats. 

ccxxx. 
THE PRIDE OF YOUTH. 

Proud Maisie is in the wood. 

Walking so early ; 
Sweet Robin sits on the bush 

Singing so rarely. 

' Tell me, thou bonny bird. 
When shall I marry me ? ' 

— ' When six braw gentlemen 
Kirkward shall carry ye.' 




The Bhidge op Sighs. 



Page 235. 




THE BRIDGE OF SIGHS. 235 

'Who makes the bridal bed, ' 

Birdie, say truly ? ' 
— ' The gray-headed sexton 

That delves the grave duly. 

' The glowworm o'er grave and stone 

Shall light thee steady ; 
The owl from the steeple sing 

Welcome, proud lady.' 

Sir W. Scott. 

CCXXXI. 

THE BRIDGE OF SIGHS. 

One more Unfortunate 
Weary of breath 
Rashly importunate. 
Gone to her death ! 

Take her up tenderly. 
Lift her with care ; 
Fashion'd so slenderly, 
Young, and so fair! 

Look at her garments 
Clinging like cerements ; 
Whilst the wave constantly 
Drips from her clothing ; 
Take her up instantly, 
Loving, not loathing. 

Touch her not scornfully; 
Think of her mournfully, 
Gently and humanly ; 
Not of the stains of her — 
All that remains of her 
Now is pure womanly. 

Make no deep scrutiny 
Into her mutiny 
Rash and undutiful : 



fe 



236 BOOK FOURTH. 

Past all dishonour, 
Death has left on her 
Only the beautiful. 

Still, for all slips of hers, 
One of Eve's family — 
Wipe those poor lips of hers 
Oozing so clammily. 

Loop up her tresses 
Escaped from the comb, 
Her fair auburn tresses ; 
Whilst wonderment guesses 
Where was her home? 

Who was her father? 
Who was her mother? 
Had she a sister? 
Had she a brother? 
Or was there a dearer one 
Still, and a nearer one 
Yet, than all other ? 

Alas ! for the rarity 
Of Christian charity 
Under the sun ! 
1 it was pitiful ! 
Near a whole city full, 
Home she had none. 

Sisterly, brotherly, 
Fatherly, motherly 
Feelings had changed : 
Love, by harsh evidence, 
Thrown from its eminence; 
Even God's providence 
Seeming estranged. 





Where the lamps quiver 
So far in the river. 
With many a light 




THE BRIDGE OF SIGH^. 237 

From window and casement, 
From garret to basement, 
She stood, with amazement, 
Houseless by night. 

The bleak wind of March 
Made her tremble and shiver; 
But not the dark arch, . 
Or the black flowing river : 
Mad from life's history, 
Glad to death's mystery 
Swift to be hurl'd — 
Any where, any where 
Out of the world ! 

In she plunged boldly. 
No matter how coldly 
The rough river ran. 
Over the brink of it, — 
Picture it, think of it, 
Dissolute Man ! 
Lave in it, drink of it, 
Then, if you can ! 

Take her up tenderly, 
Lift her with care ; 
Fashion'd so slenderly, 
Young, and so fair ! 

Ere her limbs frigidly 
Stiffen too rigidly. 
Decently, kindly. 
Smooth and compose them; 
And her eyes, close them, 
Staring so blindly! 

Dreadfully staring 
Thro' muddy impurity. 
As when with the daring 
Last look of despairing 
Fix'd on futurity. 





BOOK FOURTH. 

Perishing gloomily, 
Spurr'd by contumely 
Cold inhumanity 
Burning insanity 
Into her rest. 

— Cross her hands humbly 
As if praying dumbly, 
Over her breast ! 

Owning her weakness, 
Her evil behaviour, 
And leaving, with meekness, 
Her sins to her Saviour! 

T. Hood. 



ELEGY. 

O snatch'd away in beauty's bloom ! 
On thee shall press no ponderous tomb ; 
But on thy turf shall roses rear 
Their leaves, the earliest of the year, 
And the wild cypress wave in tender gloom : 

And oft by yon blue gushing stream 

Shall Sorrow lean her drooping head. 

And feed deep thought with many a dream. 

And lingering pause and lightly tread ; 

Fond wretch ! as if her step disturbed the dead I 

Away ! we know that tears are vain. 
That Death nor heeds nor hears distress : 
Will this unteach us to complain? 
Or make one mourner weep the less ? 
And thou, who tell'st me to forget, 
Thy looks are wan, thine eyes are wet. 
Lord Byron. 



HESTER. 239 

ccxxxiii. 

HESTER. 

When maidens such as Hester die 
Their place ye may not well supply. 
Though ye among a thousand try 

With vain endeavour. 
A month or more hath she been dead, 
Yet cannot I by force be led 
To think upon the wormy bed 

And her together. 

A springy motion in her gait, 

A rising step, did indicate 

Of pride and joy no common rate 

That flush'd her spirit : 
1 know not by what name beside 
I shall it call : if 'twas not pride, 
It was a joy to that allied 

She did inherit. 

Her parents held the Quaker rule 
Which doth the human feeling cool ; 
But she was train'd in Nature's school, 

Nature had blest her. 
A waking eye, a prying mind, 
A heart that stirs, is hard to bind ; 
A hawk's keen sight ye cannot blind. 

Ye could not Hester. 

My sprightly neighbour ! gone before 
To that unknown and silent shore. 
Shall we not meet, as heretofore 

Some summer morning — 
When from thy cheerful eyes a ray 
Hath struck a bliss upon the day, 
A bliss that would not go away, 

A sweet fore-warning? 
C. Lamb. 




240 BOOK FOURTH. 



CORONACH. 

He is gone on the mountain 

He is lost to the forest, 
Like a. summer-dried fountain, 

When our need was the sorest. 
The fount reappearing 

From the raindrops shall borrow. 
But to us comes no cheering, 

To Duncan no morrow ! 

The hand of the reaper 

Takes the ears that are hoary, 
But the voice of the weeper 

Wails manhood in glory. 
The autumn winds rushing 

Waft the leaves that are serest, 
But our flower was in flushing 

When blighting was nearest. 

Fleet foot on the correi, 

Sage counsel in cumber. 
Red hand in the foray, 

How sound is thy slumber! 
Like the dew on the mountain. 

Like the foam on the river. 
Like the bubble on the fountain, 

Thou art gone ; and for ever ! 

Sir W. Scott. 

ccxxxv. 
THE DEATH BED. 

We watch'd her breathing thro' the night, 

Her breathing soft and low, 
As in her breast the wave of life 

Kept heaving to and fro. 

So silently we seem'd to speak. 
So slowly moved about, 



ROSABELLE. 241 

As we had lent her half our powers 
To eke her living out. 

Our very hopes belied our fears, 

Our fears our hopes belied — 
We thought her dying when she slept, 

And sleeping when she died. 

For when the morn came dim and sad 

And chill with early showers, 
Her quiet eyelids closed — she had 

Another morn than ours. 

T. Hood. 

ccxxxvi. 
ROSABELLE. 

O LISTEN, listen, ladies gay ! 

No haughty feat of arras I tell ; 
Soft is the note, and sad the lay. 

That mourns the lovely Rosabelle. 

' Moor, moor the barge, ye gallant crew, 

And, gentle lady, deign to stay I 
Rest thee in Castle Ravensheuch, 

Nor tempt the stormy firth today. 

* The blackening wave is edged with white ; 

To inch and rock the sea-mews fly ; 
The fishers have heard the Water-Sprite, . 

Whose screams forebode that wreck is nigh. 

' Last night the gifted Seer did view 
A wet shroud swathed round lady gay ; 

Then stay thee, Fair, in Ravensheuch ; 
Why cross the gloomy firth today?' 

"Tis not because Lord Lindesay's heir 

Tonight at Roslin leads the ball, 
But that my lady-mother there 

Sits lonely in her castle-hall. 





242 BOOK FOURTH. 

' 'Tis not because the ring they ride, 
And Lindesay at the ring rides well, 

But that my sire the wine will chide 
If 'tis not fiird by Rosabelle.' 

— O'er Roslin all that dreary night 
A wondrous blaze was seen to gleam ; 

'Twas broader than the watch-fire's light, 
And redder than the bright moonbeam. 

It glared on Roslin's castled rock. 
It ruddied all the copse-wood glen ; 

'Twas seen from Dryden's groves of oak. 
And seen from cavern'd Hawthornden. 

Seem'd all on fire that chapel proud 
Where Roslin's chiefs uncoffin'd lie. 

Each Baron, for a sable shroud, 
Sheath'd in his iron panoply. 

Seem'd all on fire within, around. 

Deep sacristy and altar's pale ; 
Shone every pillar foliage-bound, 

And glimraer'd all the dead men's mail. 

Blazed battlement and pinnet high, 

Blazed every rose-carved buttress fair — 

So still they blaze, when fate is nigh 
The lordly line of high Saint Clair. 

• There are twenty of Roslin's barons bold 
Lie buried within that proud chapelle ; 
Each one the holy vault doth hold. 
But the sea holds lovely Rosabelle ! 

And each Saint Clair was buried there 
With candle, with book, and with knell ; 
^ But the sea-caves rung, and the wild winds sung 

The dirge of lovely Rosabelle. 

Sir VV. Scott. 



p 



ON AN INFANT DYING. 243 

CCXXXVII. 

ON AN INFANT DYING AS SOON AS BORN. 

I SAW where in the shroud did lurk 

A curious frame of Nature's work ; 

A flow'ret crushed in the bud 

A nameless piece of Babyhood 

Was in her cradle-coffin lying ; 

Extinct, with scarce the sense of dying: 

So soon to exchange the imprisoning womb 

For darker closets of the tomb ! 

She did but ope an eye, and put 

A clear beam forth, then straight up shut 

For the long dark : ne'er more to see 

Through glasses of mortality. 

Riddle of destiny, who can show 

What thy short visit meant, or know 

What thy errand here below? 

Shall we say, that Nature blind 

Check'd her hand, and changed her mind 

Just when she had exactly wrought 

A finish'd pattern without fault ? 

Could she flag, or could she tire. 

Or lack'd she the Promethean fire 

(With her nine moons' long workings sicken'd) 

That should thy little limbs have quicken'd? 

Limbs so firm, they seem'd to assure 

Life of health, and days mature : 

Woman's self in miniature ! 

Limbs so fair, they might supply 

(Themselves now but cold imagery) 

The sculptor to make Beauty by. 

Or did the stern-eyed Fate descry 

That babe or mother, one must die ; 

So in mercy left the stock 

And cut the branch ; to save the shock 

Of young years widow'd, and the pain 

When Single State comes back again 




244 BOOK FOURTH. 

To the lone man who, reft of wife, 
^ Thenceforward drags a maimed life? 
The economy of Heaven is dark, 
And wisest clerks have miss'd the mark 
Why human buds, like this, should fall 
More brief than fly ephemeral 
That has his day ; while shrivelPd crones 
Stiffen with age to stocks and stones ; 
And crabbed use the conscience sears 
In sinners of an hundred years. 
— Mother's prattle, mother's kiss, 
Baby fond, thou ne'er wilt miss : 
Rites, which custom does impose, 
Silver bells, and baby clothes ; 
Coral redder than those lips 
Which pale death did late eclipse ; 
Music framed for infants' glee. 
Whistle never tuned for thee ; 
Though thou want'st not, thou shalt have them. 
Loving hearts were they which gave them. 
Let not one be missing ; nurse, 
See them laid upon the hearse 
Of infant slain by doom perverse. 
Why should kings and nobles have 
Pictured trophies to their grave. 
And we, churls, to thee deny 
Thy pretty toys with thee to lie — 
A more harmless vanity ? 

C. Lamb, 

CCXXXVIII. 

THE AFFLICTION OF MARGARET. 

Where art thou, my beloved Son, 
Where art thou, worse to me than dead ! 
O find me, prosperous or undone I 
Or if the grave be now thy bed, 
Why am I ignorant of the same 





THE' AFFLICTION OF MARGARET. 

That I may rest ; and neither blame 
Nor sorrow may attend thy name? 

Seven years, alas ! to have received 
No tidings of an only child — 
To have despair'd, have hoped, believed. 
And be for evermore beguiled 
Sometimes with thoughts of very bliss ! 
I catch at them, and then I miss ; 
Was ever darkness like to this? 

He was among the prime in worth, 
An object beauteous to behold ; 
Well born, well bred ; I sent him forth 
Ingenuous, innocent, and bold : 
If things ensued that wanted grace 
As hath been said, they were not base ; 
And never blush was on my face. 

Ah ! little doth the young one dream 
When full of play and childish cares, 
What power is in his wildest scream 
Heard by his mother unawares ! 
He knows it not, he cannot guess ; 
Years to a mother bring distress ; 
But do not make her love the less. 

Neglect me ! no, I suffered long 
From that ill thought ; and being blind 
Said ' Pride shall help me in my wrong: 
Kind mother have I been, as kind 
As ever breathed : ' and that is true ; 
I've wet my path with tears like dew, 
Weeping for him when no one knew. 

My Son, if thou be humbled, poor, 
Hopeless of honour and of gain, 
O ! do not dread thy mother's door, 
Think not of me with grief and pain : 
I now can see with better eyes ; 



245 






246 BOOK FOURTH. 



And worldly grandeur I despise 
And fortune with her gifts and lies. 

Alas ! the fowls of heaven have wings 
And blasts of heaven will aid their flight ; 
They mount — how short a voyage brings 
The wanderers back to their delight ! 
Chains tie us down by land and sea ; 
And wishes, vain as mine, may be 
All that is left to comfort thee. 

Perhaps some dungeon hears thee groan 
Maim'd, mangled by inhuman men ; 
Or thou upon a desert thrown 
Inheritest the lion's den ; 
Or hast been summoned to the deep 
Thou, thou, and all thy mates, to l^eep 
An incommunicable sleep. 

I look for ghosts : but none will force 
Their way to me ; 'tis falsely said 
That there was ever intercourse 
Between the living and the dead ; 
For surely then I should have sight 
Of him I wait for day and night 
With love and longings infinite. 

My apprehensions come in crowds ; 
I dread the rustling of the grass ; 
The very shadows of the clouds 
Have power to shake me as they pass ; 
I question things, and do not find 
One that will answer to my mind ; 
And all the world appears unkind. 

Beyond participation lie 
My troubles, and beyond relief: 
If any chance to heave a sigh 
They pity me, and not my grief. 
Then come to me, my Son, or send 



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''Waken, lords and ladies gay! 
On the mountain dp.wns the day." — Page 247. 



HUNTING SONG. 247 

Some tidings that my woes may end ! ■ 
I have no other earthly friend. 

W. Wordsworth, 

ccxxxix. 

HUNTING SONG. 

Waken, lords and ladies gay, 

On the mountain dawns the day ; 

All the jolly chase is here 

With hawk and horse and hunting-spear; 

Hounds are in their couples yelling, 

Hawks are whistling, horns are knelling. 

Merrily merrily mingle the}', 

' Waken, lords and ladies gay.' 

Waken, lords and ladies gay, 

The mist has left the mountain gray, 

Springlets in the dawn are steaming. 

Diamonds on the brake are gleaming, 

And foresters have busy been 

To track the buck in thicket green ; 

Now we come to chant our lay 

' Waken, lords and ladies gay.' 

Waken, lords and ladies gay, , 

To the greenwood haste away; 

We can show you where he lies, 

Fleet of foot and tall of size ; 

We can show the marks he made 

When 'gainst the oak his antlers fray'd; 

You shall see him brought to bay; 

Waken, lords and ladies gay. 

Louder, louder chant the lay 
Waken, lords and ladies gay ! 
f Tell them youth and mirth and glee 

Run a course as well as we ; 
Time, stern huntsman ! who can baulk, 
Stanch as hound and fleet as hawk ; 

fit 





248 BOOK FOURTH. 

Think of this, and rise with day 
Gentle lords and ladies gay ! 

Sir W. Scott. 
CCXL. 

TO THE SKYLARK. 

Ethereal minstrel ! pilgrim of the sky ! 
Dost thou despise the earth where cares abound? 
Or while the wings aspire, are heart and eye 
Both with thy nest upon the dewy ground? 
Thy nest which thou canst drop into at will, 
Those quivering wings composed, that music still ! 

To the last point of vision, and beyond. 

Mount, daring warbler ! — that love-prompted strain 

— 'Twixt thee and thine a never-faiUng bond — 

Thrills not the less the bosom of the plain : 

Yet might'st thou seem, proud privilege ! to sing 

All independent of the leafy Spring. 

Leave to the nightingale her shady wood ; 
A privacy of glorious light is thine. 
Whence thou dost pour upon the world a flood 
Of harmony, with instinct more divine ; 
Type of the wise, who soar, but never roam — 
True to the kindred points of Heaven and Home. 
W. Wordsworth. 
CCXLI. 

TO A SKYLARK. 

Hail to thee, blithe Spirit! 

Bird thou never wert, 
That from heaven, or near it 

Pourest thy full heart 
In profuse strains of unpremeditated art. 

Higher still and higher 
From the earth thou springest; 

Like a cloud of fire 

The blue deep thou wingest, 
And singing still dost soar, and soaring ever singest. 




TO A SKYLARK. 249 

In the golden lightning 

Of the sunken sun 
O'er which clouds are brightening, 
Thou dost float and run, 
Like an unbodied joy whose race is just begun. 

The pale purple even 

Melts around thy flight ; 
Like a star of heaven 

In the broad daylight 
Thou art unseen, but yet I hear thy shrill delight: 

Keen as are the arrows 

Of that silver sphere. 
Whose intense lamp narrows 

In the white dawn clear 
Until we hardly see, we feel that it is there. 

All the earth and air 

With thy voice is loud, 
As, when night is bare, 
. From one lonely cloud 
The moon rains out her beams, and heaven is overflow'd. 

What thou art we know not ; 

What is most like thee ? 
From rainbow clouds there flow not 
Drops so bright to see 
As from thy presence showers a rain of melody. 

Like a poet hidden 

In the light of thought. 
Singing hymns unbidden. 

Till the world is wrought 
To sympathy with hopes and fears it heeded not : 

Like a high-born maiden 
In a palace tower. 





250 BOOK FOURTH. 

Soothing her love-laden 
Soul in secret hour 
With music sweet as love, which overflows her bower: 

Like a glow-worm golden 

In a dell of dew, 
Scattering unbeholden 

Its aerial hue 
Among the flowers and grass, which screen it from the view ; 

Like a rose embower'd 

In its own green leaves, 
By warm winds deflower'd, 

Till the scent it gives 
Makes faint with too much sweet these heavy-winged thieves. 

Sound of vernal showers 

On the twinkling grass, 
Rain-awaken'd flowers. 

All that ever was 
Joyous, and clear, and fresh, thy music doth surpass. 

Teach us, sprite or bird. 

What sweet thoughts are thine: 
I have never heard 

Praise of love or wine 
That panted forth a flood of rapture so divine. 

Chorus hymeneal 

Or triumphal chaunt 
Match'd with thine, would be all 

But an empty vaunt — 
A thing wherein we feel there is some hidden want. 

What objects are the fountains 

Of thy happy strain? 
What fields, or waves, or mountains? 

What shapes of sky or plain? 
What love of thine own kind? what ignorance of pain? 

With thy clear keen joyance 
Languor cannot be : 





THE GREEN LINNET. 251 

Shadow of annoyance 
Never came near thee : 
Thou lovest ; but ne'er knew love's sad satiety. 

Waking or asleep 

Thou of death must deem 
Things more true and deep 
Than we mortals dream, 
Or how could thy notes flow in such a crystal stream ? 

We look before and after 

And pine for what is not : 
Our sincerest laughter 

With some pain is fraught; 
Our sweetest songs are those that tell of saddest thought. 

Yet if we could scorn 

Hate, and pride, and fear; 
If we were things born 

Not to shed a tear, 
I know not how thy joy we ever should come near. 

Better than all measures 

Of delightful sound, 
Better than all treasures 

That in books are found, 
Thy skill to poet were, thou scorner of the ground ! 

Teach me half the gladness 

That thy brain must know, 
Such harmonious madness 
From my lips would flow 
The world should listen then, as I am listening now ! 
P. B. Shelley. 

CCXLII. 

THE GREEN LINNET. 

Beneath these fruit-tree boughs that shed 
Their snow-white blossoms on my head. 
With brightest sunshine round me spread 
Of Spring's unclouded weather, 




252 BOOK FOURTH. 

In this sequester'd nook how sweet 
To sit upon my orcliard-seat ! 
And flowers and birds once more to greet, 
My last year's friends togetlier. 

One liave I marlc'd, tire liappiest guest 
In all tliis covert of the blest : 
Hail to Thee, far above the rest 
In joy of voice and pinion ! 
Thou, Linnet ! in thy green array 
Presiding Spirit here today 
Dost lead the revels of the May, 
And this is thy dominion. 

While birds, and butterflies, and flowers 
Make all one band of paramours. 
Thou, ranging up and down the bowers 
Art sole in thy employment ; 
A Life, a Presence like the air. 
Scattering thy gladness without care, 
Too blest with any one to pair, 
Thyself thy own enjoyment. 

Amid yon tuft of hazel trees 
That twinkle to the gusty breeze. 
Behold him perch'd in ecstasies 
Yet seeming still to hover ; 
There, where the flutter of his wings 
Upon his back and body flings 
Shadows and sunny glimmerings, 
That cover him all over. 

My dazzled sight he oft deceives — 
A brother of the dancing leaves ; 
Then flits, and from the cottage-eaves 
Pours forth his song in gushes, 
As if by that exulting strain 
He mock'd and treated with disdain 
The voiceless Form he chose to feign 
While fluttering in the bushes. 

W. Wordsworth. 






TO THE CUCKOO. 253 

CCXLIII. 

TO THE CUCKOO. 

BLITHE new-comer ! I have heard, 

1 hear thee and rejoice : 

Cuckoo ! shall I call thee bird, 
Or but a wandering Voice ? 

While I am lying on the grass 
Thy twofold shout I hear ; 
From hill to hill it seems to pass, 
At once far off and near. 

Though babbling only to the vale 
Of sunshine and of flowers, 
Thou bringest unto me a tale 
Of visionary hours. 

Thrice welcome, darling of the Spring! 

Even yet thou art to me 

No bird, but an invisible thing, 

A voice, a mystery ; 

The same whom in my school-boy days 

1 listened to ; that Cry 

Which made me look a thousand ways 

In bush, and tree, and sky. 

To seek thee did I often rove 

Through woods and on the green ; 

And thou wert still a hope, a love; 

Still long'd for, never seen ! 

And I can listen to thee yet ; 

Can lie upon the plain 

And listen, till I do beget 

That golden time again. 

O bless(£d bird ! the earth we pace 

Again appears to be 

An unsubstantial, fairy place 

That is fit home for Thee ! 

W. Wordswortk. 




254 BOOK FOURTH. 



ODE TO A NIGHTINGALE. 

My heart aches, and a drowsy numbness pains 

My sense, as though of hemlock I had drunk, 
Or emptied some dull opiate to the drains 

One minute past, and Lethe-wards had sunk : 
'Tis not through envy of thy happy lot. 
But being too happy in thy happiness, — 
That thou, light-winged Dr3'ad of the trees, 
In some melodious plot 
Of beechen green, and shadows numberless, 
Singest of summer in full-throated ease. 

O for a draught of vintage, that hath been 

CooPd a long age in the deep-delved earth. 
Tasting of Flora and the country-green, 

Dance, and Provencal song, and sun-burnt mirth! 
O for a beaker full of the warm South, 
Full of the true, the blushful Hippocrene, 
With beaded bubbles winking at the brim 
And purple-stained mouth ; 
That I might drink, and leave the world unseen, 
And with thee fade away into the forest dim : 

Fade far away, dissolve, and quite forget 

What thou among the leaves hast never known. 
The weariness, the fever, and the fret 

Here, where men sit and hear each other groan; 
Where palsy shakes a few, sad, last gray hairs. 

Where youth grows pale, and spectre-thin, and dies ; 
Where but to think is to be full of sorrow 
And leaden-eyed despairs ; 
Where Beauty cannot keep her lustrous eyes. 
Or new Love pine at them beyond tomorrow. 

Away ! away ! for I will fiy to thee, 

Not charioted by Bacchus and his pards, 

But on the viewless wings of Poesy, 

Though the dull brain perplexes and retards : 



ODE TO A NIGHTINGALE. 255 

Already with thee ! tender is the night, 
And haply the Queen-Moon is on her throne, 
Cluster'd around by all her starry Fays ; 
But here there is no light 
Save what from heaven is with the breezes blown 
Through verdurous glooms and winding mossy ways. 

I cannot see what flowers are at my feet. 

Nor what soft incense hangs upon the boughs. 
But, in embalmed darkness, guess each sweet 

Wherewith the seasonable month endows 
The grass, the thicket, and the fruit-tree wild ; 
White hawthorn, and the pastoral eglantine-; 
Fast-fading violets covered up in leaves ; 
And mid-May's eldest child 
The coming musk-rose, full of dewy wine, 

The murmurous haunt of flies on summer eves. 

Darkling I listen ; and for many a time 

I have been half in love with easeful Death, 
Caird him soft names in many a mused rhyme, 

To take into the air my quiet breath ; 
Now more than ever seems it rich to die. 
To cease upon the midnight with no pain. 
While thou art pouring forth thy soul abroad 
In such an ecstasy ! 
Still wouldst thou sing, and I have ears in vain — 
To thy high requiem become a sod. 

Thou wast not born for death, immortal Bird ! 

No hungry generations tread thee down ; 
The voice I hear this passing night was heard 

In ancient days by emperor and clown : 
Perhaps the self-same song that found a path 

Through the sad heart of Ruth, when, sick for home, 
She stood in tears amid the alien corn ; 
The same that oft-times hath 
Charm'd magic casements, opening on the foam 
Of perilous seas, in faery lands forlorn. 



rjH- 




256 BOOK FOURTH. 

Forlorn ! the very word is like a bell 

To toll me back from thee to my sole self! 
Adieu ! the fancy cannot cheat so well 
As she is famed to do, deceiving elf. 
Adieu ! adieu ! thy plaintive anthem fades 
Past the near meadows, over the still stream. 
Up the hill-side ; and now 'tis buried deep 
In the next valley-glades : 
Was it a vision, or a waking dream ? 
Fled is that music : — do I wake or sleep ? 
J. Keats. 



UPON WESTMINSTER BRIDGE, 

Sept. 3, 1802. 

Earth has not anything to show more fair: 
Dull would he be of soul who could pass by 
A sight so touching in its majesty : 
This City now doth like a garment wear 

The beauty of the morning : silent, bare, 
Ships, towers, domes, theatres, and temples lie 
Open unto the fields, and to the sky. 
All bright and glittering in the smokeless air. 

Never did sun more beautifully steep 

In his first splendour valley, rock, or hill ; 

Ne'er saw I, never felt, a calm so deep ! 

The river glideth at his own sweet will : 
Dear God ! the very houses seem asleep ; 
And all that mighty heart is lying still ! 

W. Wordsworth. 

CCXLVI. 

OZYiMANDIAS OF EGYPT. 

I MET a traveller from an antique land 

Who said : Two vast and trunkless legs of stone 

Stand in the desert. Near them on the sand 



Jj 




NEIDPATH. 257 

Half sunk, a shatter'd visage lies, wliose frown 
And wrinlvled lip and sneer of cold command 
Tell that its sculptor well those passions read 
Which yet survive, stamp'd on these lifeless things, 
The hand that mock'd them and the heart that fed ; 
And on the pedestal these words appear : 
' My name is Ozymandias, king of kings : 
Look on my works, ye Mighty, and despair!' 
Nothing beside remains. Round the decay 
Of that colossal wreck, boundless and bare, 
The lone and level sands stretch far away. 
P. B. Shelley. 



COMPOSED AT NEIDPATH CASTLE, THE PROPERTY 
OF LORD QUEENSBERRY, 1803. 

Degenerate Douglas ! O the unworthy lord ! 
Whom mere despite of heart could so far please 
And love of havoc (for with such disease 
Fame taxes him) that he could send forth word 

To level with the dust a noble horde, 

A brotherhood of venerable trees, 

Leaving an ancient dome, and towers like these 

Beggar'd and outraged ! — Many hearts deplored 

The fate of those old trees ; and oft with pain 

The traveller at this day will stop and gaze 

On wrongs, which Nature scarcely seems to heed ; 

For shelter'd places, bosoms, nooks, and bays. 
And the pure mountains, and the gentle Tweed, 
And the green silent pastures, yet remain. 

W. Wordsworth. 

CCXLVIII. 

ADMONITION TO A TRAVELLER. 

Yes, there is holy pleasure in thine eye ! 
— The lovely cottage in the guardian nook 





BOOK FOURTH. 

Hath stirr'd thee deeply ; with its own dear brook, 
Its own small pasture, almost its own sky i 

But covet not the abode — O do not sigh 
As many do, repining while they look ; 
Intruders who would tear from Nature's book 
This precious leaf with harsh impiety : 

— Think what the home would be if it were thine. 

Even thine, though few thy wants ! — Roof, window, door, 

The very flowers are sacred to the Poor, 

The roses to the porch which they entwine : 
Yea, all that now enchants thee, from the day 
On which it should be touch'd would melt away ! 

W. Wordsworth. 
CCXLIX. 
TO THE HIGHLAND GIRL OF INVERSNAID. 

Sweet Highland Girl, a very shower 
Of beauty is tliy earthly dower ! 
. Twice seven consenting years have shed 
Their utmost bounty on thy head : 
And these gray rocks, this household lawn. 
These trees — a veil just half withdrawn, 
This fall of water that doth make 
A murmur near the silent lake. 
This little bay, a quiet road 
That holds in shelter thy abode ; 
In truth together ye do seem 
Like something fashion'd in a dream ; 
Such forms as from their covert peep 
When earthly cares are laid asleep ! 
But O fair Creature ! in the light 
Of common day, so heavenly bright, 
I bless Thee, Vision as thou art, 
I bless thee with a human heart : 
God shield thee to thy latest years ! 
I neither know thee nor thy peers : 
And yet my eyes are fill'd with tears. 



s 



TO THE HIGHLAND GIRL. 259 



With earnest feeling I sliall pray 
For thee when I am far away ; 
For never saw I mien or face 
In which more plainly I could trace 
Benignity and home-bred sense 
Ripening in perfect innocence. 
Here scatter'd like a random seed, 
Remote from men, Thou dost not need 
The embarrass'd look of shy distress, 
And maidenly shamefacedness : 
Thou wear'st upon thy forehead clear 
The freedom of a mountaineer : 
A face with gladness overspread. 
Soft smiles, by human kindness bred ; 
And seemliness complete, that sways 
Thy courtesies, about thee plays ; 
With no restraint, but such as springs 
From quick and eager visitings 
Of thoughts that lie beyond the reach 
Of thy few words of English speech : 
A bondage sweetly brook'd, a strife 
That gives thy gestures grace and life ! 
So have I, not unmoved in mind. 
Seen birds of tempest-loving kind. 
Thus beating up against the wind. 

What hand but would a garland cull 
For thee who art so beautiful ? 
O happy pleasure ! here to dwell 
Beside thee in some heathy dell ; 
Adopt your homely ways and dress, 
A shepherd, thou a shepherdess! 
But I could frame a wish for thee 
More like a grave reality : 
Thou art to me but as a wave 
Of the wild sea : and I would have 
Some claim upon thee, if I could. 
Though but of common neighbourhood. 




^ 





260 BOOK FOURTH. 

What joy to hear thee, and to see! 
Thy elder brother I would be, 
Thy father, anything to thee. 

Now thanks to Heaven ! that of its grace 

Hath led me to this lonely place ; 

Joy have I had ; and going hence 

I bear away my recompense. 

In spots like these it is we prize 

Our memory, feel that she hath eyes : 

Then why should I be loth to stir ? 

I feel this place was made for her; 

To give new pleasure like the past. 

Continued long as life shall last. 

Nor am I loth, though pleased at heart. 

Sweet Highland Girl ! from thee to part; 

For I, methinks, till I grow old 

As fair before me shall behold 

As I do now, the cabin small. 

The lake, the bay, the waterfall ; 

And Thee, the spirit of them all ! 

W, Wordsworth, 

CCL. 

THE REAPER. 

Behold her, single in the field, 
Yon solitary Highland Lass ! 
Reaping and singing by herself; 
Stop here, or gently pass ! 
Alone she cuts and binds the grain, 
And sings a melancholy strain ; 
O listen ! for the vale profound 
Is overflowing with the sound. 

No nightingale did ever chaunt 
More welcome notes to weary bands 
Of travellers in some shady haunt, 
Among Arabian sands : 




o re 
3 ~ 




THE JiEVEKIE OF POOR SUSAN. 

No sweeter voice was ever heard 
In spring-time from the cuckoo-bird, 
Breaking the silence of the seas 
Among the farthest Hebrides. 

Will no one tell me what she sings? 

Perhaps the plaintive numbers flow 

For old, unhappy, far-off things, 

And battles long ago : 

Or is it some more humble lay, 

Familiar matter of today ? 

Some natural sorrow, loss, or pain. 

That has been, and may be again! 

Whate'er the theme, the maiden sang 
As if her song could have no ending ; 
I saw her singing at her work. 
And o'er the sickle bending ; 
1 Hsten'd till I had my fill ; 
And as I mounted up the hill 
The music in my heart I bore 
Long after it was heard no more. 

W. Wordsworth, 



261 



CCLI. 

THE REVERIE OF POOR SUSAN. 

At the corner of Wood Street, when daylight appears, 
Hangs a Thrush that sings loud, it has sung for three years : 
Poor Susan has pass'd by the spot, and has heard 
In the silence of morning the song of the bird. 

'Tis a note of enchantment ; what ails her? She sees 
A mountain ascending, a vision of trees ; 
Bright volumes of vapour through Lothbury glide, 
And a river flows on through the vale of Cheapside. 

Green pastures she views in the midst of the dale 
Down which she so often has tripp'd with her pail ; 
And a single small cottage, a nest like a dove's. 
The one only dwelling on earth that she loves. 



262 



BOOK FOURI,^. 



She looks, and her heart is in heaven : but they fade 
The mist and the river, the hill and the shade ; 
The stream will not flow, and the hill will not rise. 
And the colours have all pass'd away from her eyes ! 

W. Wordsworth. 



TO A LADY, WITH A GUITAR. 

Ariel to Miranda : — Take 

This slave of music, for the sake 

Of him, who. is the slave of thee ; 

And teach it all the harmony 

In which thou canst, and only thou. 

Make the delighted spirit glow. 

Till joy denies itself again 

And, too intense, is turn'd to pain. 

For by permission and command 

Of thine own Prince Ferdinand, 

Poor Ariel sends this silent token 

Of more than ever oon be spoken ; 

Your guardian spirit, Ariel, who 

From life to life must still pursue 

Your happiness, for thus alone 

Can Ariel ever find his own; 

From Prospero's enchanted cell, 

As the mighty verses tell. 

To the throne of Naples he 

Lit you o'er the trackless sea, 

Flitting on, your prow before. 

Like a living meteor. 

When you die, the silent Moon 

In her interlunar swoon 

Is not sadder in her cell 

Than deserted Ariel ; 

When you live again on earth. 

Like an unseen Star of birth 

Ariel guides you o'er the sea 

Of life from your nativity : 



TO A LADY, WITH A GUITAR. 

Many changes have been rung 

Since Ferdinand and you begun 

Your course of love, and Ariel still 

Has track'd your steps and served your vifill. 

Now in humbler, happier lot, 

This is all remember'd not ; 

And now, Alas ! the poor sprite is 

Imprison 'd for some fault of his 

In a body like a grave — 

From you he only dares to crave 

For his service and his sorrow 

A smile today, a song tomorrow. 



263 



The artist who this idol wrought 

To echo all harmonious thought, 

Fell'd a tree, while on the steep 

The woods were in their winter sleep, 

Rock'd in that repose divine 

On the wind-swept Apennine ; 

And dreaming, some of autumn past. 

And some of spring approaching fast. 

And some of April buds and showers. 

And some of songs in July bowers, 

And all of love ; and so this tree, — 

O that such our death may be ! — 

Died in sleep, and felt no pain, 

To live in happier form again : 

From which, beneath Heaven's fairest star, 

The artist wrought this loved Guitar ; 

And taught it justly to reply 

To all who question skilfully 

In language gentle as thine own; 

Whispering in enamour'd tone 

Sweet oracles of woods and dells. 

And summer winds in sylvan cells ; 

— For it had learnt all harmonies 

Of the plains and of the skies. 

Of the forests and the mountains. 




BOOK FOURTH. 

And the raany-voicdd fountains ; 
The clearest echoes of the hills, 
The softest notes of falling rills, 
The melodies of birds and bees. 
The murmuring of summer seas, 
And pattering rain, and breathing dew, 
And airs of evening ; and it knew 
That seldom-heard mysterious sound 
Which, driven on its diurnal round. 
As it floats through boundless day, 
Our world enkindles on its way : 
— All this it knows, but will not tell 
To those who cannot question well 
The spirit that inhabits it ; 
It talks according to the wit 
Of its companions ; and no more 
Is heard than has been felt before 
By those who tempt it to betray 
These secrets of an elder day. 
But, sweetly as its answers will 
Flatter hands of perfect skill. 
It keeps its highest holiest tone 
For our beloved Friend alone. 

P. B. Shelley. 



THE DAFFODILS. 

I wander'd lonely as a cloud 

That floats on high o'er vales and hills, 

When all at once I saw a crowd, 

A host of golden daffodils, 

Beside the lake, beneath the trees 

Fluttering and dancing in the breeze. 

Continuous as the stars that shine 
And twinkle on the milky way. 
They stretch'd in never-ending line 
Along the margin of a bay : 



TO THE DAISY. 265 

Ten thousand saw I at a glance 
Tossing their heads in sprightly dance. 

The waves beside them danced, but they 

Out-did the sparkling waves in glee : — 

A Poet could not but be gay 

In such a jocund company ! 

I gazed- — and gazed — but little thought 

What wealth the show to me had brought ; 

For oft, when on my couch I lie 
In vacant or in pensive mood. 
They flash upon that inward eye 
Which is the bliss of solitude ; 
And then my heart with pleasure fills. 
And dances with the daffodils. 

W. Wordsworth. 

CCLIV. 

TO THE DAISY. 

With little here to do or see 

Of things that in the great world be, 

Sweet D.aisy ! oft I talk to thee 

For thou art worthy, 
Thou unassuming commonplace 
Of Nature, with that homely face, 
And yet with something of a grace 

Which love makes for thee ! 

Oft on the dappled turf at ease 

I sit and play with similes, 

Loose types of things through all degrees, 

Thoughts of thy raising ; 
And many a fond and idle name 
I give to thee, for praise or blame 
As is the humour of the game, 

While I am gazing. 

A nun demure, of lowly port ; 

Or sprightly maiden, of Love's court, 



fe 



266 BOOA- FOURTH. 

In thy simplicity tlie sport 

Of all temptations ; 
A queen in crown of rubies drest ; 
A starveling in a scanty vest ; 
Are all, as seems to suit thee best. 

Thy appellations. 

A little Cyclops, with one eye , ' 

Staring to threaten and defy, 

That thought comes next — and instantly 

The freak is over, 
The shape will vanish, and behold! 
A silver shield with boss of gold 
That spreads itself, some fairy bold 

In fight to cover. 

I see thee glittering from afar — 
And then thou art a pretty star, 
Not quite so fair as many are 
"In heaven above thee ! 
Yet like a star, with glittering crest, 
Self-poised in air thou seem'st to rest ; — 
May peace come never to his nest 
Who shall reprove thee ! 

Sweet Flower ! for by that name at last 
When all my reveries are past 
I call thee, and to that cleave fast, 

Sweet silent Creature ! 
That breath'st with me in sun and air. 
Do thou, as thou art wont, repair 
My heart with gladness, and a share 

Of thy meek nature ! 

W. Wordsworf/K 

CCLV. 

ODE TO AUTUMN. 

Season of mists and mellow fruitfulness! 
Close bosom-friend of the maturing sun; 
Conspiring with him how to load and bless 




ODE TO WINTER. 267 

With fruit tlie vines that round the thatch-eaves run ; 
To bend with apples the moss'd cottage-trees. 
And fill all fruit with ripeness to the core ; 
To swell the gourd, and plump the hazel shells 
With a sweet kernel ; to set budding more 
And still more, later flowers for the bees, 
Until they think warm days will never cease ; 
For Summer has o'erbrimra'd their clammy cells. 

Who hath not seen Thee oft amid thy store ? 

Sometimes whoever seeks abroad may find 

Thee sitting careless on a granary floor, 

Thy hair soft-lifted by the winnowing wind ; 

Or on a half-reap'd furrow sound asleep. 

Drowsed with the fume of poppies, while thy hook 

Spares the next swath and all its twined flowers ; 

And sometime like a gleaner thou dost keep 

Steady thy laden head across a brook ; 

Or by a cider-press, with patient look, 

Thou watchest the last oozings, hours by hours. 

Where are the songs of Spring? Ay, where are they? 
Think not of them, — thou hast thy music too, 
While barred clouds bloom the soft-dying day 
And touch the stubble-plains with rosy hue ; 
Then in a wailful choir the small gnats mourn 
Among the river-sallows borne aloft 
Or sinking as the light wind lives or dies ; 
And full-grown lambs loud bleat from hilly bourn ; 
Hedge-crickets sing, and now with treble soft 
The redbreast whistles from a garden-croft. 
And gathering swallows twitter in the skies. 
J. Keats. 

CCLVI. 

ODE TO WINTER. 
Germany, December, 1800. 

When first the fiery-mantled Sun 
His heavenly race began to run, 





BOOK FOURTH. 

Round the earth and ocean blue 

His children four the Seasons flew. — 

First, in green apparel dancing. 
The 30ung Spring smiled with angel-grace ; 

Rosy Summer, next advancing, 
Rush'd into her sire's embrace — 
Her bright-hair'd sire, who bade her keep 

For ever nearest to his smiles, 
On Calpe's olive-shaded steep 

Or India's citron-cover'd isles. 
More remote, and buxom-brown, 

The Queen of vintage bow'd before his throne, 
A rich pomegranate gemm'd her crown, 

A ripe sheaf bound her zone. 

But howling Winter fled afar 
To hills that prop the polar star ; 
And loves on deer-borne car to ride 
With barren darkness at his side 
Round the shore where loud Lofoden 

Whirls to death the roaring whale. 
Round the hall where Runic Odin 

Howls his war-song to the gale — 
Save when adown the ravaged globe 

He travels on his native storm, 
Deflowering Nature's grassy robe 

And trampling on her faded form ; 
Till light's returning Lord assume 

The shaft that drives him to his northern field. 
Of power to pierce his raven plume 

And crystal-cover'd shield. 

O sire of storms ! whose savage ear 
The Lapland drum delights to hear. 
When Frenzy with her bloodshot eye 
Implores thy dreadful deity — 
Archangel ! Power of desolation ! 

Fast descending as thou art. 
Say, hath mortal invocation 



S 



YARROir UNVISITED. 259 

Spells to touch thy stony heart : 
Then, sullen Winter! hear my prayer, 
And gently rule the ruin'd year ; 
Nor chill the wanderer's bosom bare 
Nor freeze the wretch's falling tear : 
To shuddering Want's unmantled bed 

Thy horror-breathing agues cease to lend. 
And gently on the orphan head 

Of Innocence descend. 

But chiefly spare, O king of clouds, 
The sailor on his airy shrouds, 
When wrecks and beacons strew the steep 
And spectres walk along the deep. 
Milder yet thy snowy breezes 

Pour on yonder tented shores. 
Where the Rhine's broad billow freezes, 

Or the dark-brown Danube roars. 
O winds of Winter ! list ye there 

To many a deep and dying groan ? 
Or start, ye demons of the midnight air. 

At shrieks and thunders louder than your own? 
Alas ! e'en your unhallow'd breath 

May spare the victim fallen low ; 
But Man will ask no truce to death, 

No bounds to human woe. 

T. Campbell, 



YARROW UNVISITED. 



From Stirling Castle we had seen 
The mazy Forth unraveli'd. 
Had trod tlie banks of Clyde and Tay, 
And with the Tweed had travell'd ; 
And when we came by Clovenford, 
Then said my ' winsome Marrow,' 




270 BOOK FOURTH. 

'Whate'er betide, we'll turn aside, 
And see the Braes of Yarrow.' 

' Let Yarrow folk, frae Selkirk town, 
' Who have been buying, selling, 
Go back to Yarrow, 'tis their own, 
Each maiden to her dwelling ! 
On Yarrow's banks let herons feed, 
Hares couch, and rabbits burrow. 
But we will downward with the Tweed, 
Nor turn aside to Yarrow. 

' There's Galla Water, Leader Haughs, 
Both lying right before us ; 
And Dryburgh, where with chiming Tweed 
The lintwhites sing in chorus ; 
There's pleasant Tiviotdale, a land 
Made blythe with plough and harrow: 
Why throw away a needful day 
To go in search of Yarrow ? 

' What's Yarrow but a river bare 

That glides the dark hills under ? 

There are a thousajid such elsewhere 

As worthy of your wonder.' 

— Strange words they seem'd of slight and scorn; 

My true-love sigh'd for sorrow, 

And look'd me in the face, to think 

I thus could speak of Yarrow ! 

' O green,' said I, ' are Yarrow's holms, 
And sweet is Yarrow flowing ! 
Fair hangs the apple frae the rock, 
But we will leave it growing. 
O'er hilly path and open strath 
We'll wander Scotland thorough ; 
But, though so near, we will not turn 
Into the dale of Yarrow. 

' Let beeves and home-bred kine partake 
The sweets of Burn-mill meadow ; 




YARROW VISITED. 271 



The swan on still Saint Mary's Lake 
Float double, swan and shadow ! 
We will not see them ; will not go 
Today, nor yet tomorrow ; 
Enough if in our hearts we know 
There's such a place as Yarrow. 

' Be Yarrow stream unseen, unknown ; 
It inust, or we shall rue it : 
We have a vision of our own, 
Ah ! why should we undo it? 
The treasured dreams of times long past, 
We'll keep them, winsome Marrow ! 
For when we're there, although 'tis fair, 
'Twill be another Yarrow ! 

' If care with freezing years should come 

And wandering seem but folly, — 

Should we be loth to stir from home, 

And yet be melancholy ; 

Should life be dull, and spirits low, 

'Twill soothe us in our sorrow 

That earth has something yet to show, 

The bonny Holms of Yarrow ! ' 

W. Wordsworth, 



CCLVIII. 

YARROW VISITED. 

September, 1 8 14. 

And is this — Yarrow ? — This the Stream 

Of which my fancy cherish'd 

So faithfully, a waking dream. 

An image that hath perish'd? 

O that some minstrel's harp were near 

To utter notes of gladness 

And chase this silence from the air, 

That fills ray heart with sadness 1 






272 BOOK FOURTH. 

Yet why? — a silvery current flows 

With uncontroU'd meanderings ; 

Nor have these eyes by greener hills 

Been soothed, in all my wanderings. 

And, through her depths, Saint Mary's Lake 

Is visibly delighted ; 

For not a feature of those hills 

Is in the mirror slighted. 

A blue sky bends o'er Yarrow Vale, 

Save where that pearly whiteness 

Is round the rising sun diffused, 

A tender hazy brightness ; 

Mild dawn of promise ! that excludes 

All profitless dejection ; 

Though not unwilling here to admit 

A pensive recollection. 

Where was it that the famous Flower 

Of Yarrow Vale lay bleeding? 

His bed perchance was yon smooth mound 

On which the herd is feeding : 

And haply from this crystal pool 

Now peaceful as the morning, 

The water-Wraith ascended thrice. 

And gave his doleful warning. 

Delicious is the Lay that sings 

The haunts of happy lovers, 

The path that leads them to the grove, 

The leafy grove that covers : 

And pity sanctifies the verse 

That paints, by strength of sorrow, 

The unconquerable strength of love; 

Bare witness, rueful Yarrow ! 

But thou that didst appear so fair 
To fond imagination 
Dost rival in the light of day 
Her delicate creation : 





YARROIV VISITED. 273 

Meek loveliness is round tliee spread, 
A softness still and holy : 
The grace of forest charms decay'd, 
And pastoral melancholy. 

That region left, the vale unfolds 

Rich groves of lofty stature, 

With Yarrow winding through the pomp 

Of cultivated nature ; 

And rising from those lofty groves 

Behold a ruin hoary, 

The shatter'd front of Newark's Towers, 

Renown'd in Border story. 

Fair scenes for childhood's opening bloom. 

For sportive youth to stray in. 

For manhood to enjoy his strength. 

And age to wear away in ! 

Yon cottage seems a bower of bliss, 

A covert for protection 

Of studious ease and generous cares, 

And every chaste affection ! 

How sweet on this autumnal day 
The wild-wood fruits to gather. 
And on my true-love's forehead plant 
A crest of blooming heather ! 
And what if I enwreathed my own? 
'Twere no offence to reason : 
The sober hills thus deck their brows 
To meet the wintry season. 

I see — but not by sight alone 

Loved Yarrow, have I won thee ; 

A ray of Fancy still survives — 

Her sunshine plays upon thee ! 

Thy ever-youthful waters keep 

A course of lively pleasure : 

And gladsome notes my lips can breathe 

Accordant to the measure. 




274 



BOOK FOURTH. 



The vapours linger round the heights, 
They melt, and soon must vanish ; 
One hour is theirs, nor more is mine — 
Sad thought ! which I would banish. 
But that I know, where'er I go, 
Thy genuine image, Yarrow ! 
Will dwell with me, to heighten joy 
And cheer my mind in sorrow. 

W \ Wordsworth^ 




CCLIX. 

THE INVITATION. 

Best and Brightest, come away. 
Fairer far than this fair day, 
Which, like thee, to those in sorrow 
Comes to bid a sweet good-morrow 
To the rough year just awake 
In its cradle on the brake. 
The brightest hour of unborn Spring 
Through the winter wandering, 
Found, it seems, the halcyon morn 
To hoar February born ; 
Bending from Heaven, in azure mirth. 
It kiss'd the forehead of the earth. 
And smiled upon the silent sea. 
And bade the frozen streams be free. 
And waked to music all their fountains. 
And breathed upon the frozen mountains, 
And like a prophetess of May 
Strew'd flowers upon the barren way. 
Making the wintry world appear 
Like one on whom thou smilest, Dear. 

Away, away, from men and towns, 
To the wild wood and the downs — 
To the silent wilderness 
Where the soul need not repress 
Its music, lest it should not find 



THE RECOLLECTION. 

An echo in another's mind, 
While the touch of Nature's art 
Harmonizes heart to heart. 

Radiant Sister of the Day- 
Awake ! arise .' and come away ! 
To the wild woods and the plains, 
To the pools where winter rains 
Image all their roof of leaves, 
Where the pine its garland weaves 
Of sapless green, and ivy dun. 
Round stems that never kiss the sun, 
Where the lawns and pastures be 
And the sandhills of the sea. 
Where the melting hoar-frost wets 
The daisy-star that never sets. 
And wind-flowers and violets 
Which yet join not scent to hue 
Crown the pale year weak and new ; 
When the night is left behind 
In the deep east, dim and blind, 
And the blue noon is over us, 
And the multitudinous 
Billows murmur at our feet, 
Where the earth and ocean meet, 
And all things seem only one 
In the universal Sun. p. B. Shelley, 



CCLX. 

THE RECOLLECTION. 

Now the last day of many days 
All beautiful and bright as thou. 
The loveliest and the last, is dead, 
Rise, Memory, and write its praise ! 
Up, do thy wonted work ! come, trace 
The epitaph of glory fled. 





276 



BOOK FOURTH. 

For now the Earth has changed its face, 
A frown is on the Heaven's brow. 

We wander'd to the Pine Forest 

That skirts the Ocean's foam ; 
The lightest wind was in its nest, 

The tempest in its liome. 
The whispering waves were half asleep, 

The clouds were gone to play," 
And on the bosom of the deep 

The smile of Heaven lay ; 
It seem'd as if the hour were one 

Sent from beyond the skies 
Which scatter'd from above the sun 

A light of Paradise ! 



We paused amid' the pines that stood 

The giants of the waste, 
Tortured by storms to shapes as rude 

As serpents interlaced, — 
And soothed by every azure breath 

That under heaven is blown 
To harmonies and hues beneath. 

As tender as its own : 
Now all the tree-tops lay asleep 

Like green waves on the sea. 
As still as in the silent deep 

The ocean-woods may be. 

How calm it was ! — the silence there 

By such a chain was bound. 
That even the busy woodpecker 

Made stiller by her sound 
The inviolable quietness ; 

The breath of peace we drew 
With its soft motion made not less 

The calm that round us grew. 
There seem'd from the remotest seat 

Of the wide mountain waste 



THE RECOLLECTION. 

To the soft flower beneath our feet 

■ V magic circle traced, 
A spirit interfused around, 

A thrilling silent life ; 
To momentary peace it bound 

Our mortal nature's strife ; — 
And still I felt the centre of 

The magic circle there 
Was one fair Form that fill'd with love 

The lifeless atmosphere. 

We paused beside the pools that lie 

Under the forest bough ; 
Each seem'd as 'twere a little sky 

Gulf'd in a world below; 
A firmament of purple light 

Which in the dark earth lay. 
More boundless than the depth of night 

And purer than the day — 
In which the lovely forests grew 

As in the upper air, 
More perfect both in shape and hue 

Than any spreading there. 
There lay the glade and neighbouring lawn, 

And through the dark green wood 
The white sun twinkling like the dawn 

Out of a speckled cloud. 
Sweet views which in our world above ' 

Can never well be seen 
Were imaged by the water's love 

Of that fair forest green : 
And all was interfused beneath 

With an Elysian glow. 
An atmosphere without a breath, 

A softer day below. 

Like one beloved, the scene had lent 

To the dark water's breast 
Its every leaf and lineament 




n=i= 




278 BOOK FOURTH. 

With more than truth exprest ; 
Until an envious wind crept by, 

Like an unwelcome thought 
Whicli from tlie mind's too faitliful eye 

Blots one dear image out. 
— Though Thou art ever fair and kind, 

The forests ever green, 
Less oft is peace in Shelley's mind 

Than calm in waters seen ! 

P. B. Shelley. 

CCLXI. 

BY THE SEA. 

It is a beauteous evening, calm and free ; 
The holy time is quiet as a nun 
Breathless with adoration ; the broad sun 
Is sinking down in its tranquillity ; 

The gentleness of heaven is on the Sea : 
Listen ! the mighty being is awake, 
And doth with his eternal motion make 
A sound like thunder — everlastingly. 

Dear child ! dear girl ! that walkest with me here, 
If thou appear untouch'd by solemn thought 
Thy nature is not therefore less divine : 

Thou liest in Abraham's bosom all the year. 
And worship'st at the Temple's inner shrine, 
God being with thee when we know it not. 

W. Wordsworth, 
CCLXII. 

TO THE EVENING STAR. 

Star that bringest home the bee. 
And sett'st the weary labourer free ! 
If any star shed peace, 'tis Thou 

That send'st it from above, 
Appearing when Heaven's breath and brow 

Are sweet as hers we love. 




DATUR MORA QUIET I. 

Come to the luxuriant skies, 
Whilst the landscape's odours rise, 
Whilst far-oflf lowing herds are heard 

And songs when toil is done. 
From cottages whose smoke unstirr'd 

Curls yellow in the sun. 

Star of love's soft interviews, 
Parted lovers on thee muse ; 
Their remembrancer in Heaven 

Of thrilling vows thou art. 
Too delicious to be riven 

By absence from the heart. 

T. Campbell, 



DATUR HORA OUIETI. 

The sun upon the lake is low. 

The wild birds hush their song, 
The hills have evening's deepest glow, 

Yet Leonard tarries long. 
Now all whom varied toil and care 

From home and love divide. 
In the calm sunset may repair 

Each to the loved one's side. 

The noble dame on turret high, 

Who waits her gallant knight. 
Looks to the western beam to spy 

The flash of armour bright. 
The village maid, with hand on brow 

The level ray to shade, 
Upon the footpath watches now 

For Colin's darkening plaid. 

Now to their mates the wild swans row, 

By day they swam apart, 
And to the thicket wanders slow 

The hind beside the hart. 






280 BOOK FOURTH. 

The woodlark at his partner's side 
Twitters his closing song — 

All meet whom day and care divide, 
But Leonard tarries long ! 

Sir W. Scott, 

CCLXIV. 

TO THE MOON. 

Art thou pale for weariness 
Of climbing heaven, and gazing on the earth, 

Wandering companionless 
Among the stars that have a different birth, — 
And ever-changing, like a joyless eye. 
That finds no object worth its constancy? 
P. B. Shelley. 

CCLXV. 

A WIDOW bird sate mourning for her Love 

Upon a wintry bough ; 
The frozen wind crept on above, 

The freezing stream below. 

There was no leaf upon the forest bare,. 
No flower upon the ground, 

And little motion in the air 
Except the mill-wheers sound. 

P. B. Shelley. 
CCLXVI. 

TO SLEEP. 

A FLOCK of sheep that leisurely pass by 
One after one ; the sound of rain, and bees 
iVIurmuring ; the fall of rivers, winds, and seas, 
Smooth fields, white sheets of water, and pure sky ; 

I've thought of all by turns, and still I lie 
Sleepless ; and soon the small birds' melodies 
, Must hear, first utter'd from my orchard trees, 
And the first cuckoo's melancholy cry. 




w 



THE SOLDIER'S DREAM. 

Even thus last night, and two nights more I lay, 
And could not win thee, Sleep ' by any stealth : 

So do not let me wear to-night away : 
Without Thee what is all the morning's wealth ? 
Come, blessed barrier between day and day. 
Dear mother of fresh thoughts and joyous health ! 
W. Wordsworth. 



THE SOLDIER'S DREAM. 

Our bugles sang truce, for the night-cloud had lower'd. 
And the sentinel stars set their watch in the sky ; 

And thousands had sunk on the ground overpower'd. 
The weary to sleep, and the wounded to die. 

When reposing that night on my pallet of straw 
By the wolf-scaring faggot that guarded the slain, 

At the dead of the night a sweet Vision I saw ; 
And thrice ere the morning I dreamt it again. 

Methought from the battle-field's dreadful array 
Far, far, I had roam'd on a desolate track : 

'Twas Autumn, — and sunshine arose on the way 
To the home of my fathers, that welcomed me back. 

I flew to the pleasant fields traversed so oft 
■ In life's morning march, when my bosom was young; 
I heard my own mountain-goats bleating aloft, 
And knew the sweet strain that the corn-reapers sung. 

Then pledged we the wine-cup, and fondly I swore 
From my home and my weeping friends never to part ; 

My little ones kiss'd me a thousand times o'er. 
And my wife sobb'd aloud in her fulness of heart. 

' Stay — stay with us ! — rest ! — thou art weary and worn ! 

And fain was their war-broken soldier to stay ; — 
But sorrow return'd with the dawning of morn, 

And the voice in my dreaming ear melted away. 
T. Campbell. 





282 



BOOK FOURTH. 



A DREAM OF THE UNKNOWN. 

I dream'd that as I wander'd by the way 

Bare Winter suddenly was changed to Spring, 

And gentle odours led my steps astray, 
Mix'd with a sound of waters murmuring 

Along a shelving bank of turf, which lay 
Under a copse, and hardly dared to fling 

Its green arms round the bosom of the stream, 

Bitt kiss'd it and then fled, as Thou mightest in dream. 

There grew pied wind-flowers and violets, 

Daisies, those pearl'd Arcturi of the earth. 
The constellated flower that never sets ; 

Faint oxlips ; tender blue-bells, at whose birth 
The sod scarce heaved ; and that tall flower that wets 
Its mother's face with heaven-collected tears. 
When the low wind, its playmate's voice, it hears. 

And in the warm hedge grew lush eglantine, 

Green cow-bind and the moonlight-colour'd May, 

And cherry-blossoms, and white cups, whose wine 
Was the bright dew yet drain'd not by the day ; 

And wild roses, and ivy serpentine 

With its dark buds and leaves, wandering astray; 

And flowers azure, black, and streak'd with gold, 

Fairer than any waken'd eyes behold. 

And nearer to the river's trembling edge 

There grew broad flag-flowers, purple prankt with white, 
And starry river-buds among the sedge. 

And floating water-lilies, broad and bright. 
Which lit the oak that overhung the hedge 

With moonlight beams of their own watery light; 
And bulrushes, and reeds of such deep green 
As soothed the dazzled eye with sober sheen. 

Methought that of these visionary flowers 
I made a nosegay, bound in such a way 



THE INNER VISION. 283 

That the same hues, which in their natural bowers 

Were mingled or opposed, the like array 
Kept these imprisoned children of the Hours 

Within my hand, — and then, elate and gay, 
I hasten'd to the spot whence I had come 
That I might there present it — O ! to whom ? 
P. B. Shelley. 

CCLXIX. 

THE INNER VISION. 

Most sweet it is with unuplifted eyes 
To pace the ground, if path be there or none, 
While a fair region round the Traveller lies 
Which he forbears again to look upon ; 

Pleased rather with some soft ideal scene 
The work of Fancy, or some happy tone 
Of meditation, slipping in between 
The beauty coming and the beauty gone. 

— If Thought and Love desert us, from that day 
Let us break off all commerce with the Muse : 
With Thought and Love companions of our way — 
Whate'er the senses take or may refuse, — 
The Mind's internal heaven shall shed her dews 
Of inspiration on the humblest lay. 

W. Wordsworth. 



THE REALM OF FANCY. 

Ever let the Fancy roam ! 

Pleasure never is at home : 

At a touch sweet Pleasure melteth. 

Like to bubbles when rain pelteth ; 

Then let winged Fancy wander 

Through the thought still spread beyond her; 

Open wide the mind's cage-door. 

She'll dart forth, and cloudward soar. 




284 



BOOK FOURTH. 




O sweet Fancy ! let her loose ; 

Summer's joys are spoilt by use. 

And the enjoying of the Spring 

Fades as does its blossoming : 

Autumn's red-lipp'd fruitage too 

Blushing through the mist and dew 

Cloys with tasting: What do then? 

Sit thee by the ingle, when 

The sear faggot blazes bright, 

Spirit of a winter's night ; 

When the soundless earth is muffled, 

And the caked snow is shuffled 

From the ploughboy's heavy shoon ; 

When the Night doth meet the Noon 

In a dark conspiracy 

To banish Even from her sky. 

— Sit thee there, and send abroad 

With a mind self-overawed 

Fancy, high-commission'd : — send her! 

She has vassals to attend her ; 

She will bring, in spite of frost. 

Beauties that the earth hath lost; 

She will bring thee, all together, 

All delights of summer weather ; 

All the buds and bells of May 

B^rom dewy sward or thorny spray ; 

All the heapdd Autumn's wealth. 

With a still, mysterious stealth ; 

She will mix these pleasures up 

Like three fit wines in a cup. 

And thou shalt quaff it ; — thou shalt hear 

Distant harvest-carols clear; 

Rustle of the reaped corn ; 

Sweet birds antheming the morn : 

And in the same moment — hark! 

'Tis the early April lark, 

Or the rooks, with busy caw, 

Foraging for sticks and straw. 



X 


^' 1 1^ .= rn^ 


X 


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y.i . . n^^ 


\ 




TJ7E REALM OF FANCY. 285 


"" 




Thou shalt, at one glance, behold 






The daisy and the marigold ; 




^ 


^ White-plumed lilies, and the first '' 


^ 




Hedge-grown primrose that hath burst ; 






Shaded hyacinth, alway 






Sapphire queen of the mid-lVIay; 






And every leaf, and every flovi'er 






Pearled with the self-same shower. 






Thou shalt see the field-mouse peep ' 






Meagre from its celle'd sleep ; 






And the snake all winter-thin 






Cast on sunny bank its skin ; 






Freckled nest eggs thou shalt see 






Hatching in the hawthorn-tree, 






When the hen-bird's wing doth rest 






Quiet on her mossy nest ; 






Then the hurry and alarm 






When the bee-hive casts its svifarm; 






Acorns ripe down-pattering 






While the autumn breezes sing. 






O sweet Fancy ! let her loose ; 






Everything is spoilt by use : 






Where's the cheek that doth not fade. 






Too much gazed at? Where's the maid 






Whose lip mature is ever new? 






Where's the eye, however blue. 






Doth not weary? Where's the face 






One would meet in every placed 






Where's the voice, however soft, 






One would hear so very oft ? 






At a touch sweet Pleasure melteth 






Like to bubbles when rain pelteth. 






Let then wingdd Fancy find 




[ 


Thee a mistress to thy mind : 
Dulcet-eyed as Ceres' daughter, 
Ere the God of Torment taught her 
How to frown and how to chide ; ■' 

1^ A 


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AilA =• '. kLJ; 




ll 



286 BOOK FOURTH. 



With a waist and witli a side 

Wliite as Hebe's, when her zone 

Slipt its golden clasp, and down 

Fell her kirtle to her feet 

While she held the goblet sweet, 

And Jove grew languid. — Break the mesh 

Of the Fancy's silken leash ; 

Quickly break her prison-string, 

And such joys as these she'll bring: 

— Let the winged Fancy roam ! 

Pleasure never is at home. 

J. Keats. 

CCLXXI. 

HYMN TO THE SPIRIT OF NATURE. 

Life of Life ! Thy lips enkindle 

With their love the breath between them ; 
And thy smiles before they dwindle 

IVIake the cold air fire ; then screen them 
In those looks, where whoso gazes 
Faints, entangled in their mazes. 

Child of Light! Thy limbs are burning 

Through the veil which seems to hide them, 

As the radiant lines of morning 
Through thin clouds, ere they divide them ; 

And this atmosphere divinest 

Shrouds thee wheresoe'er thou shinest. 

Fair are others : none beholds Thee ; 

But thy voice sounds low and tender 
Like the fairest, for it folds thee 

From the sight, that liquid splendour ; 
And all feel, }'et see thee never, — 
As I feel now, lost for ever ! 

Lamp of Earth ! where'er thou movest 
Its dim shapes are clad with brightness, 



^= 




WRITTEN IN EARLY SPRING. 

And the souls of whom thou lovest 

Walk upon the winds with lightness 
Till they fail, as I am failing, 
Dizzy, lost, yet unbewailing ! 

P. B. ahelley. 



WRITTEN IN EARLY SPRING. 

I HEARD a thousand blended notes 
While in a grove I sat reclined, 
In that sweet mood when pleasant thoughts 
Bring sad thoughts to the mind. 

To her fair works did Nature link 
The human soul that through me ran ; 
And much it grieved my heart to think 
What Man has made of Man. 

Through primrose tufts, in that sweet bower 
The periwinkle trail'd its wreaths ; 
And 'tis my faith that every flower 
Enjoys the air it breathes. 

The birds around me hopp'd and play'd. 
Their thoughts I cannot measure — 
But the least motion which they made 
It seem'd a thrill of pleasure. 

The budding twigs spread out their fan 
To catch the breezy air ; 
And I must think, do all I can, 
That there was pleasure there. 

If this belief from heaven be sent. 
If such be Nature's holy plan. 
Have I not reason to lament 
What Man has made of Man? 

W. Wordswortk, 




^ 




288 BOOK FOURTH. 

ccLxxm. 

RUTH: OR THE INFLUENCES OF NATURE. 

When Ruth was left half desolate 
Her father took another mate ; 
And Ruth, not seven years old, 
A slighted child, at her own will 
Went wandering over dale and hill. 
In thoughtless freedom bold. 

And she had made a pipe of straw. 
And music from that pipe could draw 
Like sounds of winds and floods ; 
Had built a bower upon the green, 
As if she from her birth had been 
An infant of the woods. 

Beneath her father's roof, alone 

She seem'd to live ; her thoughts her own ; 

Herself her own delight : 

Pleased with herself, nor sad nor gay. 

She passed her time ; and in this way 

Grew up to woman's height. 

There came a youth from Georgia's shore — 

A military casque he wore 

With splendid feathers drest ; 

He brought them from the Cherokees ; 

The feathers nodded in the breeze 

And made a gallant crest. 

From Indian blood you deem him sprung : 
But no ! he spake the English tongue 
And bore a soldier's name ; 
And, when America was free 
From battle and from jeopardy, 
He 'cross the ocean came. 

With hues of genius on his cheek, 
In finest tones the youth could speak: 
— While he was yet a boy 






'A military casque he wore 
With splendid feathers drest.' 



— Page 288. 



RUTH. 

The moon, the glory of the sun, 
And streams that murmur as they run 
Had been his dearest joy. 

He was a lovely youth ! I guess 

The panther in the wilderness . 

Was not so fair as he ; 

And when he chose to sport and play, 

No dolphin ever was so gay 

Upon the tropic sea. 

Among the Indians he had fought; 
And with him many tales he brought 
Of pleasure and of fear ; 
Such tales as, told to any maid 
By such a youth, in the green shade. 
Were perilous to hear. 

He told of girls, a happy rout ! 

Who quit their fold with dance and shout, 

Their pleasant Indian town, 

To gather strawberries all day long ; 

Returning with a choral song 

When daylight is gone down. 

He spake of plants that hourly change 
Their blossoms, through a boundless range 
Of intermingling hues ; 
With budding, fading, faded flowers, 
They stand the wonder of the bowers 
From morn to evening dews. 

He told of the Magnolia, spread 
High as a cloud, high over head! 
The cypress and her spire ; 
— Of flowers that with one scarlet gleam 
Cover a hundred leagues, and seem 
To set the hills on fire. 

The youth of green savannahs spake, 
And many an endless, endless lake 



289 




290 BOOK FOURTH. 

With all its fairy crowds 
Of islands, that together lie 
As quietly as spots of sky 
Among the evening clouds. 

And then he said, ' How sweet it were 

A fisher or a hunter there, 

In sunshine or in shade 

To wander with an easy mind, 

And build a household fire, and find 

A home in every glade ! 

What days and what bright years ! Ah me 

Our life were life indeed, with Thee 

So pass'd in quiet bliss ; 

And all the while,' said he, ' to know 

That we were in a world of woe, 

On such an earth as this ! ' 

And then he sometimes interwove 
Fond thoughts about a father's love, 
'For there,' said he, 'are spun 
Around the heart such tender ties, 
That our own children to our eyes 
Are dearer than the sun. 

Sweet Ruth ! and could you go with me 

My helpmate in the woods to be, 

Our shed at night to rear ; 

Or run, my own adopted bride, 

A sylvan huntress at my side, 

And drive the flying deer ! 

Beloved Ruth ! ' — No more he said. 
The wakeful Ruth at midnight shed - 
A solitary tear : 

She thought again — and did agree 
With him to sail across the sea. 
And drive the flying deer. 

'And now, as fitting is and right. 
We in the church our faith will plight, 



RUTH. 

A husband and a wife.' 
Even so they did ; and I may say 
That to sweet Ruth that happy day 
Was more tlian human life. 

Through dream and vision did she sink, 
Delighted all the while to think 
That, on those lonesome floods 
And green savannahs, she should share 
His board with lawful joy, and bear 
His name in the wild woods. 

But, as you have before been told, 
This Stripling, sportive, gay, and bold. 
And with his dancing crest 
So beautiful, through savage lands 
Had roam'd about, with vagrant bands 
Of Indians in the West. 

The wind, the tempest roaring high, 

The tumult of a tropic sky 

Might well be dangerous food 

For him, a youth to whom was given 

So much of earth — so much of heaven, 

And such impetuous blood. 

Whatever in those climes he found 

Irregular in sight or sound 

Did to his mind impart 

A kindred impulse, seem'd allied 

To his own powers, and justified 

The workings of his heart. 

Nor less, to feed voluptuous thought. 
The beauteous forms of Nature wrought, - 
Fair trees and gorgeous flowers ; 
The breezes their own languor lent ; 
The stars had feelings, which they sent 
Into those favour'd bowers. 
Yet, in his worst pursuits, I ween 
That sometimes there did intervene 






BOOK FOURTH. 

Pure hopes of high intent : 
For passions link'd to forms so fair 
And stately, needs must have their share 
Of noble sentiment. 

But ill he lived, much evil saw 
With men to whom no better law 
Nor better life was known ; 
Deliberately and undeceived 
Those wild men's vices he received, 
And gave them back his own. 

His genius and his moral frame 
Were thus impair'd, and he became 
The slave of low desires : 
A man who without self-control 
Would seek what the degraded soul 
Unworthily admires. 

And yet he with no feign'd delight 
Had wooM the maiden, day and night. 
Had loved her, night and morn : 
What could he less than love a maid 
Whose heart with so much nature play'd- 
So kind and so forlorn? 

Sometimes most earnestly he said, 
' O Ruth ! I have been worse than dead ; 
False thoughts, thoughts bold and vain 
Encompass'd me on every side 
When I, in confidence and pride. 
Had cross'd the Atlantic main. 

Before me shone a glorious world 
Fresh as a banner bright, unfurPd 
To music suddenly : 
I look'd upon those hills and plains, 
And seem'd as if let loose from chains 
To live at liberty ! 

No more of this — for now, by thee. 
Dear Ruth ! more happily set free, 




RUTH. 293 

With nobler zeal I burn ; 
My soul from darkness is released 
Like the whole sky when to the east 
The morning doth return.' 

Full soon that better mind was gone ; 
No hope, no wish remain'd, not one, — 
They stirr'd him now no more ; 
New objects did new pleasure give, 
And once again he wish'd to live 
As lawless as before. 

Meanwhile, as thus with him it fared, 
They for the voyage were prepared, 
And went to the sea-shore : 
But, when they thither came, the youth 
Deserted his poor bride, and Ruth 
Could never find him more. 

God help thee, Ruth ! — Such pains she had 

That she in half a year was mad 

And in a prison housed ; 

And there exulting in her wrongs. 

Among the music of her songs 

She fearfully caroused. 

Yet sometimes milder hours she knew, 

Nor wanted sun, nor rain, nor dew. 

Nor pastimes of the May, 

— They all were with her in her cell ; 

And a clear brook with cheerful knell 

Did o'er the pebbles play. 

When Ruth three seasons thus had lain, 

There came a respite to her pain ; 

She from her prison fled ; 

But of the vagrant none took thought; 

And where it liked her best she sought 

Her shelter and her bread. 

Among the fields she breathed again : 
The master-current of her brain 



Iti 






294 BOOK FOURTH. 



Ran permanent and free ; 
And, coming to the banks of Tone, 
There did she rest; and dwell alone 
Under the greenwood tree. 

The engines of her pain, the tools 

That shaped her sorrow, rocks and pools, 

And airs that gently stir 

The vernal leaves — she loved them still, 

Nor ever tax'd them with the ill 

Which had been done to her. 

A barn her Winter bed supplies ; 

But, till the warmth of Summer skies 

And Summer days is gone, 

(And all do in this tale agree) 

She sleeps beneath the greenwood tree, 

And other home hath none. 

An innocent life, yet far astray ! 

And Ruth will, long before her day, 

Be broken down and old. 

Sore aches she needs must have ! but less 

Of mind, than body's wretchedness. 

From damp, and rain, and cold. 

If she is prest by want of food 

She from her dwelling in the wood 

Repairs to a road-side ; 

And there she begs at one steep place. 

Where up and down with easy pace 

The horsemen-travellers ride. 

That oaten pipe of hers is mute 
Or thrown away : but with a flute 
Her loneliness she cheers ; 
This flute, made of a hemlock stock, 
At evening in his homeward walk 
The Quantock woodman hears. 

I, too, have passed her on the hills 
Setting her little water-mills 





THE EU CANE AN BILLS. 

By spouts and fountains wild — 
Such small machinery as she turn'd 
Ere she liad wept, ere she liad mourn'd, 
A young and happy child ! 

Farewell ! and when thy days are told, 
Ill-fated Ruth ! in hallow'd mould 
Thy corpse shall buried be ; 
For thee a funeral bell shall ring, 
And all the congregation sing 
A Christian psalm for thee. 

\V. IVordsworth. 

CCLXXIV. 

«VRITTEN IN THE EUGANEAN HILLS, 
NORTH ITALY. 

Many a green isle needs must be 
In the deep wide sea of misery. 
Or the mariner, worn and wan. 
Never thus could voyage on 
Day and night, and night and day. 
Drifting on his dreary way. 
With the solid darkness black 
Closing round his vessel's track ; 
Whilst above, the sunless sky 
Big with clouds, hangs heavily. 
And behind the tempest fleet 
Hurries on with lightning feet, 
Riving sail, and cord, and plank. 
Till the ship has almost drank 
Death from the o'er-brimniing deep ; 
And sinks down, down, like that sleep 
When the dreamer seems to be 
Weltering through eternity ; 
And the dim low line before 
Of a dark and distant shore 
Still recedes, as ever still 
Longing with divided will. 






296 BOOK FOURTH. 

But no power to seek or shun, 
He is ever drifted on 
O'er tlie unreposing wave, 
To tlie Iiaven of tlie grave. 

Ay, many flowering islands lie 

In tlie waters of wide agony: 

To such a one this morn was led 

My bark, by soft winds piloted. 

— 'Mid the mountains Euganean 

I stood listening to the paean 

With which the legion'd rooks did hail 

The Sun's uprise majestical : 

Gathering round with wings all hoar. 
Through the dewy mist they soar 
Like gray shades, till the eastern heaven 
Bursts, and then, — as clouds of even 
Fleck'd with fire and azure, lie 
In the unfathomable sky, — 
So their plumes of purple grain 
Starr'd with drops of golden rain 
Gleam above the sunlight woods, 
As in silent multitudes 
On the morning's fitful gale 
Through the broken mist they sail ; 
And the vapours cloven and gleaming 
Follow down the dark steep streaming. 
Till all is bright, and clear, and still 
Round the solitary hill. 

Beneath is spread like a green sea 
The waveless plain of Lombardy, 
Bounded by the vaporous air. 
Islanded by cities fair ; 
Underneath day's azure eyes, 
Ocean's nursling, Venice lies, — 
A peopled labyrinth of walls, 
Amphitrite's destined halls, 
Which her hoary sire now paves 



THE EUGANEAN HILLS. 



297 



With his blue and beaming waves. 
Lo ! the sun upsprings behind, 
Broad, red, radiant, half-reclined 
On the level quivering line 
Of the waters crystalline ; 
And before that chasm of light, 
As within a furnace bright, 
Column, tower, and dome, and spire, 
Shine like obelisks of fire, 
Pointing with inconstant motion 
From the altar of dark ocean 
To the sapphire-tinted skies ; 
As the flames of sacrifice 
From the marble shrines did rise 
As to pierce the dome of gold 
Where Apollo spoke of old. 

Sun-girt City ! thou hast been 
Ocean's child, and then his queen; 
Now is come a darker day. 
And thou soon must be his prey. 
If the power that raised thee here 
Hallow so thy watery bier. 
A less drear niin then than now 
With thy conquest-branded brow 
Stooping to the slave of slaves 
From thy throne among the waves, 
Wilt thou be, — when the sea-mew 
Flies, as once before it flew. 
O'er thine isles depopulate, 
And all is in its ancient state. 
Save where many a palace-gate 
With green sea-flowers overgrown 
Like a rock of ocean's own. 
Topples o'er the abandon'd sea 
As the tides change sullenly. 
The fisher on his watery way 
Wandering at the close of day. 
Will spread his sail and seize his oar 



298 



BOOK FOURTH. 



Till he pass the gloomy shore, 
Lest thy dead should, from their sleep 
Bursting o'er the starlight deep. 
Lead a rapid masque of death 
O'er the waters of his path. 




Noon descends around me now : 
'Tis the noon of autumn's glow, 
When a soft and purple mist 
Like a vaporous amethyst, 
Or an air-dissolved star 
Mingling light and fragrance, far 
From the curved horizon's bound 
To the point of heaven's profound. 
Fills the overflowing sky ; 
And the plains that silent lie 
Underneath ; the leaves imsodden 
Where the infant frost has trodden 
With his morning-winged feet 
Whose bright print is gleaming yet; 
And the red and golden vines 
Piercing with their trellised lines 
The rough, dark-skirted wilderness; 
The dun and bladed grass no less, 
Pointing from this hoary tower 
In the windless air ; the flower 
Glimmering at my feet ; the line 
Of the olive-sandall'd Apennine 
In the south dimly islanded ; 
And the Alps, whose snows are spread 
High between the clouds and sun ; 
And of living things each one ; 
And my spirit, which so long 
Darken'd this swift stream of song, — 
Interpenetrated lie 
By the glory of the sky ; 
Be it love, light, harmony. 
Odour, or the soul of all 



THE EUGANEAN HILLS. 299 

Which from heaven like dew doth fall, 
Or the mind which feeds this verse 
Peopling the lone universe. 

Noon descends, and after noon 

Autumn's evening meets me soon, 

Leading the infantine moon 

And that one star, which to her 

Almost seems to minister 

Half the crimson light she brings 

From the sunset's radiant springs : 

And the soft dreams of the morn 

(Which like winged winds had borne 

To that silent isle, which lies 

'Mid rememberd agonies. 

The frail bark of this lone being), 

Pass, to other sufferers fleeing, 

And its ancient pilot. Pain, 

Sits beside the helm again. 

Other flowering isles must be 

In the sea of life and agony : 

Other spirits float and flee 

O'er that gulf: even now, perhaps. 

On some rock the wild wave wraps. 

With folding wings they waiting sit 

For my bark, to pilot it 

To some calm and blooming cove, 

Where for me, and those I love. 

May a windless bower be built. 

Far from passion, pain, and guilt. 

In a dell 'mid lawny hills 

Which the wild sea-murmur fills. 

And soft sunshine, and the sound 

Of old forests echoing round. 

And the light and smell divine 

Of all flowers that breathe and shine. 

— We may live so happy there, 

That the spirits of the air 




300 BOOK FOURTH. 

Envying us, may even entice 

To our healing paradise 

The polluting multitude ; 

But their rage would be subdued 

By that clime divine and calm, 

And the winds whose wings rain balm 

On the uplifted soul, and leaves 

Under which the bright sea heaves ; 

While each breathless interval 

In their whisperings musical 

The inspired soul supplies 

With its own deep melodies ; 

And the Love which heals all strife 

Circling, like the breath of life, 

All things in that sweet abode 

With its own mild brotherhood. 

They, not it, would change ; and soon 

Every sprite beneath the moon 

Would repent its envy vain, 

And the Earth grow young again ! 

P. B. Shelley. 

CCLXXV. 

ODE TO THE WEST WIND. 

O WILD West Wind, thou breath of Autumn's being, 
Thou, from whose unseen presence the leaves dead 
Are driven, like ghosts from an enchanter fleeing. 
Yellow, and black, and pale, and hectic red, 
Pestilence-stricken multitudes : O thou 
Who chariotest to their dark wintry bed 
The winged seeds, where they lie cold and low. 
Each like a corpse within its grave, until 
Thine azure sister of the spring shall blow 
Her clarion o'er the dreaming earth, and fill 
(Driving sweet buds like flocks to feed in air) 
With living hues and odours plain and hill : 
Wild Spirit, which art moving everywhere ; 
Destroyer and Preserver ; Hear, O hear ! 




ODE TO THE WEST WIND. 

Thou on whose stream, 'mid the steep sky's commotion 

Loose clouds like earth's decaying leaves are shed 

Shook from the tangled boughs of Heaven and Ocean, 

Angels of rain and lightning ; there are spread 

On the blue surface of thine airy surge, 

Like the bright hair uplifted from the head 

Of some fierce Maenad, ev'n from the dim verge 

Of the horizon to the zenith's height — 

The locks of the approaching storm. Thou dirge 

Of the dying year, to which this closing night 

Will be the dome of a vast sepulchre. 

Vaulted with all thy congregated might 

Of vapours, from whose solid atmosphere 

Black rain, and fire, and hail, will burst : O hear \ 

Thou who didst waken from his summer-dreams 
The blue Mediterranean, where he lay 
LuU'd by the coil of his crystalline streams 
Beside a pumice isle in Baiae's bay. 
And saw in sleep old palaces and towers 
Quivering within the wave's intenser day. 
All overgrown with azure moss and flowers 
So sweet, the sense faints picturing them ! Thou 
For whose path the Atlantic's level powers 
Cleave themselves into chasms, while far below 
The sea-blooms and the oozy woods which wear 
The sapless foliage of the ocean, know 
Thy voice, and suddenly grow gray with fear 
And tremble and despoil themselves : O hear ! 

If I were a dead leaf thou mightest bear ; 

If I were a swift cloud to fly with thee ; 

A wave to pant beneath thy power, and share 

The impulse of thy strength, only less free 

Than Thou, O uncontrollable ! If even 

I were as in my boyhood, and could be 

The comrade of thy wanderings over heaven. 

As then, when to outstrip the skyey speed 

Scarce seem'd a vision, I would ne'er have striven 




302 BOOK FOURTH. 

As thus with thee in prayer in my sore need. 

lift me as a wave, a leaf, a cloud ! 

1 fall upon the thorns of life ! I bleed ! 

A heavy weight of hours has chain'd and bow'd 
One too like thee : tameless, and swift, and proud. 

Make me thy lyre, ev'n as the forest is : 
What if my leaves are falling like its own ! 
The tumult of thy mighty harmonies 
Will take from both a deep autumnal tone. 
Sweet though in sadness. Be thou. Spirit fierce, 
My spirit! be thou me, impetuous one ! 
Drive my dead thoughts over the universe 
Like withered leaves to quicken a new birth ; 
And, by the incantation of this verse. 
Scatter, as from an unextinguish'd hearth 
Ashes and sparks, my words among mankind ! 
Be through my lips to unawaken'd earth 
The trumpet of a prophecy ! O Wind, 
If Winter comes, can Spring be far behind? 
P. B. Shelley. 

CCLXXVI. 

NATURE AND THE POET. 

Siiggested by a Picture of Peele Castle in a Storm, painted by 
Sir George Beaumont. 

I WAS thy neighbour once, thou rugged Pile ! 
Four summer weeks I dwelt in sight of thee : 
I saw thee every day ; and all the while 
Thy form was sleeping on a glassy sea. 

So pure the sky, so quiet was the air ! 
So like, so very like, was day to day ! 
Whene'er I look'd, thy image still was there ; 
It trembled, but it never pass'd away. 
How perfect was the calm ! It seem'd.no sleep, 
No mood, which season takes away, or brings : 
I could have fancied that the mighty Deep 
Was even the gentlest of all gentle things. 





NATURE AND THE POET. 303 

Ah ! then if mine had been the painter's hand 
To express what then I saw ; and add the gleam, 
The light that never was on sea or land, 
The consecration, and the Poet's dream, — ■ 

I would have planted thee, thou hoary pile, 
Amid a world how different from this ! 
Beside a sea that could not cease to smile; 
On tranquil land, beneath a sky of bliss. 

A picture had it been of lasting ease, 
Elysian quiet, without toil or strife ; 
No motion but the moving tide, a breeze, 
Or merely silent Nature's breathing life. 

Such, in the fond illusion of my heart, 

Such picture would I at that time have made ; 

And seen the soul of truth in every part, 

A steadfast peace that might not be betray'd. 

So once it would have been, — 'tis so no more; 
I have submitted to a new control : 
A power is gone, which nothing can restore ; 
A deep distress hath humanized my soul. 

Not for a moment could I now behold 
A smiling sea, and be what I have been : 
The feeling of my loss will ne'er be old ; 
This, which I know, I speak with mind serene. 

Then, Beaumont, Friend ! who would have been the friend 

If he had lived, of him whom I deplore. 

This work of thine I blame not, but commend ; 

This sea in anger, and that dismal shore. 

'tis a passionate work ! — yet wise and well, 
Well chosen is the spirit that is here ; 

That hulk which labours in the deadly swell. 
This rueful sky, this pageantry of fear ! 

And this huge Castle, standing here sublime, 

1 love to see the look with which it braves, 



liz4- 




304 BOOK FOURTH. 

— Cased in the unfeeling armour of old time — 
The lightning, the fierce wind, and trampling waves. 

Farewell, farewell the heart that lives alone, 
Housed in a dream, at distance from the Kind ! 
Such happiness, wherever it be known, 
Is to be pitied ; for 'tis surely blind. 

But welcome fortitude, and patient cheer, 
And frequent sights of what is to be borne ! 
Such sights, or worse, as are before me here : — 
Not without hope we suffer and we mourn. 

W. Wordsworth. 

CCLXXVII. 

THE POET'S DREAM. 

On a Poet's lips I slept 

Dreaming like a love-adept 

In the sound his breathing kept ; 

Nor seeks nor finds he mortal blisses, 

But feeds on the aerial kisses 

Of shapes that haunt Thought's wildernesses. 

He will watch from dawn to gloom 

The lake-reflected sun illume 

The yellow bees in the ivy-bloom. 

Nor heed nor see what things they be — 
But from these create he can 
Forms more real than living IVIan, 

Nurslings of Immortality ! 

P. B. Shelley. 

CCLXXVIII. 



The World is too much with us ; late and soon, 
Getting and spending, we lay waste our powers ; 
Little we see in Nature that is ours ; 
We have given our hearts away, a sordid boon ! 

This Sea that bares her bosom to the moon, 
The winds that will be howling at all hours 




KING'S COLLEGE CHAPEL. 305 

And are up-gather'd now like sleeping flowers. 
For this, for everything, we are out of tune ; 

It moves us not. — Great God ! I'd rather be 
A Pagan suckled in a creed outworn, — 
So might I, standing on this pleasant lea, 
Have glimpses that would make me less forlorn ; 
Have sight of Proteus rising from the sea ; 
Or hear old Triton blow his wreathed horn. 

W, Woriis-worth. 
CCLXXIX. 

WITHIN KING'S COLLEGE CHAPEL, CAMBRIDGE. 

Tax not the royal Saint with vain e.xpense, 
With ill-match'd aims the Architect who plann'd 
(Albeit labouring for a scanty band 
Of white-robed Scholars only) this immense 

And glorious work of fine intelligence ! 

— Give all thou canst ; high Heaven rejects the lore 

Of nicely-calculated less or more : — 

So deem'd the man who fashion'd for the sense 

These lofty pillars, spread that branching roof 
Self-poised, and scoop'd into ten thousand cells 
Where light and shade repose, where music dwells 

Lingering and wandering on as loth to die — 
Like thoughts whose very sweetness yieldeth proof 
That they were born for immortality. 

W. Wordsworth. 
CCLX.XX. 

YOUTH AND AGE. 

Verse, a breeze 'mid blossoms straying, 
Where Hope clung feeding, like a bee — 
Both were mine ! Life went a-maying 
With Nature, Hope, and Poesy, 
When I was young ! 
When I was young? — Ah, woful when ! 
Ah ! for the change 'twixt Now and Then ! 




306 BOOK FOURTH. 

This breathing house not built with hands, 

This body that does me grievous wrong, 

O'er aery cliffs and glittering sands 

How lightly then it flash'd along : 

Like those trim skiffs, unknown of yore, 

On winding lakes and rivers wide, 

That ask no aid of sail or oar, 

That fear, no spite of wind or tide ! 

Nought cared this body for wind or weather 

When Youth and I lived in't together. 

Flowers are lovely ; Love is flower-like ; 
Friendship is a sheltering tree ; 
O ! the joys, that came down shower-like, 
Of Friendship, Love, and Liberty, 

Ere I was old ! 
Ere I was old? Ah woful Ere, 
Which tells me, Youth's no longer here! 

Youth ! for years so many and sweet 
'Tis known that Thou and I were one, 
I'll think it but a fond conceit — 

It cannot be, that Thou art gone ! 
Thy vesper-bell hath not yet toll'd : — 
And thou wert aye a masker bold ! 
What strange disguise hast now put on 
To make believe that thou art gone ? 

1 see these locks in silvery slips. 
This drooping gait, this alter'd size : 
But Springtide blossoms on thy lips, 
And tears take sunshine from thine eyes ! 
Life is but Thought : so think I will 
That Youth and I are housemates still. 

Dew-Drops are the gems of morning. 
But the tears of mournful eve ! 
Where no hope is, life's a warning 
That only serves to make us grieve 

When we are old : 
— That only serves to make us grieve 



THE TWO APRIL MORNINGS. 307 

With oft and tedious taking-leave, 
Like some poor nigh-related guest 
That may not rudely be dismist, 
Yet hath out-stay'd his welcome while, 
And tells the jest without the smile. 

5. T. Coleridge, 
CCLXXXI. 

THE TWO APRIL MORNINGS. 
We walk'd along, while bright and red 
Uprose the morning sun ; 
And Matthew stopp'd, he look'd, and said 
' The will of God be done ! ' 

A village schoolmaster was he. 

With hair of gUttering gray ; 

As blithe a man as you could see 

On a spring holiday. 

And on that morning, through the grass 

And by the steaming rills 

We travell'd merrily, to pass 

A day among the hills. 

' Our work,' said I, ' was well begun ; 

Then, from thy breast what thought. 

Beneath so beautiful a sun, 

So sad a sigh has brought ? ' 

A second time did Matthew stop ; 

And fixing still his eye 

Upon the eastern mountain-top. 

To me he made reply : 

' Yon cloud with that long purple cleft 

Brings fresh into my mind 

A day like this, which I have left 

Full thirty years behind. 

' And just above yon slope of corn 
Such colours, and no other. 
Were in the sky that April morn 
Of this tlie very brother. 




30S 



BOOK FOURTH. 

' With rod and line I sued the sport 
Wliich that sweet season gave, 
And coming to the church, stopp'd short 
Beside my daughter's grave. 

'Nine summers had she scarcely seen, 
The pride of all the vale ; 
And then she sang : — she would have been 
A very nightingale. 

' Six feet in earth my Emma lay ; 
And yet I loved her more — 
For so it seem'd, — than till that day 
I e'er had loved before. 

' And turning from her grave, I met 
Beside the churchyard yew 
A blooming Girl, whose hair was wet 
With points of morning dew. 

' A basket on her head she bare ; 
Her brow was smooth and white : 
To see a child so very fair. 
It was a pure delight ! 

' No fountain from its rocky cave 
E'er trijjp'd with foot so free ; 
She seem'd as happy as a wave 
That dances on the sea. 

' There came from me a sigh of pain 
Which I could ill confine ; 
I look'd at her, and look'd again : 
And did not wish her mine ! ' 

— Matthew is in his grave, yet now 
Methinks I see him stand 
As at that moment, with a bough 
Of wilding in his hand. 

W. Wordsworth, 





" We lay beneath a spreading oak 
Beside a mossy seat." — Page 309. 



THE FOUNTAIN. 309 

CCLXXXII. 

THE FOUNTAIN. 

A Conversation. 

We talk'd with open heart, and tongue 
Affectionate and true, 
A pair of friends, though I was young, 
And Matthew seventy-two. 

We lay beneath a spreading oak. 
Beside a mossy seat ; 
And from the turf a fountain broke 
And gurgled at our feet. 

' Now, Matthew ! ' said I, ' let us match 
This water's pleasant tune 
With some old border song, or catch 
That suits a summer's noon. 

' Or of the church-clock and the chime 
Sing here beneath the shade 
That half-mad thing of witty rhymes 
Which you last April made ! ' 

In silence Matthew lay, and eyed 
The spring beneath the tree; 
And thus the dear old man replied, 
The gray-hair'd man of glee ; 

' No check, no stay, this Streamlet fears, 
How merrily it goes ! 
'Twill murmur on a thousand years 
And flow as now it flows. 

'And here, on this delightful day 
I cannot choose but think 
How oft, a vigorous man, I lay 
Beside this fountain's brink. 

' My eyes are dim with childish tears, 
My heart is idly stirr'd. 




310 



BOOK FOURTH. 

For the same sound is in my ears 
Which in those days 1 heard. 

' Thus fares it still in our decay : 
And yet the wiser mind 
Mourns less for what Age takes away, 
Than wliat it leaves behind. 

' The blackbird amid leafy trees — 
The lark above the hill 
Let loose their carols when they please. 
Are quiet when they will. 

' With Nature never do they wage 
A foolish strife ; they see 
A happy youth, and their old age 
Is beautiful and free : 

' ' But we are press'd by heavy laws ; 
And often, glad no more, 
We wear a face of joy, because 
We have been glad of yore. 

' If there be one who need bemoan 
His kindred laid in earth. 
The household hearts that were his own, 
It is the man of mirth. 

' My days, my friend, are almost gone, 
My life has been approved, 
And many love me ; but by none 
Am I enough beloved.' 

' Now both himself and me he wrongs, 
The man who thus complains 1 
I live and sing my idle songs 
Upon these happy plains : 

'And Matthew, for thy children dead 
I'll be a son to thee ! " 
At this he grasp'd my hand and said, 
' Alas ! that cannot be.' 




THE RIVER OF LIFE. 

We rose up from the fountain-side ; 
And down the smooth descent 
Of the green sheep-track did we glide ; 
And through the wood we went ; 
And ere we came to Leonard's Rock 
He sang those witty rhymes 
About the crazy old church-clock, 
And the bewilder'd chimes. 

W, Wordsworth. 

CCLXXXIII. 

THE RIVER OF LIFE. 

The more we live, more brief appear 

Our life's succeeding stages : 
A day to childhood seems a year, 

And years like passing ages. 
The gladsome current of our youth 

Ere passion yet disorders. 
Steals lingering like a river smooth 

Along its grassy borders. 
But as the careworn cheek grows wan, 

And sorrow's shafts fly thicker, 
Ye Stars, that measure life to man. 

Why seem your courses quicker ? 
When joys have lost their bloom and breath 

And life itself is vapid. 
Why, as we reach the Falls of Death, 

Feel we its tide more rapid? 
It may be strange — yet who would change 

Time's course to slower speeding, 
When one by one our friends have gone 

And left our bosoms bleeding ? 
Heaven gives our years of fading strength 

Indemnifying fleetness ; 
And those of youth, a seeming length, 

Proportion'd to their sweetness. 

T. Campbell. 




fe 





BOOK FOURTH. 

CCLXXXIV. 

■ THE HUMAN SEASONS. 

Four Seasons fill the measure of the year; 
There are four seasons in the mind of Man : 
He has his lusty Spring, when fancy clear 
Takes in all beauty with an easy span : 

He has his Summer, when luxuriously 
Spring's honey'd cud of youthful thought he loves 
To ruminate, and by such dreaming high 
Is nearest unto heaven : quiet coves 

His soul has in its Autumn, when his wings 
He furleth close ; contented so to look 
On mists in idleness — to let fair things 
Pass by unheeded as a threshold brook : — 

He has his Winter too of pale misfeature, 
Or else he would forego his mortal nature. 
y. Keats. 

CCLXXXV. 

A LAMENT. 

O World ! O Life ! O Time ! 
On whose last steps I climb, 

Trembling at that where I had stood before ; 
When will return the glory of your prime ? 
No more — O never more ! 

Out of the day and night 
A joy has taken flight : 

Fresh spring, and summer, and winter hoar 
Move my faint heart with grief, but with delight 
No more — O never more ! 

P. B. Shelley. 

CCLXXXVI. 

My heart leaps up when I behold 

A rainbow in the sky : 
So was it when my life began. 






INTIMATIONS OF IMMORTALITY. 

So is it now I am a man, 

So be it when I shall grow old 

Or let me die ! 
The Child is father of the Man : 
And I could wish my days to be 
Bound each to each by natural piety. 

W, Wordsworfk. 

CCLXXXVII. 

ODE ON INTIMATIONS OF IMMORTALITY FROM 
RECOLLECTIONS OF EARLY CHILDHOOD. 

There was a time when meadow, grove, and stream, 
The earth, and every common sight 
To me did seem 
Appareird in celestial light, 
The glory and the freshness of a dream. 
It is not now as it has been of yore ; — 
Turn wheresoe'er I may. 
By night or day. 
The things which I have seen I now can see no more ! 

The rainbow comes and goes. 

And lovely is the rose ; 

The moon doth with delight 
Look round her when the heavens are bare ; 

Waters on a starry night 

Are beautiful and fair ; 
The sunshine is a glorious birth ; 
But yet I know, where'er I go. 
That there hath pass'd away a glory from the earth. 

Now, while the birds thus sing a joyous song, 

And while the young lambs bound 

As to the tabor's sound, 

To me alone there came a thought of grief : 

A timely utterance gave that thought relief. 

And I again am strong. 
The cataracts blow their trumpets from the steep, — 
No more shall grief of mine the season wrong : 




BOOK FOURTH. 

I hear the echoes through the mountains throng, 
The winds come to me from the fields of sleep, 
And all the earth is gay ; 
Land and sea 
Give themselves up to jollity, 

And with the heart of iMay 
Doth every beast keep holiday ; — 
, Thou child of joy 

Shout round me, let me hear thy shouts, thou happy 
Shepherd boy ! 

Ye blessed creatures, I have heard the call 

Ye to each other rhake ; I see 
The heavens laugh with you in your jubilee ; 

My heart is at your festival. 

My head hath its coronal. 
The fulness of your bliss, I feel — I feel it all. 

evil day ! if I were sullen 
While Earth herself is adorning 

This sweet May morning ; 
And the children are pulling 

On every side 
In a thousand valleys far and wide 
Fresh flowers ; while the sun shines warm 
And the babe leaps up on his mother's arm : — 

1 hear, I hear, with joy I hear ! 

— But there's a tree, of many, one, 
A single field which I have look'd upon, 
Both of them speak of something that is gone : 
The pansy at my feet 
Doth the same tale repeat: 
Whither is fled the visionary gleam ? 
Where is it now, the glory and the dream? 

Our birth is but a sleep and a forgetting ; 
The Soul that rises with us, our life's Star, 
Hath had elsewhere its setting 
And cometh from afar; 




rr^— 




INTIMATIONS OF IMMORTALITY. 315 

Not in entire forgetfulness 
And not in utter nakedness 
But trailing clouds of glory do we come 

From God, who is our home : 
Heaven lies about us in our infancy ! 
Shades of the prison-house begin to close 

Upon the growing boy, 
But he beholds the light, and whence it flows, 

He sees it in his joy ; 
The youth, who daily farther from the east 
Must travel, still is Nature's priest, 
And by the vision splendid 
Is on his way attended ; 
At length the man perceives it die away, 
And fade into the light of common day. 

Earth fills her lap with pleasures of her own ; 
Yearnings she hath in her own natural kind. 
And, even with something of a mother's mind 

And no unworthy aim. 
The homely nurs6 doth all she can 
To make her foster-child, her inmate, Man, 

Forget the glories he hath known 
And that imperial palace whence he came. 
Behold the Child among his new-born blisses, 
A si.x years' darling of a pigmy size ! 
See, where 'mid work of his own hand he lies. 
Fretted by sallies of his mother's kisses. 
With light upon him from his father's eyes ! 
See, at his feet, some little plan or chart. 
Some fragment from his dream of human life, 
Shaped by himself with newly-learned art; 
A wedding or a festival, 
A mourning or a funeral ; 

And this hath now his heart. 
And unto this he frames his song : 

Then will he fit his tongue 
To dialogues of business, love, or strife ; 



316 BOOK FOURTH. 

But it will not be long 
Ere this be thrown aside, 
And with new joy and pride 
The little actor cons another part ; 
Filling from time to time his ' humorous stage ' 
With all the Persons, down to palsied Age, 
That life brings with her in her equipage ; 
As if his whole vocation 
Were endless imitation. 

Thou, whose exterior semblance doth beUe 

Thy soul's immensity ; 
Thou best philosopher, who yet dost keep 
Thy heritage, thou eye among the blind, 
That, deaf and silent, read'st the eternal deep, 
Haunted for ever by the eternal Mind, — 

Mighty Prophet ! Seer blest ! 

On whom those truths do rest 
Which we are toiling all our lives to find ; 
Thou, over whom thy immortality 
Broods like the day, a master o'er a slave, 
A presence which is not to be [Dut by ; 
Thou little child, yet glorious in the might 
Of heaven-born freedom on thy being's height. 
Why with such earnest pains dost thou provoke 
The years to bring the inevitable yoke, 
t Thus blindly witli thy blessedness at strife ? 

Full soon thy soul shall have her earthly freight. 
And custom lie upon thee with a weight 
Heavy as frost, and deep almost as life ! 

O joy \ that in our embers 
Is something that doth live. 
That Nature yet remembers 
What was so fugitive ! 
The thought of our past years in me doth breed 
Perpetual benediction : not indeed 
For that which is most worthy to be blest. 





INTIMATIONS OF IMMORTALITY. 317 

Delight and liberty, the simple creed 
Of childhood, whether busy or at rest, 
With new-fiedged hope still fluttering in his breast: 
— Not for these 1 raise 
The song of thanks and praise ; 
But for those obstinate questionings 
Of sense and outward things 
Fallings from us, vanishings. 
Blank misgivings of a creature 
Moving about in worlds not realized, 
High instincts, before which our mortal nature 
Did tremble like a guilty thing surprized : 
But for those first affections, 
Those shadowy recollections. 

Which, be they what they may, 
Are yet the fountain-light of all our day, 
Are yet a master-light of all our seeing ; 

Uphold us — cherish — and have power to make 
Our noisy years seem moments in the being 
Of the eternal silence : truths that wake 

To perish never ; 
Which neither listlessness, nor mad endeavour 

Nor man nor boy 
Nor all that is at enmity with joy, 
Can utterly abolish or destroy ! 

Hence, in a season of calm weather 
Though inland far we be. 
Our souls have sight of that immortal sea 
Which brought us hither ; 
Can in a moment travel thither — ■ 
And see the children sport upon the shore, 
And hear the mighty waters rolling evermore. 
Then, sing ye birds, sing, sing a joyous song ! 
And let the young lambs bound 
As to the tabor's sound ! 
We, in thought, will join your throng 
Ye that pipe and ye that play, 
Ye that through your hearts today 



Tt 





318 BOOK FOURTH. 

Feel the gladness of the May ! 

What though the radiance which was once so bright 

Be now for ever taken from my sight, 

Though nothing can bring back the hour 

Of splendour in the grass, of glory in the flower; 
We will grieve not, rather find 
Strength in what remains behind, 
In the primal sympathy 
Which having been must ever be, 
In the soothing thoughts that spring 
Out of human suffering, 
In the faith that looks through death. 

In years that bring the philosophic mind. 

And O, ye Fountains, Meadows, Hills, and Groves, 

Forbode not any severing of our loves ! 

Yet in my heart of hearts I feel your might ; 

I only have relinquish'd one delight 

To live beneath your more habitual sway ; 

I love the brooks which down their channels fret 

Even more than when I tripp'd lightly as they; 

The innocent brightness of a new-born day 

Is lovely yet ; 
The clouds that gather round the setting sun 
Do take a sober colouring from an eye 
That hath kept watch o'er man's mortality ; 
Another race hath been, and other palms are won. 
Thanks to the human heart by which we live, 
Thanks to its tenderness, its joys, and fears. 
To me the meanest flower that blows can give 
Thoughts tiiat do often lie too deep for tears. 
W. Wordsworth. 

CCLXXXVIII. 

Music, when soft voices die. 
Vibrates in the memory — 
Odours, when sweet violets sicken. 
Live within the sense they quicken. 




THE FAIRY LIFE. 319 

Rose leaves, when the rose is dead. 
Are heap'd for the beloved's bed ; 
And so thy thoughts, when Thou art gone, 
Love itself shall slumber on. 

P. B. Shelley. 

CCLXXXIX. 
THE FAIRY LIFE. 
I. 
Where the bee sucks, there suck I : 
In a cowslip's bell I lie ; 
There I couch, when owls do cry: 
On the bat's back I do fly 
After summer merrily. 

Merrily, merrily, shall I live now, 

Under the blossom that hangs on the bough ! 

2. 

Come unto these yellow sands. 

And then take hands : 
Courtsied when you have, and kiss'd 

The wild waves whist. 
Foot it featly here and there ; 
And, sweet Sprites, the burthen bear. 
Hark, hark ! 

Bow-wow. 
The watch-dogs bark : 

Bow-wow. 
Hark, hark ! I hear 
The strain of strutting chanticleer 
Cry, Cock-a-diddle-dow ! 

W. Shakespeare. 

CCXC. 

SLEEP. 

Come, Sleep : O Sleep ! the certain knot of peace. 
The baiting-place of wit, the balm of woe. 
The poor man's wealth, the prisoner's release, 
Th' indifferent judge between the high and low ; 



320 BOOK FOURTH. 

With shield of proof shield me from out the prease 
Of those fierce darts Despair at me doth throw : 

make in me those civil wars to cease ; 

1 will good tribute pay, if thou do so. 

Take thou of me smooth pillows, sweetest bed, 
A chamber deaf of noise and blind of light, 
A rosy garland and a weary head : 
And if these things, as being thine in right, 

Move not thy heavy grace, thou shall in me, 
, Livelier than elsewhere, Stella's image see. 

Sir p. Sidney, 
CCXCI. 

A SONG FOR MUSIC. 

Weep you no more, sad fountains : — 

What need you flow so fast? 
Look how the snowy mountains 

Heaven's sun doth gently waste ! 
But my Sun's heavenly eyes 
View not your weeping, 
That now lies sleeping 
Softly, now softly lies. 
Sleeping. 
Sleep is a reconciling, 

A rest that peace begets : — 
Doth not the sun rise smiling. 
When fair at ev'n he sets? 

— Rest you, then, rest, sad eyes ! 
Melt not in weeping ! 
While She lies sleeping 
Softly, now softly lies, 
Sleeping ! 



LOVE TRIUMPHANT. 

E'en like two little bank-dividing brooks, 

That wash the pebbles with their wanton streams. 



CORINNA'S MAYING. 321 

And having ranged and search'd a thousand nooks, 
Meet both at length in silver-breasted Thames, 
Where in a greater current they conjoin : 

So I my Best-Beloved's am ; so He is mine. 

E'en so we met ; and after long pursuit, 

E'en so we join'd ; we both became entire ; 

No need for either to renew a suit, 

For I was flax and he was flames of fire : 
Our firm-united souls did more than twine ; 

So I my Best-Beloved's am ; so He is mine. 

If all those glittering Monarchs that command 
The servile quarters of this earthly ball, 

Should tender, in exchange, their shares of land, 
I would not change my fortunes for them all : 
Their wealth is but a counter to my coin : 

The world's but theirs ; but my Beloved's mine. 

F. Quarles, 



CORINNA'S MAYING. 

Get up, get up for shame ! The blooming morn 
Upon her wings presents the god unshorn. 
See how Aurora throws her fair 
Fresh-quilted colours through the air: 
Get up, sweet Slug-a-bed, and see 
The dew bespangling herb and tree. 
Each flower has wept, and bow'd toward the east. 
Above an hour since ; yet you not drest, 
Nay ! not so much as out of bed ? 
When all the birds have matins said, 
And sung their thankful hymns : 'tis sin, 
Nay, profanation, to keep in, — 
Whenas a thousand virgins on this day. 
Spring, sooner than the lark, to fetch in May. 

Rise ; and put on your foliage, and be seen 

To come forth, like the Spring-time, fresh and green, 



^' 




322 BOOK FOURTH. 

And sweet as Flora. Take no care 

For jewels for your gown, or hair : 

Fear not ; the leaves will strew 

Gems in abundance upon you : 
Besides, the childhood of the day has kept, 
Against you come, some orient pearls unwept: 

Come, and receive them while the light 

Hangs on the dew-locks of the night: 

And Titan on the eastern hill 

Retires himself, or else stands still 
Till you come forth. Wash, dress, be brief in praying : 
Few beads are best, when once we go a Maying. 

Come, my Corinna, come ; and coming, mark 
How each field turns a street ; each street a park 

Made green, and trimm'd with trees : see how 

Devotion gives each house a bough 

Or branch : each porch, each door, ere this, 

An ark, a tabernacle is. 
Made up of white-thorn neatly interwove : 
As if here were those cooler shades of love. 

Can such delights be in the street. 

And open fields, and we not see't? 

Come, we'll abroad : and let's obey 

The proclamation made for May : 
And sin no more, as we have done, by staying ; 
But, my Corinna, come, let's go a Maying. 

There's not a budding boy, or girl, this day, 
But is got up, and gone to bring in May. 

A deal of youth, ere this, is come 

Back, and with white-thorn laden home. 

Some have dispatch'd their cakes and cream. 

Before that we have left to dream : 
And some have wept, and woo'd, and plighted troth, 
And chose their priest, ere we can cast oiT sloth ; 

Many a green-gown has been given ; 

Many a kiss, both odd and even : 

Many a glance, too, has been sent 






A VISION. 323 

From out the eye, love's firmament : 
Many a jest told of the keys betraying 
This night, and locks pick'd : — Yet we're not a Maying. 

— Come, let us go, while we are in our prime ; 
And take the harmless folly of the time ! 

We shall grow old apace, and die 

Before we know our liberty. 

Our life is short ; and our days run 

As fast away as does the sun : — 
And as a vapour, or a drop of rain 
Once lost, can ne'er be found again : 

So when or you or I are made 

A fable, song, or fleeting shade ; 

All love, all liking, all delight 

Lies drown'd with us in endless night. 
Then while time serves, and we are but decaying, 
Come, my Corinna! come, let's go a Maying. 

R. Hcrrick, 

CC.XCIV. 

A VISION. 

I SAW Eternity the other night. 

Like a great ring of pure and endless light. 

All calm, as it was bright : — 
And round beneath it, Time, in hours, days, years. 

Driven by the spheres. 
Like a vast shadow moved ; in which the World 

And all her train were hurl'd. 

H, Vaughan, 

CCXCV. 

THE SONG OF DAVID. 

He sang of God, the mighty source 
Of all things, the stupendous force 

On which all strength depends : 
From Whose right arm, beneath Whose eyes, 
All period, power, and enterprize 

Commences, reigns, and ends. 




324 BOOK FOURTH. 

The world, the clustering spheres He made 
The glorious light, the soothing shade, 

Dale, champaign, grove and hill : 
The multitudinous abyss, 
Where secresy remains in bliss. 

And wisdom hides her skill. 

Tell them, I AM, Jehovah said 

To Moses : while Earth heard in dread, 

And, smitten to the heart, 
At once, above, beneath, around. 
All Nature, without voice or sound. 

Replied, ' O Lord, THOU ART.' 
C. Smart. 

CCXCVI. 
ABSENCE. 

When 1 think on the happy days 
1 spent wi' you, my dearie : 

And now what lands between us lie, 
How can I be but eerie ! 

How slow ye move, ye heavy hours, 
As ye were wae and weary ! 

It was na sae ye glinted by 
When I was wi' my dearie. 
Anon. 



CC.XCVII. 
THE SHRUBBERY. 

O HAPPY shades ! to me unblest ! 

Friendly to peace, but not to me! 
How ill the scene that offers rest, 

And heart that cannot rest, agree ! 

This glassy stream, that spreading pine, 
Those alders quivering to the breeze. 

Might soothe a soul less hurt than mine, 
And please, if anything could please. 




THE CASTAWAY. 325 

But fix'd unalterable Care 

Foregoes not what she feels within, 
Shows the same sadness everywhere, 

And slights the season and the scene. 

For all that pleased in wood or law 

While Peace possess'd these silent bowers. 

Her animating smile withdrawn. 
Has lost its beauties and its powers. 

The saint or moralist should tread 

This moss-grown alley, musing, slow ; 
They seek like me the secret shade. 

But not, like me, to nourish woe ! 

Me, fruitful scenes and prospects waste 

Alike admonish not to roam ; 
These tell me of enjoyments past. 

And those of sorrows yet to come. 
W. Co-mper, 

CCXCVIII. 

THE CASTAWAY. 

Obscurest night involved the sky, 

The Atlantic billows roar'd. 
When such a destined wretch as I, 

Wash'd headlong from on board, 
Of friends, of hope, of all bereft, 
His floating home for ever left. 

No braver chief could Albion boast 

Than he with whom he went. 
Nor ever ship left Albion's coast 

With warmer wishes sent. 
He loved them both, but both in vain, 
Nor him beheld, nor her again. 
Not long beneath the whelming brine, 

Expert to swim, he lay ; 
Nor soon he felt his strength decline. 

Or courage die away ; 




rb^ 



lA 



326 BOOA' FOURTH. 

But waged with death a lasting strife, 
Supported by despair of hfe. 

He shouted : nor his friends had fail'd 
To check tlie vessel's course, 

But so the furious blast prevaiPd, 
That, pitiless perforce, 

They left their outcast mate behind, 

And scudded still before the wind. 

Some succour yet they could afford ; 

And such as storms allow, 
The cask, the coop, the floated cord, 

Delay'd not to bestow. 
But he (they knew) nor ship nor shore, 
Whate'er they gave, should visit more. 

Nor, cruel as it seem'd, could he 
Their haste himself condemn, 

Aware that flight, in such a sea. 
Alone could rescue them ; 

Yet bitter felt it still to die 

Deserted, and his friends so nigh. 

He long survives, who lives an hour 

In ocean, self-upheld; 
And so long he, with unspent power. 

His destiny repell'd; 
And ever, as the minutes flew. 
Entreated help, or cried ' Adieu ! ' 

At length, his transient respite past, 
His comrades, who before 

Had heard his voice in every blast, 
Could catch the sound no more ; 

For then, by toil subdued, he drank 

The stifling wave, and then he sank. 

No poet wept him ; but the page 

Of narrative sincere, 
That tells his name, his worth, his age, 

Is wet with Anson's tear ; 



INFANT JOY. 327 

And tears by bards or heroes shed 
Alike immortalize the dead. 

I therefore purpose not, or dream, 

Descanting on his fate. 
To give the melancholy theme 

A more enduring date : 
But misery still delights to trace 
Its semblance in another's case. 

No voice divine the storm allay'd, 

No light propitious shone, 
When, snatch'd from all effectual aid, 

We perish'd, each alone : 
But I beneath a rougher sea, 
And whelm'd in deeper gulfs than he. 
H '. Cowpcr. 
CCXCIX. 

INFANT JOY. 

' I HAVE no name ; 

I am but two days old.' 

— What shall I call thee ? 
' I happy am ; 

Joy is my name.' 

— Sweet joy befall thee ! 

Pretty joy ! 

Sweet joy, but two days old; 

Sweet joy I call thee : 

Thou dost smile : 

I sing the while, 

Sweet joy befall thee ! 

VV. Blake. 

ccc. 
TO MARY. 

If I had thought thou couldst have died, 

I might not weep for thee ; 
But I forgot, when by thy side, 

That thou couldst mortal be : 




328 BOOK FOURTH. 

It never through my mind had past 
The time would e'er be o'er, 

And I on thee should look my last, 
And thou shouldst smile no more I 

And still upon that face I look, 

And think 'twill smile again ; 
And still the thought I will not brook 

That I must look in vain ! 
But when I speak — thou dost not say, 

What thou ne'er left'st unsaid ; 
And now I feel, as well I may, 

Sweet Mary ! thou art dead ! 

If thou wouldst stay, e'en as thou art. 

All cold and all serene — 
I still might press thy silent heart, 

And where thy smiles have been ! 
While e'en thy chill, bleak corse I have 

Thou seemest still mine own ; 
But there I lay thee in thy grave — 

And I am now alone ! 

I do not think, where'er thou art, 

Thou hast forgotten me ; 
And I, perhaps, may soothe this heart. 

In thinking too of thee : 
Yet there was round thee such a dawn 

Of light ne'er seen before, 
As fancy never could have drawn. 

And never can restore ! 

C. Wolfe. 

CCCI. 

THE TROSACHS. 

There's not a nook within this solemn Pass, 
But were an apt confessional for One 
Taught by his summer spent, his autumn gone. 
That Life is but a tale of morning grass 




THE TROSACHS. 

Withered at eve. From scenes of art which chase 
That thought away, turn, and with watchful eyes 
Feed it 'mid Nature's old felicities, 
Rocks, rivers, and smooth lakes more clear than glass 

Untouch'd, unbreathed-upon : — Thrice happy quest, 
If from a golden perch of aspen spray 
(October's workmanship to rival May), 
The pensive warbler of the ruddy breast 
That moral sweeten by a heaven-taught lay, 
Lulling the year, with all its cares, to rest! 

W, Wordsworth^ 




-tit 



NOTES. 



(1861-18S4.) 



Summary of Book First. 

The Elizabethan Poetry, as it is rather vaguely termed, forms the substance 
of this Book, which contains pieces from Wyat under Henry VIII. to Shake- 
speare midway through the reign of James I., and Drummond who carried on 
the early manner to a still later period. There is here a wide range of style; — 
from simphcity expressed in a language hardly yet broken-in to verse, — through 
the pastoral fancies and Italian conceits of the strictly Elizabethan time, — to 
the passionate reality of Shakespeare : yet a general uniformity of tone prevails. 
Few readers can fail to observe the natural sweetness of the verse, the single- 
hearted straightforwardness of the thoughts : — nor less, the limitation of subject 
to the many phases of one passion, which then characterized our lyrical poetry, 
— unless when, as in especial with Shakespeare, the ' purple light of Love ' is 
tempered by a spirit of sterner reflection. 

It should be observed that this and the following Summaries apply in the 
main to the Collection here presented, in which (besides its restriction to Lyri- 
cal Poetry) a strictly representative or historical Anthology has not been aimed 
at. Great Excellence, in human art as in human character, has from the be- 
ginning of things been even more uniform than Mediocrity, by virtue of the 
closeness of its approach to Nature : — and so far as the standard of Excellence 
kept in view has been attained in this volume, a comparative absence of extreme 
or temporary phases in style, a similarity of tone and manner, will be found 
throughout: — something neither modern nor ancient, but true in all ages, and 
like the works of Creation, perfect as on the first day. 

Page II, No. II. Rouse Mem7i07i's mother : Awaken the Dawn from the dark 
Earth and the clouds where she is resting. This is one of that limited class of 
early mythes which may be reasonablv interpreted as representations of natural 
phenomena. Aurora in the old mythology is mother of Memnon (the East), 
and wife of Tithonus (the appearances of Earth and Sky during the last hours 
of Night). She leaves him every morning in renewed youth, to prepare the 
way for Phoebus (the Sun), whilst Tithonus remains in perpetual old age and 
grayness. 

Page 12, No. ir., line 20. by Pe?ieus' stream : Phoebus loved the Nymph 
Daphne whom he met by the river Peneus in the vale of Tempe. 

Page 12, No, II., line 24. Amphion's lyre : He was said to have built the walls 
of Thebes to the sound of his music. 

Page 12, No. II., line 32. Ni^ht like a drunkard reels : Compare Romeo and 
Juliet, Act II., Scene 3: ' The grey-eyed morn smiles ' &c. — It should be added 
that three lines, which appeared hopelessly misprinted, have been omitted in 
this Poem. 



NOTES. 33] 

Page 13, No. IV. Times chest: in which he is figuratively supposed to lay up 
past treasures. So in Troilus, Act III., Scene 3. ' Time hath a wallet at his 
back ' &c. In the Arcadia, chest is used to signify toitib. 

Page 14, No. V. A fine example of the highwrought and conventional Eliza- 
bethan Pastoralism, which it would be unreasonable to criticize on the ground 
of the unshepherdlike or unreal character of some images suggested. Stanza 6 
was perhaps inserted by Izaak Walton. 

Page 16, No. IX. This Poem, with XXV. and XCIV., is taken from Davison's 
' Rhapsody,' first published in 1602. One stanza has been here omitted, in ac- 
cordance with the principle noticed in the Preface. Similar omissions occur in 

XLV., LXXXVII., C, CXXVIII.. CLX., CLXV., CCXXVII., CCXCII., CCXCIV., CCXCV. 

The more serious abbreviation by which it has been attempted to bring Cra- 
shaw's 'Wishes' and Shelley's ' Euganean Hills' within the limits of stricter 
lyrical unity, is commended with much diffidence to the judgment of readers 
acquainted with the original pieces. 

Page 19, No. XV. This charming little poem, truly ' old and plain, and dally- 
ing with the innocence of love ' like that spoken of in Twelfth Night, is taken, 
with v., XVII., XX., XXXIV., and XL., from the most characteristic collection of 
Elizabeth's reign, ' England's Helicon," first published in 1600. 

Page 20, No. XVI. Readers who have visited Italy will be reminded of more 
than one picture by this gorgeous Vision of Beauty, equally sublime and pure 
in its Paradisaical naturalness. Lodge wrote it on a voyage to ' the Islands of 
Terceras and the Canaries ; ' and he seems to have caught, in those southern 
seas, no small portion of the qualities which marked the almost contemporary 
Art of Venice, — the glory and the glow of Veronese, or Titian, or Tintoret, 
when he most resembles Titian, and all but surpasses him. 

The clear (line i) is the crystalline or outermost heaven of the old cosmogra- 
phy. For a fair there' s fairer none : If you desire a Beauty, there is none more 
beautiful than Rosaline. 

Page 22, No. XVIII. that fair thou owest : that beauty thou ownest. 

Page 25, XXIII. the star Whose worth's unknown, although his height be takett : 
apparently. Whose stellar influence is uncalculated, although his angular altitude 
from the plane of the astrolabe or artificial horizon used by astrologers has been 
determined. 

Page 25, XXIV. This lovely song appears, as here given, in Puttenham's 
' Arte of English Poesie,' 1589. A longer and inferior form was published in the 
' Arcadia ' of 1590 : but Puttenham's prefatory words clearly assign his version 
to Sidney's own authorship. 

Page 27, No. XXVII. keel : skim. 

Page 28. No. XXIX. expense : loss. 

Page 28, No. XXX. Nativity once in the jnain of light : when a star has risen 
and entered on the full stream of light ; — another of the astrological phrases no 
longer familiar. Crooked eclipses: as coming athwart the Sun's apparent 
course. 

Wordsworth, thinking probably of the ' Venus ' and the ' Lucrece,* said finely 
of Shakespeare : ' Shakespeare could not have written an Epic ; he would have 
died of plethora of thought.' This prodigality of nature is exemplified equally 
in his Sonnets. The copious selection here given (which from the wealth of the 
material, required greater consideration than any other portion of the Editor's 




NOTES. 

task), — contains many that will not be fully felt and understood without some 
earnestness of thought on the reader's part. But he is not likely to regret the 
labour. 

Page 29, No. XXXI. upon misprision growing : either, granted in error, or, on 
the growth of contempt. 

Page 29, No. XXXII. With the tone of this Sonnet compare Hamlet's ' Give 
me that man That is not passion's slave ' &c. Shakespeare's writings show the 
deepest sensitiveness to passion : — hence the attraction he felt in the contrasting 
effects of apathy. 

Page 29, No. XXXIII. grame : sorrow. Renaissance influences long impeded 
the return of English poets to the charming realism of this and a few other poems 
by -Wyat. 

Page 31, No. XXXIV. Pandion in the ancient fable was father to Philomela, 

Page 32, No. XXX\'III. ramage : confused noise. 

Page 33, No. XXXIX. censures : judges. 

Page 33, No. XL. Judging by its style, this beautiful example of old simplicity 
and feeling may, perhaps, be referred to the earlier years of Elizabeth. Late for- 
got : lately. 

Page 34, No. XH. haggards : the least tameable hawks. 

Page 36, No. XLIV. cypres or Cyprus, — used by the old writers for crape; 
whether from the French crespe or from the Island. Its accidental similarity in 
spelling to cypress has, here and in Milton's Penseroso, probably confused read- 
ers. 

Page 37,' Nos. XLVI., XLVII. ' I never saw anything like this funeral dirge,' 
says Charles Lamb, ' except the ditty which reminds Ferdinand of his drowned 
father in the Tempest. As that is of the water, watery; so this is of the earth, 
earthy. Both have that intenseness of feeling, which seems to resolve itself into 
the element which it contemplates.' 

Page 39, No. LI. crystal: fairness. 

Page 40, No. LIII. This ' Spousal Verse 'was written in honour of the Ladies 
Elizabeth and Katherine Somerset. Nowhere has Spenser more emphatically 
displayed himself as the very Poet of Beauty: The Renaissance impulse in Eng- 
land is here seen at its highest and purest. 

The genius of Spenser, like Chaucer's, does itself justice only in poems of 
some length. Hence it is impossible to represent it in this volume by other 
pieces of equal merit, but of impracticable dimensions. And the same applies 
to such poems as The Anciejit Mariner and Adonais. 

Page 41, No. LIII., line 9. feateoiisly : elegantly. 

Page 43, No. LIII., line 29. shend : put out. 

Page 44, No. LIII., line 16. a noble peer : Robert Devereux, second Lord 
Essex, then at the height of his brief triumph after taking Cadiz : hence the 
allusion following to the Pillars of Hercules, placed near Gades by ancient legend. 
Line 28. Eli^a : Elizabeth. 

Page 45, No. LIII., line 7. twins of Jove : the stars Castor and Pollux. 
Lines. ialdricheU; the zodiac. 

Page 46, No. LVII. A fine example of a peculiar class of Poetry ; — that written 
by thoughtful men who practised this Art but little. Wotton's, LXXri., is another. 
Jeremy Taylor, Bishop Berkeley, Dr. Johnson, Lord Macaulay, have left similar 
specimens. 







NOTES. 



Summary of Book Second. 

This division, embracing the latter eighty years of the Seventeenth Century, 
contains the close of our Early poetical style and the commencement of the 
Modern. In Dryden \ve see the first master of the new: in Milton, whose 
genius dominates here as Shakespeare's in the former book, — the crown and 
consummation of tlie early period. Their splendid Odes are far in advance of 
any prior attempts, Spenser's excepted : they exhibit that wider and grander 
range which years and experience and the struggles of the time conferred on 
Poetry. Our Muses now give expression to political feeling, to religious thought, 
to a high philosophic statesmanship in writers such as Marvell, Herbert, and 
Wotton : whilst in Marvell and Milton, again, we find noble attempts, hitherto 
rare in our literature, at pure description of nature, destined in our own age to 
be continued and equalled. Meanwhile the poetry of simple passion, although 
before 1660 often deformed by verbal fancies and conceits of thought, and after- 
wards by levity and an artificial tone, — produced in Herrick and Waller some 
charming pieces of more finished art than the Elizabethan : until in the courtly 
compliments of Sedley it seems to exhaust itself, and he almost dormant for the 
hundred years between the days of Wither and Suckling and the days of Burns 
and Cowper. — That the change from our early style to the modern brought witli 
it at first a loss of nature and simplicity is undeniable : yet the far bolder and 
wider scope which Poetry took between 1620 and 1700, and the successful efforts 
then made to gain greater clearness in expression, in their results have been no 
slight compensation. 

Page 52, No. LXII., hne 4. whist: hushed. Line 28. than: obsolete for 
then. Line 29. Pan : used here for the Lord of all. 

Page 55, No. LXII., line 23. Lars and Lemur es : household gods and spirits 
of relations dead. Flamens (line 26) Roman priests. - That twlce-batter' d god 
(line 31) Dagon. 

Page 56, No. LXII., line 9. Osiris, the Egyptian god of Agriculture (here, per- 
haps by confusion with Apis, figured as a bull), was torn to pieces by Typho 
and embalmed after death in a sacred chest. This mythe, reproduced in Syria 
and Greece in the legends of Thammuz, Adonis, and perhaps Absyrtus, may 
have originally signified the annual death of the Sun or the Year under the 
influences of the winter darkness. Horus, the son of Osiris, as the New Year, 
in his turn overcomes Typho. Line 11. imshower d gxsiss: as watered by the 
Nile only. Line 36. youngest-teemed: last-born. 

Page 57, No. LXII., line 4. Bright-hai-ness' d : armoured. 

Page 59, No. LXIV. The Late Massacre: the Vaudois persecution, carried 
on in 1655 by the Duke of Savoy. This ' collect in verse,' as it has been justly 
named, is the most mighty Sonnet in any language known to the Editor. 
Readers should observe that it is constructed on the original Italian or Pro- 
vencal model. This form, in a language such as ours, not affluent in rhyme, 
presents great difficulties ; the rhymes are apt to be forced, or the substance 
commonplace. But, when successfully handled, it has a unity and a beauty of 
effect which place the strict Sonnet above the less compact and less lyrical sys- 
tems adopted by Shakespeare, Sidney, Spenser, and other Elizabethan poets. 

Page 59, No. LXV, Cromwell returned from Ireland in 1650, and Marvell 




334 



NOTES. 



probably wrote his lines soon after, whilst living at Nunappleton in the Fairfax 
household. It is hence not surprising that (stanzas 21-24) he should have 
been deceived by Cromwell's professed submissiveness to the Parliament which, 
when it declined to register his decrees, he expelled by armed violence : — one 
despotism, by natural law, replacing another. The poet's insight has, however, 
truly prophesied that result in his last two lines. 

This Ode, beyond doubt one of the finest in our language, and more in Mil- 
ton's style than has been reached by any other poet, is occasionally obscure 
from imitation of the condensed Latin syntax. The meaning of stanza 5 is 
' rivalry or hostility are the same to a lofty spirit, and limitation more hateful 
than opposition.' The allusion in stanza 11 is to the old physical doctrines of 
the nonexistence of a vacuum and the impenetrability of matter : — in stanza 
17 to the omen traditionally connected with the foundation of the Capitol at 
Rome. The ancient belief that certain years in life complete natural periods 
and are hence peculiarly e.\-posed to death, is introduced in stanza 26 by the 
word climacteric. 

Lycidas. The person lamented is Milton's college contemporary Edward 
King, drowned in 1637 whilst crossing from Chester to Ireland. 

Strict Pastoral Poetry was first written or perfected by the Dorian Greeks 
settled in Sicily : but the conventional use of it, exhibited more magnificently in 
Lycidas than in any other pastoral, is apparently of Roman origin. Milton, 
employing the noble freedom of a great artist, has here united ancient my- 
thology, with what may be called the modern mythology of Camus and Saint 
Peter, — to direct Christian images. Yet the poem, if it gains in historical 
interest, suffers in poetry by the harsh intrusion of the writer's narrow and vio- 
lent theological politics. — The metrical structure of this glorious elegy is partly 
derived from Italian models. 

Page 63, No. I.xvi., line 19. Sisters of the sacred well: the Muses, said to 
frequent the Pierian Spring at the foot of Mount Olympus. ^ 

Page 64, No. LXVI., line 26. Mona : Anglesea, called by the Welsh poets 
Ynys Dywell, or the Dark Island, from its dense forests. Deva (line 27) the 
Dee: a river which may have derived its magical character from Celtic tradi- 
tions: it was long the boundary of Briton and English. — These places are 
introduced, as being near the scene of the shipwreck. Orpheus (line 30) was 
torn to pieces by Thracian women. 

Page 65, No. LXVI. Amaryllis and Neacra (lines 3, 4) names used here for 
the love-idols of ppets: as Damoctas previously for a shepherd. Line 10. the 
Hind Fury: Atropos, fabled to cut the thread of life. Arelhuse (line 20) 
and Mincius : Sicilian and Italian waters here alluded to as synonymous with 
the pastoral poetry of Theocritus and Vergil. Line 23. oat: pipe, used here 
like Collins' oato/ stop, hne i, No. CXLVI., for Son^. Line 31. Hippotades : 
Aeolus, god of the winds. Panope (line 34) a Nereid. Certain names of local 
deities in the Hellenic mythology render some feature in the natural landscape, 
which the Greeks studied and analysed with their usual unequalled insight and 
feeling. Panope seems to express the boundlessness of the ocean-horizon when 
seen from a height, as compared with the limited horizon of the land in hilly 
countries such as Greece or Asia Minor. 

Page 66, No LXVI., line i. Camus: the Cam; put for King's University. 
The sanguine fiower (line 4) the Hyacinth of the ancients; probably our Iris. 



NOTES. 335 

The pilot (line 7) Saint Peter, figuratively introduced as the head of the Church 
on earth, to foretell 'the ruin of our corrupted clergy,' as Milton regarded 
them, ' then in their height ' under Laud's primacy. Line 22. scra7i7iel : 
screeching; apparently Milton's coinage (Masson). Line 26. the wolf: the 
Puritans of the time were excited to alarm and persecution by a few conver- 
sions to Roman Catholicism which had recently occurred. Alpheus (line 30) 
a stream in Southern Greece, supposed to flow under seas to join the Arethuse. 
S%vart star (line 36) : the Dogstar, called swarthy because its heliacal rising in 
ancient times occurred soon after midsummer. 

Page 67, No. LXVl., line 2. rathe : early. Line ig. 7noist vows : either tearful 
prayers, or prayers for one at sea. Bcllerus (line 20) a giant, apparently created 
here by Milton to personify Belerium, the ancient title of the Land's End. The 
great Vision : — the story was that the Archangel Michael had appeared on the 
rock by Marazion in Mount's Bay which bears his name. Milton calls on him 
to turn his eyes from the south liomeward, and to pity Lycidas, if his body has 
drifted into the troubled waters oif the Land's End. Finisterre being the land 
due south of Marazion, two places in that district (then through our trade with 
Corunna probably less unfamiliar to English ears), are named, — Namancos 
now Mujio in Galicia, Bayona north of the Minho, or perhaps a fortified rock 
(one of the Cies islands) not unlike Saint Michael's Mount, at the entrance of 
Vigo Bay. Line 30. ore : rays of golden light. 

Page 68, No. I.XVI., line 11. Doric lay : Sicilian, pastoral. 

Page 70, No. Lxx. The assault was an attack on London expected in 1642, 
when the troops of Charles L reached Brentford. 'Written on his door' was 
in the original title of this sonnet. Milton was then hving in Aldersgate Street. 

Line 20. The Emathia7i Co7iqueror : When Thebes was destroyed (B.C. 335) 
and the citizens massacred by thousands, Alexander ordered the house of Pin- 
dar to be spared. Line 23. the repeated air Of sad Electra' s poet : Plutarch has 
a tale that when the Spartan confederacy in 404 B.C. took Athens, a proposal to 
demolish it was rejected through the effect produced on the commanders by 
hearing part of a chorus from the Electra of Euripides sung at a feast. There 
is however no apparent congruity between the lines quoted (167, 168 Ed. Din- 
dorf) and the result ascribed to them. 

Page 72, No. I. XXIII. This high-toned and lovely Madrigal is quite in the 
style, and worthy of, the ' pure Simonides.' 

Page 73, No. LXXV. These beautiful verses should be compared with 
Wordsworth's great Ode, No. CCLXXXVII. — In imaginative intensity, Vaughan 
stands beside his contemporary Marvell : — See Nos. CXI. and CCXCIV. 

Page 74, No. LXXVI. Favo7iius : the spring wind. 

Page 74, No. LXXVII. Thc77iis : the goddess of justice. Skinner was grand- 
son by his mother to Sir E, Coke; — hence, as pointed out by Mr. Keightley, 
Milton's allusion to the bench. Line 26. Sweden was then at war with Poland, 
and France with the Spanish Netherlands. 

Page 76, No. LX.Kix., line 22. Sydenian showers: either in allusion to the 
conversations in the 'Arcadia,' or to Sidney himself as a model of 'gentleness ' 
in spirit and demeanour. 

Page 80, No. LXXXIV, Elizabeth of Bohe7nia : Daughter to James L, and 
ancestor to Sophia of Hanover. These lines are a fine specimen of gallant 
and courtly compliment. 



1^ 



-^^^c^ 



336 



NOTES. 



Page 8i, No. Lxxxv. Lady M. Ley was daughter to Sir J. Ley, afterwards 
Earl of Marlborough, who died March, 1629, coincidently with the dissolution 
of the third Parliament of Charles' reign.* Hence Milton poetically compares 
his death to that of the Orator Isocrates of Athens, after Philip's victory in 328 
15 .c. 

Page 8r, No. Lxxxvi. Archbishop Trench has kindly informed the Editor 
that this graceful poem is an imitation of early style by G. Darley: published 
cir. 1S47. 

Page 88, No. XCIX. From Prison : to which his active support of Charles L 
twice brought the high-spirited writer. 

Page 8g, No. XCIX., line i. Gods: thus in the original; Lovelace, in his 
fanciful way, making here a mythological allusion. Birds, commonly substi- 
tuted, is without authority. 

Page 93, No. cv. Inserted in Book IL as written in the character of a Sol- 
dier of Fortune in the Seventeenth Century. 

Page 94, No. cvi. Waly zvaly : an exclamation of sorrow, the root and the 
pronunciation of which are preserved in the word caterwaul. Brae, hillside: 
biiru., brook : busk, adorn. Saint Antoi-Cs Well : at the foot of Arthur's Seat by 
Edinburgh. Cramasie, crimson. 

Page 95, No. CVII. burd, maiden. 

Page 96, No. CVIII. corbies, crows: fad, turf: hause, neck: theek, thatch. — • 
If not in their origin, in their present form this and the two preceding poems 
appear due to the Seventeenth Century, and have therefore been placed in 
Book II. 

Page 98, No. CXI, The remark quoted in the note to No. XLVII. applies 
equally to tliese truly wonderful verses, which, like ' Lycidas,' may be regarded 
as a test of any reader's insight into the most poetical aspects of Poetry. The 
general differences between them are vast : but in imaginative intensity Mar- 
veil and Shelley are closely related. — This poem is printed as a translation in 
Marvell's works: but the original Latin is obviously his own. The most strik- 
ing verses in it, here quoted as the boolv is rare, answer more or less to stanzas 
2 and 6 : — 

Alma Quies, teneo te ! et te, germana Quietis, 
Simplicitas! vos ergo diu per templa, per urbes 
Quaesivi, regum perque alta palatia, frustra: 
Sed vos hortorum per opaca silentia, longe 
Celarunt plantae virides, et concolor umbra. 

L Allegro and // Penseroso. It is a striking proof of Milton's astonishing 
power, that these, the earliest pure Descriptive Lyrics in our language, should 
still remain the best in a style which so many great poets have since at- 
tempted. The Bright and the Thoughtful aspects of Nature and of Life are 
their subjects: but each is preceded by a mythological introduction in a mixed 
Classical and Italian manner. — With that of L Allegro maybe compared a 
similar mythe in the first Section of the first Book of S. Marmion's graceful 
Cupid aud Psyche, 1637. 

Page loi, No. CXII., line 32. the moimtabt ?iymph; compare Wordsworth's 
Sonnet, No. CCX. Line 20 (page 102) is in apposition to the preceding, by a 
syntactical license not uncommon with Milton. 

Page 102, No. CXII., line 38. Cynosure : the Pole Star. 



NOTES. 337 

Page 103, No. CXII., line 3. Corydon, T/iyrsis, etc. : Shepherd names from the 
old Idylls. Rebeck (line 14) an elementary form of violin. 

Paf^e 104, No. CXII., line 14. yoNSon's learned sock : His somewhat pedantic 
comedies e.\hibit one of the less fortunate results of the Renaissance movement. 
Line 28. Lydian airs : used here to e.\press a light and festive style of ancient 
music. The ' Lydian Mode,' one of the seven original Greek Scales, is nearly 
identical with our ' Major.' 

Page 105, No. C.XIII., line 3. iesiead : avai]. Line ig. starr' d Ethiop queen : 
Cassiopeia, the legendary Queen of Ethiopia, and thence translated amongst 
the constellations. 

Page 106, No. CXIII., line 24. Cynthia: the Moon: Milton seems here to 
have transferred to her chariot the dragons anciently assigned to Demeter and 
to Media. 

Page 107, No. CXIII., line 15. Hermes, called Trismegistus, a mystical writer 
of the Neo-Platonist school. Line z6. TXeto, etc. : subjects of Athenian Trag- 
edy. Baskin'd (line zg) tragic, in opposition to sock above. Lins 31. Mu- 
sacus : a poet in mythology. Line 36. him that left half-told : Chaucer, in his 
incomplete ' Squire's Tale.' 

Page 108, No. CXIII., line 5. great bards: Ariosto, Tasso, and Spenser, are 
here intended. Line 12. frounced: curled. The Attic Boy (line 13) Cephalus. 

Page 109, No. CXIV. Emigrants supposed to be driven tosvards America by 
the government of Charles I. 

Page no. No. CXIV., lines 17, 18. But apples, etc. A fine e,xample of Mar- 
veil's imaginative hyberbole. 

Page HI, No. C.KV., line 6. concent : harmony. 

Summary of Book Third. 

It is more difficult to characterize the English Poetry of the Eighteenth Cen- 
tury than that of any other. For it was an age not only of spontaneous transi- 
tion, but of bold experiment : it includes not only such divergences of thought 
as distinguish the ' Rape of the Lock ' from the ' Parish Register,' but such vast 
contemporaneous differences as lie between Pope and Collins, Burns and 
Cowper. Yet we may clearly trace three leading moods or tendencies : — the 
aspects of courtly or educated life represented by Pope and carried to exhaus- 
tion by his followers ; the poetry of Nature and of Man, viewed through a culti- 
vated, and at the same time an impassioned frame of mind by Collins and 
Gray: — lastly, the study -of vivid and simple narrative, including natural 
description, begun by Gay and Thomson, pursued by Burns and others in the 
north, and established in England by Goldsmith, Percy, Crabbe, and Cowper. 
Great varieties in style accompanied these diversities in aim : poets could not 
always distinguish the manner suitable for subjects so far apart ; and the union 
of conventional and of common language, exhibited most conspicuously by 
Burns, has given a tone to the poetry of that century which is better explained 
by reference to its historical origin than by naming it artificial. There is, again, 
a nobleness of thought, a courageous aim at high and, in a strict sense manly, 
excellence in many of the writers : — nor can that period be justly termed tame 
and wanting in originality, which produced poems such as Pope's Satires, Gray's 
Odes and Elegy, the ballads of Gay and Carey, the songs of Burns and Cowper. 




NOTES. 

In truth Poetry at this, as at all times, was a more or less unconscious mirror 
of the genius of the age : and the reasoned and scientific spirit of Enquiry 
which made the Eighteenth Century the turning-time in European civilization is 
reflected faithfully in its verse. An intelligent reader will find the influence of 
Newton as markedly in the poems of Pope, as of Elizabeth in the plays of 
Shakespeare. On this great subject, however, these indications must here 
be sufficient. 

The Bard. In 1757, when this splendid ode was completed, so very little had 
been printed, whether in Wales or in England, in regard to Welsh poetry, that 
it is hard to discover whence Gray drew his Cymric allusions. The fabled 
massacre of the Bards (shown to be wholly groundless in Stephens' Literature 
oftlie Kymry) appears first in the family history of Sir John Wynn of Gwydir 
(cir. 1600), not published till 1773 ; but the story seems to have passed in MS. 
to Carte's History, whence it may have been taken by Gray. The references to 
high-bor?i Hoel and soft Llewellyn (line 28) ; to Cadwallo and Urien (lines 29, 
30), may, similarly, have been derived from the 'Specimens' of early Welsh 
poetry, by the Rev. E. Evans : — as, although not published till 1764, the MS., 
we learn from a letter to Dr. Wharton, was in Gray's hands by July 1760, and 
may have reached him by 1757, the date when he first received Macpherson's 
earliest specimens of Gaelic poetry, which he criticizes, with Evans' extracts in 
the above-noticed letler. Yet even then it is doubtful whether Gray (of whose 
acquaintance with Welsh we have no evidence), must not have been aided by 
some Welsh scholar. He is one of the poets least likely to scatter epithets at 
random : ' soft ' or gentle is the epithet emphatically and specially given to 
Llewelyn in contemporary Welsh poetry, and is hence here used with particular 
propriety. Yet, without such assistance as we have suggested. Gray could 
hardly have selected the epithet, although applied to the King (page 141-3) 
among a crowd of others, in Llygad Gwr's Ode, printed by Evans. — After 
lamenting his comrades (stanzas 2, 3) the Bard prophesies the fate of Edward 
II. and the conquests of Edward III. (4): his death and that of the Black 
Prince (5) : of Richard II., with the Wars of York and Lancaster, the murder 
of Henry VI., {the jiieek usurper.) and of Edward V. and his brother (6). He 
turns to the glory and prosperity following the accession of the Tudors (7), 
through Elizabeth's reign (8): and concludes with a vision of the poetry of 
Shakespeare and Milton. 

Page 122, No. CXXIII., line 16. Glo'ster : Gilbert de Clare, son-in-law to 
Edward. Mcrtimer, one of the Lords Marchers of Wales. High-boru Hoel, 
soft Llewellyn (line 31) ; the Disscrfatio de Bardis of Evans names the first as 
son to the King Owain Gwynedd : — Llewelyn, last King of North Wales, was 
murdered 1282. Line 32. Cadwallo : Cadwallon (died 631) and Urien Reged 
(early kings of Gwynedd and Cumbria respectively) are mentioned by Evans 
(page 78) as bards none of whose poetry is extant. 

Page 123, No. CXXIII., line 3. Modred : Evans supplies no data for this name, 
which Gray (it has been supposed) uses for Merlin (Myrddin Wyllt), held 
prophet as well as poet, to whom is reasonably ascribed the beautiful Afallenau 
Ode, as given in the ' Black Book of Caermarlhen ' (Skene). Line 5. Arvou : 
the shores of Carnarvonshire opposite Anglesey. Whether intentionally or 
through ignorance of the real dates, Gray here represents the Bard as speaking 



w 




NOTES. 

of these poets, all of earlier days, Llewelyn excepted, as his own contemporaries 
at the close of the Thirteenth Century. 

Gray, whose penetrating and powerful genius rendered him in many ways an 
initiator in advance of his age, is probably the first of our poets who made some 
acquaintance with the rich and admirable poetry in which Wales from the Sixth 
Century has been fertile, — before and since his time so barbarously neglected, 
not in England only. Hence it has been thought worth while here to enter into 
a little detail upon his Cymric allusions. 

Line 27. She-wolf: Isabel of France, adulterous Queen of Edward IL 

Page 124, No. CXXIII., hne 20. Towers 0/ Julhts : the Tower of London, 
built in part, according to tradition, by ]ulius Caesar. Line 26. bristled boar : 
the badge of Richard IIL Line 32. Half of thy heart : Queen Eleanor died 
soon after the conquest of Wales. 

Page 125, No. CXXIII., line 5. Arthur : Henry VIL named his eldest son 
thus, in deference to British feeling and legend. 

Page 126, No. cxxv. The Highlanders called the battle of Culloden, 
Drumossie. 

Page 127, No. CXXVI. Ultivg, singing blithely : loaning, broad lane: btights, 
pens: scorning, x?iWy\wg: dowie, dreRvy: da^n' and gabbin', }okmg and chatting: 
leglin, milkpaii : shearing, reaping: bandsters, sheai-binders: lyaj-t, grizzled: 
runkled, wrinkled: feecliing, coaxing: gloaming, twilight: bogle, ghost: dool^ 
sorrow. 

Page 129, No. cxxvill. The Editor has found no authoritative text of this 
poem, in his judgment superior to any other of its class in rnelody and pathos. 
Part is probably not later than the Seventeeth Century : in other stanzas a more 
modern hand, much resembUng Scott's, is traceable. Logan s poem (CXXVII.) 
exhibits a knowledge rather of the old legend than of the old verses. — Hecht^ 
promised: the obsolete /;/^/;/.' waz'/j, thrush : z/^a, every: lav'rock,\2Lx)f.\ haughs, 
valley-meadows: /zy/«^(/, parted from : marrow, tc\?lXq: j)'h^, then. 

Page 130, No. cxxix. The Royal George, of 108 guns, whilst undergoing a 
partial careening in Portsmouth Harbour, was overset about 10 a.m. Aug. 29, 
1782. The total loss was believed to be nearly 1000 souls. — This, again, might 
be called one of our trial-pieces, in regard to taste. The reader who feels the 
vigour of description and the force of pathos underlying Cowper's bare and 
truly Greek simplicity of phrase, may assure himself se valde profecisse in poetry. 

Page 133, No. CXXXI. A little masterpiece in a very difificuit style : Catullus 
himself could hardly have bettered it. In grace, tenderness, simplicity and 
humour it is worthy of tfie Ancients; and even more so, from the completeness 
and unity of the picture presented. 

Page 137, CXXXVI. Perhaps no writer who has given such strong proofs of 
the poetic nature has left less satisfactory poetry than Thomson. Yet he 
touched little which he did not beautify; and this song, with ' Rule Britannia ' 
and a few others, must make us regret that he did not more seriously apply 
himself to lyrical writing. 

Page 139, No. CXL., line i. Aeolian lyre : the Greeks ascribed the origin of 
their Lyrical Poetry to the Colonies of Aeolis in Asia Minor. Thracia's hills 
(line 17) supposed a favourite resort of Mars. Feather'd king (line 21) the 
Eagle of Jupiter, admirably described by Pindar in a passage here imitated 
by Gray. Idalia (line 27) in Cyprus, where Cytherea (Venus) was especially 
worshipped. 





340 NOTES. 



Page 140, CXL., line 20. Hyperio7i : the Sun. Stanzas 6-8 allude to Poets ot 
the Islands and Mainland of Greece, to those of Rome and of England. 

Page 142, No. CXL., line 9. Tfieban Eagle : Pindar. 

Page 144, No. CXLI., line 23. chaste-eyed Queen : Diana. 

Page 146, No. CXLII. Attic warbler : the nightingale. 

Page 148, No. CXLIV. sleekit, sleek: bickering brattle, flittering flight: laith, 
loth: pottle, ploughstaff: ■wkyles,3X times: a dalmen Uker, a corn-ear now and 
then : tkrave, shock : lave, rest: foggage, aftergrass : s?/ell, biting: but hald, with- 
out dwelling-place : thole, bear: cranreuch, hoarfrost: thy lane, alone: a-glcy, 
off the right line, awry. 

Page 151, No. CXLVii. Perhaps the noblest stanzas in our language. 

Page 155, No. CXLVni. stoure, dust-storm : braio. smart. 

Page 156, No. CXLIX. scaith, Iiurt: tent, guard: steer ^ molest. 

Page 157, No. CLI. drumlie, muddy : birk, birch. 

Page 159, No. CLII. greet, cry: daurna, dare not. — There can hardly exist a 
poem more truly tragic in the highest sense than this : nor, except Sappho, has 
any Poetess known to the Editor equalled it in excellence. 

Page 159, No. CLIII. fou, merry with drink: coost, carried: unco skeigh, very 
proud: gart, forced: abeigh, aside: Ailsa craig, a rock in the Firth of Clyde: 
grat his een bleert, cried till his eyes were bleared: lowpin, leaping: linn, water- 
fall: sair, sore: smoord, smothered: croiise and canty, blythe and gay. 

Page 160, No. CLIV. Burns justly named this ' one of the most beautiftil 
songs in the Scots or any other language.' One verse, interpolated by Beattie, 
is here omitted : — it contains two good lines, but is quite out of harmony with 
the original poem. Bigonet, little cap ; probably altered from beguineite : thraw, 
twist : caller, fresh. 

Page 162, No. CLV. airts, quarters : row, roll: shaw, small wood in a hollow, 
spinney: knowes, knolls. 

Page 163, No. CLVi. Jo, sweetheart: brent, smooth ; paw, head. 

Page 163, No. CLVII. leal, faithful: fain, happy. 

Page 164, No. CLVIII. Henry VI. founded Eton. 

Page 170, No. CLXI. The Editor knows no Sonnet more remarkable than 
this, which, with CLXII., records Co\\Tier's gratitude to the Lady whose affec- 
tionate care for many years gave what sweetness he could enjoy to a life radi- 
cally wretched. Petrarch's sonnets have a more ethereal grace and a more 
perfect finish ; Shakespeare's more passion; Milton's stand supreme in stateli- 
ness; Wordsworth's in depth and delicacy. But Cowper's unites with an 
exquisiteness in the turn of thought which the ancients would have called 
Irony, an intensity of pathetic tenderness peculiar to his loving and ingenuous 
nature. — There is much mannerism, much that is unimportant or of no\v 
exhausted interest in his poems: but where he is great, it is with that elemen- 
tary greatness which rests on the most universal human feelings. Cowper is 
our highest master in simple pathos. 

Page 172, No. CLXIII. fancied green : cherished garden. 

Page 172, No. CLXIV. Very little except his surname appears recoverable 
with regard to the author of this truly noble poem, which appeared in the 
* Scripscrapologia, or Collins' Doggerel Dish of All Sorts,' with three or four 
other pieces of merit. Birmingham, 1804. It should be noted as exhibiting a 
rare excellence, — the climax of simple sublimity. 



NOTES. 



341 



It is a lesson of great instructiveness to examine the essential qualities which 
give high poetical ranl< to lyrics such as ' To-morrow ' or ' Sally in our Alley,' 
when compared with poems written (if the phrase may be allowed) in keys so 
different as the.subtle sweetness of Shelley, the grandeur of Gray and Milton, 
or the delightful Pastoralism of the Elizabethan verse. Inlelligent readers will 
gain hence a clear understanding of the vast imaginative range of Poetry; — 
through what wide oscillations the mind and the taste of a nation may pass ; — 
how many are the roads which Truth and Nature open to Excellence. 



Summary of Book Fourth. 

It proves sufficiently the lavish wealth of our own age in Poetry, that the 
pieces which, without conscious departure from the standard of Excellence, ren- 
der this Boole by far the longest, were with very few exceptions composed during 
the first thirty years of the nineteenth century. Exhaustive reasons can hardly 
be given for the strangely sudden appearance of individual genius : that, how- 
ever, which assigns the splendid national achievements of our recent poetry to 
an impulse from the France of the first Republic and Empire appears to the 
Editor inadequate. The first French Revolution was rather, in his opinion, one 
result, and in itself far from the most important, of that wider and more potent 
spirit which through enquiry and attempt, through strength and weakness, 
sweeps mankind round the circles (not, as some fondly dream, of Advance, 
but) of gradual Transformation: and it is to this that we must trace the litera- 
ture of modern Europe. But, without more detailed discussion on the motive 
causes of Scott, Wordsworth, Campbell, Keats, and Shelley, we may observe 
that these Poets, with others, carried to further perfection the later tendencies 
of the Century preceding, in simplicity of narrative, reverence for human Pas- 
sion and Character in every sphere, and impassioned love of Nature: — that, 
whilst maintaining on the whole the advances in art made since the Restora- 
tion, they renewed the half-forgotten melody and depth of tone which marked 
the best Elizabethan writers: — that, lastly, to what was thus inherited they 
added a richness in language and a variety in metre, a force and fire in narra- 
tive, a tenderness and bloom in feeling, an insight into the finer passages of the 
Soul and the inner meanings of the landscape, a larger and wiser Humanity, — 
hitherto hardly attained, and perhaps unattainable even by predecessors of not 
inferior individual genius. In a word, the Nation which, after the Greeks in 
their glory, has been the most gifted of all nations for Poetry, expressed in 
these men the highest strength and prodigality of its nature. They interpreted 
the age to itself — hence the many phases of thought and style they present: — 
to sympathize with each, fervently and impartially, without fear and without 
fancifulness, is no doubtful step in the higher education of the Soul. For, as 
with the Affections and the Conscience, Ptirity in Taste is absolutely propor- 
tionate to Strength: — and when once the mind has raised itself to grasp and 
to dehght in Excellence, those who love most will be found to love most wisely. 

Page 17s, No. CLXVI. stout Cortez: History requires here Balioa: (A. T.) 
It may be noticed, that to find in Chapman's Homer the 'pure serene' of the 
original, the reader must bring with him the imagination of the youthful poet; 
— he must be ' a Greek himself,' as Shelley finely said of Keats. 



-h£4 



342 NOTES. 

Page 179, No. CLXIX. The most tender and true of Byron's smaller poems. 

Page 180, No. CLXX. This poem, with ccxxxvi., exemplifies the peculiar skill 
with which Scott employs proper names: — nor is there a surer sign of high 
poetical genius. 

Page 197, No. CXCI. The Editor in this and in other instances has risked the 
addition (or the change) of a Title, that the aim of the verses following may be 
grasped more clearly and immediately. 

Page 203, No. CXCVin. nature s Eremite : like a solitary thing in Nature. — 
This beautiful Sonnet was the last word of a poet deserving the title ' marvellous 
boy' in a much higher sense than Chatterton. If the fulfilment may ever safely 
be prophesied from the promise, England appears to have lost in Keats one 
whose gifts in Poetry have rarely been surpassed. Shakespeare, Milton, and 
Wordsworth, had their lives been closed at twenty-five, would (so far as we 
know) have left poems of less excellence and hope than the youth who, fi-om 
the petty school and the London surgery, passed at once to a place with them 
of ' high collateral glory.' 

Page 205, No. CCI. It is impossible not to regret that Moore has written so 
little in this sweet and genuinely national style. 

Page 205, No. ecu. A masterly example of Byron's command of strong thought 
and close reasoning in verse; — as the next is equally characteristic of Shelley's 
wayward intensity, and CCIV. of the dramatic power, the vital identification of 
the poet with other times and characters, in which Scott is second only to Shake- 
speare. 

Page 215, No. CCI.X. Bonnivard, a Genevese, was imprisoned by the Duke 
of Savoy in Chillon on the lake of Geneva for his courageous defence of his 
country against the tyranny with which Piedmont threatened it during the first 
half of the Seventeenth Century. — This noble Sonnet is worthy to stand near 
Milton's on the Vaudois massacre. 

Page 215, No. CCX. Switzerland was usurped by the French under Napoleon 
in 1800: Venice in 1797 (CC.XI.). 

Page 218, No. CCXV. This battle was fought Dec. 2, 1800, between the AuS' 
trians under Archduke John and the French under Moreau, in a forest neat 
Munich. HoJien Linden means Higk Liiuetrees. 

Page 221, No. CCXVIIl. After the capture of Madrid by Napoleon, Sir J. 
Moore retreated before Soult and Ney to Corunna, and was killed whilst cover-* 
ing the embarcation of his troops. His tomb, built by Ney, bears this inscrip- 
tion — 'John Moore, leader of the English armies, slain in battle, 1809.' 

Page 233, No. CCXXIX. The Mermaid was the club-house of Shakespeare, 
Ben Jonson, and other choice spirits of that age. 

Page 234, No. CCXXX. Maisie : Mary. — Scott has given us nothing more 
complete and lovely than this little song, which unites simplicity and dramatic 
power to a wild-wood music of the rarest quality. No moral is drawn, far less 
any conscious analysis of feeling attempted : — the pathetic meaning is left to be 
suggested by the mere presentment of the situation. A narrow criticism has 
often named this, which may be called the Homeric manner, superficial, from 
its apparent simple facility; but first rate excellence in it (as shown here, in 
CXCVI., CLVI., and CXXIX.) is in truth one of the least common triumphs of 
Poetry. — This style should be compared with what is not less perfect in its way, 
the searching out of inner feeling, the expression of hidden meanings, the reve- 




NOTES. 343 

lation of the heart of Nature and of the Soul within the Soul, — the analytical 
method, in short, — most completely represented by Wordsworth and by Shel- 
ley. 

Page 240, No. CCXXXIV. correl: covert on a hillside. Cumber : trouble. 

Page 253, CCXLIII. This poem has an exaltation and a glory, joined with an 
exquisiteness of expression, which place it in the highest rank amongst the 
many masterpieces of its illustrious Author. 

Page 262, No. CCLII. Interlunar swoon : interval of the Moon's invisibility. 

Page 268, No. CCLVI. Calpe : Gibraltar. Lofoden : the Maelstrom whirlpool 
off the N.W. coast of Norway. 

Page 269, No. CCLVII. This lovely poem refers here and there to a ballad by 
Hamilton on the subject better treated in CXXVII. and cxxvill. 

Page 282, No CCLXVIII. Arcturi : seemingly used for northern stars. — And 
wild roses, &>€. Our language has no line modulated with more subtle sweet- 
ness. 

Page285,No. CCLXX. Ceres' daughter : Proserpine. God of-Torment : Pluto. 

Page 286, No. CCLXXI. This impassioned address expresses Shelley's most 
rapt imaginations, and is the direct modern representative of the feeling which 
led the Greeks to the worship of Nature. 

Page 295, No. CCLXXIV. The leading idea of this beautiful description of a 
day's landscape in Italy appears to be, — On the voyage of life are many mo- 
ments of pleasure, given by the sight of Nature, who has power to heal even the 
worldliness and the uncharity of man. 

Page 296, No. CCLXXIV., line 36. Amphitrhe was daughter to Ocean. 

Page 301, No. CCLXXV., line 7. Maenad: a frenzied Nymph, attendant on 
Dionysos in the Greek mythology. Line 25. Plants under water sympathize 
with the seasons of the land, and hence with the winds which affect them. 

Page 302, No. CCLXXVI. Written soon after the death, by shipwreck, of 
Wordsworth's brother John. This poem should be compared with Shelley's 
following it. Each is the most complete expression of the innermost spirit of 
his art given by these great Poets : — of that Idea which, as in the case of the 
true Painter, (to quote the words of Reynolds,) 'subsists only in the mind; 
The sight never beheld it, nor has the hand expressed it : it is an idea residing 
in the breast of the artist, which he is always labouring to impart, and which he 
dies at last without imparting.* 

Page 304, No. CCLXXVI. the Kind : the human race. 

Page 305, No. CCLXXVllL Proteus represented the everlasting changes, united 
with ever-recurrent sameness, of the Sea. 

Page 305, No. CCLXXIX., the royal Saint : Henry VI. 

Page 313, No. CCLXXXVII. The single absolutely first-rate Ode (among Odes 
on the great scale) known to the Editor (for Shelley's Adonais is an Elegy), pro- 
■ duced in this century : — and, like Adonais, the poet's greatest achievement. 

Page 320, No. CCXC, line i. prease : press. Sidney's poetry is singularly 
unequal; his short life, his frequent absorption in public employment, hindered 
doubtless the development of his genius. His great contemporary fame, second 
onlv, it appears, to Spenser's, has been hence obscured. At times he is heavy 
and even prosaic; his simplicity is rude and bare; his verse unmelodious. 
These, however, are the ' defects of his merits.'- In a certain depth and chiv- 
alry of feeling, — in the rare and noble quality of disinterestedness (to put it in 





NOTES. 

one word), — he has no superior, hardly perhaps an equal, amongst our Poets ; 
and after or beside Shakespeare's Sonnets, his Astyopliel and Stella, in the 
Editor's judgment, offers the most intense and powerful picture of the passion 
of love in the whole range of our poetry. 

Page 320, No. CCXCI. From W.J. Linton's 'Rare Poems' (1883): a selec- 
tion containing many pieces which deserve the epithet for their beauty not less 
than for their unfamiliarity. This gracious lyric appeared in one of the Eliza- 
bethan song-books. 

Page 320, No. CCXCII. With better taste, and less diffuseness, Quarles might 
(one would think) have retained more of that high place which he held in 
popular estimate among his contemporaries. 

Page 321, No. CC-\CIII. A masterpiece of humour, grace, and gentle feeling, 
all, with Herrick's unfailing art, kept precisely within the peculiar key which he 
chose, — or Nature for him, — in his Pastorals. Line 18. the god unshorn: Im- 
berbis Apollo. 

Page 322, No. CCXCIII., line 12. beads : prayers. 

Page 323, No. CCXCI v.: see note on LXXV. 

Page 322, No. CC.XCV. This magnificent song occurs in the long poem which 
Smart is reported to have written whilst confined as a madman. 

Page 324, No. CCXCVI. Burns himself, despite two attempts, failed to improve 
this little absolute masterpiece of music, tenderness, and simplicity: — this 'Ro- 
mance of a life ' in eight lines. It has a rival in quality in CC.xcix. 

Page 324, No. CCXCVII. Written in 1773, towards the beginning of Cowpei's 
second attack of melancholy madness — a time when he altogether gave up 
prayer, saying, ' For him to implore mercy would only anger God the more.' 
Yet, had he given it up when sane, it would have been ' major insania, ' 

Page 325, No. CCXCVIII. Cowper's last original poem, founded upon a story 
told in Anson's ' Voyages.' It was written March, 1799 ; he died April, 1800. 



INDEX OF WRITERS, 

WITH DATES OF BIRTH AND DEATH. 

Alexander, William (1580 — 1640) xxii. 

Anon ; — ix, xvii, XL, Lxxx, Lxxxvi, xci, xciv, xcvii, cvi, cvii, cviii, 
CXXVIII, ccxci, ccxcvi. 

Bacon, Francis (1561 — 1626) LVii. 

Barbauld, Anna Laetitia {1743 — 1S25) CLXV. 

Barnefield, Richard (i6th Century) XXXIV. 

Beaumont, Francis (1586 — 1616) LXVii. 

Blake, William (1757 — 1827) ccxcix. 

Burns, Robert (1759 — 1796) cxxv, cxxxii, cxxxix, CXLIV, cxLviii, cxLix, 

CL, CLI, CLIII, CLV, CLVI. 

Byron, George Gordon Noel (1788 — 1824) CLXIX, CLXXI, CLXXiii, cxc, ecu, 
ccix, CCXXII, CCXXXII. 

Campbell, Thomas (1777 — 1844) CLXXXi, CLxxxiii, clxxxvii, cxcvii, ccvi, 

CCVII, CCXV, CCLVI, CCLXII, CCLXVII, CCLXXXIII. 
Carew, Thomas (1589 — 1639) Lxxxvii. 

Carey, Henry ( 1743) cxxxi. 

ClBEER, Colley (1671 — 1757) CXIX. 

Coleridge, Hartley (1796 — 1849) ci.xxv. 

Coleridge, Samuel Taylor (1772 — 1834) CLXvni, CCLXXX. 

Collins, William (1720 — 1756) cxxiv, cxli, cxlvi. 

Collins, (iSth Century) CLXIV. 

Constable, Henry (156- ? — 1604 ?) xv. 

Cowley, Abraham (1618 — 1667) cu. 

COWPER, William (1731 — iSoo) CXXIX, CXXXIV, CXLIII, CLX, CLXI, CLXII, 

CCXCVII, CCXCVIII. 

Crashaw. Richard (1615 ? — 1652) I.XXIX. 
Cunningham, Allan (1784— 1842) ccv. 

Daniel, Samuel (1562 — 1619) xxxv. 

Dekker, Thomas ( • 1638 ?) LIV. 

Drayton, Michael (1563 — 1631) xxxvii. 

Drummond, William (1585 — 1649') 11, xxxvill, XLIII, LV, LVIII, Lix, LXI. 

DRYDEN, John (163I — 1700) LXIII, CXVI. 

Elliott, Jane (i8th Century) CXXVI. 
Fletcher, John (1576— 1625) civ. 



^, 




INDEX OF WRITERS. 

Gay, John (i6S8 — 1732) cxxx. 
Goldsmith, Oliver (1728 — 1774) cxxxvnr. 

Graham, (1735 — 1797) cxxxin. 

Gray, Thomas (1716 — 1771) cxvii, cxx, cxxiii, cxl, cxlii, cxlvii, clviii, 

CLIX. 

Herbert, George (1593 — 1632) LXXiv. 

Herrick, Robert (1591 — 1674?) Lxxxn, Lxxxvni, xcn, xcni, xcvi, cix, 
cx, CCXCIII. 

Heywood, Thomas ( 1649?) LII. 

Hooo, Thomas (1798 — 1845) ccxxiv, ccxxxi, ccxxxv. 

JONSON, Ben (1574— 1637) LXXIII, LXXVIII, XC. 

Keats, John (1795 — 1821) CLXVI, CLXVII, cxci, cxciii, cxcviu, cxcix, 
CCXXIX, CCXLIV, CCLV, CCLXX, CCLXXXIV. 

Lamb, Charles (1775 — 1835') ccxx, ccxxxill, ccxxxvil. 

Lindsay, Anne (1750 — 1825) cui. 

Lodge, Thomas (1556 — 1625) xvi. 

Logan, John (1748 — 1788) cxxvn. 

Lovelace, Richard (1618 — 1658) Lxxxm, xcix, c. 

Lylye, John (1554— 1600) LI. 

Marlowe, Christopher (1562 — 1593) v. 

Marvell, Andrew (1620 — 1678) Lxv, CXI, cxiv. 

Mickle, William JuUus (1734 — 1788) CLIV. 

Milton, John (1608 — 1974) Lxii, Lxiv, lxvi, lxx, lxxi, lxxvi, lxxvii, 

LXXXV, CXII, CXIII, cxv. 

Moore, Thomas (1780— 1852) CLxxxv, cci, ccxvii, ccxxi, ccxxv. 

Nairn, Carohna (1766 — 1845) CLVII. 
Nash, Thomas (1567 — 1601 ?) \. 

Philips, Ambrose (1671 — 1749) cxxi. 
Pope, Alexander (16S8 — 1744) cxviii. 
Prior, Matthew (1664— 1721) cxxxvn. 

Quarles, Francis (1592 — 1644) ccxciv. 

Rogers, Samuel (1762— 1855) cxxxv, CXLV. 

SCOrr, Walter (177I — 1832) CV, CLXX, CLXXXII, CLXXXVI, CXCII, cxciv, 

CXCVI, CCIV, CCXXX, CCXXXIV, CCXXXVI, CCXXXIX, CCLXIII. 
Sedley, Charles (1639 — 1701) Lxxxi, xcviil. 

Sewell, George ( 1726) CLXIII. 

Shakespeare, William (1564 — 1616) in, iv, vi, vii, viii, x, xi, xii, xiii, xiv, 

XVIII, XIX, XX, XXIII, XXVI, XXVII, XXVIII, XXIX, XXX, XXXI, XXXII, XXXVI, 
XXXIX, XLII, XI.IV, XLV, XLVI, XI.VIII, XLIX, L, LVI, LX, CCLXXXIX. 





INDEX OF IVRITERS. 347 

Shelley, Percy Bysshe (1792— 1S22) CLxxir, CLXxvi, CLxxxiv, cLxxxviii, 
cxcv, cciii, ccxxvi, ccxxvn, ccxli, ccxlvi, cclh, cclix, cclx, cclxiv, 

CCLXV, CCLXVIII, CCLXXI, CCLXXIV, CCLXXV, CCLXXVII, CCLXXXV, 

ccLXXxvin. 
Shirley, James (1596 — 1666) i.xvni, LXix. 
Sidney, Philip (1554 — 1586) xxiv, ccxc. 
Smart, Christoplier (1722—1770) ccxcv. 
SOUTHEY, Robert (1774— 1843) ccxvi, ccxxvill. 
Spenser, Edmund {1553 — 1598-9) liii. 
Suckling, John {160S-9 — 1641) ci, 
Sylvester, Joshua (1563 — 1618) xxv. 

Thomson, James (1700 — 174B) cxxn, cxxxv. 

Vaughan, Henry (1621— 1695) LXXV, CCXCIV. 
Vere, E&vvard (1534 — 1604) XLI. 

Waller, Edmund (1605— 1687) Lxxxix, xcv. 

Webster, John ( 1638 ?) xLvn. 

Wither, George (1588 — 1667) cin. 

Wolfe, Charles (1791 — 1823) CCXVIII, ccc. 

Wordsworth, William (1770 — 1850) clxxiv, clxxvii, clxxviii, clxxix, 

■CLXXX, CLXXXIX, CC, CCVIII, CCX, CCXI, CCXII, CCXIII, CCXIV, CCXIX, CCXXIII, 
CCXXXVIII, CCXL, CCXLII, CCXLIII, CCXLV, CCXLVII, CCXLVIII, CCXLIX, CCL, 
CCLI, CCLin, CCHV, CCLVII, CCLVIII, CCLXI, CCLXVI, CCLXIX, CCLXXII, 
CCLXXIII, CCLXXVI, CCLXXVIII, CCI.XXIX, CCLXXXI, CCLXXXII, CCLXXXVI, 
CCLXXXVII, CCCI. 

WOTTON, Henry (1568—1639) LXXII, LXXXIV. 

Wyat, Thomas (1503 — 1542) XXI, XXXIH. 




INDEX OF FIRST LINES. 



PAGE 

Absence, hear thou my protestation i6 

A Chieftain to the Highlands bound i88 

A flock of sheep that leisurely pass by 280 

Ah, Chloris ! could I now but sit 78 

Ah ! County Guy, the hour is nigh 192 

All in the Downs the fleet was moor'd 131 

All thoughts, all passions, all delights 177 

And are ye sure the news is true 160 

And is this — Yarrow? — This the Stream 271 

And thou art dead, as young and fair 205 

And wilt thou leave me thus 29 

Ariel to Miranda : — Take 262 

Art thou pale for weariness 280 

Art thou poor, yet hast thou golden slumbers 45 

As it fell upon a day 30 

As I was walking all alane 96 

A slumber did my spirit seal 187 

As slow our ship her foamy track 226 

A sweet disorder in the dress 85 

At the corner of Wood Street, when daylight appears 261 

At the mid hour of night, when stars are weeping, I fly 205 

Avenge, O Lord ! thy slaughter'd Saints, whose bones 59 

Awake, Aeolian lyre, awake 139 

Awake, awake, my Lyre 90 

A weary lot is thine, fair maid 200 

A wet sheet and a flowing sea 209 

A widow bird sate mourning for her Love 280 

Bards of Passion and of Mirth 175 

Beauty sat bathing by a spring 21 

Behold her, single in the field 260 

Being your slave, what should I do but tend 17 

Beneath these fruit-tree boughs that shed 251 

Best and Brightest, come away 274 

Bid me to live, and I will live 87 

Blest pair of Sirens, pledges of Heaven's joy ill 

Blow, blow, thou winter wind 35 

Bright Star ! would I were steadfast as thou art 203 



1^^ 



INDEX OF FIRST LINES. 349 

PAGE 

Call for the robin red-breast and the wren 37 

Calm was the day, and through the trembUng air 40 

Captain, or Colonel, or Knight in arms 70 

Care-charmer Sleep, son of the sable Night 31 

Come away, come away, Death 36 

Come live with me and be my Love 14 

Come Sleep: O Sleep ! the certain knot of peace . 319 

Come unto these yellow sands 319 

Crabbed Age and Youth 14 

Cupid and my Campaspe play'd 39 

Cyriack, whose grandsire, on the royal bench 74 

Daughter of Jove, relentless power 167 

Daughter to that good earl, once President 81 

Degenerate Douglas! O the unworthy lord v 257 

Diaphenia like the daffadowndilly 19 

Doth then the world go thus, doth all thus move 48 

Down in yon garden sweet and gay 129 

Drink to me only with thine eyes 84 

Duncan Gray cam here to woo 159 

Earl March look'd on his dying child 203 

Earth has not anything to show more fair 256 

E'en like two little bank-dividing brooks 320 

Eternal Spirit of the chainless Mind ' 215 

Ethereal minstrel! pilgrim of the sky 248 

Ever let the Fancy roam 2S3 

Fair Daffodils, we weep to see ; 98 

Fair pledges of a fruitful tree 97 

Farewell ! thou art too dear for my possessing 28 

Fear no more the heat o' the sun 36 

For ever, Fortune, wilt thou prove 137 

Forget not yet the tried intent 23 

Four Seasons fill the measure of the year . 312 

From Harmony, from heavenly Harmony 57 

From Stirling Castle we had seen 269 

Full fathom five thy father lies -^j 

Gather ye rose-buds while ye may 79 

Gem of the crimson-colour'd Even 193 

Get up, get up for shame ! The blooming morn 321 

Go fetch to me a pint o' wine 134 

Go, lovely Rose 83 

Hail to thee, blithe Spirit 248 

Happy the man, whose wish and care 117 

Happy those early days, when I 73 

He that loves a rosy cheek 83 



350 INDEX OF FIRST IINES. 

PAGE 

He is gone on the mountain 240 

He sang of God, tlie miglity source 323 

Hence, all you vain delights 92 

Hence, loathed Melancholy 100 

Hence, vain deluding Joys 105 

How delicious is the winning 190 

How happy is he born and taught 71 

How like a winter hath my absence been 17 

How sleep the Brave who sink to rest 126 

How sweet the answer Echo makes 192 

How vainly men themselves amaze 98 

I am monarch of all I survey . 16S 

I arise from dreams of Thee 182 

I dream'd that as I wander'd by the way 2S2 

I fear thy kisses, gentle maiden 185 

I have had playmates, I have had companions 225 

I have no name 327 

I heard a thousand blended notes 287 

I met a traveller from an antique land 256 

I remember, I remember 228 

I saw Eternity the other night 323 

I saw where in the shroud did lurk 243 

I travell'd among unknown men i85 

I wander'd lonely as a cloud 264 

I was thy neighbour once, thou rugged Pile 302 

I wish I were where Helen lies 9S 

If aught of oaten stop or pastoral song 15° 

If doughty deeds my lady please 13S 

If I had thought thou couldst have died 327 

If Thou survive my well-contented day 38 

If to be absent were to be 89 

If women could be fair, and yet not fond 34 

I'm wearing awa', Jean ■• 163 

In a drear-nighted December 197 

In the downhill of life, when I find I'm declining 172 

In the sweet shire of Cardigan 222 

It is a beauteous evening, calm and free 278 

It is not Beauty I demand 81 

It is not growing like a tree 7^ 

It was a lover and his lass 16 

It was a summer evening 219 

I've heard them lilting at our ewe-milking 127 

John Anderson my jo, John 103 

Lawrence, of virtuous father virtuous son 74 

Let me not to the marriage of true minds 24 

Life! I know not what thou art I73 



INDEX OF FIRST LINES. 351 

PAGE 

Life of Life! Thy lips enkindle 286 

Like as the waves make towards the pebbled shore 28 

Like to the clear in highest sphere 20 

Love not me for comely grace 87 

Lo ! where the rosy-bosom'd Hours 145 

Many a green isle needs must be 295 

Mary! I want a lyre with other strings 170 

Milton! thou shouldst be living at this hour 217 

Mine be a cot beside the hill 149 

Mortality, behold and fear 68 

Most sweet it is with unuplifted eyes 283 

Much have I travell'd in the realms of gold 175 

Music, when soft voices die 318 

My heart aches, and a drowsy numbness pains 25 

My days among the Dead are past 233 

My heart leaps up when I behold 312 

My love in her attire doth shew her wit 86 

My lute, be as thou wert when thou didst grow 32 

My thoughts hold mortal strife 35 

My true-love hath my heart, and I have his 25 

No longer mourn for me when I am dead 38 

Not a drum was heard, not a funeral note 221 

Not, Celia, that I juster am 88 

Now the golden Morn aloft 116 

Now the last day of many days 275 

O blithe new-comer! I have heard 253 

O Brignall banks are wild and fair 180 

O Friend ! I know not which way I must look 216 

O happy shades! to me unblest! 324 

O if thou knew'st how thou thyself dost harm 24 

O hsten, listen, ladies gay 240 

O lovers' eyes are sharp to see 202 

O Mary, at thy window be 155 

Ome! what eyes hath love put in my head 33 

O Mistress mine, where are you roaming „ . . . . 26 

O my Luve's like a red, red rose 157 

O never say that I was false of heart 18 

O saw ye bonnie Lesley 156 

O say what is that thing call'd Light » 118 

O snatch'd away in beauty's bloom 238 

O talk not to me of a name great in story 179 

O waly waly up the bank 94 

O what can ail thee, knight-at-arms ■. , 199 

O wild West Wind, thou breath of Autumn's being 300 

O World ! O Life ! O Time 312 

Obscurest night involved the sky 325 



^- 



rT=i= 




352 



INDEX OF FIRST LINES. 




PAGE 

Of all the girls that are so smart . 133 

Of a' the airts the wind can blavv 162 

Of Nelson and the North 211 

Of this fair volume which we World do name 47 

Oft in the stilly night 229 

On a day, alack the day 23 

On a Poet's lips I slept 304 

On Linden, when the sun was low 218 

Once did She hold the gorgeous East in fee 216 

One more Unfortunate 235 

One word is too often profaned 207 

Our bugles sang truce, for the night-cloud had lower'd 281 

Over the mountains 77 

Pack, clouds, away, and welcome day 39 

Phoebus, arise n 

Pibroch of Donuil Dhu 208 

Poor Soul, the centre of my sinful earth 46 

Proud Maisie is in the wood 234 

Queen and Huntress, chaste and fair 75 

Rarely, rarely, comest thou 230 

Ruin seize thee, ruthless King 122 

Season of mist and mellow fruitfulness 266 

Shall I compare thee to a summer's day 22 

Shall I, wasting in despair 9^ 

She dwelt among the untrodden ways 185 

She is not fair to outward view 184 

She wEjks ill beauty, like the night 183 

She was a phantom of delight 184 

Since brass, nor slone, nor earth, nor boundless sea 13 

Since there's no help, come let us kiss and part 32 

Sleep on, and dream of Heaven awhile 136 

Souls of Poets dead and gone 233 

Spring, the sweet Spring, is the year's pleasant king 11 

Star that bringest home the bee 278 

Stern Daughter of the voice of God 213 

Surprized by joy — impatient as the wind 204 

Sweet, be not proud of those two eyes 83 

Sweet Highland Girl, a very shower 258 

Sweet stream, that winds through yonder glade 136 

Swifdy walk over the western wave 194 

Take O take those lips away 31 

Tax not the royal Saint with vain expense 3°S 

Tell me not. Sweet, I am unkind 80 

Tell me where is Fancy bred 39 



INDEX OF FIRST LINES. 353 

PAGE 

That time of year thou may'st in me behold 27 

That which her slender waist confined 86 

The curfew tolls the knell of parting day .'.... 151 

The forward youth that would appear 59 

The fountains mingle with the river '91 

The glories of our blood and state 69 

The last and greatest Herald of Heaven's King 49 

The lovely lass o' Inverness 126 

The merchant, to secure his treasure '37 

The more we live, more brief appear 311 

The poplars are fell'd, farewell to the shade I47 

The sun is warm, the sky is clear 232 

The sun upon the lake is low 279 

The twentieth year is well nigh past 17° 

The World is too much with us ; late and soon 304 

The World's a bubble, and the Life of Man 46 

There be none of Beauty's daughters 182 

There is a flower, the Lesser Celandine 227 

There is a garden in her face 85 

There's not a joy the world can give like that it takes away 227 

There's not a nook within this solemn Pass 328 

There was a time when meadow, grove, and stream 3^3 

They that have power to hurt, and will do none 29 

This is the month, and this the happy morn <P 

This Life, which seems so fair 4^ 

Three years she grew in sun and shower 186 

Thy braes were bonny. Yarrow stream 127 

Thy hue, dear pledge, is pure and bright 93 

Timely blossom. Infant fair ^20 

Tired with all these, for restful death I cry ; 48 

Toll for the Brave ^3° 

To me, fair Friend, you never can be old 19 

'Twas at the royal feast for Persia won m 

'Twas on a lofty vase's side ^'9 

Two Voices are there, one is of the Sea 215 

Under the greenwood tree 'S 

Verse, a breeze 'mid blossoms straying 3°S 

Victorious men of earth, no more ^9 

Waken, lords and ladies gay 247 

Wee, sleekit, cow'rin', tim'rous beastie 148 

Were I as base as is the lowly plain 25 

We talk'd with open heart, and tongue 309 

We walk'd along, while bright and red 307 

We watch'd her breathing thro' the night 240 

Weep you no more, sad fountains 320 

Whenas in silks my Julia goes 86 



354 



INDEX OF FIRST IINES. 



PAGE 

When Britain first at Heaven's command 121 

When first the fiery-mant]ed Sun 267 

When God at first made Man 72 

When he who adores thee has left but the name 221 

When icicles hang by the wall 26 

When I consider how my light is spent 70 

When I have borne in memory what has tamed 217 

When I have fears that I may cease to be 204 

When I have seen by Time's fell hand defaced 13 

When I think on the happy days 324 

When in disgrace with fortune and men's eyes 18 

When in the chronicle of wasted time 22 

When lovely woman stoops to folly 138 

When Love with unconfin6d wings 88 

When maidens such as Hester die 239 

When Music, heavenly maid, was young 142 

When Ruth was left half desolate 288 

When the lamp is shatter'd 201 

When the sheep are in the fauld, and the kye at hame 158 

When to the sessions of sweet silent thought 27 

When we two parted 196 

Where art thou, my beloved Son 244 

Where shall the lover rest 197 

Where the bee sucks, there suck I 319 

Where the remote Bennudas ride 109 

While that the sun with his beams hot 33 

Whoe'er she be IS 

Why art thou silent ! Is thy love a plant 195 

Why, Damon, with the forward day 172 

Why 30 pale and wan, fond lover 9° 

Why weep ye by the tide, ladie 1S9 

With little here to do or see 265 

Ye banks and braes and streams around 138 

Ye banks and braes o' bonnie Doon 157 

Ye distant spires, ye antique towers 1^4 

Ye Mariners of England 210 

Yes, there is holy pleasure in thine eye 257 

Yet once more, O ye laurels, and once more 63 

You meaner beauties of the night 80 



